Archive for the ‘ Awards ’ Category

WHO’S WHO / THE LIST

Written Backwards has survived over the years publishing a wide array of creativity: short stories, novelettes, novellas, poetry, illustrations and, most recently, graphic adaptations. Most of the work appears in original anthologies, but a few select novels, debut fiction collections, and other strange projects have popped up over the years.

The goal: to seek diverse work, to push literary boundaries, to create the most beautiful books imaginable (and to provide professional-rate payments to contributors when at all possible). The result: a who’s who list of writers and artists. Millions of words. Hundreds of illustrations. Familiarize yourself with these wonderful people.

So, just who has Written Backwards published over the years, and where? Here’s a start, alphabetically by last name. All are short stories (unless specified, like this).

Addison, Linda D.

  • “Things That the Earth No Longer Bears” (poem) and “Life Poems” (a series of haiku) – Stokercon 2018 Anthology © 2017

Alfrey, Aeron

  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)

Anderson, Paul Michael

Arcuri, Meghan

  • “Inevitable” – Chiral Mad © 2012
  • “Watch Me” – Chiral Mad 3 © 2016
  • “Introduction” (nonfiction) – The Near Future © 2017
  • “What’s in a Mentor” – Stokercon 2018 Anthology © 2017

Arnzen, Michael

  • “Why the Bram Soker Award Matters” (nonfiction) – Stokercon 2018 Anthology © 2017

Bahr, Laura Lee

Bailey, Michael

Baldwin, Ben

  • Illustration – Stokercon 2018 Anthology © 2017 (reprint)

Balog, Jonathan

  • “Fail-Safe” and “Insomnia in Reverse” (poems) – Chiral Mad 3 © 2016

Barron, Laird

  • “Swift to Chase” (novelette) – Adam’s Ladder © 2017
  • “The Loveliest Form of the Dark Side” (nonfiction) – Stokercon 2018 Anthology © 2017

Batson, Michael Ian

Bear, Elizabeth

  • The Wreck of the Charles Dexter Ward” (novelette, with Sarah Monette) – Chiral Mad 4 © 2018 

Biggs, John

Blackthorn, Rose

  • “Prescience” and “Arbitration” (poems) – Chiral Mad 3 © 2016

Bodner, Hal

  • “A Rift in Reflection” – Chiral Mad 3 © 2016 (Bram Stoker Award nominee)
  • “Keepsakes” – You, Human © 2016

Booth III, Max

  • “Flowers Blooming in the Season of Atrophy” – Chiral Mad 2 © 2013
  • “The Neighborhood Has a Barbeque” – Qualia Nous © 2014
  • “Blood Dust” – Chiral Mad 3 © 2016
  • “The Big Question” (Guest of Honor Interview of Victor LaValle) and “The Importance of First Novels” (nonfiction) – Stokercon 2018 Anthology © 2017

Boston, Bruce

  • “Reflecting on Reflections” and “Beyond Symmetry” (poems) – Chiral Mad 3 © 2016
  • “Carnival of Ghosts” (poem, with Marge Simon) – Stokercon 2018 Anthology © 2017

Boyer, Ann K.

  • “In the Eyes of the Beholder” – Chiral Mad 2 © 2013

Braoddus, Maurice

  • “Wolf at the Door” (with Anthony R. Cardno) – Chiral Mad 4 © 2018

Braunbeck, Gary A.

  • “Need” – Chiral Mad © 2005, 2012 (reprint)
  • “The Great Pity” (novelette) – Chiral Mad 2 © 2013 (Bram Stoker Award winner)
  • “No Fixed Address” (novelette) – Qualia Nous © 2014
  • “Tales the Ashes Tell” – The Library of the Dead © 2015
  • “Silver Thread, Hammer Ring” (novelette) – Chiral Mad 3 © 2016
  • “Falling Faces by the Wayside” – You, Human © 2001, 2016 (reprint)
  • “Somewhere Between the Mundane and the Miraculous” (introduction, with Janet Harriett) – Chiral Mad 4 © 2018

Brenchley, Chad

  • “Ch-Ch-Changes” – Adam’s Ladder © 2017
  • “Here Today and Gone Tomorrow” – Prisms © 2019 (PS Publishing)

Brittany, Michele

  • “Furthers Horror Studies Scholarship for Second Year” (essay on the Ann Radcliffe Academic Conference, with Nicholas Diak) – Stokercon 2018 Anthology © 2017

Brock, Jason V

  • “Simulacrum” – Qualia Nous © 2013, 2014 (reprint)
  • “Windows, Mirrors, Doors” – Chiral Mad 3 © 2016
  • “Unity of Affect” – You, Human © 2016
  • “When Horror Gets Real” (nonfiction) – Stokercon 2018 Anthology © 2017

Brozek, Jennifer

  • “Home and Hope Both Sound a Little Bit Like ‘Hunger'” (with Seanan McGuire) – Chiral Mad 4 © 2018

Bulkin, Nadia

  • “A Luta Continua” – Prisms © 2019 (PS Publishing)

Bundschuh, Mason Ian

Burke, Chesya

  • “Peregrination” (novelette, with LH Moore) – Chiral Mad 4 © 2018

Burge, Weldon

Burke, Kealan Patrick

Cabeen, Bob

  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)

Cardno, Anthony R.

  • “Wolf at the Door” (with Maurice Broaddus) – Chiral Mad 4 © 2018

Caruso, Santiago

  • Illustration – Stokercon 2018 Anthology © 2017 (reprint)

Castle, Mort

  • “The Counselor” – Chiral Mad 2 © 2011, 2013 (reprint)
  • “Prayer” – Chiral Mad 3 © 2016
  • “Robot” – You, Human © 2016
  • “Hey, Kids! Comix! You Can Play, Too!” (nonfiction) – Mort Castle

Campbell, Ramsey

  • “The Word” (novelette) – Chiral Mad 2 © 1997, 2013 (reprint)
  • “Know Your Code” – Chiral Mad 3 © 2016
  • “How He Helped” – Adam’s Ladder © 2017
  • “The Way of the Worm” (novel excerpt) – Stokercon 2018 Anthology © 2017

Cantella, Julian

Cataneo, Emily B.

  • “A Guide to Etiquette and Comportment for the Sisters of Henley House” – Chiral Mad 2 © 2013
  • “The Rondelium Girl of Rue Marseilles” – Qualia Nous © 2014
  • “The Black Crow of Boddinstraße” – Chiral Mad 3 © 2016
  • In Her Flightless Wings, a Fire (novella, with Gwendolyn Kiste) – Chiral Mad 4 © 2018

Catronis, George C.

Chadbourne, Glenn

  • Illustrations – Chiral Mad 3 © 2016
  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)
  • “Firedance” (graphic adaptation, with Jack Ketchum) – Chiral Mad 4 © 2018

Chambers, James

  • “Mnemonicide” – Chiral Mad 2 © 2013
  • “The Price of Faces” – Qualia Nous © 2014
  • “Why Graphic Novels Matter in Horror” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “The Ghost of the Bayou Piténn” (graphic adaptation, with Jason Whitley & Christopher Mills) – Chiral Mad 4 © 2018

Chapman, Greg

  • Cover artwork – Stokercon 2018 Anthology © 2017
  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)

Chizmar, Richard

Christian, Autumn

Clark, G.O.

  • “Her Apparition Walked Right Through Him” (poem) – Stokercon 2018 Anthology © 2017

Clasen, Dr. Mathias

  • “The Science of Horror: Why Dark Horror Seduces” (nonfiction) – Stokercon 2018 Anthology © 2017

Cockburn, D.J.

