ADAM’S LADDER – 82% FUNDED!

Update, as of 11:00am, 09/20/17: We are nearly there!

Adam’s Ladder is now 82% funded, thanks to your generosity, and to an incredibly lucky campaign backer who snagged the signed Stephen King book. Along with pre-ordering in eBook, trade paperback, and deluxe hardback, there are a few editing and book design packages available, but they are going fast. There is even a $4 option for coffee lovers, and rare/signed books available now and again throughout the campaign. Help us get to 100% so we can bring this book to life! Once completely funded, unlocks will be made available to offer campaign-backers free books as our way of saying thanks!

To see how you can help, click the image below, or anywhere you see Adam’s Ladder. This is an all-or-nothing campaign. Written Backwards has taken over production of this book from another publisher, so pre-orders are vital in bringing this book to life, and to assure that writers and artists are paid professionally for their work. Upon reaching 100% funding, Adam’s Ladder will immediately go into print production, with trade paperbacks and ebooks available in October, and the  hardbacks in November. So, you won’t have to wait long to receive your books.

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If you are thinking about pre-ordering the deluxe hardback, please note that only 100 of these will ever be produced, so they will be quite the collector’s item. The 100-numbered limited hardcover edition of Adam’s Ladder, signed by editors Michael Bailey and Darren Speegle, will be bound in black leatherette, with silver foil stamping on the cover and spine, a full-color wraparound dust jacket, and printed on 60# natural offset paper. Those pre-ordering the hardback will also receive a trade paperback of Adam’s Ladder, as well as the eBook. And if we reach our unlock goals, you can expect up to two additional free trade paperback books and an eBook of the next anthology by Written Backwards, for as little as $95.

Support small press, and we will keep cranking out quality fiction!

The full Table of Contents includes:

“Ch-ch-changes” – Chaz Brenchley
“Filigree, Minotaur, Cyanide, Bloom” – Damien Angelica Walters
“How He Helped” – Ramsey Campbell
“Spirits” – Gene O’Neill
“The Mythic Hero Most Likely to Squeeze a Stone” – B.E. Scully
“My Father, Dr. Frankenstein” – John Langan
“Undersound” – Mark Morris
“A Laughing Matter” – Erinn L. Kemper
“The Serile” – Paul Meloy
“Eyes of the Beholders” – Lisa Morton
“Strings” – Tim Lebbon
“Sliced Bread” – Jeffrey Thomas
“I Will Be the Making of You” – Rena Mason
“Nameless Citizen” – Brian Evenson
“Painting the Burning Fence” – Roberta Lannes
“Pitty This Busy Monster Not” – Scott Edelman
“An End to Perpetual Motion” – Mark Samuels
“Swift to Chase” – Laird Barron

Adam's Ladder - Cover

ADAM’S LADDER PRE-ORDER CAMPAIGN!

Written Backwards is taking over the production of Adam’s Ladder, an anthology of dark science fiction co-edited by Michael Bailey and Darren Speegle, but we need your help to bring this book to life!

To help fund this project, an Indiegogo campaign has been established and will now through October 15th. This is an all-or-nothing campaign, so help out if you can. Full funding will assure that all contributors receive professional payment for their work. And upon funding, campaign backers won’t have to wait long to receive their book orders. The trade paperback and eBook  are scheduled for release in mid- to -late-October, with the deluxe hardback available in November.

Click the Adam’s Ladder cover below to visit the Indiegogo campaign.

Adam's Ladder - Cover

What is to Become of Humankind?

The future of humankind as an ever-changing organism is a subject of much debate. Where is our evolutionary path leading? Will the next rung take the form of mental transcendence, will it set humankind on a course toward divinity, or will this uncertain path involve a dark and terrible reversion?  Co-editors Michael Bailey and Darren Speegle present eighteen tales of dark science fiction that explore the course of evolution, written by some of the best literary minds in the fields of science fiction and horror:

