Archive for the ‘ Editing ’ Category

BONES ARE MADE TO BE BROKEN / OTHER MUSIC / THE EIGHTH

Pageflex Persona [document: PRS0000038_00074]Bones Are Made To Be Broken by Paul Michael Anderson is now available in trade paperback and eBook from Written Backwards, an imprint of Dark Regions Press. This is the first fiction collection by Paul Michael Anderson, and the first fiction collection published by Written Backwards. The book is also available at Amazon.com. Jack Ketchum calls the collection “a dark carnival of rigorous intelligence and compassion.”  Jonathan Maberry says it’s “a truly superb collection of deeply unnerving short stories.” And Craig DiLouie says “Bones Are Made To Be Broken challenges the mind and punches the gut.”  Is that not enough to convince you?

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Written Backwards, the multi-award-winning imprint of Dark Regions Press, continues its saga of producing some of the most beautiful books published today with Bones Are Made To Be Broken, a speculative blend of horror, science fiction, and raw unfiltered emotion by Paul Michael Anderson. 14 works of fiction are collected in this tome, including “All That You Leave Behind,” “To Touch the Dead,” “Love Song for the Rejected,” and a title novella written specifically for this collection. Every story is illustrated by Pat R. Steiner, an award-winning illustrator in the long-running Illustrators of the Future contest, and author of Enlarge Your Tentacles Overnight and Wyrd.

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Bones Are Made to Be Broken includes the following:

  1. Crawling Back to You
  2. Survivor’s Debt
  3. Baby Grows a Conscience
  4. A Nice Town with Very Clean Streets
  5. The Doorway Man
  6. Love Song for the Rejected
  7. Surviving the River Styx
  8. The Agonizing Guilt of Relief (Last Days of a Ready-Made Victim)
  9. The Universe is Dying
  10. Reflecting the Heart’s Desire
  11. To Touch the Dead
  12. In the Nothing-Space, I Am What You Made Me
  13. All That You Leave Behind
  14. Bones Are Made to Be Broken (title novella).

“Anderson’s style is tensely exciting. This collection is a treasure for any horror or dark SF fan’s library.” – Marge Simon, Vectors: A Week in the Death of a Planet

“Paul Michael Anderson writes like no other writer in dark fiction. Simply, he writes a Paul Michael Anderson story—the highest compliment any serious writer can hope to achieve.” – Gene O’Neill, The Cal Wild Chronicles

Yeah, it’s that good. Click the links, or the image of the book, and purchase a copy already!

OTHER MUSIC

Also available, Other Music, the debut solo novel by Marc Levinthal. This is the first novel in the new Dark Regions Sci-Fi imprint from Dark Regions PressOther Music features an introduction by John Skipp, who says the novel is “entirely the kind of forward-thinking, playfully-subversive, nobody-else-could-have-written-this-tickling-at-the-normosphere book I’ve always loved.”

What’s it about?

With the discovery of the Thompson Corridors, the universe has been opened up, connecting humankind with a vast network of sentient species. Xenosociologist Jesse Suzuki, a nanotech-rejuvenated “oldster,” has joined the forced exodus of the newly young, mandated by law to ship out through the Corridors after his 80th birthday. Jesse finds his way to Eastlink, a sprawling human habitat orbiting Shjodathz, home to a race of regenerating beings who maintain direct memory of all their past incarnations. While studying the Shjodathi and their planetary biomachine guardian Kedel, he discovers a strange anomaly within the AI’s mind that leads him on a perilous, mind-blowing adventure… Fans of David Marusek, William Gibson, R.A. Wilson and Philip K. Dick will find common ground here – it’s hard science fiction adventure with an eye toward metaphysics.

And last but not least, The Eighth, the debut novel by Stephanie M. Wytovich.

THE EIGHTH

After Paimon, Lucifer’s top soul collector, falls in love with a mortal girl whose soul he is supposed to claim, he desperately tries everything in his power to save her from the Devil’s grasp. But what happens when a demon has to confront his demons, when he has to turn to something darker, something more sinister for help? Can Paimon survive the consequences of working with the Seven Deadly Sins-sins who have their own agenda with the Devil—or will he fall into a deeper, darker kind of hell?