  • “Peppermint Tea in Electronic Limbo” – Qualia Nous © 2014

Conquest, Lawrence

DeMeester, Kristi

  • “Golden Sun” (novelette, with Richard Thomas, Damien Angelica Walters & Michael Wehunt) – Chiral Mad 4 © 2018

Derwin, Theresa

  • “Guest of Honor Interview” (of Sam Weller) – Stokercon 2018 Anthology © 2017

Diak, Nicholas

  • “Furthers Horror Studies Scholarship for Second Year” (essay on the Ann Radcliffe Academic Conference, with Michele Brittany) – Stokercon 2018 Anthology © 2017

Di Filippo, Paul

  • “Fifty Super-Sad Mad Dog Sui-Homicidal Self-Sibs, All in a Leaky Tin Can Head” – Prisms © 2019 (PS Publishing)

Dioses, Ashley

  • “The Ocean Queen” (poem, with K.A. Opperman) – Stokercon 2018 Anthology © 2017

Dixon, John

  • “The Fundamental Importance of YA Books” (nonfiction) – Stokercon 2018 Anthology © 2017

Edelman, Scott

  • “That Perilous Stuff” (novelette) – Chiral Mad 3 © 2016 (Bram Stoker Award nominee)
  • “100 Things to Do Before You’re Downloaded” (novelette) – You, Human © 2016
  • “Only Humans Can Lie” (novelette) – Liars, Fakers, and the Dead Who Eat Them © 2017
  • “Faking it Until Forever Comes (novelette) – Liars, Fakers, and the Dead Who Eat Them © 2017 (Bram Stoker Award nominee)
  • “Introduction” (nonfiction) – The Far Future © 2017
  • “Pity This Busy Monster Not” (novelette) – Adam’s Ladder © 2017
  • “Words + Pictures = Our First Nightmares” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “I Shall But Love Thee Better” (novelette) – Prisms © 2019 (PS Publishing)

Ehmann, Jim

Evenson, Brian

  • “Nameless Citizen” – Adam’s Ladder © 2017
  • “The Shimmering Wall” – Prisms © 2019 (PS Publishing)

Everson, John

Fallon, Amber

  • “Guest of Honor Interview” (of Ciatlín R. Kiernan) – Stokercon 2018 Anthology © 2017

Fenn, J. Lincoln

  • “The Secrets of My Prison House” – Prisms © 2019 (PS Publishing)

Freivald, Patrick

French, Aaron J.

Gak

Garrison, A.A.

Gilberts, Steve

  • Illustration – Stokercon 2018 Anthology © 2017 (reprint)

Golden, Christopher

Goldsmith, P. Gardner

Goodfellow, Cody

Gonzalez, J.F.

Guignard, Eric J.

  • “Experiments in an Isolation Tank” – Chiral Mad © 2012
  • “Those Who Watch from on High” – Chiral Mad 3 © 2016

Hagelslag, Peter

  • “Lead Me to Multiplicity” – Qualia Nous © 2014

Harriett, Janet

  • “What Goes Up Must Come Down” – You, Human © 2016
  • “Somewhere Between the Mundane and the Miraculous” (introduction, with Gary A. Braunbeck) – Chiral Mad 4 © 2018

Hayden, S.C.

Hearn, David

  • “Brighter Her Aura Grows” – Chiral Mad © 2012

Hertz, Chris

Hodson, Brad

  • “Opening Script” and “Closing Script” (screenplays) – Stokercon 2018 Anthology © 2017

Hook, Andrew

Jacobs, John Hornor

Jeffery, Dave

  • “Guest of Honor Interview” (of Craig Engler) – Stokercon 2018 Anthology © 2017

Johnson, Eugene

  • “Lifetime Achievement Award Interview” (of Linda D. Addison) – Stokercon 2018 Anthology © 2017

Johnson, Erik T.

  • “The Inconsolable Key Company” – Pellucid Lunacy © 2010
  • “The Apologies” – Chiral Mad © 2012
  • “Welcome Home, All You Uninvited” – Chiral Mad 2 © 2013
  • “The Angel Chaser” – Qualia Nous © 2014
  • “Whisper #1 (a Warning)” and “Whisper #2 (a Prophecy)” (poems) – Chiral Mad 3 © 2016
  • “The Immigrants” – You, Human © 2016
  • Yes Trespassing (fiction collection) © 2017
  • “I Was Not There,” “Circle,” “The Lay of Aldrian,” and “Vespertine” (poems) – Stokercon 2018 Anthology © 2017
  • “The Science of Modern Horror Cinema” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “Ghost Drawl” (with J. Daniel Stone) – Chiral Mad 4 © 2018

Jordan, David

  • “The Truth Box” – Pellucid Lunacy © 2010

Kaplan, Barry Jay

Keene, Brian

Kelley, Jon Michael

  • “The Persistence of Vision” – Chiral Mad © 2012
  • “The Tended Field of Eido Yamata” – Chiral Mad 2 © 2013
  • “The Effigies of Tamber Square” – Qualia Nous © 2014

Kemper, Erinn L.

  • “Versions” – Chiral Mad 2 © 2013
  • “Night Guard” – Qualia Nous © 2014
  • “Phantom on the Ice” – The Library of the Dead © 2015
  • “A Flash of Red” – Chiral Mad 3 © 2016
  • “Gumi-Bear” – You, Human © 2016
  • “A Laughing Matter” – Adam’s Ladder © 2017
  • “The HWA Needs You” – Stokercon 2018 Anthology © 2017
  • The Long and the Short of It (novella, with F. Paul Wilson) – Chiral Mad 4 © 2018
  • “There is Nothing Lost” – Prisms © 2019 (PS Publishing)

Ketchum, Jack

  • “Amid the Walking Wounded” – Chiral Mad © 1998, 2012 (reprint)
  • “The Right Thing” – Chiral Mad 2 © 2013
  • “Seconds” – Chiral Mad 3 © 2016
  • “On Readings” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “Firedance” (graphic adaptation, with Glenn Chadbourne) – Chiral Mad 4 © 1998, 2018 (reprint of text only)

Kiera, Mackenzie

  • “Conjuring the Uncanny” (Guest of Honor Interview of Ramsey Campbell) – Stokercon 2018 Anthology © 2017

Kiernan, Ciatlín R.

  • “Interstate Love Song (Murder Ballad No. 8)” (novelette) – Stokercon 2018 Anthology © 2014, 2017 (reprint)

King, Stephen

  • “The Jaunt” – Qualia Nous © 1981, 2014 (reprint)
  • “The Last Rung of the Ladder” – Chiral Mad 3 © 1978, 2016 (reprint)
  • “I Am the Doorway” – You, Human © 1976, 2016 (reprint)

Kiste, Gwendolyn

  • In Her Flightless Wings, a Fire (novella, with Emily B. Cataneo) – Chiral Mad 4 © 2018

Krisch, Glen

  • “Sudden Sanctuary” (graphic adaptation, with Orion Zangara & Matt Stockwell) – Chiral Mad 4 © 2018

Lacey, Patrick

Langan, John

Lannes, Roberta

  • “A Raven in the Dove’s Nest” – The Library of the Dead © 2015
  • “Painting the Burning Fence” – Adam’s Ladder © 2017
  • “The Girl with Black Fingers” – Prisms © 2019 (PS Publishing)

Larsen, Christian A.

Larson, Amanda

LaValle, Victor

  • “Spectral Evidence” – Stokercon 2018 Anthology © 2017

LaValley, Dustin

Lebbon, Tim

Leigh, Sydney

Levinthal, Marc

Lin, Jessica May

  • “Red Runner vs. the Surgeon, Issue 18” – Chiral Mad 3 © 2016

Little, John R.

Lucia, Kevin

Macae, Frisco

Macleod, Bracken

  • “A Sense of Dread” (nonfiction, with Douglas Wynne) – Stokercon 2018 Anthology © 2017
  • “Afterword” (nonfiction) – Bones Are Made to Be Broken © 2018
  • How We Broke (novella, with Bracken MacLeod) – Chiral Mad 4 © 2018

MacLeod, Jay

Malerman, Josh

  • “The Bigger Bedroom” – Chiral Mad 3 © 2016
  • “The Jupiter Drop” (novelette) – You, Human © 2016 (Bram Stoker Award nominee)
  • “The Challenge” (nonfiction) – Stokercon 2018 Anthology © 2017

Malik, Usman T.

