Archive for the ‘ Chiral Mad ’ Category

CHIRAL MAD – ILLUSTRATED! (and final push)

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Thanks to your help, Chiral Mad 5 is happening. We have officially reached the first two goal unlocks, which means the anthology will include at least 100,000 words of fiction and poetry, featuring at least 15 stories and 15 poems, and will have the fiction illustrated throughout.

Seth Brown has been commissioned to create black and white interior artwork for each of the stories within Chiral Mad 5. At least 15, but perhaps more. Some of his most recent work includes cover art for FIYAH Literary Magazine.

But the campaign’s not over yet. We have until midnight tonight to reach our next unlock:

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When the campaign reaches 150% funding, or $7,500, all contributors of underrepresented demographics will receive 8 cents per word for their fiction (instead of 6 cents per word, and likewise a bump for poetry payment) to meet SFWA consideration for professional payment.

After the campaign ends, it will still run for a few months (for additional pre-orders) so additional funds can be collected to hopefully make this final goal happen. So, you are not only helping raise funds for Black Lives Matter (where all profit from this book will go), but you are also helping writers receive professional payment for their work, at rates not only approved by the Horror Writers Association (HWA), but also the Science Fiction and Fantasy Writers of America (SFWA).

Thank you for your support!

Let’s keep this going …

CHIRAL MAD 5 – UPDATE!

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Chiral Mad 5 is now 115% funded! This means the anthology will include at least 15 stories and 15 poems, or around 90,000 words (but will most likely include more, depending on the success of this campaign, probably closer to 100,000).

But the campaign is not over yet, and is scheduled to end August 4, 2020 at 11:59pm PDT, which means there’s still time to pre-order and help make the book even better. Those who pre-order directly through the campaign will receive the book a few months prior to publication. And if we hit the next stretch goal, which isn’t far off, the anthology will include illustrations.

Chiral Mad 5 will be released in eBook, trade paperback, trade hardcover, and in a special deluxe signed & numbered hardcover limited to only 100 copies (which you can only get through this campaign), so if you want one, get it now by clicking any of the links within this post, or on any of the images, or click here.

When the campaign reaches 130% funding, or $6,500, illustrations will be included. If you’re familiar with previous Written Backwards anthologies, you know the artwork will be incredible, and created by the best in the business.

Here’s an update on the Table of Contents. Please note that some of the invited writers have until the end of the year to turn in their work, so more exciting announcements are on the way in the near future. Basically, if you’ve seen them in the news these last few weeks, it’s most likely them.

Fiction

  • “Persistence” by Jonathan Lees
  • “Feeling Like a Big Kid at the End of the Beginning” by Paul Michael Anderson
  • “Tears That Never Stain” by Jessica May Lin
  • “The Drunken Tree” by Tonya Liburd
  • “The Queen of Talley’s Corner” by Gary A. Braunbeck
  • “Sable’s Bestiary for Those Who Remain” by Hailey Piper
  • “Redstarts in the Last Summer” by Vajra Chandrasekera
  • “Ancestries” by Sheree Renée Thomas
  • “Elevator” by Michael Paul Gonzalez
  • “I’m Not Sam” by Jack Ketchum & Lucky McKee (paperback / hardback only)

Poetry

  • “Backspace Is a Language In Our Dreams” / “Every Day Can’t Be April” by Nnadi Samuel
  • “Chasing the Serpent” by Marge Simon
  • “Dark Neighborhood” by Cindy O’Quinn
  • “Corpuscular” / “Absence” / “Chalk” by Shane Douglas Keene
  • “The Infinite Lives of the Little Match Girl” by Christina Sng
  • “Seasonal Meat” by Jamal Hodge
  • “Asphyxia” by Maxwell I. Gold
  • “Magmatic” by LH Moore
  • “Yesterday at 1:53 p.m.” by B.E. Scully
  • “Spectacular Degeneration” by Zoje Stage
  • “Colorblind” by Wrath James White

More announcements are on the way.

CHIRAL MAD 5

CHIRAL MAD 5 – 100% FUNDED!