  • Laird Barron – “Swift to Chase”
  • Chaz Brenchley – “Ch-ch-changes”
  • Ramsey Campbell – “How He Helped”
  • Scott Edelman – “Pity this Busy Monster Not”
  • Brian Evenson – “Nameless Citizen”
  • Erinn L. Kemper – “A Laughing Matter”
  • John Langan – “My Father, Dr. Frankenstein”
  • Roberta Lannes – “Painting the Burning Fence”
  • Tim Lebbon – “Strings”
  • Rena Mason – “I Will Be the Making of You”
  • Paul Meloy – “The Serile”
  • Mark Morris – “Undersound”
  • Lisa Morton – “Eyes of the Beholders”
  • Gene O’Neill – “Spirits”
  • Mark Samuels – “An End to Perpetual Motion”
  • B.E. Scully – “The Mythic Hero Most Likely to Squeeze a Stone”
  • Jeffrey Thomas – “Sliced Bread”
  • Damien Angelica Walters – “Filigree, Minotaur, Cyanide, Bloom”

Adam’s Ladder will be published in eBook, trade paperback, and in a 100-numbered / limited edition (signed by its editors, Michael Bailey and Darren Speegle).

Does it have a book trailer?

Click this image below:

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What will the trade paperback look like?

Something like this:

What is to Become of Written Backwards?

Over the last ten years, Written Backwards has published multiple award-winning anthologies, fiction collections, and standalone novels and novellas, ranging from dark science fiction to horror. Previous anthologies include the Bram Stoker Award-winning The Library of the Dead, the Benjamin Franklin Award winning (and Stoker nominated) Qualia Nous, and three volumes of Chiral Mad (the latest also up for a Stoker). Books published by Written Backwards have seen eight individual works nominated for the prestigious Bram Stoker Award, with three of those stories taking home the statue. Other stories/poems have been nominated for the Nebula, the Rhysling, and others. Foreword Reviews Book of the Year, the Indie Book Awards, the Independent Publisher Book Awards, the Eric Hoffer Book Award, the International Book Award … Written Backwards titles have seen over two dozen literary accolades over the years through its handful of titles! But we need your help bringing the next project to life: Adam’s Ladder.

With your help, Written Backwards can continue in its legacy to:

  1. Seek out diverse voices, both new and well-established.
  2. Pay writers, poets, and artists professional rates.
  3. Provide fair publishing contracts.
  4. Design and publish some of the most beautiful books imaginable.

What is to Become of this Campaign?

You’re probably wondering where your money will go for this particular campaign. Here’s the breakdown:

  • 63.64% – goes directly to the writers, which includes professional payment at a per-word rate, plus the cost of contributor copies for the various editions of the book.
  • 31.22% – goes directly to publication costs for the eBook, trade paperback, and hardback editions of the book.
  • 5.14% – covers shipping.
  • And that’s it. Zero profit will be made from this campaign. Any additional funds raised will go directly to future Written Backwards projects, some of which are already lined up as expansions/unlocks within this campaign.

This is an all-or-nothing campaign, so if it doesn’t reach it’s goal, the project gets canned. Anthologies (let’s face it), are expensive to make (but we all want them), mostly because there are so many incredible contributors involved. We need to raise $6,500 to make this book happen, so we’ve come up with some enticing perks.

And that’s how you can help …

Written Backwards has some tricks to bring you even more great (and FREE) books in the form of campaign unlocks and future anthologies.

 

Pellucid Lunacy was the first anthology published by Written Backwards, and after ten years, the book is getting a face-lift. When the campaign reaches $7,000, all backers (contributing $95 or higher) will receive a complimentary copy of the trade paperback!

The title and author of the third illustrated book in the Allevon series by Written Backwards will be revealed when the campaign reaches $8,000, and all backers (contributing $95 or higher) will receive a complimentary copy of the trade paperback.

The title and tentative cover of the next dark science fiction anthology by Written Backwards will be revealed when the campaign reaches $12,000, and all backers (contributing $95 or higher) will receive a complimentary digital copy in either PDF or EPUB.

[ to-be-announced ] will include fiction by:

Michael Marshall Smith
Ian Watson
Roberta Lannes
Scott Edelman
B.E. Scully
Lynda Rucker
Brian Evenson
Erinn L. Kemper
Chaz Brenchley
Tlotlo Tsamaase
Gene O’Neill
​Richard Thomas
Paul Meloy
… and others TBA

 

GOBLIN – A REVIEW OF JOSH MALERMAN’S LATEST CREATION

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Josh Malerman is the author of the novels Birdbox (nominated for both the Shirley Jackson Award and Bram Stoker Award®) and Black Mad Wheel, and his most recent book from Earthling Publications is a fragmented novel called Goblin. I was fortunate enough to receive an Advance Uncorrected Proof to read and review.