The Eighth is a stellar horror debut from Stephanie Wytovich. An intimate, painful map of personal and literal hells that would make Clive Barker proud.” – Christopher Golden, New York Times bestselling author.

Buy all three in either trade paperback or eBook, and / or pre-order the deluxe hardback edition of each now at www.darkregions.com.

What are you waiting for?

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BONES WILL BREAK THIS FALL

This fall, Written Backwards will release its first fiction collection: Bones Are Made to Be Broken, by Paul Michael Anderson. Here’s why…

A while back, Anderson, a regular to Written Backwards anthologies, responded to a mock book cover created by artist/author extraordinaire Pat R. Steiner (who sometimes creates book covers just for fun, and has a short story called “Kilroy Wasn’t There” in Qualia Nous). Steiner created a mock book cover with a title of Bones Are Made to Be Broken, Stories by Paul Michael Anderson, featuring an image of a woman falling against a wall of water.

I responded with “I’d publish that,” because, well, I have enjoyed every story I’ve read by Paul Michael Anderson. In fact, I’ve published three of his stories to date. His work appears in Qualia Nous, Chiral Mad 3, and the upcoming You, Human I’m putting together for Dark Regions Press later this year. Anderson’s overly-long titles include “In the Nothing-Space, I Am What You Made Me,” and “The Agonizing Guilt of Relief (Last Days of a Ready-Made Victim)” and a not-so-long “The Universe is Dying.” His stories are dark, emotional, highly-literary (in my opinion), and incredibly enjoyable.

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A few private messages and emails went back and forth between us, and we somehow found ourselves talking ideas for such a book collection, which had to be called Bones Are Made to Be Broken. “Feel like writing a longer piece to be included in the collection?” I asked. Apparently Anderson already had a story in mind, a novella that needed to be written called, aptly, “Bones Are Made to Be Broken.”

While discussing the book deal with Anderson, I simultaneously discussed cover ideas with Pat R. Steiner (who was more than happy to create more book cover concepts, a few dozen if I remember correctly). While I loved the original mock cover that sparked all this magic to happen, I was looking for a cover that spoke more of the stories to be included in the collection. Bridges often appear in the stories, so a bridge had to be in there somewhere; water had to be in there as well; and a woman. I’m not sure why, but I wanted a mostly black-and-white cover with some red in the text and a delicate feel to match the delicate stories within. After much fun, we created the following, currently used with the Advanced Reading Copies:

Bones Are Made to Be Broken ARC

As you can see, Pat R. Steiner did a tremendous job capturing the essence of Bones Are Made to Be Broken. Now, here’s something else that happened… because strange things happen sometimes when strange people with strange ideas toss those strange ideas back and forth… the magic happens.

While Qualia Nous was in full swing, Steiner (again, just for fun), created illustrations for each of the stories for the that anthology, which he later put together as a hardbound book called Qualia Nous Illustrated. I have a copy of that beautiful work on my shelves. So, I sent Pat an email out of the blue: “Remember what you did with Qualia Nous? Want to do something similar for Bones Are Made to Be Broken?” More ideas, tossed back and forth. He immediately started with the illustrations, and within a matter of weeks, a simple idea turned into some incredible illustrations for each story in Anderson’s collection. Steiner’s unique style matched the book perfectly. Here are a few:

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Did I mention this book is going to be absolutely gorgeous? Over 440 pages of fiction, 14 illustrations, blurbs by people I can’t yet talk about, an introduction by someone I can’t yet talk about… Okay, I can share a few:

“What a pleasure to read these fresh and darksome tales! Anderson’s style is tensely exciting. His are stories never quite what you think they are going to be about and his endings resonate with fear. He gives us new horizons in horror that are futuristic and psychical. It’s hard to pick a favorite, but “Baby Grows a Conscience” is simply brilliant! You’ll have to read them all. This collection is a treasure for any horror or dark sf fan’s library.”  – Marge Simon, Bram Stoker Award winner, Vectors: A Week in the Death of a Planet.