  • “Blood Women” – Chiral Mad 2 © 2013
  • “The Vaporization Enthalpy of a Peculiar Pakistani Family” – Qualia Nous © 2014 (Bram Stoker Award winner, Nebula Award nominee)

Marcley, Valerie

  • “Detritus Girl” (novelette, with P. Gardner Goldsmith) – Chiral Mad 4 © 2018

Marrs, Chris

Mason, Rena

Massie, Elizabeth

  • “18P37-C, After Andrea Was Arrested” – Qualia Nous © 2014
  • “Black River #1” and “Black River #2” (poems) – Chiral Mad 3 © 2016
  • “Down and Out on Poplar Street” – Stokercon 2018 Anthology © 2017
  • “The House at Wydham Street” (novel excerpt) – Stokercon 2018 Anthology © 2017
  • “The Substance of Belief” (with Marge Simon) – Chiral Mad 4 © 2018

McBride, Michael

McGuire, Seanan

  • “Home and Hope Both Sound a Little Bit Like ‘Hunger'” (with Jennifer Brozek) – Chiral Mad 4 © 2018

McMahon, Gary

McQuiston, Rick

Meloy, Paul

  • “The Serile” – Adam’s Ladder © 2017
  • “The Gearbox” – Prisms © 2019 (PS Publishing)

Michelle, Lori

Miller, Eric

  • “Yes, Horror Films Are Important” (nonfiction) – Stokercon 2018 Anthology © 2017

Mills, Christopher

  • “The Ghost of the Bayou Piténn” (graphic adaptation, with James Chambers & Jason Whitley) – Chiral Mad 4 © 2018

Monette, Sarah

  • The Wreck of the Charles Dexter Ward” (novelette, with Elizabeth Bear) – Chiral Mad 4 © 2012, 2018 (previously audio only)

Monteleone, Thomas F.

  • “Fun with Your New Asymmetric Head” (introduction) – Chiral Mad © 2012
  • “When I Was” – Chiral Mad 2 © 2013
  • “Good and Faithful Servant” – Qualia Nous © 1976, 2014 (reprint)
  • “The Star-Filled Sea is Smooth Tonight” – You, Human © 1977, 2016 (reprint)
  • “Are You Sure You Really Want to Do This?” (nonfiction) – Stokercon 2018 Anthology © 2017

Moore, LH

  • “Peregrination” (novelette, with Chesya Burke) – Chiral Mad 4 © 2018

Morrell, David

  • “Orange is for Anguish, Blue for Insanity” (novelette) – Chiral Mad 2 © 1988, 2013 (reprint)

Morris, Mark

Morton, Lisa

  • “Introduction” (nonfiction)- The Burden of Indigo © 2016
  • “Eyes of the Beholders” – Adam’s Ladder © 2017
  • “Afterword” (nonfiction) – Stokercon 2018 Anthology © 2017

Muslim, Kristine Ong

Mynhardt, Joe

  • “Illustrations and the Horror Genre” – Stokercon 2018 Anthology © 2017

Navarro, Yvonne

Nolan, William F.

Ochse, Weston

O’Neill, Gene

  • “The White Quetzal” – Chiral Mad © 1985, 2012 (reprint)
  • “Tight Partners” – Chiral Mad 2 © 2013
  • “The Shaking Man” – Qualia Nous © 2014
  • “Broken Lady” – The Library of the Dead © 2015
  • At the Laxy K (novella, Allevon #1) © 2015
  • “3-Dot People” – Chiral Mad 3 © 2016
  • The Confessions of St. Zach (composite novel, The Cal Wild Chronicles #1) © 2016
  • The Burden of Indigo (composite novel, The Cal Wild Chronicles #2) © 2016
  • The Near Future (composite novel, The Cal Wild Chronicles #3) © 2017
  • The Far Future (composite novel, The Cal Wild Chronicles #4) © 2017
  • “Spirits” – Adam’s Ladder © 2017
  • “Some Thoughts on Short Story Collections” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “Existentialism, Progressive Jazz, and the Blues” (introduction) – Artifacts © 2018

O’Neill, Patrick

Opperman, K.A.

  • “The Ocean Queen” (poem, with Ashley Dioses) – Stokercon 2018 Anthology © 2017

O’Rourke, Monica J.

Ottino, Amanda

  • “Enchanted Combustion” – Chiral Mad © 2012

Palahniuk, Chuck

  • “Observations on Horror Burnout” (introduction) – Chiral Mad 3 © 2016

Palisano, John

  • “Gaia Ungaia” – Chiral Mad © 2012
  • “The Geminis” – Chiral Mad 2 © 2013 (Bram Stoker Award nominee)
  • “Welcome to Our Show” (foreword) – Stokercon 2018 Anthology © 2017

Parkes, Ciarán

  • “The Speed of Sound” and “Recognizing Trees” (poems) – Chiral Mad 3 © 2016

Partridge, Norman

  • “Special Collections” (introduction / novelette) – The Library of the Dead © 2015 (Bram Stoker Award nominee)

Payne, R.B.

  • “Cubicle Farm” – Chiral Mad © 2012

Perron, Philip C.

Pillar, Amanda

Piorkowski, Dan

Quigley, Lisa

  • “Emcee Interview” (of Jeff Strand) – Stokercon 2018 Anthology © 2017

Rollo, Gord

  • “Lost in a Field of Paper Flowers” – Chiral Mad © 2005, 2012 (reprint)

Rucker, Lynda

  • “Encore for an Empty Sky” – Prisms © 2019 (PS Publishing)

Samuels, Mark

SanGiovanni, Mary

Scheuerman, Ashlee

Scully, B.E.

  • “Dog at the Look” – You, Human © 2016
  • “The Mythic Hero Most Likely to Squeeze a Stone” – Adam’s Ladder © 2017
  • “We Come in Threes” – Prisms © 2019 (PS Publishing)

Serra, Daniele

Shoebridge, Ian

Simon, Marge

  • “Shutdown” (Rhysling Award winner) and “Tomorrow’s Femme” (poems) – Qualia Nous © 2014
  • “Mirror Image” and “Reflections Through the Raven’s Eye” (poems) – Chiral Mad 3 © 2016
  • “The Fourth Law” – You, Human © 2016
  • “In Accordance with the Laws,” “Less than Human” and “Future Imperfect: Broken Laws” (poems) – You, Human © 2016
  • “Carnival of Ghosts” (poem, with Bruce Boston) – Stokercon 2018 Anthology © 2017
  • “The Importance of Poetry in the Genre” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “The Substance of Belief” (with Elizabeth Massie) – Chiral Mad 4 © 2018

Skipp, John

  • “Empathy” – Chiral Mad 2 © 2011, 2013 (reprint)
  • “Other Music, Indeed!” (introduction) – Other Music © 2016, 2018
  • “Hopium Den” – You, Human © 2016

Smith, Michael Marshall

  • “The Motel Business” – Prisms © 2019 (PS Publishing)

Snyder, Lucy A.

Speegle, Darren

  • “The Cosmic Fair” – You, Human © 2016
  • Co-editor – Adam’s Ladder © 2017
  • Artifacts (novel, Allevon #3) © 2018
  • Co-editor – Prisms © 2019 (PS Publishing)

Spooner, L.A.

  • Illustrations – At the Lazy K © 2015
  • Illustrations – Ensō © 2017
  • Illustrations – You, Human © 2016
  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)
  • Illustrations – Artifacts © 2018

Spratford, Becky

  • “Librarians’ Day” (nonfiction) – Stokercon 2018 Anthology © 2017

Steiner, Pat R.

  • “The Shoe Tree” – Chiral Mad © 2011, 2012 (reprint)
  • “Kilroy Wasn’t There” – Qualia Nous © 2014
  • Illustrations – Qualia Nous Illustrated © 2014  (personal project)
  • Illustrations – Stokercon 2018 Anthology © 2017
  • Illustrations – Bones Are Made to Be Broken © 2018

Stipes, Julie

Stockwell, Matt

  • “Sudden Sanctuary” (graphic adaptation, with Glen Krisch & Orion Zangara) – Chiral Mad 4 © 2018

Stone, J. Daniel

  • “Ghost Drawl” (with Erik T. Johnson) – Chiral Mad 4 © 2018

Storm, Kia

Strand, Jeff

  • “A Flawed Fantasy” – Chiral Mad © 2012
  • “Kind of an Introduction” (nonfiction) – Stokercon 2018 Anthology © 2017

Stroup, Chad

  • “Asperitas” (novelette, with Kristopher Triana) – Chiral Mad 4 © 2018

Taborska, Anna

  • “Daylight Robbery” – Prisms © 2019 (PS Publishing)

Taff, John F.D.

