Archive for the ‘ Awards ’ Category

CHIRAL MAD 3 – ACCOLADES

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Chiral Mad 3 was recently announced as a winner in the Fiction: Anthologies category of the International Book Awards, so a hearty congratulations to all contributors.

Written Backwards titles recognized for the International Book Awards include:

The anthology was also nominated for a Bram Stoker Award® for Superior Achievement in an Anthology, and is currently a Finalist for Foreword Review’s Book of the Year Awards, also known as the Indies/IndieFab, with winners to be announced June 24th.

And while the anthology was submitted for the Benjamin Franklin Awards, there was a mix-up and the book was judged as a children’s book in on of their young adult categories (quite funny), so the book will be re-entered properly next year.

WILL THERE BE A CHIRAL MAD 4?

CM4 - teaser

I have been thinking about CHIRAL MAD 4 for quite some time, and have decided that if CHIRAL MAD 4 were to happen, the entire book would spawn from the number 4 … because it’s the 4th volume in a series that may either end at 4, or continue onward indefinitely. But, in order to understand where this fourth volume would be coming from, you have to wade through some history on the series, and some other Written Backwards projects, because it’s all connected in one way or another …

cm_accoladesThe first Chiral Mad (yes, you can click that link to directly buy a copy from Amazon, or the book cover to the left) was a charity anthology. Not a single author was offered payment, other than a contributor copy. Everyone involved donated their work to help create a rather awesome anthology that ended up raising over $6,000 for various Down syndrome charities, the biggest chunk of that being a $3,000 donation to the Down Syndrome Information Alliance. Thomas F. Monteleone wrote an awesome introduction, various stories made various best-of lists, such as Gary McMahon’s “Some Pictures in an Album,” and so on. Lots of famous names, lots of new names now becoming more famous. The book was well-received critically, won some awards, and, well, sparked a series of anthologies.

CHIRAL MAD 2 - COVERChiral Mad 2 quickly followed (yes, feel free to click that link or the book image to purchase), but something new happened with this anthology. Knowing how well the first volume did monetarily, this second volume allowed Written Backwards (a newish small publisher at the time) to pay writers for their work at professional rates ($0.05 per word at the time). That doesn’t seem like a lot of money, but multiply $0.05 by 120,000 words, and you get $6,000, which was paid to the contributors, upfront, out of pocket. Long story short, the anthology did about as well as the first volume (broke about even, and also helped spark further sales of the first Chiral Mad), won some awards, and even won Gary A. Braunbeck one of his twenty-thousand Bram Stoker Awards for his long fiction piece, “The Great Pity.” John Palisano was also nominated for his short story “The Geminis.” The book did well, in terms of an anthology, which means it basically broke even and eventually the $6,000 was recuperated, and everything over that amount also went (and still goes) to charity. Anthologies are expensive, so remember that the next time you hound small publishers for “what’s next, what’s next, when can I submit to the next one” and so on.

Qualia NousChiral Mad 2 had an open call for submissions, and over 550 submissions were received, along with the 20 stories from invited writers. Now, 570 submissions may not sound like a lot, but multiply 570 by the average 5850 words (I did the math), and you get 3,217,500 words, which is approximately 50 or more novel-length works to sort through to find the perfect table of contents. Many rejections were sent, which is never fun. But, having so many submissions resulted in a great number of fiction stories that were a little too sci-fi for CHIRAL MAD, which sparked an entirely new idea: a science fiction anthology, Qualia Nous. How did this anthology do? Well, it was much longer, contributors were paid professional rates, and was much more expensive ($7,500 or so) to put together. It did well, critically, won the Benjamin Franklin Award, was nominated for the Bram Stoker Award, resulted in two stories winning the Bram Stoker Award for short fiction (Usman T. Malik and Rena Mason), as well as a Nebula nomination for Malik, and an award for the single poem in the anthology by Marge Simon. And some other awards. The CHIRAL MAD anthologies went on hiatus for a while to promote Qualia Nous. The book has made back about 1/2 of what it cost to put together, despite how well it’s done critically. That’s anthologies for you: everyone wants to be in one; no one wants to buy one.

Pageflex Persona [document: PRS0000026_00094]And then an idea for a new ALLEVON series of illustrated books popped into mind (the word “novella” backward), and thus a new series of physically smaller, illustrated trade paperback books began, starting with a novella called At the Lazy K by Gene O’Neill (feel free to purchase that one, too), which was illustrated throughout by L.A. Spooner. Later this year (next month perhaps), the second book in the ALLEVON series will be published, a collection by Scott Edelman called Liars, Fakers, and the Dead Who Eat Them, which is set of zombie novelettes: “Only Humans Lie” and “Faking It Until Forever Comes,” which features a cover and interior illustrations by Daniele Serra. This series will continue through the Written Backwards imprint, as there are already 4 or 5 future volumes already set in motion.

ENSŌSo, here I am, getting distracted by new projects, talking with Dark Regions Press about a possible merger, taking on project after project after project, and then I decide to write a children’s book called Enso to take my mind out of horror and sci-fi for a while (it’s a dark, dark place; a place I nearly left completely). I wanted to write something my kids (okay, not my kids, but my wife’s kids) could read, something other parent’s kids could read, something dark, but less dark. The book was illustrated beautifully by L.A. Spooner, who also illustrated At the Lazy K . I decided to do a signed/limited print run for these, so only 100 were ever made. I still have a dozen or so if you want a copy, but they are mostly gone. I tend to give these out to families with small children. It’s basically four children’s fables about the circle of life, but with my nonlinear spin.

Inkblots and Blood SpotsI keep telling myself that someday I’ll return to my own writing. I have two published novels under my name: Palindrome Hannahand Phoenix Rose, as well as two short story and poetry collections, Scales and Petals, (you can find all of these on the tabs at the top of the main www.nettirw.com page), and most recently Inkblots and Blood Spots (pictured), which hold some of my best work (and yes, you can purchase a copy if you want to make me happy). I don’t write a lot (maybe two or three stories per year on a good year), but people seem to like my writing when I decide to use my brain to craft something of my own, books that are mine. Inkblots was illustrated throughout by Daniele Serra, featured an introduction by Douglas E. Winter, and had some nice blurbs by some pretty awesome individuals. Villipede Publications did a great job putting this together. When I get around to it, I’ll finish novel #3, Psychotropic Dragon (which I’ve been working on for over 10 years), as well as a new mainstream novel I’ve started called Seen in Distant Stars. Other than that, I’m only writing short fiction when invited into certain anthologies, and only by certain people. I just don’t have the time otherwise …

Pageflex Persona [document: PRS0000040_00009]And then The Library of the Dead fell into my lap. This project was originally conceived by Gene O’Neill and Gord Rollo. I was brought on as a co-editor, and then the publisher asked if I’d be the sole editor, and then later asked if I’d take on the project entirely, which of course I did. So, I put everything I had into this thing. I visited the real library of the dead, a place called Chapel of the Chimes in Oakland, California, took a photo-shoot of the place (see that awesome cover?), forked out just about all the money I had left in my bank account, worked with some amazing contributors, worked with GAK, who illustrated the entire book based on my photography, included some of that photography throughout the book, wrote a tie-in piece called “The Librarian” to guide the reader through the labyrinth … and then something terrible happened. J.F. Gonzalez died, one of the book’s contributors, and so we dedicated the book to him, added additional artwork, and an afterword by Mary SanGiovanni. The anthology won the Bram Stoker Award, and a few others. I’m damn proud of this book, and damn proud of everyone who helped bring this book together. It’s recouped about half of what it cost to build, but I think it’s worth it. Dark Regions Press has recently re-released the book in trade paperback, with a limited deluxe hardbound (illustrations in color) in the works, which sold out basically over night.