“Paul Michael Anderson writes like no other writer in dark fiction. His premises, plots, and story structure are unique. Every story in Bones Are Made to Be Broken follows this pattern, and are intriguing and very good. Simply, he writes a Paul Michael Anderson story – the highest compliment any serious writer can hope to achieve. Highly recommended.” – Gene O’Neill, The Cal Wild Chronicles

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Later this fall, the combined efforts of Written Backwards and Dark Regions Press will release Paul Michael Anderson’s Bones Are Made to Be Broken in trade paperback and eBook, which will feature the illustrations by Steiner in black-and-white. Full-color illustrations of each are also prepared for the deluxe signed edition to be released at a later date.

Bones Are Made to Be Broken will include the following:

  1. Crawling Back to You
  2. Survivor’s Debt
  3. Baby Grows a Conscience
  4. A Nice Town with Very Clean Streets
  5. The Doorway Man
  6. Love Song for the Rejected
  7. Surviving the River Styx
  8. The Agonizing Guilt of Relief (Last Days of a Ready-Made Victim)
  9. The Universe is Dying
  10. Reflecting the Heart’s Desire
  11. To Touch the Dead
  12. In the Nothing-Space, I Am What You Made Me
  13. All That You Leave Behind
  14. Bones Are Made to Be Broken (title novella).

On August 23rd, Dark Regions Press will begin a multi-book campaign, which will include You, Human (the first science fiction anthology I’m editing for DRP, which is fully illustrated by L.A. Spooner and Orion Zangara and includes an introduction on humanism by New York Times Bestselling Author F. Paul Wilson), Other Music by Marc Levinthal (the first science fiction novel I’m editing for DRP, which features an introduction by John Skipp), and a few other books in the works by Dark Regions Press, such as Return of the Old Ones, Children of Gla’akiThe Eighth (the debut novel by Stephanie M. Wytovich), and this wonderful book, Bones Are Made to Be Broken by Paul Michael Anderson.

Information on this multi-book campaign can be found here!

 

Bones Are Made to Be Broken

PLASTY

Collaborations have been on my mind lately, mostly because if Chiral Mad 4 and how I’ve envisioned that book as being structured (as a completely collaborative anthology). I recently reached out to artist L.A. Spooner, with whom I’ve worked with on You, HumanAt the Lazy K (a novella by Gene O’Neill), and Enso, a children’s book I wrote last year. I asked him, “Want to collaborate on adapting a short story of mine to help spark collaboration ideas for the next Written Backwards anthology?” We reviewed a few of my older stories from Scales and Petals, my first short story and poetry collection, and agreed that “Plasty” was the most ‘visual’ and would be quite fun to adapt.

So, I rewrote the original 1,500 word short story as a 10-page graphic/comic script (which for some reason grew to 1,600 words), sent the pages to Luke, and he immediately started working on the illustrations, both in black and white, and in full color. He even did the lettering. After some back-and-forth on our collaborative work, we agreed that black-and-white suited the story better, with some color added throughout for better flow, and to punch the reader in the face with some of the disgusting visuals. I have to admit, this story is kind of gross, but not really when you think about it… We even added an 11th page to help bring the story full circle, to visually represent the main character’s mental state as the story comes to a close.

So, here’s “Plasty” for you to enjoy, a collaborative effort between the multi-talented L.A. Spooner, and yours truly. We hope these pages inspire further collaborations between writers, artists, poets, etc. Work together, and have fun!

 

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YOU, HUMAN

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What does it mean to be alive? What does it mean to be real? What does it mean to exist? And most importantly, what does it mean to be human? You, Human, Michael Bailey’s first science fiction anthology for Dark Regions Press, will tackle those heavy questions. Twenty-four mind-bending works by some of the best in the business explore humanism through science fiction’s various sub-genres, split into three sections by poetic law.

The Three Laws of Humanity:

  1. A human being may not injure another human being or, through inaction, allow another human being to come to harm.
  2. A human being must obey the orders given it by other human beings except where such orders would conflict with the first law.
  3. A human being must protect its own existence as long as such protection does not conflict with the first or second laws.