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Chiral Mad 5 is now 100% funded! The work sought out and also submitted for consideration so far has been incredible, and more work is on the way. The book will include at least 80,000 words of fiction by writers from around the world, as well as poetry and artwork. This will be the most diverse, most powerful anthology Written Backwards has ever created. Thank you for all your support!

If you’re even considering snagging a copy of Chiral Mad 5, I highly suggest pre-ordering a copy through the campaign in one of it’s many formats: eBook, trade paperback, trade hardcover, and in a special deluxe signed & numbered hardcover that is limited to only 100 copies. Pre-order through the campaign, and you will get your copy well before the general public.

Since we reached 100% funding early in the campaign (with about a month and a half to go), we are now releasing unlock goals. Basically, as new funding goals are met from campaign backers, more contributions will be included in the anthology. This means a thicker volume of work for you to enjoy, and the ability to pay more writers of underrepresented demographics professional rates for their work.

So, here’s the next campaign goal, and what that will include:

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When the campaign reaches 115% funding, or $5,750, two more short stories and two more poems will be included in the anthology, or equivalent up to 10,000 words of fiction and two additional poems, thus paying 4 additional contributors professional rates for their work. When Unlock #1 is reached, Unlock #2 will be revealed, so stay tuned …

The Table of Contents so far includes:

Fiction

  • “The Queen of Talley’s Corner” by Gary A. Braunbeck
  • “Sable’s Bestiary for Those Who Remain” by Hailey Piper
  • “Redstarts in the Last Summer” by Vajra Chandrasekera
  • “Ancestries” by Sheree Renée Thomas
  • “Elevator” by Michael Paul Gonzalez
  • “I’m Not Sam” by Jack Ketchum & Lucky McKee (print editions only)

Poetry

  • “The Infinite Lives of the Little Match Girl” by Christina Sng
  • “Seasonal Meat” by Jamal Hodge
  • “Asphyxia” by Maxwell I. Gold
  • “Magmatic” by LH Moore
  • “Yesterday at 1:53 p.m.” by B.E. Scully
  • “Spectacular Degeneration” by Zoje Stage
  • “Colorblind” by Wrath James White
  • “Seven Symptoms of the End/Beginning/End/Beginning…” by Linda D. Addison

More announcements are on the way.

CHIRAL MAD 5

CHIRAL MAD 5

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The campaign for Chiral Mad 5 is now live, its primary focus to raise awareness and money for underrepresented demographics around the literary world. All profit from the book will go Black Lives Matter, indefinitely. Donate what you can and get some amazing books. Let’s listen. Let’s react. You can find it here (or click any image).

Also, for the next 60 days, all Written Backwards titles purchased as add-ons through the campaign will go to the cause. Let’s change things.

Previous Written Backwards anthologies have always included emerging talent alongside known names in the industry, spanning short fiction, long fiction, graphic adaptations, poetry, and artwork, and ranging from dark science-fiction and fantasy to horror; all things speculative.

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The End Is the Beginning / The Beginning Is the End

That’s the theme for the fifth and perhaps final volume in the Chiral Mad series by Written Backwards. This anthology will be edited by Michael Bailey, recipient of the Benjamin Franklin Award, Bram Stoker Award, and a Shirley Jackson Award nominee. Is this the beginning of the end for Written Backwards, or will this be the end to a new beginning? You get to help decide. And while we’re at it, we are going to raise some serious funds for Black Lives Matter, and represent the underrepresented in the literary world. It’s time to listen.

For this latest chiral dance, the focus is diversity. Past anthologies have slowly improved over the years in this area, with effort always made to find new voices in the literary world, but that has not been enough. We need to hit the world harder. We need to better represent the underrepresented. We need to listen to those voices screaming out. For this fifth act in the series, we are reaching out to places like Botswana, Pakistan, Malaysia, Indonesia, South Africa, Japan; basically, as far out as we can reach, all over the world, with an emphasis on highlighting underrepresented demographics.