CHIRAL MAD 3 - DRP EditionThen came Chiral Mad 3, which was the first book released by Written Backwards as an imprint of Dark Regions Press. Yes, we joined forces, and it was a wonderful collaboration (I’ll get back to collaborations later …) And yes, please click the link and purchase a copy to support us. You will not be disappointed. I pulled every string I could find for this book, and it stands as the most expensive book I have ever made to date, by far. Like, lots of money. I used all my super powers to make this one happen. The entire anthology is illustrated by the legendary Glenn Chadbourne, features an introduction by the one and only Chuck Palahniuk (Fight Club), with stories by some of the best in the business, including Jack Ketchum, Stephen King, and, as with all my anthologies, it’s filled with a diverse group of both established, semi-established, and never-before-established writers. But I had to do something different with this book. Yes, there are 45 illustrations. Yes, these books keep getting bigger and bigger. But this time around, I needed more poetry. Lots of poetry. The book is structured chirally, story-poem-story-poem-story, all the way through. It’s a beautiful book. And I keep telling myself, as I do with all of these books, that there’s nothing I can improve upon. Nothing I can do differ–wait …

full coverYou, Human. That’s right, as part of Dark Regions Press’ return to science fiction, I’ve taken on two additional projects. One of these is Other Music, the debut novel by Marc Levinthal, which features an introduction by John Skipp and will be released sometime in August. The other is You, Human, the first science fiction anthology by Dark Regions Press in who knows how long. I pulled out all the tricks for this one as well, playing off Asimov’s I, Robot, but with a human twist, and three new Laws of Humanity. In fact, the anthology features an introduction on humanism by F. Paul Wilson, as well as dark science fiction and poetry by some of the best in the business. This will be released either late this summer or early this fall by Dark Regions Press.

Pageflex Persona [document: PRS0000038_00074]And I can’t forget Paul Michael Anderson’s first fiction collection, a beautiful book called Bones Are Made to be Broken, which will be released in trade paperback, ebook, and signed limited/deluxe hardback this fall by Dark Regions Press. I’ve published Paul in nearly every one of my anthologies, because he’s that damn good. And now all of his best short fiction (as well as a new novella written specifically for this book) come together in Bones Are Made to Be Broken. You do not want to miss this collection. As always, I am putting everything I have behind this book, because the spine of this book is made to be broken, by you, reading every story over and over again.

The Cal Wild ChroniclesAnd of course there’s the 4-book magnum opus by the legendary, genre-bending master of fantasy, horror, and science fiction. The Cal Wild Chronicles is a 4-book series of trade paperbacks I’m putting together for the one and only Gene O’Neill, which includes The Confessions of St. Zach (with an introduction by John R. Little), The Burden of Indigo (with an introduction by Lisa Morton), The Near Future (with an introduction by Meghan Arcuri), and The Far Future (with an introduction by Scott Edelman). Each book is beautifully illustrated by Orion Zangara, and each book, when put together completes the wonderful puzzle that is Cal Wild. In fact, when you put the spines together, they create the Rainbow Man from the series, and when you place either the fronts or backs of these books side-by-side-by-side-by-side, you complete yet another puzzle. Later this year, Dark Regions Press will publish the entire series within a single volume, which you can pre-order at darkregions.com.

Pageflex Persona [document: PRS0000026_00094]And before we get to Chiral Mad 4, I should mention the anthology that started it all, Pellucid Lunacy. This was the first anthology ever published by Written Backwards, and the cover featured a painting of the arachnid/human skeleton from my dreams that originally spawned the idea for the novel Psychotropic Dragon. Well, enough time has gone by, that the series deserves a reboot. So, as soon as thing slow down a bit (if they ever do), we will re-release this title through the Written Backwards imprint of Dark Regions Press to give this thing more legs. The cover will be getting a reboot as well, as you can tell from this new cover.

But what about Chiral Mad 4. Everyone wants there to be a Chiral Mad 4!

So here’s the deal. The entire writing community has been at war with one another for far too long. Finger-pointing, harassment, racism, bigotry, accusations (both false and allegedly true), people talking about people killing people, politicking, all that social justice bulls**t that seems to be tearing this writing community apart one writer at a time, senseless/endless arguing, blocking, unfriending, blah blah blah … It’s a mess. So here’s what we do … This is how we can (strike that), this is how you can make Chiral Mad 4 happen:

If, and this is a big if, you want CHIRAL MAD to continue, this is how it’s going to happen for a fourth volume. This is not a call for submissions at this time. This is simply an idea. This has the potential of either ending something that was once great (in a big fiery ball of flame), or continuing the evolution of something much greater.

You have to collaborate. You have to work together.

These would be the rules for Chiral Mad 4 (if the anthology were to happen):

  1. Each work has to be a collaboration by more than one individual.
  2. More than two collaborators may be part of the same collaboration (3 or 4 authors writing a story, for example, or more than 2 collaborators working on the same graphic/comic piece)
  3. The more unique the collaboration, the better. (Have someone in mind you’ve always wanted to work with but were too afraid to ask, then that’s most likely the person with whom you should collaborate)
  4. Unique collaborations will go to the top of the reading pile.
  5. Diverse collaborations will go to the top of the top of the reading pile.
  6. No pseudonyms (unless you publish under that pseudonym regularly), and no collaborating with your own pseudonym.
  7. Absolutely no gratuitous sex, violence, abuse, rape …
  8. Play nice.

This is what will be ultimately accepted for Chiral Mad 4 (if the anthology were to happen):

  1. 4 collaborative novellas (15,000 – 20,000 words)
  2. 4 collaborative novelettes (8,000 – 10,000 words)
  3. 4 collaborative short stories (3,000 – 5,000 words)
  4. 4 collaborative short stories adapted to graphic/comic format (1,000-1,500 words, 10-12 pages max)

That’s 16 projects total, and yes, that’s a hefty word count when you add the numbers. This could turn into a part 1 / part 2, depending on word count. There will most likely be a Kickstarter or Indigogo campaign to help fund this project if there is enough demand, and payment would be made close to publication date, most likely late 2017, because:

Payment would be as follows (if the anthology were to happen):

  1. novellas – $0.05 per word, $1,000 max (split between collaborators)
  2. novelettes – $0.05 per word, $500 max (split between collaborators)
  3. short stories – $0.05 per word, $250 max (split between collaborators)
  4. graphic/comic stories – $50 per page, $500 max (split between collaborators)

Play nice.