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Bram Stoker Award winning editor Michael Bailey brings sci-fi back to Dark Regions Press with heart in this genre-bending anthology of dark science fiction and poetry. With fiction illustrated beautifully throughout by world-renowned artist L.A. Spooner, with poetry and spot illustrations supplied by the always-impressive Orion Zangara, and with an incredible introduction on humanism by New York Times bestselling author F. Paul Wilson (Panacea, the Repairman Jack series), Asimov’s three laws of robotics are re-evaluated and revised to help define humanity.

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“I think we can all agree that consciousness, self-awareness, and sentience – the capacity for subjective feelings and perceptions – are indispensable to humanness. The comingling and interaction of all three lead to sapience – the capacity to act with reason and judgment. Apes and dolphins are considered sentient, but not sapient.  Sapience builds civilizations.” – from Wilson’s introduction to You, Human.

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Dark Regions Press makes a return to dark science fiction in this latest of illustrated anthologies by Michael Bailey, the person behind Pellucid Lunacy, the first two volumes of Chiral Mad (1, 2), the Benjamin Franklin Award winning Qualia Nous, the Bram Stoker Award winning The Library of the Dead, and most recently Chiral Mad 3, which was illustrated throughout by legendary artist Glenn Chadbourne and which featured an introduction by Chuck Palahniuk (Fight Club, Lullaby, Choke, et al).

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You, Human will contain the following works of fiction, which will be split into three sections (one for each of the three laws) by poetry. In no particular order:

  1. “I Am the Doorway” – Stephen King
  2. “Robot” – Mort Castle
  3. “101 Things to Do Before You’re Downloaded” – Scott Edelman
  4. “Cosmic Fair” – Darren Speegle
  5. “The Star-Filled Sea is Smooth Tonight” – Thomas F. Monteleone
  6. “Executive Functions” – Lucy A. Snyder
  7. “Hopium Den” – John Skipp
  8. “Dog at the Look” – B.E. Scully
  9. “Ditch Treasures” – Richard Chizmar
  10. “The Pretty Puppets” – Marc Levinthal
  11. “Pink Crane Girls” – Autumn Christian
  12. “The Cause” – Laura Lee Bahr
  13. “Keepsakes” – Hal Bodner
  14. “The Goldilocks Zone” – John R. Little
  15. “The Jupiter Drop” – Josh Malerman
  16. “Key to the City” – Cody Goodfellow
  17. “The Universe is Dying” – Paul Michael Anderson
  18. “Fallen Faces by the Wayside” – Gary A. Braunbeck
  19. “It Can Walk and Talk” – Dyer Wilk
  20. “What Goes Up Must Come Down” – Janet Harriett
  21. “The Immigrants” – Erik T. Johnson
  22. “Gumi-Bear” – Erinn L. Kemper
  23. “Unity of Affect” – Jason V Brock
  24. “The Fourth Law” – Marge Simon

Poetry will include the following, by Marge Simon:

  1. “In Accordance With the Laws”
  2. “Less Than Human”
  3. “Future Imperfect: Broken Laws”

Coming this fall from Dark Regions Press

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KNOW A NOMINEE

Prior to the Bram Stoker Awards ® this year, volunteers within the Horror Writers Association began a series of interviews called “Know a Nominee,” in which final ballot nominees of the various award categories were asked a series of questions to provide readers insights and information about the nominees and their work. Some of these interviews were posted on the official Horror Writers Association’s Facebook page (I’m not sure if any made it onto the HWA website or newsletter, as they have in the past) and for a while it was going well. This is typically a great series of interviews. Unfortunately, because this is a volunteer-run organization, life sometimes gets in the way for volunteers, and well-loved projects, like this one, get pushed to the back burner, forgotten like a pot of previously-boiled hot dogs found floating in cold water the next morning. My own interview was for The Library of the Dead, which was nominated (and eventually won) for Superior Achievement in an Anthology.