Thomas, Jeffrey

Thomas, Richard

  • “Playing with Fire” – Chiral Mad 2 © 2013
  • “The Jenny Store” – Qualia Nous © 2011, 2014 (reprint)
  • “The Offering on the Hill” – Chiral Mad 3 © 2016
  • “Golden Sun” (novelette, with Kristi DeMeester, Damien Angelica Walters & Michael Wehunt) – Chiral Mad 4 © 2018
  • “Saudade” – Prisms © 2019 (PS Publishing)

Tlotlo Tsamaase

  • “District to Cervix: The Time Before We Were Born” (novelette) – Prisms © 2019 (PS Publishing)

Triana, Kristopher

  • “Asperitas” (novelette, with Chad Stroup) – Chiral Mad 4 © 2018

Waggoner, Tim

  • “Where No Horror Writer Has Gone Before” (nonfiction) – Stokercon 2018 Anthology © 2017

Walters, Damien Angelica

Watson, Ian

  • “The Birth of Venus” – Prisms © 2019 (PS Publishing)

Wehunt, Michael

  • “Golden Sun” (novelette, with Kristi DeMeester, Richard Thomas & Damien Angelica Walters) – Chiral Mad 4 © 2018

Weller, Sam

  • “Böse” – Stokercon 2018 Anthology © 2017

Wetmore, Jr., Kevin

  • “The Human Emotion within the Frightening Stories” (Guest of Honor Interview of Elizabeth Massie) and “Writing Nonfiction & Fiction for Beginners” (nonfiction) – Stokercon 2018 Anthology © 2017

Whitley, Jason

  • “The Ghost of the Bayou Piténn” (graphic adaptation, with James Chambers & Christopher Mills) – Chiral Mad 4 © 2018

Wilk, Dyer

  • “It Can Walk and Talk, and You’ll Never Have to Worry About Housework Again” – You, Human © 2016

Wilson, F. Paul

  • “Introduction” (nonfiction) – You, Human © 2016
  • The Long and the Short of It (novella, with Erinn L. Kemper) – Chiral Mad 4 © 2018

Winter, Douglas E.

Witherspoon, Cynthia

Wynne, Douglas

  • “A Sense of Dread” (nonfiction, with Bracken MacLeod) – Stokercon 2018 Anthology © 2017

Wytovich, Stephanie M.

  • “Welcome Home, Darling” and “Put Me to Dream” (poems) – Chiral Mad 3 © 2016
  • “Final Frame Film Competition” (nonfiction), “The Color White,” “The Girl Who Slept with Monsters” and “Dare I Keep the Body” (poems) – Stokercon 2018 Anthology © 2014, 2017 (reprints)

Yardley, Mercedes M.

  • “The Dead Collection” – Chiral Mad 3 © 2016
  • “Magic in Minutes” (nonfiction) – Stokercon 2018 Anthology © 2017

Zangara, Orion

Zumpe, Lee Clark

Fun fact: Gary A. Braunbeck, P. Gardner Goldsmith, Erik T. Johnson, and Jack Ketchum have appeared in all four volumes of Chiral Mad.

I WILL BE THE REFLECTION UNTIL THE END

The Horror Writers Association recently announced the Preliminary Ballot for the Bram Stoker Awards, and my story “I Will Be the Reflection Until the End” (first published in Tales from the Lake, Vol. 4 by Crystal Lake Publishing) is on the long-list for Superior Achievement in Short Fiction. With permission from the publisher, you can read the story in its entirety here for a limited time. I hope you enjoy! (Updated: 02/09/18)

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“I Will Be the Reflection Until the End”

by Michael Bailey

 

“Don’t judge each day by the harvest you reap but by the seeds that you plant.” – Robert Louis Stevenson, Admiral Guinea

“Life will find a way.” – Michael Crichton, Jurrasic Park

 

My sister used to collect cherry plum pits in her napkin, secretly, under the kitchen table. A strainer full of mixed yellow and red and deep-purple fruits would separate us each spring, with a small bowl next to it to collect the pits—although mine were typically the only ones in there—and a plate beneath the strainer to collect any drips from the rinsed fruit. My sister was coy like that. Her lie had become our lie, and every once in a while she’d throw a pit in the bowl to make it look like we were being honest. She knew I wouldn’t bring it up to Mom, because that meant I could have more if I kept my mouth shut. It was one of the few secrets we kept from Mom in our youth. Call it a sibling bonding moment.

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CHIRAL MAD 3 – ACCOLADES

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Chiral Mad 3 was recently announced as a winner in the Fiction: Anthologies category of the International Book Awards, so a hearty congratulations to all contributors.

Written Backwards titles recognized for the International Book Awards include:

The anthology was also nominated for a Bram Stoker Award® for Superior Achievement in an Anthology, and is currently a Finalist for Foreword Review’s Book of the Year Awards, also known as the Indies/IndieFab, with winners to be announced June 24th.

And while the anthology was submitted for the Benjamin Franklin Awards, there was a mix-up and the book was judged as a children’s book in on of their young adult categories (quite funny), so the book will be re-entered properly next year.

WILL THERE BE A CHIRAL MAD 4?

CM4 - teaser

I have been thinking about CHIRAL MAD 4 for quite some time, and have decided that if CHIRAL MAD 4 were to happen, the entire book would spawn from the number 4 … because it’s the 4th volume in a series that may either end at 4, or continue onward indefinitely. But, in order to understand where this fourth volume would be coming from, you have to wade through some history on the series, and some other Written Backwards projects, because it’s all connected in one way or another …

cm_accoladesThe first Chiral Mad (yes, you can click that link to directly buy a copy from Amazon, or the book cover to the left) was a charity anthology. Not a single author was offered payment, other than a contributor copy. Everyone involved donated their work to help create a rather awesome anthology that ended up raising over $6,000 for various Down syndrome charities, the biggest chunk of that being a $3,000 donation to the Down Syndrome Information Alliance. Thomas F. Monteleone wrote an awesome introduction, various stories made various best-of lists, such as Gary McMahon’s “Some Pictures in an Album,” and so on. Lots of famous names, lots of new names now becoming more famous. The book was well-received critically, won some awards, and, well, sparked a series of anthologies.

CHIRAL MAD 2 - COVERChiral Mad 2 quickly followed (yes, feel free to click that link or the book image to purchase), but something new happened with this anthology. Knowing how well the first volume did monetarily, this second volume allowed Written Backwards (a newish small publisher at the time) to pay writers for their work at professional rates ($0.05 per word at the time). That doesn’t seem like a lot of money, but multiply $0.05 by 120,000 words, and you get $6,000, which was paid to the contributors, upfront, out of pocket. Long story short, the anthology did about as well as the first volume (broke about even, and also helped spark further sales of the first Chiral Mad), won some awards, and even won Gary A. Braunbeck one of his twenty-thousand Bram Stoker Awards for his long fiction piece, “The Great Pity.” John Palisano was also nominated for his short story “The Geminis.” The book did well, in terms of an anthology, which means it basically broke even and eventually the $6,000 was recuperated, and everything over that amount also went (and still goes) to charity. Anthologies are expensive, so remember that the next time you hound small publishers for “what’s next, what’s next, when can I submit to the next one” and so on.

Qualia NousChiral Mad 2 had an open call for submissions, and over 550 submissions were received, along with the 20 stories from invited writers. Now, 570 submissions may not sound like a lot, but multiply 570 by the average 5850 words (I did the math), and you get 3,217,500 words, which is approximately 50 or more novel-length works to sort through to find the perfect table of contents. Many rejections were sent, which is never fun. But, having so many submissions resulted in a great number of fiction stories that were a little too sci-fi for CHIRAL MAD, which sparked an entirely new idea: a science fiction anthology, Qualia Nous. How did this anthology do? Well, it was much longer, contributors were paid professional rates, and was much more expensive ($7,500 or so) to put together. It did well, critically, won the Benjamin Franklin Award, was nominated for the Bram Stoker Award, resulted in two stories winning the Bram Stoker Award for short fiction (Usman T. Malik and Rena Mason), as well as a Nebula nomination for Malik, and an award for the single poem in the anthology by Marge Simon. And some other awards. The CHIRAL MAD anthologies went on hiatus for a while to promote Qualia Nous. The book has made back about 1/2 of what it cost to put together, despite how well it’s done critically. That’s anthologies for you: everyone wants to be in one; no one wants to buy one.