Collaborate.

Make something beautiful.

Email cm4@nettirw.com for more information, questions about collaborations, etc.

And if you want to keep seeing volumes of CHIRAL MAD year after year, please purchase a copy of volumes 1, 2, and 3. Tell our friends. Tell your family. Help spread the word about these anthologies (as well as other Written Backwards / Dark Regions Press anthologies), because that’s how we stay in business and keep producing such fine books.

Coming soon, a collaboration with L.A. Spooner to adapt my short story “Plasty” from Scales and Petals.

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KNOW A NOMINEE

Prior to the Bram Stoker Awards ® this year, volunteers within the Horror Writers Association began a series of interviews called “Know a Nominee,” in which final ballot nominees of the various award categories were asked a series of questions to provide readers insights and information about the nominees and their work. Some of these interviews were posted on the official Horror Writers Association’s Facebook page (I’m not sure if any made it onto the HWA website or newsletter, as they have in the past) and for a while it was going well. This is typically a great series of interviews. Unfortunately, because this is a volunteer-run organization, life sometimes gets in the way for volunteers, and well-loved projects, like this one, get pushed to the back burner, forgotten like a pot of previously-boiled hot dogs found floating in cold water the next morning. My own interview was for The Library of the Dead, which was nominated (and eventually won) for Superior Achievement in an Anthology.

As it turns out, a handful of interviews took place this year (some posted, most not), and sometime between pre- and post-Stoker season this interview project sort of disappeared into the ether. A handful of interviewees (like me) were left scratching our heads, wondering if the interviews were ever going to be published as the first StokerCon drew near. And then that date flew by, and a few others, and then a dozen more. What happened to the interviews? Upon asking about this very question within the organization, this prompted more confusion among members: “I was never interviewed…” and “What happened with the Know a Nominee interviews?” and “Interviews?” and my own question of “Since the Know a Nominee interviews sort of fizzled out, can we post our interviews elsewhere so they don’t go wasted?” (or something like that). Apparently, not all nominees this year were interviewed, which is too bad… This is a fun part of the award season, where you really “get to know” the nominees in the various categories (hence the name). For me, this interview series is an opportunity to get to know those outside the con scene (which is where we really get to know each other).

Know a Nominee was left abandoned mid-stride this year because of understandable, unforeseen happenstances in the lives of organization volunteers (it happens), yet here we are now, well past StokerCon and the Bram Stoker Awards ®, and there are interviews waiting to be exposed. There are shriveled hot dogs floating in cold water at the back of the stove, and they either need to be reheated and finally served, stored for later consumption, or thrown out.

After reaching out to the Horror Writers Association, those interviewed (and still stuck in interview limbo) were told we could use these Know a Nominee interviews elsewhere on the interwebs, if we so pleased. Three options: throw it out, store for later, or reheat and serve now. Interviews take time away from other projects we could be working on, so why let them go to waste? Why not put them out there? Who cares if it’s still hot or not, luke-warm, cold… Okay, yeah, interviews are best served hot, but so what. Most of the forgotten interviews run between 1,000 and 2,000 words (I have only asked four others, so you will have to deal with that estimate); mine runs about 1,600. So, without further ado, here is my reheated, barely palpable Know a Nominee interview, which was conducted by Brock Cooper, a member of the Horror Writers Association.


Please describe the genesis for the idea that eventually became the work for which you’ve been nominated. What attracted you most to the project?

The Library of the Dead was conceived by the collaborative minds of a gruesome twosome: Gene O’Neill and Gord Rollo. They happened upon Chapel of the Chimes, a crematory and columbarium in Oakland, next to the beautiful Mountain View Cemetery. It’s a massive labyrinthine building, and within its walls are the ashes of over a hundred thousand of California’s dead, most of which are contained within incendiary urns on shelves reaching from floor to ceiling, three stories high. But these are not ordinary urns. Most are brass, or golden, and they are shaped like books, and because of the building’s unique interior design, most of the rooms (and their libraries) are lit naturally by the sun through stained glass, some entire rooms glowing gold. It’s a wonderful place, and I highly recommend putting it on your list to see if you’re in the California Bay Area. There are gardens inside, and fountains, and other treasures, but the books make this place unique. What if each “book” not only held the ashes of the dead, but their stories as well? What happens when opened? What if there’s a ghostly librarian who wanders the halls at night, a caretaker of sorts? That’s the premise of the anthology Gene and Gord wanted to make. Somehow it landed in my lap. And somehow I was convinced to write “The Librarian,” the intertwining story linking the tales together. And now I’m proud to see a book about this library of the dead nominated for the Bram Stoker Award ® for anthologies, along with the story/introduction by Norman Partridge called “Special Collections,” which is up for long fiction.

What was the most challenging part of bringing the concept to fruition? The most rewarding aspect of the process? 

Each story in the anthology is something unique, written by different writers with entirely different voices, and some collaborative, such as Mary SanGiovanni and Brian Keene’s “The Last Thing’s to Go,” or “Fault Lines” by Christopher Golden and Tim Lebbon. Different ashes. Different stories. Each golden book within the library had to contain a different story that needed opening, with characters ultimately finding their way back to the library, and that was the only common ground when I first started this book. Bringing the stories together into something cohesive required stylistic illustrations (which were created to perfection by the wonderful GAK) to help fuel the reader’s imagination, and photography of the real library of the dead in California, as well as “The Librarian” piece to help tie the stories together, which is its own story within the anthology. As you move through the book, this second-person narrative guides you along, your own personal librarian pulling golden books from shelves and opening them for you as you are guided from room to room, exploring the ‘tales the ashes tell’ (which happens to be the final story by Gary A. Braunbeck), until you realize you’re not only lost within the labyrinth of golden books, but becoming part of the library itself. The anthology contains black and white photography I took of Chapel of the Chimes, and 17 original illustrations by GAK (all inspired by the photography; if you look closely, you’ll see some of it captured within the art). All of these things had to be fused together seamlessly to make The Library of the Dead, which turned out to be quite a beautiful golden book. The most rewarding aspect of this process? Well, the book can be read like a novel, with each unique story serving as a different chapter of something larger. Something difficult that happened along the way was the loss of J.F. Gonzalez, to whom the book is dedicated. One of his final stories is in this book, called “It’s Getting Closer,” and GAK created a special illustration for him at the end of the book.

What do you think good horror/dark literature should achieve? How do you feel the work for which you’ve been nominated fits into or helps give shape to that ideal?