As it turns out, a handful of interviews took place this year (some posted, most not), and sometime between pre- and post-Stoker season this interview project sort of disappeared into the ether. A handful of interviewees (like me) were left scratching our heads, wondering if the interviews were ever going to be published as the first StokerCon drew near. And then that date flew by, and a few others, and then a dozen more. What happened to the interviews? Upon asking about this very question within the organization, this prompted more confusion among members: “I was never interviewed…” and “What happened with the Know a Nominee interviews?” and “Interviews?” and my own question of “Since the Know a Nominee interviews sort of fizzled out, can we post our interviews elsewhere so they don’t go wasted?” (or something like that). Apparently, not all nominees this year were interviewed, which is too bad… This is a fun part of the award season, where you really “get to know” the nominees in the various categories (hence the name). For me, this interview series is an opportunity to get to know those outside the con scene (which is where we really get to know each other).

Know a Nominee was left abandoned mid-stride this year because of understandable, unforeseen happenstances in the lives of organization volunteers (it happens), yet here we are now, well past StokerCon and the Bram Stoker Awards ®, and there are interviews waiting to be exposed. There are shriveled hot dogs floating in cold water at the back of the stove, and they either need to be reheated and finally served, stored for later consumption, or thrown out.

After reaching out to the Horror Writers Association, those interviewed (and still stuck in interview limbo) were told we could use these Know a Nominee interviews elsewhere on the interwebs, if we so pleased. Three options: throw it out, store for later, or reheat and serve now. Interviews take time away from other projects we could be working on, so why let them go to waste? Why not put them out there? Who cares if it’s still hot or not, luke-warm, cold… Okay, yeah, interviews are best served hot, but so what. Most of the forgotten interviews run between 1,000 and 2,000 words (I have only asked four others, so you will have to deal with that estimate); mine runs about 1,600. So, without further ado, here is my reheated, barely palpable Know a Nominee interview, which was conducted by Brock Cooper, a member of the Horror Writers Association.


Please describe the genesis for the idea that eventually became the work for which you’ve been nominated. What attracted you most to the project?

The Library of the Dead was conceived by the collaborative minds of a gruesome twosome: Gene O’Neill and Gord Rollo. They happened upon Chapel of the Chimes, a crematory and columbarium in Oakland, next to the beautiful Mountain View Cemetery. It’s a massive labyrinthine building, and within its walls are the ashes of over a hundred thousand of California’s dead, most of which are contained within incendiary urns on shelves reaching from floor to ceiling, three stories high. But these are not ordinary urns. Most are brass, or golden, and they are shaped like books, and because of the building’s unique interior design, most of the rooms (and their libraries) are lit naturally by the sun through stained glass, some entire rooms glowing gold. It’s a wonderful place, and I highly recommend putting it on your list to see if you’re in the California Bay Area. There are gardens inside, and fountains, and other treasures, but the books make this place unique. What if each “book” not only held the ashes of the dead, but their stories as well? What happens when opened? What if there’s a ghostly librarian who wanders the halls at night, a caretaker of sorts? That’s the premise of the anthology Gene and Gord wanted to make. Somehow it landed in my lap. And somehow I was convinced to write “The Librarian,” the intertwining story linking the tales together. And now I’m proud to see a book about this library of the dead nominated for the Bram Stoker Award ® for anthologies, along with the story/introduction by Norman Partridge called “Special Collections,” which is up for long fiction.

What was the most challenging part of bringing the concept to fruition? The most rewarding aspect of the process? 

Each story in the anthology is something unique, written by different writers with entirely different voices, and some collaborative, such as Mary SanGiovanni and Brian Keene’s “The Last Thing’s to Go,” or “Fault Lines” by Christopher Golden and Tim Lebbon. Different ashes. Different stories. Each golden book within the library had to contain a different story that needed opening, with characters ultimately finding their way back to the library, and that was the only common ground when I first started this book. Bringing the stories together into something cohesive required stylistic illustrations (which were created to perfection by the wonderful GAK) to help fuel the reader’s imagination, and photography of the real library of the dead in California, as well as “The Librarian” piece to help tie the stories together, which is its own story within the anthology. As you move through the book, this second-person narrative guides you along, your own personal librarian pulling golden books from shelves and opening them for you as you are guided from room to room, exploring the ‘tales the ashes tell’ (which happens to be the final story by Gary A. Braunbeck), until you realize you’re not only lost within the labyrinth of golden books, but becoming part of the library itself. The anthology contains black and white photography I took of Chapel of the Chimes, and 17 original illustrations by GAK (all inspired by the photography; if you look closely, you’ll see some of it captured within the art). All of these things had to be fused together seamlessly to make The Library of the Dead, which turned out to be quite a beautiful golden book. The most rewarding aspect of this process? Well, the book can be read like a novel, with each unique story serving as a different chapter of something larger. Something difficult that happened along the way was the loss of J.F. Gonzalez, to whom the book is dedicated. One of his final stories is in this book, called “It’s Getting Closer,” and GAK created a special illustration for him at the end of the book.