Why am I reviewing this? Well, Josh is an all around nice guy, and he happens to write incredible fiction. I adored his debut novel, Bird Box, and highly enjoyed the next, Black Mad Wheel (although I love the Brazilian title Red Piano (Piano Vermelho) perhaps more than I should). I have also had the opportunity of publishing a few of his shorter works, including “The Bigger Bedroom” in Chiral Mad 3, and his Stoker-nominated dark sci-fi novelette “The Jupiter Drop” in You, Human. And later this year, Dark Regions Press will be publishing Bird Box Special Editionwhich I had the pleasure of designing inside and out, and which contains a new tie-in novelette called “Bobby Knocks” (pre-order for the deluxe hardback edition has since sold out, but copies of the 500 signed / numbered edition are still available).

Bird Box Special Edition - Cover

Also, I am a big fan of fragmented novels, or meta-novels (all four of my own novels, published and yet-to-be-published, are in this strange format), so of course I took an interest in Goblin, “a novel in six novellas.”

The first page of the Advanced Uncorrected Proof, as well as the back cover, totes heavy praise for Malerman’s latest: “Goblin is a mesmerizing, terrifying tight-rope walk” from Clive Barker; “Malerman has created a Derry for a new generation” from Sarah Pinborough; “Goblin is another triumph from Josh Malerman” from Christopher Golden; and many others. So what kind of blurb would I give? How about this, something longer and encompassing his other works:

“Josh Malerman’s Bird Box is a mastery of fear, capable of holding breaths hostage until the very end, while Red Piano (yes, I’d use that title) reveals he’s not yet done holding our throats. He is a writer capable of forcing us to turn the page, turn the page, turn the page. Goblin is Malerman having absolute fun with his literary hand, an apology of sorts, to all of us, really, Josh saying “Here, have something  lighthearted to read for once, but while you’re at it, I’m going to keep you captive in this devilish little town I’ve created.” Stephen King gave us the end of his Castle Rock with Needful Things, and now Josh Malerman gives us his Goblin, yet it feels like a new beginning of this crazy town.”

So what is Goblin? At first I thought the book might be about goblins, something tongue-in-cheek, something not-so-Malerman, yet I was quickly pleased to discover Goblin is the name of a small town in which all six of the linked / intertwining novellas take place. In Goblin it rains, unrelentingly, and surrounding the town are the terrible North Woods, as green as the book’s cover, and living within the town limits is a great jelly bean assortment of odd characters.

A Man in Slices starts things off, about a young man in a love so deep he sends body parts through the mail to his girlfriend. This is followed by Kamp, a ghost story, of sorts, the title of which is the main character, who lives in a hollowed-out skeleton of an apartment and sleeps on a Plexiglas bed in fear of nightly visitations. Happy Birthday, Hunter! centers around a meat-themed birthday party for a man addicted to big-game hunting, with all the town invited, and his fascination to take down the endangered Great Owl of the North Woods. In Presto, a young boy learns real magic from a magician calling himself the Roman Emperor. The penultimate story, A Mix-up at the Zoo, is perhaps my favorite of the six, in which parallel stories about Dirk Rogers, who works at both the Goblin Slaughterhouse and the Goblin Zoo, clash during his emotional breakdown caused by working such odd jobs. Finally, The Hedges, probably my second favorite tale, is about Goblin’s biggest tourist attraction, a seemingly never-ending hedge maze crafted by a man’s struggling with loss. Each of these stories mesh, and are a hoot (I couldn’t help myself, since the Great Owl plays a big part in all of this).

Some of the most brilliant novels are titled after main characters, and Goblin is no different. The most addictive character, perhaps, is Goblin itself … a fun little town.

Goblin is available for pre-order from Earthling Publications (October 2017), and features beautiful cover artwork (pictured above) by Allison Laakko, an introduction by James A. Moore, and interior artwork by Glenn Chadbourne. You can find the pre-order page by clicking any of the Goblin links on this site, or by clicking on that glorious cover.

If you are a fan of Josh Malerman, you will want a copy of this book.

ADAM’S LADDER

Adam's Ladder - Cover

ADAM’S LADDER, a dark science fiction anthology I co-edited with Darren Speegle, is coming soon from Dark Regions Press. This is the follow-up to DRP’s highly successful return to science fiction with last year’s anthology, You, Human, and Marc Levinthal’s debut novel, Other Music. We’re hoping for an August release for the trade paperback edition.