All good literature, dark or not, should move the reader emotionally. Good literature should fling one’s emotional state around until left exhausted. Without emotion, we are nothing. Horror, when done well, evokes fear, dread, uneasiness, terror, anxiety, all sorts of things … And when done well, the reader shouldn’t even notice it’s happening to them until it’s too late, until they set the book down, perhaps swearing a single word under their breath. All they know is that the pages kept flipping by as they got battered and got lost in the story (or stories), which is the whole point of a book. Good literature should spark memories: loss, pain, hope, failure, redemption, sacrifice, and I could go on for pages and pages about everything a book should do to its reader, but I won’t. What I think makes The Library of the Dead work so well is that it makes the reader part the book itself, pulls them along from tale to tale, and I think that’s why so many people have reacted positively. Some readers skip around anthologies, looking for familiar names or whatnot, reading those stories first before reading others, and some jump from story to story in no particular order. If you do that with The Library of the Dead, you are missing out. The book is designed to be read from cover to cover, first page to last page. The book is a journey, and the reader is part of the journey. They should be pulled inside this golden book and trapped inside with its ashes.

I’m curious about your writing and/or editing process. Is there a certain setting or set of circumstances that help to move things along? If you find yourself getting stuck, where and why?

Both my writing and editing processes are chaotic and should not be studied. My work is sporadically prolific, and periodically dormant. It’s probably unhealthy. If I find myself stuck, it means I’m not doing something right and should either do something else, or start over. Sometimes listening to music helps motivate the creative process.

As you probably know, many of our readers are writers and/or editors. What is the most valuable piece of advice you can share?

Create the most beautiful thing you can possibly create. It’s as simple as that. When you die, what do you want to leave in your wake? What do you want to be remembered for creating, a half-assed story everyone’s read before, a half-assed book no one remembers, or something completely original, something that cannot be easily forgotten?

If you’re attending WHC this year, what are you most looking forward to at this year’s event? If not attending, what do you think is the significance of recognitions like the Bram Stoker Awards?

I’m not sure I’ll make WHC this year [note: I ultimately did, and was able to spend some time holding the ashes of the great Richard Laymon], but I plan to attend StokerCon. I look forward to hanging out with those I’ve connected with over the years. I’m planning a signing event for The Library of the Dead, as well as the launching the next anthology, Chiral Mad 3. About half of the contributors in those anthologies will be attending StokerCon. Should be fun.

What scares you most? Why? How (if at all) does that figure into your work or the projects you’re attracted to? 

Memory loss scares me more than anything. Alzheimer’s. Much of my work (both my own fiction/poetry, and those I publish) is considered psychological horror. Losing one’s mind, one’s thoughts, one’s memories of who and what made them what they are … that is the most terrifying thing I can think of happening to a person, and I constantly wonder if it will happen to me. I guess that’s why I put a lot of myself in my writing. Every story I publish, whether mine or another’s, holds a different part of me, something that moved me emotionally, something I’ve pondered, a thought, a feeling, an instance. If I someday lose those memories that made me, I hope I’ll at least be able to read about those parts of me, whether I know it’s me or not.

What are you reading for pleasure lately? Can you point us to new authors or works we ought to know about? 

I don’t have as much time to read for pleasure as I’d like, so I guess I’m picky, a bit eclectic since most of what I read is unpublished. Read my anthologies and you’ll see a trend of new, emerging talent. Among the staples everyone should be reading, such as Ketchum, Braunbeck, Castle, Morrell, O’Neill and Edelman, look for work by those who have recently knocked my socks off with their writing: Josh Malerman, Emily B. Cataneo, Paul Michael Anderson, Erik T. Johnson, Damien Angelica Walters, Erinn L. Kemper, Meghan Arcuri, Mercedes M. Yardley (notice the amount of female voices in this list), Stephanie M. Wytovich, Autumn Christian, Laura Lee Bahr, Jon Michael Kelley, Christian A. Larsen, Usman T. Malik. How many names do you want? How about some voices I’ve recently discovered that have been around for a while, but I find quite remarkable: Jason V Brock, Hal Bodner, Darren Speegle, Lucy A. Snyder, Richard Chizmar, Michael McBride … I could seriously go on for a while. A full list of who you should be reading can be found in the anthologies I publish through Written Backwards and Dark Regions Press: all three Chiral Mad volumes, The Library of the Dead, Qualia Nous, the upcoming You, Human

Thank you in advance for your time and participation. 

 

BRAM STOKER AWARDS ® – THE LIBRARY OF THE DEAD

THE LIBRARY OF THE DEAD - DRP Edition* UPDATE: pre-order for the deluxe signed/limited edition of The Library of the Dead sold out within the first 24 hours, but the trade paperback is still on sale for 33% off at Dark Regions Press.

The Library of the Dead took home the Bram Stoker Award ® for Superior Achievement in an Anthology at the inaugural StokerCon in Las Vegas, NV, hosted by the Horror Writers Association.

I’m still in shock, and at a loss for words, so I’ll keep this short. StokerCon was quite an event, with a book-signing/release for both Chiral Mad 3 (which sold out!) and The Library of the Dead  (which moved quite a lot of copies). Many contributors from both anthologies were available and signed copies like mad. We filled out a bunch of  tip/signature sheets for the future deluxe limited editions coming soon from Written Backwards / Dark Regions Press, including Chiral Mad 3, The Library of the Dead, You Human (the first science fiction anthology in a long time from DRP), The Cal Wild Chronicles (Gene O’Neill), and Other Music (Marc Levinthal). The best way I can describe this mass-signing chaos is through pictures, which you can find at the end of this post.

CHIRAL MAD 3 - DRP Edition

A few copies of the deluxe signed/limited hardbound edition of Chiral Mad 3 remain, which can be pre-ordered by clicking the cover image above; this will be signed by everyone involved, except for King. Chuck Palahniuk, Glenn Chadbourne, and all other contributors will be signing these books, so you will want to pick up a copy. The trade paperback is available for purchase now if you don’t want to wait that long.

As for the conference, I served on only one panel this year alongside fellow anthologists Ellen Datlow, Thomas F. Monteleone, and Stephen Jones, attended a few readings, and kicked back to enjoy the company of longtime friends alongside my better half, Kelly Rumble (who for some reason thinks we’re getting married in a few weeks). Some of the highlights of this ultra-packed weekend include hanging out (lunches and drinks and aftermath shenanigans of celebratory Irish Car Bombs) with mentors Tom Monteleone and F. Paul Wilson (who Kelly Laymon calls ‘Pauly’), my own past HWA mentoree, Meghan Arcuri (an excellent writer), and one of the best damn female voices writing today, Erinn Kemper. And who can forget the wonderful Jack Ketchum, who I was able to dine/drink with on two occasions over the last few weeks (thanks to the World Horror Convention two weeks prior). And of course Gene O’Neill, who is always a treat, meeting Scott Edelman for the first time (after publishing a few of his works), as well as hanging with Hal Bodner, Jason V Brock, Stephanie Wytovich, Weston Ochse, Yvonne Navarro, Mercedes Yardley, Marge Simon, Lucy Snyder, Eric Guignard, Rena Mason, and I’m sure I’m missing a few names here, but basically a who’s-who of Written Backwards titles. The most horrific part of weekend was standing in front of a room packed full of my peers to accept not only one Bram Stoker Award ® for The Library of the Dead, but a second statue on behalf of Mort Castle, Sam Weller, Chris Ryall, and Carlos Guzman for Shadow Show: Stories in Celebration of Ray Bradbury, which won for Superior Achievement in a Graphic Novel. So many great memories… One of the most bizarre, perhaps, was accepting both awards on behalf of Brian Keene, who could not be there (an inside joke).