And this time around Written Backwards is asking for your help, both monetarily and to shine light upon new and emerging writers and artists who need to be heard at this important time, those who are otherwise not-so-relatively-known but should be. To do that, we are going back to the roots of what originally launched this small press off the ground: charity. Click here to see the campaign. (or keep reading).

The first Chiral Mad focused on bringing awareness to Down syndrome and raised over $6,000 for various charities, with all work donated, and with all proceeds going to organizations such as the Down Syndrome Information Alliance (DSIA). Chiral Mad 2 paid professional rates to contributors, and profit then went to charity, but didn’t raise nearly as much for the greater good. And both Chiral Mad 3 and Chiral Mad 4: An Anthology of Collaborations were not designed to support charity. This time around, Chiral Mad 5 will pay professional rates to contributors of underrepresented demographics, with all proceeds (everything but the cost to initially create the book) going to Black Lives Matter, indefinitely.

If you have a problem with that, there’s an X at the top right of your screen you can click, or simply throw your phone across the room if that’s what you’re using to read this.

Here’s what we are hoping to accomplish with this not-for-profit project:

  • Support and bring awareness to the Black Lives Matter movement
  • Raise as much money as humanly possible for that cause
  • Create an incredibly diverse anthology of fiction, poetry, and artwork
  • Bring underrepresented talent to the limelight
  • Pay professional rates to that talent
  • Not make money off this anthology whatsoever (other than for the charity)
  • Promote change inside and out of the literary world

The goal is to keep overall cost minimal. More well-known writers invited to the anthology (there are some big names already attached) will be asked to forego payment to keep cost down. Contributors of underrepresented demographics, however, will be offered professional payment (6 cents per word for fiction, a dollar per line for poetry), but may donate their work in lieu of payment if they so choose.

Also, all Written Backwards titles purchased as add-ons during this campaign (60 days) will benefit this campaign to help raise money for the cause, with no profit made by the editor or publisher whosoever.

So, what are you waiting for? Check out the campaign and support however you can, even if that’s simply sharing it.

Chiral Mad 5 will be available in deluxe signed / numbered hardcover, trade hardcover, trade paperback, and eBook. More information is available in the campaign.

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FREE READING MATERIAL (continued)

Thousands of free eBooks were downloaded during the last Written Backwards giveaway within the first few days, which means readers need books now more than ever. So, let’s do it again. Let’s keep the love of the written word going, helping however we can.

With the recent pandemic hitting the world, many are in self-quarantine, or being forced to work from home, or have lost their jobs (or will be looking for work soon) or are under mandatory shelter-in-place, thus turning homes into offices and classrooms. And it looks like we might be in this predicament for a while.

If you find yourself needing reading material during this difficult time as a distraction from life, I am making the entire Chiral Mad series of anthologies available for free on Amazon Kindle starting midnight on 03/20/2020 through 03/22/2020. This is about half-a-million words of fiction, poetry, and artwork, by some incredible creators.

Simply click the covers for direct links in the US, or see other options below if you’re in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, or Japan (that’s as far as my reach is capable at the moment).

If you find yourself not short on cash, consider helping out this small independent press by purchasing other titles available on the www.nettirw.com page. Check out the different tabs for Novels, Collections, Anthologies, and Misc, or simply donate to help keep this press alive.

Support Independent Writers / Editors / Publishers

If you feel like making a donation to Written Backwards (even just a dollar), know that your money will be going to a good cause: helping an independent writer, editor, and publisher survive in this cruel world.

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Written Backwards can be contacted via email at written@nettirw.com, or reached on social media at facebook.com/nettirw or twitter.com/nettirw, although the press is not open to submissions at this time.

Stay safe, everyone …

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AmazoneBook (free 03/20 thru 03/22/2020) | trade paperback | hardcover. Also available in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, Japan, and a part of Kindle Unlimited where available.

Barnes & Nobletrade paperback | hardcover

Books-A-Million (BAM!)trade paperback | hardcover

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Amazon: eBook (free 03/20 thru 03/22/2020)| trade paperback. Also available in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, Japan, and a part of Kindle Unlimited where available.