Table of Contents includes:

“Ch-ch-changes” – Chaz Brenchley
“Filigree, Minotaur, Cyanide, Bloom” – Damien Angelica Walters
“How He Helped” – Ramsey Campbell
“Spirits” – Gene O’Neill
“The Mythic Hero Most Likely to Squeeze a Stone” – B.E. Scully
“My Father, Dr. Frankenstein” – John Langan
“Undersound” – Mark Morris
“A Laughing Matter” – Erinn L. Kemper
“The Serile” – Paul Meloy
“Eyes of the Beholders” – Lisa Morton
“Strings” – Tim Lebbon
“Sliced Bread” – Jeffrey Thomas
“I Will Be the Making of You” – Rena Mason
“Nameless Citizen” – Brian Evenson
“Painting the Burning Fence” – Roberta Lannes
“Pity this Busy Monster Not” – Scott Edelman
“An End to Perpetual Motion” – Mark Samuels
“Swift to Chase” – Laird Barron

What is to become of man?

CHIRAL MAD 3 – ACCOLADES

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Chiral Mad 3 was recently announced as a winner in the Fiction: Anthologies category of the International Book Awards, so a hearty congratulations to all contributors.

Written Backwards titles recognized for the International Book Awards include:

The anthology was also nominated for a Bram Stoker Award® for Superior Achievement in an Anthology, and is currently a Finalist for Foreword Review’s Book of the Year Awards, also known as the Indies/IndieFab, with winners to be announced June 24th.

And while the anthology was submitted for the Benjamin Franklin Awards, there was a mix-up and the book was judged as a children’s book in on of their young adult categories (quite funny), so the book will be re-entered properly next year.

CHIRAL MAD 4 – SUBMISSIONS CLOSE 05/31/17

Not much time remains to turn in your collaborative short stories, novelettes, novellas, or graphic adaptations. Please email submissions to cm4@nettirw.com.

WRITTEN BACKWARDS

Updated (01/23/17):

Lucy A. Snyder has been chosen to co-edit Chiral Mad 4!

More than twenty requests were received over the last few days to co-edit the anthology (from writers and editors around the world), and after careful consideration, series creator/editor Michael Bailey has chosen to work with Lucy to bring you something entirely new with Chiral Mad 4, an entirely-collaborative anthology.

While previous volumes of Chiral Mad focused more on psychological horror, with most stories having some sort of chiral aspect in plot or character development or structure, Chiral Mad 4 will be open to just about anything, as long as the story has some sort of dark or speculative element. The only required chirality is with the collaboration itself … multiple minds working as one, in other words, to create something entirely new. We want this anthology to be as diverse as humanly possible, and will be looking for stories that bend and…

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YES TRESPASSING – NOW AVAILABLE!

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Today is Yes Trespassing day! The debut fiction collection by Erik T. Johnson is officially released to the wild. While the collection will be launched by Written Backwards at StokerCon 2017 in Long Beach later this month, the book is now available to order in trade paperback at Amazon.com. Horror. Wonder. Mindscrewing. &c! 436 pages and 1.6 pounds of awesome.

Yes Trespassing collects twenty-five, or maybe twenty-six or -seven or perhaps twenty-eight (let’s say it’s twenty-eight) individual works by Erik T. Johnson, some previously-published, some appearing in this book for the first time, stories like “The Leaf” and “Krug’s Pen,” “The Depopulation Syndrome,” “The Invention of the Mask” (which you can find on the front cover), “The Depopulation Syndrome” and the novella Scissors Seldom Come. Trespass. Read the horror, the wonder, the mindscrewing. This book will change you.

“Erik T. Johnson is insanely gifted, and Yes Trespassing is proof. This collection rattles, roars and shrieks with cognitive dissonances, phosphorescent settings and darker-than-fuck themes. From the handwritten notes to the drawings, this was a unique experience. In some stories, what you except to be a straight narrative devolves into lunacy. Then, what you expect to be lunacy, turns out to be nothing of the sort. You just don’t know which road Johnson wants to take on. Consider that this eclectic collection’s greatest strength. This reader was fascinated by the unexpected journeys. You can’t get these stories out of your head.” – J. Daniel Stone, author of Blood Kiss and The Absence of Light.

“[You] will thrill to the many conceits contained herein, marvel at the anoxic heights and the plutopian depths, become slightly queasy at the monstrous malformations of reality and despair at a glimpse of universes less than a nudge removed from our own.” – John F.D. Taff, author of The End in All Beginnings.