13179348_10206412283767871_5977074888684614861_nTo help celebrate the Stoker, Dark Regions Press is offering 30% off the trade paperback edition of The Library of the Dead, as well as on pre-orders for the deluxe signed/limited hardbound edition to be released later this year (limited to 26 lettered A-Z). Click the book either above or below, or click here, and enter BRAMSTOKERAWARD as your coupon code when checking out for a 30% discount. If you prefer Amazon, or you run into any problems, you can find it here.

Anyway, the chaos I promised…

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THE LIBRARY OF THE DEAD - DRP Edition

 

 

2015 BRAM STOKER AWARDS® PRELIMINARY BALLOT

The Horror Writers Association recently announced the Preliminary Ballot for the 2015 Bram Stoker Awards®, and I am proud to announce that I have a few things that made the list this year, and have a bunch of friends whose work made the list as well.

The Library of the DeadThe Library of the Dead, by Written Backwards (now an imprint of Dark Regions Press), made the preliminary ballot this year. Many fingers are crossed that it finds its way onto the final ballot. Qualia Nous was officially nominated last year for Superior Achievement in an Anthology (although it bowed to Ellen Datlow’s Beyond Symmetry), and two short stories from the anthology took home statues for Superior Achievement in Short Fiction (Usman T. Malik’s “The Vaporization Enthalpy of a Peculiar Pakistani Family” and Rena Mason’s “Ruminations”).

Norman Partridge’s “Special Collections” from The Library of the Dead made the preliminary ballot as well for Superior Achievement in Long Fiction. His introduction/story starts off the anthology, and apparently impressed the HWA’s long fiction jury.

Below is the complete table of contents for The Library of the Dead, which is illustrated throughout by GAK, and concludes with a tribute/dedication to J.F. Gonzalez by Mary SanGiovanni. I’m a bit bummed not to see some of the short fiction on the preliminary ballot, but seeing Norman’s introduction/story on the ballot brought a smile. The other stories within received over 40 recommendations collectively, which is saying something…

  • Norman Partridge – “Special Collections” (long fiction)
  • Yvonne Navarro – “Those Who Shall Never Be Named”
  • Mary SanGiovanni & Brian Keene – “The Last Things to Go”
  • Roberta Lannes – “A Raven in the Dove’s Nest”
  • Kealan Patrick Burke – “I’m Not There”
  • Chris Marrs – “A Chimera’s Tale”
  • J.F. Gonzalez – “I’m Getting Closer”
  • Weston Ochse – “Reliving Through Better Chemistry”
  • Lucy A. Snyder – “Cthylla”
  • Christopher Golden & Tim Lebbon – “Fault Lines” (long fiction)
  • Rena Mason – “Jaded Winds”
  • Michael McBride – “Tears of the Dragon”
  • Erinn L. Kemper – “Phantom on the Ice”
  • Sydney Leigh – “Night Soliloquy”
  • Gene O’Neill – “Broken Lady”
  • Gary A. Braunbeck – “Tales the Ashes Tell”

At the Lazy KAlso making the preliminary ballot in the long fiction category is the first book in the Allevon series of illustrated novellas by Written Backwards: At the Lazy K by Gene O’Neill. This small book, illustrated by L.A. Spooner and introduced by Rena Mason, is causing quite the buzz, which means the Allevon series will continue. More news on the next title soon. I would also like to note that along with At the Lazy K making the preliminary ballot, and Gene having a story in The Library of the Dead (an idea conceived by the awesome duo that is Gene O’Neill and Gord Rollo), Gene O’Neill is on the preliminary ballot for Superior Achievement in a Fiction Collection for the wonderful The Hitchhiking Effect by Dark Renaissance Books, as well as for Superior Achievement in Short Fiction for his recently released chapbook for his story “The Algernon Effect.”

If you are a voting member of the Horror Writers Association, you can email written@nettirw.com to request either a digital copy or a trade paperback of the following:

1. The Library of the Dead – Superior Achievement in an Anthology.

2. At the Lazy K by Gene O’Neill – Superior Achievement in Long Fiction

3. “Special Collections” by Norman Partridge – Superior Achievement in Long Fiction

I hope to see The Library of the Dead on the final ballot alongside those I admire in the world of anthologies: Ellen Datlow (The Doll Collection), Christopher Golden (Seize the Night, which has an incredible long fiction piece called “Paper Cuts” by Gary A. Braunbeck, which also made the preliminary ballot for long fiction), Stephen Jones (Horrorology), Jonathan Maberry (X-Files: Trust No One), and Richard Thomas (Exigencies). See below for the complete list.

The long fiction category is always one of my favorites. Along with rooting for Gene O’Neill for At the Lazy K, the long fiction category this year includes Norman Partridge’s “Special Collections” from The Library of the Dead… as well as an incredible story by Scott Edelman called “Becoming Invisible, Becoming Seen” and Gary A. Braunbeck’s “Paper Cuts” and Mercedes M. Yardley’s “Little Dead Red” and other fine stories.

I’m also excited to see that Shadow Show: Stories in Celebration of Ray Bradbury made the preliminary ballot for Superior Achievement in a Graphic Novel, which Mort kindly gave me a copy of when I made a surprise visit in Chicago last October.

Who else am I going to name-drop here? Let’s see: how about Clive Barker, whose novel The Scarlet Gospels made the list, or Patrick Freivald for his novel Black Tide, or Paul Tremblay’s A Head Full of Ghosts. There’s also John Palisano’s “Happy Joe’s Rest Stop” and Damien Angelica Walters’ “Sing Me Your Scars” for short fiction. And of course fiction collections, another favorite category: along with The Hitchhiking Effect by Gene O’Neill, we have Gary A. Braunbeck’s Halfway Down the Stairs, which I’ll be reading later this week, and Lucy A. Snyder’s While the Black Stars Burn, which I’ll also be reading later this week. And of course some wonderful poetry from Bruce Boston’s Resonance Dark and Light, and Marge Simon’s Naughty Ladies, and Stephanie M. Wytovich’s An Exorcism of Angels. So much to read… so much to read…

As previously mentioned, Horror Writers Association voting members may request a PDF or print copy of The Library of the Dead (anthology), and/or At the Lazy K by Gene O’Neill (long fiction), and/or “Special Collections” by Norman Partridge (long fiction) for consideration by emailing written@nettirw.com. They will also be made available on the HWA message board.