Barnes & Nobletrade paperback

Books-A-Million (BAM!)trade paperback

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AmazoneBook (free 03/20 thru 03/22/2020) | trade paperback. Also available in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, Japan, and a part of Kindle Unlimited where available.

Barnes & Nobletrade paperback

Books-A-Million (BAM!)trade paperback

Pageflex Persona [document: PRS0000040_00009]

AmazoneBook (free 03/20 thru 03/22/2020) | trade paperback. Also available in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, Japan, and a part of Kindle Unlimited where available.

Barnes & Nobletrade paperback

Books-A-Million (BAM!)trade paperback

ANTHOLOGY eBOOK SALE!

Starting 08/24/2019, all Written Backwards anthologies (eBook edition only) are on sale in the US / UK for only $0.99 / £0.99 until midnight 08/31/2019. Choose from any of the anthologies below:

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Pellucid Lunacy: US / UK
Chiral Mad: US / UK
Chiral Mad 2: US / UK
Qualia Nous: US / UK
The Library of the Dead: US / UK
Chiral Mad 3: US / UK
You, Human: US / UK
Adam’s Ladder: US / UK
Chiral Mad 4:US / UK

For full descriptions and other available editions , please visit the Written Backwards Anthologies page. A full list of accolades for these titles can be found here.

KING OF ILLUSTRATIONS

The latest Written Backwards interview is with Glenn Chadbourne, an artist from Maine. He is perhaps best known for his work in both the horror and fantasy genres, and his knack for artwork inspired by the works of Stephen King and other greats. He creates covers, illustrates books and stories for magazines, among other things.

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The interview [ by Michael Bailey ]:

When someone sees a Glenn Chadbourne illustration, they are drawn to the fine lines, the incredible amount of captured detail, the depth, the light you create in the dark; they instantly know that what they are experiencing is a work by Glenn Chadbourne. You’ve made a name for yourself, and your work is highly recognizable. You have created seemingly countless illustrations, most inked in black-and-white, but others painted in full color, and for the likes of Stephen King, Rick Hautala, Joe Lansdale, Douglas Clegg, and many others. But you also create beautiful book covers, among other things.

I can’t remember how long ago I met you, but you were an artist Guest of Honor at an event, perhaps a World Horror Convention, and you had what seemed like a hundred pieces on display. Now, I’d met your work long before meeting the actual you (perhaps Cemetery Dance magazine a few decades prior), and I was drawn to your displayed art at that convention as easily as I was drawn to your illustrations I’d first admired so long ago. I bought a piece from you, a Stephen King thing with Pennywise and a couple dozen of his other minions, and shook your hand, said to myself, “Someday I’m going to work with that guy.”

Fast forward closer to the present, and I find myself commissioning your work for Chiral Mad 3 (45 illustrations total), and later working with you on the special edition of Josh Malerman’s Birdbox, and again with illustrations for my own Psychotropic Dragon (see first image above), and then yet again with Chiral Mad 4: An Anthology of Collaborations, in which you beautifully adapted Jack Ketchum’s story “Firedance” (26 pages). So, I guess you could say I was right all those years ago. I ended up worked with that guy (you), and hope to again sometime soon.

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Now that all the mushy stuff is out of the way, a few questions (some of which may lead to further mushy things):

Michael Bailey: How many illustrations have you created in your lifetime (rough estimate)? It must be an insane amount. And a follow-up: How often do you find yourself creating art, or how many hours in a day, on average, do you typically spend doing so?

Glenn Chadbourne: Good lordy, I wouldn’t / couldn’t begin to give a body count on how many illustrations I’ve spun up over the years … I’d have to stick with “countless” because I’ve had, and continue to have something on the drawing board daily. Multiply that over the course of thirty years and a good catch-all number might be a “shitload!”

MB: Do you have any favorite pieces (or projects) you’ve worked on?

