THE SUBMISSION WINDOW FOR POETRY IS NOW CLOSED.
Thank you to those who submitted poetry for the Chiral Mad 3 consideration. After receiving a little over 300 submissions, the anthology is now filled. Please note that a few websites and newsletters were erroneously reporting a March 31st end-date for poetry submissions, which was never the case; as mentioned below, this project considered poetry submissions until filled. Final acceptance/rejection emails will be sent out soon. See below for the original information re: poetry…
Chiral Mad 3 is developing.
Although the third in the series is not scheduled for publication until first quarter of 2016, the anthology is already in the works and promises to be nothing but stellar. Personal invitations for contributing fiction are going out now, and will most likely fill half the anthology; the other half will most likely come from open submissions later this year. More information coming soon.
There are a few things that will differentiate Chiral Mad 3 from past volumes:
1) The anthology will contain 20 stories (no more / no less), and anywhere from 10 and 20 poems to fit symmetrically around the fiction. Written Backwards is looking for two poems from each poetry contributor, so if you’re considering submitting a poem, consider submitting two.
2) The anthology will be fully-illustrated. Glenn Chadbourne is invited to take on this task, as he is familiar working with much of the invited talent. Yes, this project will rock your socks off!
Feel free to submit poetry now by sending your work to email@example.com. Payment will be $1 per line, up to 50 lines per poem. Poetry submissions will be open until filled.
Please do not submit fiction until the open submission window is announced later this year. Written Backwards will be looking for dark / psychological fiction between 1,500 and 7,500 words and will pay pro-rates up to 5,000 words; no science fiction, fantasy, excessive violence, gore, sex, or discrimination of any kind, unless used tastefully and for a greater purpose.