Congratulations to everyone who made the preliminaries this year! And congratulations to those who did not make the list, but probably should have. 2015 was a great year for horror fiction. I see familiar names on the list this year, and names I don’t recognize, which is either a good thing, or a bad thing. Some I have published, some have published me, and some have shared the table of contents with yours truly in various anthologies or magazines over the years. And some, well, perhaps someday I can say I recognize those names as well.

Here is the complete list of the categories in which I have a part this year (plagiarized from the Horror Writers Association page):

Superior Achievement in an Anthology:

Michael Bailey – The Library of the Dead (Written Backwards)
Ellen Datlow – The Doll Collection: Seventeen Brand-New Tales of Dolls (Tor Books)
Shannon Delany and Judith Graves – Beware the Little White Rabbit (Leap Books, LLC)
Christopher Golden – Seize the Night (Gallery Books)
Stephen Jones – Horrorology (Quercus Publishing)
Nancy Kilpatrick and Caro Soles – nEvermore! (Edge Science Fiction and Fantasy Publishing)
Jonathan Maberry – X-Files: Trust No One (IDW Publishing)
Eric Miller – 18 Wheels of Horror (Big Time Books)
Doug Murano and D. Alexander Ward – Shadows Over Main Street (Hazardous Press)
Joseph Nassise and Del Howison – Midian Unmade (Tor Books)
Jeani Rector – Shrieks and Shivers from the Horror Zine (Post Mortem Press)
Richard Thomas – Exigencies (Dark House Press)

Superior Achievement in Long Fiction:

Gary A. Braunbeck – Paper Cuts (Seize the Night) (Gallery Books)
Ben Eads – Cracked Sky (Omnium Gatherum)
Scott Edelman – Becoming Invisible, Becoming Seen (Dark Discoveries #30)
Jeff Gunhus – The Torment of Rachel Ames (Seven Guns Press)
Lisa Mannetti – The Box Jumper (Smart Rhino Publications)
Seanan McGuire – Resistance (The End Has Come) (Broad Reach Publishing)
Gene O’Neill – At the Lazy K (Written Backwards)
Jason Parent – Dia de los Muertos (Bad Apples 2) (Corpus Press)
Norman Partridge – Special Collections (The Library of the Dead) (Written Backwards)
Mercedes M. Yardley – Little Dead Red (Grimm Mistresses) (Ragnarok Publications)

For a complete list of of the 2015 Bram Stoker Awards® Preliminary Ballot, you can visit the official release here: horror.org/9296-2/ 

Good luck, everyone!

WRITTEN BACKWARDS AWARDS ® / DRAWA

Written Backwards Awards

Also known as the DRAWA, the Written Backwards Awards ® celebrates the recognition of literary marvels. For those unfamiliar with this somewhat-annual tradition of virtual award-giving, here are the details (most plagiarized from the previous award year):

The prestigious DRAWA / AWARD is not determined by jury, not by recommendation counts of any kind, and not by a jury/rec superpac, but is decided upon by Written Backwards and its staff… meaning one person, Michael Bailey. He determines whether a literary work is DRAWA eligible by reading or looking at various readable or lookable things throughout the year, whether it be a short story, novelette, novella, novel, screenplay (which we all know is just watching a movie), soundtrack, grocery list, magazine, website article, literary journal, pretty picture/artwork, or whatever else he sees fit, mentally scores this work on a scale of suck to badass, and from that point creates a preliminary ballot in his head from which to randomly choose ballotees. From this “preliminary” ballot, he then carefully and skillfully and adverbly removes “preliminary” altogether, thus creating what is known as the Written Backwards Awards® final ballot, which may or may not have to include works from the previous year. DRAWA winners are determined from this mental list, if remembered, depending on eligibility.

There is no hindrance on publication date, as long as the publication date does not surpass the year in which an award is planned for issue. For example, if Joe King publishes an award-winning masterpiece in March 2016, he is not eligible for a 2015 award because, well, his work is from the future, and future literary works are prohibited, as mentioned somewhere in the figurative small-print. Awards can go to the dead, although they cannot be accepted in person.

Please note that all writers whose work appeared or will soon appear in Written Backwards anthologies are not only eligible for a DRAWA, but automatic recipients of the Written Backwards Awards ®. This includes the following anthologies not covered previously: Qualia Nous, The Library of the Dead, as well as the upcoming Chiral Mad 3 and You, Human. If your work appeared or will soon appear in the aforementioned anthologies, you are hereby or soonby an alumni recipient of the Written Backwards Awards ® for the given year of publication. See anthology table of contents page for a full list of alumni recipients.

So, without further ado, Written Backwards is proud to introduce the the latest winners of the Written Backwards Awards ®, also known as the DRAWA (name not yet a registered trademark). The following works were admired greatly since the last award season, and can forever be considered literary marvels from this point onward. If you haven’t read these books, do so now. I’ll even supply a direct link where you can buy these books, as well as a few kind words about each…

Slade HouseSlade HouseThere’s a reason writers such as Joe Hill, Dean Koontz, Anthony Doerr and Gillian Flynn blurbed this novel; while Cloud Atlas had its share of fictional history, science fiction, and even horror, Slade House is Mitchell’s first take on straight-up horror. Some are describing this book as our generation’s The Turn of the Screw. I read a lot of both published and unpublished dark fiction, and this is one of the finest, most well-structured short horror novels I’ve read in the last ten years. The book is a work of art, inside and out. I adore this book completely.

The Bone ClocksThe Bone Clocks
Just before so beautifully tackling the horror genre, Mitchell beautifully tackled the science fiction genre with The Bone Clocks, a novel composed of six interconnecting novella-length works. “Tackled science fiction” is not strong enough. “Crushed it” may fit better. In fact, he won the World Fantasy Award and was longlisted for the Man Booker Prize for this novel. And he should have won the Nebula, in my opinion. Again, one of the finest, most beautifully-constructed science fiction novels I’ve read in the last ten years.

The Reason I JumpThe Reason I Jump – Jon Stewart probably says it best: “One of the most remarkable books I’ve ever read. It’s truly moving, eye-opening, incredibly vivid.” And I agree 100%. This is a translation (by both David Mitchell and his wife) of a memoir by thirteen-year-old Naoki Higashida, a boy living with autism. If you want to understand autism, this is the book to read. As Stewart said, “eye-opening.” This should be required reading in schools. I’ve lost count of how many times I’ve loaned this book for someone else to read.

David MitchellSlade HouseThe Bone Clocks, and The Reason I Jump (yes, two novels and a nonfiction book from a single author made the list this year). I fell in love with Mitchell’s first novel, Ghostwritten, and then Number9Dream, and then Black Swan Green, followed by Cloud Atlas, which was adapted to the screen by the Wachowski’s, and although I haven’t read The Thousand Autumns of Jacob de Zoet, I highly enjoyed the audio book. In writing these books, which all connect in subtle ways, Mitchell has quickly become my favorite contemporary writer, hands-down. His latest three books are probably some of the most important books written in the last however-many years, and are some of the most literary/accessible works I’ve had the pleasure of reading (and re-reading, since I will be revisiting each of these books in the future). It’s probably safe to say that David Mitchell is the most important writer working today.