Pageflex Persona [document: PRS0000026_00094]And then an idea for a new ALLEVON series of illustrated books popped into mind (the word “novella” backward), and thus a new series of physically smaller, illustrated trade paperback books began, starting with a novella called At the Lazy K by Gene O’Neill (feel free to purchase that one, too), which was illustrated throughout by L.A. Spooner. Later this year (next month perhaps), the second book in the ALLEVON series will be published, a collection by Scott Edelman called Liars, Fakers, and the Dead Who Eat Them, which is set of zombie novelettes: “Only Humans Lie” and “Faking It Until Forever Comes,” which features a cover and interior illustrations by Daniele Serra. This series will continue through the Written Backwards imprint, as there are already 4 or 5 future volumes already set in motion.

ENSŌSo, here I am, getting distracted by new projects, talking with Dark Regions Press about a possible merger, taking on project after project after project, and then I decide to write a children’s book called Enso to take my mind out of horror and sci-fi for a while (it’s a dark, dark place; a place I nearly left completely). I wanted to write something my kids (okay, not my kids, but my wife’s kids) could read, something other parent’s kids could read, something dark, but less dark. The book was illustrated beautifully by L.A. Spooner, who also illustrated At the Lazy K . I decided to do a signed/limited print run for these, so only 100 were ever made. I still have a dozen or so if you want a copy, but they are mostly gone. I tend to give these out to families with small children. It’s basically four children’s fables about the circle of life, but with my nonlinear spin.

Inkblots and Blood SpotsI keep telling myself that someday I’ll return to my own writing. I have two published novels under my name: Palindrome Hannahand Phoenix Rose, as well as two short story and poetry collections, Scales and Petals, (you can find all of these on the tabs at the top of the main www.nettirw.com page), and most recently Inkblots and Blood Spots (pictured), which hold some of my best work (and yes, you can purchase a copy if you want to make me happy). I don’t write a lot (maybe two or three stories per year on a good year), but people seem to like my writing when I decide to use my brain to craft something of my own, books that are mine. Inkblots was illustrated throughout by Daniele Serra, featured an introduction by Douglas E. Winter, and had some nice blurbs by some pretty awesome individuals. Villipede Publications did a great job putting this together. When I get around to it, I’ll finish novel #3, Psychotropic Dragon (which I’ve been working on for over 10 years), as well as a new mainstream novel I’ve started called Seen in Distant Stars. Other than that, I’m only writing short fiction when invited into certain anthologies, and only by certain people. I just don’t have the time otherwise …

Pageflex Persona [document: PRS0000040_00009]And then The Library of the Dead fell into my lap. This project was originally conceived by Gene O’Neill and Gord Rollo. I was brought on as a co-editor, and then the publisher asked if I’d be the sole editor, and then later asked if I’d take on the project entirely, which of course I did. So, I put everything I had into this thing. I visited the real library of the dead, a place called Chapel of the Chimes in Oakland, California, took a photo-shoot of the place (see that awesome cover?), forked out just about all the money I had left in my bank account, worked with some amazing contributors, worked with GAK, who illustrated the entire book based on my photography, included some of that photography throughout the book, wrote a tie-in piece called “The Librarian” to guide the reader through the labyrinth … and then something terrible happened. J.F. Gonzalez died, one of the book’s contributors, and so we dedicated the book to him, added additional artwork, and an afterword by Mary SanGiovanni. The anthology won the Bram Stoker Award, and a few others. I’m damn proud of this book, and damn proud of everyone who helped bring this book together. It’s recouped about half of what it cost to build, but I think it’s worth it. Dark Regions Press has recently re-released the book in trade paperback, with a limited deluxe hardbound (illustrations in color) in the works, which sold out basically over night.

CHIRAL MAD 3 - DRP EditionThen came Chiral Mad 3, which was the first book released by Written Backwards as an imprint of Dark Regions Press. Yes, we joined forces, and it was a wonderful collaboration (I’ll get back to collaborations later …) And yes, please click the link and purchase a copy to support us. You will not be disappointed. I pulled every string I could find for this book, and it stands as the most expensive book I have ever made to date, by far. Like, lots of money. I used all my super powers to make this one happen. The entire anthology is illustrated by the legendary Glenn Chadbourne, features an introduction by the one and only Chuck Palahniuk (Fight Club), with stories by some of the best in the business, including Jack Ketchum, Stephen King, and, as with all my anthologies, it’s filled with a diverse group of both established, semi-established, and never-before-established writers. But I had to do something different with this book. Yes, there are 45 illustrations. Yes, these books keep getting bigger and bigger. But this time around, I needed more poetry. Lots of poetry. The book is structured chirally, story-poem-story-poem-story, all the way through. It’s a beautiful book. And I keep telling myself, as I do with all of these books, that there’s nothing I can improve upon. Nothing I can do differ–wait …

full coverYou, Human. That’s right, as part of Dark Regions Press’ return to science fiction, I’ve taken on two additional projects. One of these is Other Music, the debut novel by Marc Levinthal, which features an introduction by John Skipp and will be released sometime in August. The other is You, Human, the first science fiction anthology by Dark Regions Press in who knows how long. I pulled out all the tricks for this one as well, playing off Asimov’s I, Robot, but with a human twist, and three new Laws of Humanity. In fact, the anthology features an introduction on humanism by F. Paul Wilson, as well as dark science fiction and poetry by some of the best in the business. This will be released either late this summer or early this fall by Dark Regions Press.

Pageflex Persona [document: PRS0000038_00074]And I can’t forget Paul Michael Anderson’s first fiction collection, a beautiful book called Bones Are Made to be Broken, which will be released in trade paperback, ebook, and signed limited/deluxe hardback this fall by Dark Regions Press. I’ve published Paul in nearly every one of my anthologies, because he’s that damn good. And now all of his best short fiction (as well as a new novella written specifically for this book) come together in Bones Are Made to Be Broken. You do not want to miss this collection. As always, I am putting everything I have behind this book, because the spine of this book is made to be broken, by you, reading every story over and over again.

The Cal Wild ChroniclesAnd of course there’s the 4-book magnum opus by the legendary, genre-bending master of fantasy, horror, and science fiction. The Cal Wild Chronicles is a 4-book series of trade paperbacks I’m putting together for the one and only Gene O’Neill, which includes The Confessions of St. Zach (with an introduction by John R. Little), The Burden of Indigo (with an introduction by Lisa Morton), The Near Future (with an introduction by Meghan Arcuri), and The Far Future (with an introduction by Scott Edelman). Each book is beautifully illustrated by Orion Zangara, and each book, when put together completes the wonderful puzzle that is Cal Wild. In fact, when you put the spines together, they create the Rainbow Man from the series, and when you place either the fronts or backs of these books side-by-side-by-side-by-side, you complete yet another puzzle. Later this year, Dark Regions Press will publish the entire series within a single volume, which you can pre-order at darkregions.com.

Pageflex Persona [document: PRS0000026_00094]And before we get to Chiral Mad 4, I should mention the anthology that started it all, Pellucid Lunacy. This was the first anthology ever published by Written Backwards, and the cover featured a painting of the arachnid/human skeleton from my dreams that originally spawned the idea for the novel Psychotropic Dragon. Well, enough time has gone by, that the series deserves a reboot. So, as soon as thing slow down a bit (if they ever do), we will re-release this title through the Written Backwards imprint of Dark Regions Press to give this thing more legs. The cover will be getting a reboot as well, as you can tell from this new cover.

But what about Chiral Mad 4. Everyone wants there to be a Chiral Mad 4!

So here’s the deal. The entire writing community has been at war with one another for far too long. Finger-pointing, harassment, racism, bigotry, accusations (both false and allegedly true), people talking about people killing people, politicking, all that social justice bulls**t that seems to be tearing this writing community apart one writer at a time, senseless/endless arguing, blocking, unfriending, blah blah blah … It’s a mess. So here’s what we do … This is how we can (strike that), this is how you can make Chiral Mad 4 happen:

If, and this is a big if, you want CHIRAL MAD to continue, this is how it’s going to happen for a fourth volume. This is not a call for submissions at this time. This is simply an idea. This has the potential of either ending something that was once great (in a big fiery ball of flame), or continuing the evolution of something much greater.