What do you think good horror/dark literature should achieve? How do you feel the work for which you’ve been nominated fits into or helps give shape to that ideal?

All good literature, dark or not, should move the reader emotionally. Good literature should fling one’s emotional state around until left exhausted. Without emotion, we are nothing. Horror, when done well, evokes fear, dread, uneasiness, terror, anxiety, all sorts of things … And when done well, the reader shouldn’t even notice it’s happening to them until it’s too late, until they set the book down, perhaps swearing a single word under their breath. All they know is that the pages kept flipping by as they got battered and got lost in the story (or stories), which is the whole point of a book. Good literature should spark memories: loss, pain, hope, failure, redemption, sacrifice, and I could go on for pages and pages about everything a book should do to its reader, but I won’t. What I think makes The Library of the Dead work so well is that it makes the reader part the book itself, pulls them along from tale to tale, and I think that’s why so many people have reacted positively. Some readers skip around anthologies, looking for familiar names or whatnot, reading those stories first before reading others, and some jump from story to story in no particular order. If you do that with The Library of the Dead, you are missing out. The book is designed to be read from cover to cover, first page to last page. The book is a journey, and the reader is part of the journey. They should be pulled inside this golden book and trapped inside with its ashes.

I’m curious about your writing and/or editing process. Is there a certain setting or set of circumstances that help to move things along? If you find yourself getting stuck, where and why?

Both my writing and editing processes are chaotic and should not be studied. My work is sporadically prolific, and periodically dormant. It’s probably unhealthy. If I find myself stuck, it means I’m not doing something right and should either do something else, or start over. Sometimes listening to music helps motivate the creative process.

As you probably know, many of our readers are writers and/or editors. What is the most valuable piece of advice you can share?

Create the most beautiful thing you can possibly create. It’s as simple as that. When you die, what do you want to leave in your wake? What do you want to be remembered for creating, a half-assed story everyone’s read before, a half-assed book no one remembers, or something completely original, something that cannot be easily forgotten?

If you’re attending WHC this year, what are you most looking forward to at this year’s event? If not attending, what do you think is the significance of recognitions like the Bram Stoker Awards?

I’m not sure I’ll make WHC this year [note: I ultimately did, and was able to spend some time holding the ashes of the great Richard Laymon], but I plan to attend StokerCon. I look forward to hanging out with those I’ve connected with over the years. I’m planning a signing event for The Library of the Dead, as well as the launching the next anthology, Chiral Mad 3. About half of the contributors in those anthologies will be attending StokerCon. Should be fun.

What scares you most? Why? How (if at all) does that figure into your work or the projects you’re attracted to? 

Memory loss scares me more than anything. Alzheimer’s. Much of my work (both my own fiction/poetry, and those I publish) is considered psychological horror. Losing one’s mind, one’s thoughts, one’s memories of who and what made them what they are … that is the most terrifying thing I can think of happening to a person, and I constantly wonder if it will happen to me. I guess that’s why I put a lot of myself in my writing. Every story I publish, whether mine or another’s, holds a different part of me, something that moved me emotionally, something I’ve pondered, a thought, a feeling, an instance. If I someday lose those memories that made me, I hope I’ll at least be able to read about those parts of me, whether I know it’s me or not.

What are you reading for pleasure lately? Can you point us to new authors or works we ought to know about? 