IQ84

IQ84 by Haruki Murakami caught my eye as I was perusing a bookstore in some airport a few years ago, mostly because of its size. This book could be a… well, a bookend, or a doorstop. It’s 1,184 pages, to be exact, which works well with the title. I’ve read this book in print, as well as listened to the audio book, and it’s a trip, a long trip, but one worth the journey. Part fantasy, part science fiction. My only regret is that I’m sure it’s lost some of its beauty in translation. If you’ve got some time to kill, kill it with this book.

Beautiful You

So Fifty Shades of Grey happened not long enough ago… Now imagine that book as not one of the worst things ever written, and imagine something better, so much, much better, written with… what’s the word… English, and then add a splash of end-of-the-world-as-we-know-it horror, and let it come from the mind of Chuck Palahniuk (Fight Club, Choke, Survivor), and you have Beautiful You (novel), probably the strangest book to win a DRAWA. Nominated last year for the Bram Stoker Award, this is… well, interesting. I guess I should let the Amazon book description do its thing: “when Penny discovers she is a test subject for a line of female sex toys so effective that women by the millions are lining up outside the stores to buy it on opening day, she understands the gravity the situation. A billion husbands are about to be replaced.” Yep. It’s like that.

Lisey's StorySince we’re on the subject of love (sort of), Stephen King wrote Lisey’s Story (novel) over ten years ago, and it’s good enough to make it on my list this year, mostly because I want people to give it a shot. I’ve read it three times now. Some people love it; others hate it. My opinion? This is Stephen King’s best novel (yeah, I said it, so what?). Even Stephen King thinks it’s his best work. It’s sort of a ghost story about the secret language of love… of all things. I’m guessing you’ve never read it. If not, read it. Now. It was up for the World Fantasy Award, as well as the Bram Stoker Award for long fiction back when the original “Lisey and the Madman” was published a few years prior to the novel.

Bird Box

Birdbox (novel) by Josh Malerman is the first book in a long while that kept me riveted, to say the least, and the book refused to be put down for a break, and every time I did (sometimes I had to), it left me wondering “what’s next?” and wanting to finish the rest of it. I’d think about it all day, wanting to get home to read more. Why? A woman and two four-year-old children float down a river, blindfolded, with someone or something out there making noises, perhaps following them. Malerman’s debut novel deserved the Stoker for first novel, in my opinion (although there was some fierce competition), and I can’t wait to see what he comes up with next.

The MartianWhether you loved it or hated it (seems to be a toss-up, either one or the other, and never anywhere in the middle), The Martian (novel) by Andy Weir made the cut for this year’s DRAWA. As of writing this, I haven’t seen the movie (although I’ve heard it’s Ridley Scott’s best thing since Alien and Blade Runner), but the book held me. I read this thing in three sittings. Plus, I love science, and this book was full of nerdy sciency stuff. If I were stranded on Mars, this would probably be close to my memoir. I guess you could say I liked it…

Burnt Tongues

I read a lot of short fiction for my anthologies (millions and millions and millions of words each year) so it’s a nice surprise to find a gem of an anthology from talented peers, such as Burnt Tongues (anthology), edited by Richard Thomas and Chuck Palahniuk. Although I’ve never heard of a single name in this book (other than its creators), this is a great collection of short fiction by some writers that should probably be a little more well-known (so give them a shot!), and an anthology deserving of the recognition its received. Kudos to Richard Thomas for putting together such a fine looking book, and to Chuck.

Head full of ghostsI wouldn’t be surprised if Paul Tremblay’s A Head Full of Ghosts (novel) takes home the Bram Stoker Award this time around. It’s a fine novel, one that gave Stephen King a scare, no less. I’d never heard of Paul Tremblay until this book was mentioned on Brian Keene’s podcast, The Horror Show with Brian Keene. Brian had enough kind things to say about this book that I gave it a read. And, well, it’s incredible. Slade House will probably be overlooked for the Stoker, so A Head Full of Ghosts would probably be my next vote.

Where We Live and DieSince I mentioned Brian Keene, and I’m sure he probably wouldn’t mind a nod, Where We Live and Die (nonfiction) made the cut this year. Brian Keene. Nonfiction. Enough said, right? This is how I like my nonfiction! Many know Brian’s work because of The Rising and The City of the Dead, or his novel about giant earthworms (all great books, by the way), but I discovered Brian by accident by reading a lesser-known novel of his called Terminal, which would make my list of all-time favorite books, if I were to make such a list. Jeff Strand‘s Pressure would probably make that list as well, which I’d consider his best book… But enough about fiction. Read this nonfiction.

The Art of Horrible PeopleThe last DRAWA this year goes to John Skipp for The Art of Horrible People (fiction collection). “Savor this book. Savor this writer.” Josh Malerman rightfully states this in his introduction. The Art of Horrible People collects Skipp’s fiction in a way I’ve never experienced before in a fiction collection, offering a reflection of our sick selves in the process, a look at just horrible we’ve become, and how beautiful that can be. Skipp is perhaps the living example that the phrase “there are no original ideas” is a load of crap. Skipp can crank out originality like it’s-not-going-out-of-style.

You have 12 new books to read (or perhaps re-read if you’ve read them already). Buy yourself something nice this holiday season. Like 12 books. And then read one each month for the next 12 months.

That’s it for this year, except…

Last year there were some special Written Backwards Awards ® given to those making a noticeable difference in the writing community. This year, Written Backwards proudly presents the DRAWA Presence, Inspiration, and Voice. (See how that works? AWARD is spelled backwards, with the subject of the award after… so, this would actually be a Presence Award, Inspiration Award, and a Voice Award… clever, right?)

Anyway, the DRAWA Presence recognizes an individual completely dedicated to the craft, someone who’s been around awhile and knows what they’re doing, and is not afraid to share that knowledge for the greater good. The DRAWA Inspiration recognizes an individual somewhat new to the craft, someone with emerging talent, a strong, literary powerhouse waiting to erupt; this is the person to watch closely. Lastly, the DRAWA Voice recognizes an individual  with a fresh, unique literary voice, someone who quite clearly knows all the rules, and is very good at breaking them; this person has their own genre of awesomeness, in other words. Who are these people?

DRAWA Presence – Mort Castle is a teacher, a counselor, a man willing to mold the future of all things literary. He is an inspiration, and he inspires.

DRAWA Inspiration – Emily B. Cataneo was first introduced to me by Jack Ketchum a few years ago when I was on the hunt for short fiction. Emily likes to send me stories with incredibly long titles, such as “A Guide to Etiquette and Comportment for the Sisters of Henley House” and “The Rondelium Girl of Rue Marseilles.” I have now published three of her stories, and all three of them are golden. Keep an eye out. Her words are beautiful.