You have to collaborate. You have to work together.

These would be the rules for Chiral Mad 4 (if the anthology were to happen):

  1. Each work has to be a collaboration by more than one individual.
  2. More than two collaborators may be part of the same collaboration (3 or 4 authors writing a story, for example, or more than 2 collaborators working on the same graphic/comic piece)
  3. The more unique the collaboration, the better. (Have someone in mind you’ve always wanted to work with but were too afraid to ask, then that’s most likely the person with whom you should collaborate)
  4. Unique collaborations will go to the top of the reading pile.
  5. Diverse collaborations will go to the top of the top of the reading pile.
  6. No pseudonyms (unless you publish under that pseudonym regularly), and no collaborating with your own pseudonym.
  7. Absolutely no gratuitous sex, violence, abuse, rape …
  8. Play nice.

This is what will be ultimately accepted for Chiral Mad 4 (if the anthology were to happen):

  1. 4 collaborative novellas (15,000 – 20,000 words)
  2. 4 collaborative novelettes (8,000 – 10,000 words)
  3. 4 collaborative short stories (3,000 – 5,000 words)
  4. 4 collaborative short stories adapted to graphic/comic format (1,000-1,500 words, 10-12 pages max)

That’s 16 projects total, and yes, that’s a hefty word count when you add the numbers. This could turn into a part 1 / part 2, depending on word count. There will most likely be a Kickstarter or Indigogo campaign to help fund this project if there is enough demand, and payment would be made close to publication date, most likely late 2017, because:

Payment would be as follows (if the anthology were to happen):

  1. novellas – $0.05 per word, $1,000 max (split between collaborators)
  2. novelettes – $0.05 per word, $500 max (split between collaborators)
  3. short stories – $0.05 per word, $250 max (split between collaborators)
  4. graphic/comic stories – $50 per page, $500 max (split between collaborators)

Play nice.

Collaborate.

Make something beautiful.

Email cm4@nettirw.com for more information, questions about collaborations, etc.

And if you want to keep seeing volumes of CHIRAL MAD year after year, please purchase a copy of volumes 1, 2, and 3. Tell our friends. Tell your family. Help spread the word about these anthologies (as well as other Written Backwards / Dark Regions Press anthologies), because that’s how we stay in business and keep producing such fine books.

Coming soon, a collaboration with L.A. Spooner to adapt my short story “Plasty” from Scales and Petals.

CM4 - teaser

KNOW A NOMINEE

Prior to the Bram Stoker Awards ® this year, volunteers within the Horror Writers Association began a series of interviews called “Know a Nominee,” in which final ballot nominees of the various award categories were asked a series of questions to provide readers insights and information about the nominees and their work. Some of these interviews were posted on the official Horror Writers Association’s Facebook page (I’m not sure if any made it onto the HWA website or newsletter, as they have in the past) and for a while it was going well. This is typically a great series of interviews. Unfortunately, because this is a volunteer-run organization, life sometimes gets in the way for volunteers, and well-loved projects, like this one, get pushed to the back burner, forgotten like a pot of previously-boiled hot dogs found floating in cold water the next morning. My own interview was for The Library of the Dead, which was nominated (and eventually won) for Superior Achievement in an Anthology.

As it turns out, a handful of interviews took place this year (some posted, most not), and sometime between pre- and post-Stoker season this interview project sort of disappeared into the ether. A handful of interviewees (like me) were left scratching our heads, wondering if the interviews were ever going to be published as the first StokerCon drew near. And then that date flew by, and a few others, and then a dozen more. What happened to the interviews? Upon asking about this very question within the organization, this prompted more confusion among members: “I was never interviewed…” and “What happened with the Know a Nominee interviews?” and “Interviews?” and my own question of “Since the Know a Nominee interviews sort of fizzled out, can we post our interviews elsewhere so they don’t go wasted?” (or something like that). Apparently, not all nominees this year were interviewed, which is too bad… This is a fun part of the award season, where you really “get to know” the nominees in the various categories (hence the name). For me, this interview series is an opportunity to get to know those outside the con scene (which is where we really get to know each other).

Know a Nominee was left abandoned mid-stride this year because of understandable, unforeseen happenstances in the lives of organization volunteers (it happens), yet here we are now, well past StokerCon and the Bram Stoker Awards ®, and there are interviews waiting to be exposed. There are shriveled hot dogs floating in cold water at the back of the stove, and they either need to be reheated and finally served, stored for later consumption, or thrown out.

After reaching out to the Horror Writers Association, those interviewed (and still stuck in interview limbo) were told we could use these Know a Nominee interviews elsewhere on the interwebs, if we so pleased. Three options: throw it out, store for later, or reheat and serve now. Interviews take time away from other projects we could be working on, so why let them go to waste? Why not put them out there? Who cares if it’s still hot or not, luke-warm, cold… Okay, yeah, interviews are best served hot, but so what. Most of the forgotten interviews run between 1,000 and 2,000 words (I have only asked four others, so you will have to deal with that estimate); mine runs about 1,600. So, without further ado, here is my reheated, barely palpable Know a Nominee interview, which was conducted by Brock Cooper, a member of the Horror Writers Association.


Please describe the genesis for the idea that eventually became the work for which you’ve been nominated. What attracted you most to the project?

The Library of the Dead was conceived by the collaborative minds of a gruesome twosome: Gene O’Neill and Gord Rollo. They happened upon Chapel of the Chimes, a crematory and columbarium in Oakland, next to the beautiful Mountain View Cemetery. It’s a massive labyrinthine building, and within its walls are the ashes of over a hundred thousand of California’s dead, most of which are contained within incendiary urns on shelves reaching from floor to ceiling, three stories high. But these are not ordinary urns. Most are brass, or golden, and they are shaped like books, and because of the building’s unique interior design, most of the rooms (and their libraries) are lit naturally by the sun through stained glass, some entire rooms glowing gold. It’s a wonderful place, and I highly recommend putting it on your list to see if you’re in the California Bay Area. There are gardens inside, and fountains, and other treasures, but the books make this place unique. What if each “book” not only held the ashes of the dead, but their stories as well? What happens when opened? What if there’s a ghostly librarian who wanders the halls at night, a caretaker of sorts? That’s the premise of the anthology Gene and Gord wanted to make. Somehow it landed in my lap. And somehow I was convinced to write “The Librarian,” the intertwining story linking the tales together. And now I’m proud to see a book about this library of the dead nominated for the Bram Stoker Award ® for anthologies, along with the story/introduction by Norman Partridge called “Special Collections,” which is up for long fiction.

What was the most challenging part of bringing the concept to fruition? The most rewarding aspect of the process? 

Each story in the anthology is something unique, written by different writers with entirely different voices, and some collaborative, such as Mary SanGiovanni and Brian Keene’s “The Last Thing’s to Go,” or “Fault Lines” by Christopher Golden and Tim Lebbon. Different ashes. Different stories. Each golden book within the library had to contain a different story that needed opening, with characters ultimately finding their way back to the library, and that was the only common ground when I first started this book. Bringing the stories together into something cohesive required stylistic illustrations (which were created to perfection by the wonderful GAK) to help fuel the reader’s imagination, and photography of the real library of the dead in California, as well as “The Librarian” piece to help tie the stories together, which is its own story within the anthology. As you move through the book, this second-person narrative guides you along, your own personal librarian pulling golden books from shelves and opening them for you as you are guided from room to room, exploring the ‘tales the ashes tell’ (which happens to be the final story by Gary A. Braunbeck), until you realize you’re not only lost within the labyrinth of golden books, but becoming part of the library itself. The anthology contains black and white photography I took of Chapel of the Chimes, and 17 original illustrations by GAK (all inspired by the photography; if you look closely, you’ll see some of it captured within the art). All of these things had to be fused together seamlessly to make The Library of the Dead, which turned out to be quite a beautiful golden book. The most rewarding aspect of this process? Well, the book can be read like a novel, with each unique story serving as a different chapter of something larger. Something difficult that happened along the way was the loss of J.F. Gonzalez, to whom the book is dedicated. One of his final stories is in this book, called “It’s Getting Closer,” and GAK created a special illustration for him at the end of the book.

What do you think good horror/dark literature should achieve? How do you feel the work for which you’ve been nominated fits into or helps give shape to that ideal?