GC: As for favorites, certainly the King projects, for the obvious reasons, but also, aside from his popularity, his work speaks to me on a personal level. He lives here in Maine and I live here in Maine, and there’s a familiar atmosphere of surroundings, of personalities in his characters that hits a local comfy zone. I know places and events he writes about firsthand, as opposed to someone’s story taking place in Transylvania. Of course, Steve has turned Maine into the Transylvania of America! And, of course, being lucky enough to have illustrated some of his work has helped showcase my work to a wide audience. Also, his work has a visual texture that screams DRAW ME.

MB: Your adaptation of Jack Ketchum’s “Firedance” was your first time working on something of his. What was it like working on that project after knowing him for so many years? I had originally hoped for ten pages for Chiral Mad 4, but you must have had fun, since you eventually turned in twenty-six …

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GC: I thought the absolute world of Dallas Mayr (Jack). I met him at a yearly convention I go to in Rhode Island (NECON) long before I made my bones in this racket, and he was so gracious and kind, offering advice, and just being an all-around sweet soul and buckets of fun to hang out with. I had been reading his stuff for years, so when the chance came to illustrate “Firedance,” I was thrilled. It’s a very different kind of Ketchum story; so fun and whimsical and, of course, it too takes place in Maine. He loved what I did with it art-wise, and I felt so happy he got to enjoy the final product before his death. I miss Dallas, and I raise a glass in memory while writing this. He was truly one of the good guys.

MB: With your artwork for King’s “The Last Rung on the Ladder” in Chiral Mad 3, you created more than one illustration (five, in fact). What’s your draw to King’s fiction? And a follow-up: Out of the estimated total illustrations you think you’ve created in your lifetime (from the first question), what percentage of those are King-related?

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GC: “The Last Rung on the Ladder” is such a cool nostalgic story, and once again so visual. You can smell the hay in the barn and see the afternoon dust motes fluttering between rays of sun through the cracks in the siding—and you can feel the tension like a coiled spring ready to snap. When rereading it (I’d read the story countless times over the years), I just saw so many things to draw fly through my head that I put them down on paper. As for how many King related drawings I’ve done … I have to figure in both volumes of the Secretary of Dreams, The Dark Man (90 odd pages for that) and numerous individual gigs, chiefly for Cemetery Dance special editions Full Dark No Stars, and the bells and whistles volumes of the Doubleday years books, where I did frontis art and separate portfolio paintings. All that would carry a page count in the hundreds. Also, I did the art for the beautiful Carrie limited edition for PS Publishing, and their edition of The Colorado Kid. So again, all told: works leaning well into the hundreds. I feel like the luckiest fatboy on the planet to have been given the chance to fly with it all.

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MB: Who have you always wanted to adapt, and are there any emerging writers on your radar?

GC: I’ve always wanted to do a sprawling series of Lovecraft paintings, and I may do that on my own time and dime at some point. As for newbie writers … There are so many talented writers out there with strong scary voices that deserve a platform. I’d be up for illustrating whatever might be asked of me.

MB: Besides paintings and illustrations, do you dip into any other mediums?

GC: Every so often a short story idea of my own knocks me in the noggin, so from time to time I write a little fiction. The ideas just roll through my thoughts and I stop whatever I’m doing and roll with it. I’m not about to quit my day job, but I enjoy writing.

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MB: Did you always know you were gifted as an artist? Did you one day discover or unlock that talent? And a follow-up: When did you first start dabbling?

GC: I was an only-child with no other nearby kids to play with, and so from a very young age I began to draw. Forrest Gump ran, I drew. It came naturally and evolved over time. At first, I drew little boy stuff, G.I. Joe scenes, the usual. Then around nine or ten there was a mom and pop store that sold comics and the Warren magazines of the day, and after a steady diet of that stuff, I was hooked on the spooky. This was also near the tail end of the 60s and I got hold of all the great old underground comics of the day. That’s where I first ran into R Crumb comics, and he was a god to me. He’s where my love of uber detail came from. Long story short though, I’ve just always done what I do. I have no choice; it’s simply in me.

MB: Is there any advice you would like to share with those exploring creative outlets?

