THE LIBRARY OF THE DEAD / QUALIA NOUS / EVERYTHING ELSE
The Library of the Dead was recently launched at the World Horror Convention in Atlanta, Georgia, where members of the Horror Writers Association, and many guests, were able to get a first look at this anthology at an hour-long Written Backwards event called “Readings and Shenanigans from The Library of the Dead and Qualia Nous.” Both anthologies were celebrated for their various awards and recognition, with both artwork and books on display (speaking of artwork, I hope to post a blog soon called “Illustrations for the Dead” to cover the beautiful artwork GAK has created for this project).
The first half of the panel included an introduction of panelists, a short discussion covering the real library of the dead and the original conception of the anthology, how the project was acquired by Written Backwards, as well as a discussion about the photography and the artwork (by GAK) used throughout the anthology. Yvonne Navarro read from her story “Those Who Shall Never Be Named,” followed by Weston Ochse reading from his story “Living Through Better Chemistry.” 10 copies of The Library of the Dead were given out to audience members for asking questions about the anthology. Erinn L. Kemper, Chris Marrs, Rena Mason, and Lucy A. Snyder discussed their stories as well. John Everson and Sydney Leigh (Shawna Bernard) from The Library of the Dead were also in attendance.
The second half of the panel covered Qualia Nous, a literary blend of science fiction and horror. Qualia Nous was nominated for a Bram Stoker Award for Superior Achievement in an Anthology, later to be given out by the Horror Writers Association at the Bram Stoker Award ceremony, although the prize eventually went to Ellen Datlow for her anthology Fearful Symmetries. Both Usman T. Malik and Rena Mason were recognized at this panel for their Bram Stoker Award nominations for Superior Achievement in Short Fiction from this anthology (Usman for his story “The Vaporization Enthalpy of a Peculiar Pakistani Family” and Rena for her story “Ruminations”) and both later took home the prize in a tie. Marge Simon was recognized for her Rhysling Award nomination for her poem “Shutdown,” and I’m happy to report that she also recently took home that prize, which was given out by the Science Fiction Poetry Association (SFPA). Qualis Nous also recently received The Benjamin Franklin Award for Science Fiction and Fantasy (I stopped in to the award ceremony in Austin, Texas a month prior to accept the award), along with being a finalist for the Indie Book Awards for anthologies, a silver medal finalist for the Independent Publisher Book Awards, and winning the International Book Award for science fiction (also a finalist for their anthologies category), and bronze medal winner of the Foreword Reviews’ Book of the Year Awards / INDIEFAB (also a finalist for both their science fiction and horror categories).
Anyway, at the Readings and Shenanigans event, Marge Simon read her two poems from the anthology: “Shutdown” and “Tomorrow’s Femme,“ followed by James Chambers reading part of his story “The Price of Faces,” which sparked curiosity in Josh Malerman (author of the stellar Bird Box), which later resulted in his involvement in the upcoming Chiral Mad 3, but much of that will be covered later. Usman T. Malik, Rena Mason, Erinn L. Kemper, Patrick Freivald, Lucy A. Snyder, Jason V Brock, and William F. Nolan also discussed their stories. 10 copies of Qualia Nous were also give away to audience members asking questions about the anthology, so in total 20 books were given away to happy panel attendees at this event.
Then came Anthocon, one of my favorite conventions, organized by the Four Horsemen in Portsmouth, New Hampshire. At Anthocon, Written Backwards held another one-hour release (and re-release) event, which proved to be just as successful. At the Lazy K, the first of the new Allevon series of illustrated novellas by Written Backwards (and the latest novella by Gene O’Neill), was first up, and Gene was on hand to discuss thoroughly, along with Rena Mason, who wrote the introduction. Instead of Q&A giveaways of books, we handled things differently. Leading up to the event, those who stopped by the Written Backwards vendor table received 5 raffle tickets for each book purchased (and received a copy of At the Lazy K for only $5 (including 5 more raffle tickets)) if purchasing any book offered at the table, which also included Gene O’Neill’s most recent collection, The Hitchhiking Effect. Throughout the hour, we raffled off a few books by Gene, a few books by GAK, along with some of his artwork, freebies from the Written Backwards table, and a few books offered by Chris Marrs. And we discussed more books this time around, including At the Lazy K, The Library of the Dead, Qualia Nous, and the three Chiral Mad volumes.
In attendance at the Anthocon panel: Thomas F. Monteleone (who did an unforgettable reading of “When I Was” from Chiral Mad 2, and has a story in Qualia Nous), Gene O’Neill (who discussed At the Lazy K and has stories in just about every Written Backwards release), Christopher Golden (who co-wrote a story with Tim Lebbon for The Library of the Dead called “Faultlines”), James Chambers (who read from his story in Qualia Nous), Kevin Lucia (who also read from his story in Chiral Mad 2), Gardner Goldsmith and Sydney Leigh (who both read some of their poetry from the upcoming Chiral Mad 3 and have stories in the various Written Backwards anthologies), Chris Marrs (who read from her story “A Chimera’s Tale” in The Library of the Dead), Rena Mason (who recently won a Stoker for her work), Meghan Arcuri (from the original Chiral Mad, and one of my fellow Borderlands boot camp grunts from long ago… which made up half the panel, actually), and of course the wonderful GAK (who illustrated The Library of the Dead and will have his hands full in future Written Backwards projects). Gord Rollo was also in attendance. He and Gene O’Neill first conceived the project after visiting the real library of the dead, a place called Chapel of the Chimes in Oakland, California.
Both conventions were incredible, and both book releases/panels were highly successful. Although I took few books with me to the World Horror Convention, nearly every book sold out at AnthoCon, which was roughly 120 pounds or so of books.
What’s next? Promoting At the Lazy K and The Library of the Dead throughout the book award season. Speaking of which, if you are a member of the Horror Writers Association and would like a copy of either of these titles for Stoker recommendation/consideration, please let me know. Send an email to firstname.lastname@example.org to request either a trade paperback of PDF of either or both titles.
Have you seen the official book trailer for The Library of the Dead? If not, take a gander:
What’s next after all that?