All good literature, dark or not, should move the reader emotionally. Good literature should fling one’s emotional state around until left exhausted. Without emotion, we are nothing. Horror, when done well, evokes fear, dread, uneasiness, terror, anxiety, all sorts of things … And when done well, the reader shouldn’t even notice it’s happening to them until it’s too late, until they set the book down, perhaps swearing a single word under their breath. All they know is that the pages kept flipping by as they got battered and got lost in the story (or stories), which is the whole point of a book. Good literature should spark memories: loss, pain, hope, failure, redemption, sacrifice, and I could go on for pages and pages about everything a book should do to its reader, but I won’t. What I think makes The Library of the Dead work so well is that it makes the reader part the book itself, pulls them along from tale to tale, and I think that’s why so many people have reacted positively. Some readers skip around anthologies, looking for familiar names or whatnot, reading those stories first before reading others, and some jump from story to story in no particular order. If you do that with The Library of the Dead, you are missing out. The book is designed to be read from cover to cover, first page to last page. The book is a journey, and the reader is part of the journey. They should be pulled inside this golden book and trapped inside with its ashes.

I’m curious about your writing and/or editing process. Is there a certain setting or set of circumstances that help to move things along? If you find yourself getting stuck, where and why?

Both my writing and editing processes are chaotic and should not be studied. My work is sporadically prolific, and periodically dormant. It’s probably unhealthy. If I find myself stuck, it means I’m not doing something right and should either do something else, or start over. Sometimes listening to music helps motivate the creative process.

As you probably know, many of our readers are writers and/or editors. What is the most valuable piece of advice you can share?

Create the most beautiful thing you can possibly create. It’s as simple as that. When you die, what do you want to leave in your wake? What do you want to be remembered for creating, a half-assed story everyone’s read before, a half-assed book no one remembers, or something completely original, something that cannot be easily forgotten?

If you’re attending WHC this year, what are you most looking forward to at this year’s event? If not attending, what do you think is the significance of recognitions like the Bram Stoker Awards?

I’m not sure I’ll make WHC this year [note: I ultimately did, and was able to spend some time holding the ashes of the great Richard Laymon], but I plan to attend StokerCon. I look forward to hanging out with those I’ve connected with over the years. I’m planning a signing event for The Library of the Dead, as well as the launching the next anthology, Chiral Mad 3. About half of the contributors in those anthologies will be attending StokerCon. Should be fun.

What scares you most? Why? How (if at all) does that figure into your work or the projects you’re attracted to? 

Memory loss scares me more than anything. Alzheimer’s. Much of my work (both my own fiction/poetry, and those I publish) is considered psychological horror. Losing one’s mind, one’s thoughts, one’s memories of who and what made them what they are … that is the most terrifying thing I can think of happening to a person, and I constantly wonder if it will happen to me. I guess that’s why I put a lot of myself in my writing. Every story I publish, whether mine or another’s, holds a different part of me, something that moved me emotionally, something I’ve pondered, a thought, a feeling, an instance. If I someday lose those memories that made me, I hope I’ll at least be able to read about those parts of me, whether I know it’s me or not.

What are you reading for pleasure lately? Can you point us to new authors or works we ought to know about? 

I don’t have as much time to read for pleasure as I’d like, so I guess I’m picky, a bit eclectic since most of what I read is unpublished. Read my anthologies and you’ll see a trend of new, emerging talent. Among the staples everyone should be reading, such as Ketchum, Braunbeck, Castle, Morrell, O’Neill and Edelman, look for work by those who have recently knocked my socks off with their writing: Josh Malerman, Emily B. Cataneo, Paul Michael Anderson, Erik T. Johnson, Damien Angelica Walters, Erinn L. Kemper, Meghan Arcuri, Mercedes M. Yardley (notice the amount of female voices in this list), Stephanie M. Wytovich, Autumn Christian, Laura Lee Bahr, Jon Michael Kelley, Christian A. Larsen, Usman T. Malik. How many names do you want? How about some voices I’ve recently discovered that have been around for a while, but I find quite remarkable: Jason V Brock, Hal Bodner, Darren Speegle, Lucy A. Snyder, Richard Chizmar, Michael McBride … I could seriously go on for a while. A full list of who you should be reading can be found in the anthologies I publish through Written Backwards and Dark Regions Press: all three Chiral Mad volumes, The Library of the Dead, Qualia Nous, the upcoming You, Human

Thank you in advance for your time and participation. 

 

BRAM STOKER AWARDS ® – THE LIBRARY OF THE DEAD

THE LIBRARY OF THE DEAD - DRP Edition* UPDATE: pre-order for the deluxe signed/limited edition of The Library of the Dead sold out within the first 24 hours, but the trade paperback is still on sale for 33% off at Dark Regions Press.

The Library of the Dead took home the Bram Stoker Award ® for Superior Achievement in an Anthology at the inaugural StokerCon in Las Vegas, NV, hosted by the Horror Writers Association.

I’m still in shock, and at a loss for words, so I’ll keep this short. StokerCon was quite an event, with a book-signing/release for both Chiral Mad 3 (which sold out!) and The Library of the Dead  (which moved quite a lot of copies). Many contributors from both anthologies were available and signed copies like mad. We filled out a bunch of  tip/signature sheets for the future deluxe limited editions coming soon from Written Backwards / Dark Regions Press, including Chiral Mad 3, The Library of the Dead, You Human (the first science fiction anthology in a long time from DRP), The Cal Wild Chronicles (Gene O’Neill), and Other Music (Marc Levinthal). The best way I can describe this mass-signing chaos is through pictures, which you can find at the end of this post.

CHIRAL MAD 3 - DRP Edition

A few copies of the deluxe signed/limited hardbound edition of Chiral Mad 3 remain, which can be pre-ordered by clicking the cover image above; this will be signed by everyone involved, except for King. Chuck Palahniuk, Glenn Chadbourne, and all other contributors will be signing these books, so you will want to pick up a copy. The trade paperback is available for purchase now if you don’t want to wait that long.

As for the conference, I served on only one panel this year alongside fellow anthologists Ellen Datlow, Thomas F. Monteleone, and Stephen Jones, attended a few readings, and kicked back to enjoy the company of longtime friends alongside my better half, Kelly Rumble (who for some reason thinks we’re getting married in a few weeks). Some of the highlights of this ultra-packed weekend include hanging out (lunches and drinks and aftermath shenanigans of celebratory Irish Car Bombs) with mentors Tom Monteleone and F. Paul Wilson (who Kelly Laymon calls ‘Pauly’), my own past HWA mentoree, Meghan Arcuri (an excellent writer), and one of the best damn female voices writing today, Erinn Kemper. And who can forget the wonderful Jack Ketchum, who I was able to dine/drink with on two occasions over the last few weeks (thanks to the World Horror Convention two weeks prior). And of course Gene O’Neill, who is always a treat, meeting Scott Edelman for the first time (after publishing a few of his works), as well as hanging with Hal Bodner, Jason V Brock, Stephanie Wytovich, Weston Ochse, Yvonne Navarro, Mercedes Yardley, Marge Simon, Lucy Snyder, Eric Guignard, Rena Mason, and I’m sure I’m missing a few names here, but basically a who’s-who of Written Backwards titles. The most horrific part of weekend was standing in front of a room packed full of my peers to accept not only one Bram Stoker Award ® for The Library of the Dead, but a second statue on behalf of Mort Castle, Sam Weller, Chris Ryall, and Carlos Guzman for Shadow Show: Stories in Celebration of Ray Bradbury, which won for Superior Achievement in a Graphic Novel. So many great memories… One of the most bizarre, perhaps, was accepting both awards on behalf of Brian Keene, who could not be there (an inside joke).

13179348_10206412283767871_5977074888684614861_nTo help celebrate the Stoker, Dark Regions Press is offering 30% off the trade paperback edition of The Library of the Dead, as well as on pre-orders for the deluxe signed/limited hardbound edition to be released later this year (limited to 26 lettered A-Z). Click the book either above or below, or click here, and enter BRAMSTOKERAWARD as your coupon code when checking out for a 30% discount. If you prefer Amazon, or you run into any problems, you can find it here.