GC: My advice would be simple: follow your dreams. If it’s to be “your thing,” your voice, listen to it. It will yell and there’ll be no choice. And remember to enjoy it along the way. There may be rejection slips that mound to the ceiling. Fuck ’em. The greatest creative minds in history could paper their walls with them. Keep at it, never relent, and follow your dreams.

Peace ’n love,

Glenn Chadbourne.

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MAD for CHIRAL MAD

To celebrate all things Chiral Mad (including exciting news that cannot yet be shared), each of the four volumes in the series are on sale April 29th through May 4th. eBook titles range from $0.99 / £0.99 to $1.99 / £1.99 in both the US and UK. In other words, you can get all four volumes of Chiral Mad (digitally) for about the price of a fancy coffee. Click on any of the images for direct eBook links.

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CHIRAL MAD 4, an anthology of collaborations, is also available in hardback for $34.95 and trade paperback for $19.95. 4 short stories, 4 novelettes, 4 novellas, and 4 graphic adaptations make up this mammoth book of wonders, but here’s the catch: every single part of this anthology is a collaboration, including a co-introduction by Gary A. Braunbeck & Janet Harriett. Bram Stoker Award winners Michael Bailey and Lucy A. Snyder even collaborated on the co-editing to bring you an incredibly diverse and entirely collaborative dark fiction experience. eBook sale links: US / UK.

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CHIRAL MAD 3, an anthology of psychological horror, is also available in trade paperback for $17.95. Nominated for the Bram Stoker Award for Superior Achievement in an Anthology, the third act contains 45 illustrations throughout by Glenn Chadbourne, over 20 stories by the likes of Stephen King, Jack Ketchum, Ramsey Campbell, Mort Castle, Josh Malerman, and Richard Chizmar, 20 intertwined poems by the likes of Elizabeth Massie, Marge Simon, Bruce Boston, and Stephanie M. Wytovich, as well as an introduction on the state of horror by Chuck Palahaniuk. eBook sale links: US / UK.

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CHIRAL MAD 2, the sophomore set, is also available in trade paperback for $16.95. This anthology of psychological horror containing twenty-eight short stories by established authors and newcomers from around the world. Featuring the imaginations of David Morrell, James Chambers, Usman T. Malik, Emily B. Cataneo, John Skipp, Gary McMahon, and many others. The book also features the Bram Stoker Award-winning novelette “The Great Pity” by Gary A. Braunbeck. eBook sale links: US / UK.

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CHIRAL MAD, the book that started it all, is also available in trade paperback for $16.95, and contains twenty-eight short stories by established authors and newcomers from around the world. Featuring the imaginations of Gord Rollo, Monica J. O’Rourke, Patrick Lacey, Meghan Arcuri, Christian A. Larsen, Jeff Strand, John Palisano, Jack Ketchum (his first of four appearances in the series), and many others, along with an introduction on asymmetry by Thomas F. Monteleone. eBook sale links: US / UK.

Sale ends May 4th.

CHIRAL MAD 4 – $0.99 / £0.99

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Now through February 22nd, the Kindle edition of Chiral Mad 4: An Anthology of Collaborations, co-edited by Michael Bailey and Lucy A. Snyder, is on sale at Amazon for only $0.99 in the US and £0.99 in the UK. Spread the news. 4 short stories, 4 novelettes, 4 novellas, and 4 graphic adaptations for under a buck. Roughly 120,000 words.

Also available in hardback for $34.95 and trade paperback for $19.95. Fiction; 424 pages; 9×6 format; introduction by Gary A. Braunbeck & Janet Harriett.

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Support Independent Writers / Editors / Publishers

If you feel like making a donation to Written Backwards (even just a dollar), know that your money will be going to a good cause: helping an independent writer, editor, and publisher survive in this cruel world.

$1.00

END OF THE YEAR ANTHOLOGY SALE!

Thank you for another great year! To celebrate, Written Backwards is offering a discount on eBooks December 10th through the 17th, simultaneously in the United States and United Kingdom. Most anthologies are on sale for only $1.99 / £1.99, and a few books are absolutely free! (*December 10th through the 14th only).