DRAWA Voice – Paul Michael Anderson also likes to send me stories with incredibly long titles, such as “The Agonizing Guilt of Relief (Last Days of a Ready-Made Victim)” and “In the Nothing-Space, I Am What You Made Me.” And I publish every single one of them, because they are incredible.

And in case you missed last year’s Written Backwards Awards ®: http://wp.me/p2gHzu-9W 

THE LIBRARY OF THE DEAD / QUALIA NOUS / EVERYTHING ELSE

The Library of the Dead

The Library of the Dead was recently launched at the World Horror Convention in Atlanta, Georgia, where members of the Horror Writers Association, and many guests, were able to get a first look at this anthology at an hour-long Written Backwards event called “Readings and Shenanigans from The Library of the Dead and Qualia Nous.” Both anthologies were celebrated for their various awards and recognition, with both artwork and books on display (speaking of artwork, I hope to post a blog soon called “Illustrations for the Dead” to cover the beautiful artwork GAK has created for this project).

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Readings and Shenanigans for the Library of the Dead and Qualia Nous

The first half of the panel included an introduction of panelists, a short discussion covering the real library of the dead and the original conception of the anthology, how the project was acquired by Written Backwards, as well as a discussion about the photography and the artwork (by GAK) used throughout the anthology. Yvonne Navarro read from her story “Those Who Shall Never Be Named,” followed by Weston Ochse reading from his story “Living Through Better Chemistry.” 10 copies of The Library of the Dead were given out to audience members for asking questions about the anthology. Erinn L. Kemper, Chris Marrs, Rena Mason, and Lucy A. Snyder discussed their stories as well. John Everson and Sydney Leigh (Shawna Bernard) from The Library of the Dead were also in attendance.

The second half of the panel covered Qualia Nous, a literary blend of science fiction and horror. Qualia Nous was nominated for a Bram Stoker Award for Superior Achievement in an Anthology, later to be given out by the Horror Writers Association at the Bram Stoker Award ceremony, although the prize eventually went to Ellen Datlow for her anthology Fearful Symmetries. Both Usman T. Malik and Rena Mason were recognized at this panel for their Bram Stoker Award nominations for Superior Achievement in Short Fiction from this anthology (Usman for his story “The Vaporization Enthalpy of a Peculiar Pakistani Family” and Rena for her story “Ruminations”) and both later took home the prize in a tie. Marge Simon was recognized for her Rhysling Award nomination for her poem “Shutdown,” and I’m happy to report that she also recently took home that prize, which was given out by the Science Fiction Poetry Association (SFPA). Qualis Nous also recently received The Benjamin Franklin Award for Science Fiction and Fantasy (I stopped in to the award ceremony in Austin, Texas a month prior to accept the award), along with being a finalist for the Indie Book Awards for anthologies, a silver medal finalist for the Independent Publisher Book Awards, and winning the International Book Award for science fiction (also a finalist for their anthologies category), and bronze medal winner of the Foreword Reviews’ Book of the Year Awards / INDIEFAB (also a finalist for both their science fiction and horror categories).

Qualia Nous

Readings and Shenanigans for the Library of the Dead and Qualia Nous

Readings and Shenanigans for the Library of the Dead and Qualia Nous

Anyway, at the Readings and Shenanigans event, Marge Simon read her two poems from the anthology: “Shutdown” and “Tomorrow’s Femme, followed by James Chambers reading part of his story “The Price of Faces,” which sparked curiosity in Josh Malerman (author of the stellar Bird Box), which later resulted in his involvement in the upcoming Chiral Mad 3, but much of that will be covered later. Usman T. Malik, Rena Mason, Erinn L. Kemper, Patrick Freivald, Lucy A. Snyder, Jason V Brock, and William F. Nolan also discussed their stories. 10 copies of Qualia Nous were also give away to audience members asking questions about the anthology, so in total 20 books were given away to happy panel attendees at this event.

Tom Monteleone captivating the Anthocon audience

Tom Monteleone captivating the Anthocon audience

Then came Anthocon, one of my favorite conventions, organized by the Four Horsemen in Portsmouth, New Hampshire. At Anthocon, Written Backwards held another one-hour release (and re-release) event, which proved to be just as successful. At the Lazy K, the first of the new Allevon series of illustrated novellas by Written Backwards (and the latest novella by Gene O’Neill), was first up, and Gene was on hand to discuss thoroughly, along with Rena Mason, who wrote the introduction. Instead of Q&A giveaways of books, we handled things differently. Leading up to the event, those who stopped by the Written Backwards vendor table received 5 raffle tickets for each book purchased (and received a copy of At the Lazy K for only $5 (including 5 more raffle tickets)) if purchasing any book offered at the table, which also included Gene O’Neill’s most recent collection, The Hitchhiking Effect. Throughout the hour, we raffled off a few books by Gene, a few books by GAK, along with some of his artwork, freebies from the Written Backwards table, and a few books offered by Chris Marrs. And we discussed more books this time around, including At the Lazy KThe Library of the DeadQualia Nous, and the three Chiral Mad volumes.

Anthocon panel

Anthocon panel and book release

In attendance at the Anthocon panel: Thomas F. Monteleone (who did an unforgettable reading of “When I Was” from Chiral Mad 2, and has a story in Qualia Nous), Gene O’Neill (who discussed At the Lazy K and has stories in just about every Written Backwards release), Christopher Golden (who co-wrote a story with Tim Lebbon for The Library of the Dead called “Faultlines”), James Chambers (who read from his story in Qualia Nous), Kevin Lucia (who also read from his story in Chiral Mad 2), Gardner Goldsmith and Sydney Leigh (who both read some of their poetry from the upcoming Chiral Mad 3 and have stories in the various Written Backwards anthologies), Chris Marrs (who read from her story “A Chimera’s Tale” in The Library of the Dead), Rena Mason (who recently won a Stoker for her work), Meghan Arcuri (from the original Chiral Mad, and one of my fellow Borderlands boot camp grunts from long ago… which made up half the panel, actually), and of course the wonderful GAK (who illustrated The Library of the Dead and will have his hands full in future Written Backwards projects). Gord Rollo was also in attendance. He and Gene O’Neill first conceived the project after visiting the real library of the dead, a place called Chapel of the Chimes in Oakland, California.

Both conventions were incredible, and both book releases/panels were highly successful. Although I took few books with me to the World Horror Convention, nearly every book sold out at AnthoCon, which was roughly 120 pounds or so of books.

What’s next? Promoting At the Lazy K and The Library of the Dead throughout the book award season. Speaking of which, if you are a member of the Horror Writers Association and would like a copy of either of these titles for Stoker recommendation/consideration, please let me know. Send an email to written@nettirw.com to request either a trade paperback of PDF of either or both titles.

Have you seen the official book trailer for The Library of the Dead? If not, take a gander:

What’s next after all that?

Chiral Mad 3.