Anyway, the chaos I promised…

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THE LIBRARY OF THE DEAD - DRP Edition

 

 

2015 BRAM STOKER AWARDS® PRELIMINARY BALLOT

The Horror Writers Association recently announced the Preliminary Ballot for the 2015 Bram Stoker Awards®, and I am proud to announce that I have a few things that made the list this year, and have a bunch of friends whose work made the list as well.

The Library of the DeadThe Library of the Dead, by Written Backwards (now an imprint of Dark Regions Press), made the preliminary ballot this year. Many fingers are crossed that it finds its way onto the final ballot. Qualia Nous was officially nominated last year for Superior Achievement in an Anthology (although it bowed to Ellen Datlow’s Beyond Symmetry), and two short stories from the anthology took home statues for Superior Achievement in Short Fiction (Usman T. Malik’s “The Vaporization Enthalpy of a Peculiar Pakistani Family” and Rena Mason’s “Ruminations”).

Norman Partridge’s “Special Collections” from The Library of the Dead made the preliminary ballot as well for Superior Achievement in Long Fiction. His introduction/story starts off the anthology, and apparently impressed the HWA’s long fiction jury.

Below is the complete table of contents for The Library of the Dead, which is illustrated throughout by GAK, and concludes with a tribute/dedication to J.F. Gonzalez by Mary SanGiovanni. I’m a bit bummed not to see some of the short fiction on the preliminary ballot, but seeing Norman’s introduction/story on the ballot brought a smile. The other stories within received over 40 recommendations collectively, which is saying something…

  • Norman Partridge – “Special Collections” (long fiction)
  • Yvonne Navarro – “Those Who Shall Never Be Named”
  • Mary SanGiovanni & Brian Keene – “The Last Things to Go”
  • Roberta Lannes – “A Raven in the Dove’s Nest”
  • Kealan Patrick Burke – “I’m Not There”
  • Chris Marrs – “A Chimera’s Tale”
  • J.F. Gonzalez – “I’m Getting Closer”
  • Weston Ochse – “Reliving Through Better Chemistry”
  • Lucy A. Snyder – “Cthylla”
  • Christopher Golden & Tim Lebbon – “Fault Lines” (long fiction)
  • Rena Mason – “Jaded Winds”
  • Michael McBride – “Tears of the Dragon”
  • Erinn L. Kemper – “Phantom on the Ice”
  • Sydney Leigh – “Night Soliloquy”
  • Gene O’Neill – “Broken Lady”
  • Gary A. Braunbeck – “Tales the Ashes Tell”

At the Lazy KAlso making the preliminary ballot in the long fiction category is the first book in the Allevon series of illustrated novellas by Written Backwards: At the Lazy K by Gene O’Neill. This small book, illustrated by L.A. Spooner and introduced by Rena Mason, is causing quite the buzz, which means the Allevon series will continue. More news on the next title soon. I would also like to note that along with At the Lazy K making the preliminary ballot, and Gene having a story in The Library of the Dead (an idea conceived by the awesome duo that is Gene O’Neill and Gord Rollo), Gene O’Neill is on the preliminary ballot for Superior Achievement in a Fiction Collection for the wonderful The Hitchhiking Effect by Dark Renaissance Books, as well as for Superior Achievement in Short Fiction for his recently released chapbook for his story “The Algernon Effect.”

If you are a voting member of the Horror Writers Association, you can email written@nettirw.com to request either a digital copy or a trade paperback of the following:

1. The Library of the Dead – Superior Achievement in an Anthology.

2. At the Lazy K by Gene O’Neill – Superior Achievement in Long Fiction

3. “Special Collections” by Norman Partridge – Superior Achievement in Long Fiction

I hope to see The Library of the Dead on the final ballot alongside those I admire in the world of anthologies: Ellen Datlow (The Doll Collection), Christopher Golden (Seize the Night, which has an incredible long fiction piece called “Paper Cuts” by Gary A. Braunbeck, which also made the preliminary ballot for long fiction), Stephen Jones (Horrorology), Jonathan Maberry (X-Files: Trust No One), and Richard Thomas (Exigencies). See below for the complete list.

The long fiction category is always one of my favorites. Along with rooting for Gene O’Neill for At the Lazy K, the long fiction category this year includes Norman Partridge’s “Special Collections” from The Library of the Dead… as well as an incredible story by Scott Edelman called “Becoming Invisible, Becoming Seen” and Gary A. Braunbeck’s “Paper Cuts” and Mercedes M. Yardley’s “Little Dead Red” and other fine stories.

I’m also excited to see that Shadow Show: Stories in Celebration of Ray Bradbury made the preliminary ballot for Superior Achievement in a Graphic Novel, which Mort kindly gave me a copy of when I made a surprise visit in Chicago last October.

Who else am I going to name-drop here? Let’s see: how about Clive Barker, whose novel The Scarlet Gospels made the list, or Patrick Freivald for his novel Black Tide, or Paul Tremblay’s A Head Full of Ghosts. There’s also John Palisano’s “Happy Joe’s Rest Stop” and Damien Angelica Walters’ “Sing Me Your Scars” for short fiction. And of course fiction collections, another favorite category: along with The Hitchhiking Effect by Gene O’Neill, we have Gary A. Braunbeck’s Halfway Down the Stairs, which I’ll be reading later this week, and Lucy A. Snyder’s While the Black Stars Burn, which I’ll also be reading later this week. And of course some wonderful poetry from Bruce Boston’s Resonance Dark and Light, and Marge Simon’s Naughty Ladies, and Stephanie M. Wytovich’s An Exorcism of Angels. So much to read… so much to read…

As previously mentioned, Horror Writers Association voting members may request a PDF or print copy of The Library of the Dead (anthology), and/or At the Lazy K by Gene O’Neill (long fiction), and/or “Special Collections” by Norman Partridge (long fiction) for consideration by emailing written@nettirw.com. They will also be made available on the HWA message board.

Congratulations to everyone who made the preliminaries this year! And congratulations to those who did not make the list, but probably should have. 2015 was a great year for horror fiction. I see familiar names on the list this year, and names I don’t recognize, which is either a good thing, or a bad thing. Some I have published, some have published me, and some have shared the table of contents with yours truly in various anthologies or magazines over the years. And some, well, perhaps someday I can say I recognize those names as well.

Here is the complete list of the categories in which I have a part this year (plagiarized from the Horror Writers Association page):

Superior Achievement in an Anthology:

Michael Bailey – The Library of the Dead (Written Backwards)
Ellen Datlow – The Doll Collection: Seventeen Brand-New Tales of Dolls (Tor Books)
Shannon Delany and Judith Graves – Beware the Little White Rabbit (Leap Books, LLC)
Christopher Golden – Seize the Night (Gallery Books)
Stephen Jones – Horrorology (Quercus Publishing)
Nancy Kilpatrick and Caro Soles – nEvermore! (Edge Science Fiction and Fantasy Publishing)
Jonathan Maberry – X-Files: Trust No One (IDW Publishing)
Eric Miller – 18 Wheels of Horror (Big Time Books)
Doug Murano and D. Alexander Ward – Shadows Over Main Street (Hazardous Press)
Joseph Nassise and Del Howison – Midian Unmade (Tor Books)
Jeani Rector – Shrieks and Shivers from the Horror Zine (Post Mortem Press)
Richard Thomas – Exigencies (Dark House Press)

Superior Achievement in Long Fiction:

Gary A. Braunbeck – Paper Cuts (Seize the Night) (Gallery Books)
Ben Eads – Cracked Sky (Omnium Gatherum)
Scott Edelman – Becoming Invisible, Becoming Seen (Dark Discoveries #30)
Jeff Gunhus – The Torment of Rachel Ames (Seven Guns Press)
Lisa Mannetti – The Box Jumper (Smart Rhino Publications)
Seanan McGuire – Resistance (The End Has Come) (Broad Reach Publishing)
Gene O’Neill – At the Lazy K (Written Backwards)
Jason Parent – Dia de los Muertos (Bad Apples 2) (Corpus Press)
Norman Partridge – Special Collections (The Library of the Dead) (Written Backwards)
Mercedes M. Yardley – Little Dead Red (Grimm Mistresses) (Ragnarok Publications)

For a complete list of of the 2015 Bram Stoker Awards® Preliminary Ballot, you can visit the official release here: horror.org/9296-2/ 

Good luck, everyone!