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$1.99: for a limited time, stock your digital readers with some of the best anthologies Written Backwards has to offer, including Chiral Mad 4: An Anthology of Collaborations, the illustrated Chiral Mad 3, as well as Chiral Mad 2, the original Chiral Mad, the Bram Stoker Award-winning The Library of the Dead, and the critically-acclaimed dark science fiction anthologies Adam’s Ladder and You, Human. All for under 2 bucks.

Free: as a personal thank you, editor Michael Bailey is offering his standalone novelette, Our Children, Our Teachers, absolutely free, as well as Pellucid Lunacy, the first anthology ever published by Written Backwards. Get ’em while you can. 4 days only.

Scroll for direct links to each title:

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4 short stories, 4 novelettes, 4 novellas, and 4 graphic adaptations make up this mammoth book of wonders, but here’s the catch: every single story in this anthology is a collaboration. Michael Bailey and Lucy A. Snyder even collaborated on the co-editing to bring you an incredibly diverse and entirely collaborative dark fiction experience!

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The third act in the critically-acclaimed series contains 45 illustrations by Glenn Chadbourne, over 20 stories by the likes of Stephen King, Jack Ketchum, Ramsey Campbell, Gary A. Braunbeck, Mort Castle, Josh Malerman, Scott Edelman, Richard Thomas, Richard Chizmar and Gene O’Neill, and with 20 intertwined poems by the likes of Elizabeth Massie, Marge Simon, Bruce Boston, Erik T. Johnson, Stephanie M. Wytovich.

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An anthology of psychological horror containing twenty-eight short stories by established authors and newcomers from around the world. Featuring the imaginations of David Morrell, Mort Castle, P. Gardner Goldsmith, Ramsey Campbell, Jack Ketchum, Ann K. Boyer, John Skipp, Gary McMahon, Lucy A. Snyder, Thomas F. Monteleone, and many others, with an intro and outro by Michael Bailey. Also features the Bram Stoker Award winning novelette by Gary A. Braunbeck.

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An anthology of psychological horror containing twenty-eight short stories by established authors and newcomers from around the world. Featuring the imaginations of Gord Rollo, Monica J. O’Rourke, Jon Michael Kelly, Meghan Arcuri, Christian A. Larsen, Jeff Strand, Gary McMahon, John Palisano, Jack Ketchum, and many others, with an introduction by Thomas F. Monteleone.

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An anthology of literary fiction inspired by Chapel of the Chimes, a crematory and columbarium founded in 1909 in Oakland, California, and one of the area’s most beautiful historic buildings. Thousands are entombed in golden books (urns) shelved from floor to ceiling in a glowing labyrinth of nearly countless rooms.

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The future of humankind as an ever-changing organism is a subject of much debate. Where is our evolutionary path leading? Will the next rung take the form of mental transcendence, will it set humankind on a course toward divinity, or will this uncertain path involve a dark and terrible reversion? Co-editors Michael Bailey and Darren Speegle present eighteen tales that explore the course of evolution, written by some of the best literary minds in the fields of science fiction and horror.

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Bram Stoker Award winning editor Michael Bailey brings you a genre-bending anthology of dark science fiction and poetry, with fiction illustrated beautifully throughout by world-renowned artist L.A. Spooner, poetry and spot illustrations by the always-impressive Orion Zangara, and an incredible introduction on humanness by New York Times bestselling author F. Paul Wilson.

Absolutely free:

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Children are often our greatest teachers, but what happens if the lesson is too heavy to hold? In Our Children, Our Teachers, a standalone novelette by Michael Bailey, a high school in rural Brenden, Washington is taken hostage by a gathering of unlikely students trying to teach the world a new lesson … a foreshadowing, perhaps, to darker times ahead for the American education system, if gun control is not addressed properly.

Pageflex Persona [document: PRS0000026_00094]

An anthology of psychological horror containing twenty short stories by unknown and established authors around the world, including Kristine Ong Muslim, Amanda Larson, Lee Clark Zumpe, Amanda Pillar, Aaron J. French, and more. The first anthology ever published by Written Backwards.