I don’t have as much time to read for pleasure as I’d like, so I guess I’m picky, a bit eclectic since most of what I read is unpublished. Read my anthologies and you’ll see a trend of new, emerging talent. Among the staples everyone should be reading, such as Ketchum, Braunbeck, Castle, Morrell, O’Neill and Edelman, look for work by those who have recently knocked my socks off with their writing: Josh Malerman, Emily B. Cataneo, Paul Michael Anderson, Erik T. Johnson, Damien Angelica Walters, Erinn L. Kemper, Meghan Arcuri, Mercedes M. Yardley (notice the amount of female voices in this list), Stephanie M. Wytovich, Autumn Christian, Laura Lee Bahr, Jon Michael Kelley, Christian A. Larsen, Usman T. Malik. How many names do you want? How about some voices I’ve recently discovered that have been around for a while, but I find quite remarkable: Jason V Brock, Hal Bodner, Darren Speegle, Lucy A. Snyder, Richard Chizmar, Michael McBride … I could seriously go on for a while. A full list of who you should be reading can be found in the anthologies I publish through Written Backwards and Dark Regions Press: all three Chiral Mad volumes, The Library of the Dead, Qualia Nous, the upcoming You, Human

Thank you in advance for your time and participation. 

 

BONES ARE MADE TO BE BROKEN, by Paul Michael Anderson

Bones are Made to be Broken

So this is happening…

2016 is going to be an exciting year for Written Backwards, which was recently announced as an imprint of Dark Regions Press. The first anthology to be released under this new imprint will be Chiral Mad 3, a book completely illustrated by Glenn Chadbourne and introduced by the wonderful Chuck Palahniuk (Fight Club, the Bram Stoker Award nominated Beautiful You), and will feature fiction by Stephen King, Jack Ketchum, Josh Malerman, Gary A. Braunbeck, Scott Edelman, Richard Chizmar and a bunch of others (including Paul Michael Anderson from the image above), along with interwoven poetry by Elizabeth Massie, Marge Simon, Stephanie M. Wytovich, and a bunch of others. The Confessions of St. Zach, the first novel in The Cal Wild Chronicles by Gene O’Neill (a 4-book series that will also include The Burden of Indigo, The Near Future, and The Far Future) will be out soon as well, and this entire series will be illustrated by Orion Zangara, and will feature individual introductions by John R. Little, Lisa Morton, Meghan Arcuri, and Scott Edelman. But you know about these projects…

What you should be asking yourself is “What can I expect from Written Backwards now that it’s an imprint of Dark Regions Press?” Well, Written Backwards is still going strong, and even stronger thanks to Dark Regions Press. The Allevon series of illustrated novellas will continue (more on this soon), the Chiral Mad series will continue, there will be new anthologies, and perhaps some other fine books. There are many projects lined up through mid-2017, but the first project I can announce deals with the beautiful cover above (created by Pat. R. Steiner).

Later this year, Written Backwards will release its first fiction collection, Bones are Made to be Broken, by Paul Michael Anderson. Paul’s work fits perfectly within the Written Backwards mold. In fact, he’s made an appearance in a few of my projects. His story “In the Nothing-Space, I Am What You Made Me” appeared in Qualia Nous, the also-long-titled “The Agonizing Guilt of Relief (Last Days of a Ready-Made Victim)” will soon appear in the aforementioned Chiral Mad 3, and his most recent story, “The Universe is Dying,” will appear in the science fiction anthology I’m working on for Dark Regions Press called You, Human (I plan to announce this officially within the next few days).

Bones are Made to be Broken will be released in trade paperback, eBook, and 26-lettered limited edition hardback with an expected fall release date.

CHIRAL MAD 3 IN TRADE PAPERBACK and SIGNED/LIMITED HARDBACK!

Chiral Mad 3

With the recent announcement that Written Backwards is now an imprint of Dark Regions Press, many exciting things are emerging, such as signed / limited hardback editions of past, present and future Written Backwards titles. The first will be the highly-anticipated Chiral Mad 3, which you can pre-order now by clicking the image above. This will take you to the Dark Regions Press Ever-Expanding Grab Bag #2 campaign, where you can reserve your copy (only 200 will be made), and snag everything the ever-expanding grab bag has to offer while you’re at it. The more people contribute, the more will be included as perks.

Campaign-exclusive trade paperback editions of Chiral Mad 3 are also available for pre-order now for only $20! If you’re been waiting for this anthology, which is illustrated throughout by Glenn Chadbourne (with 45 images), now is the best time to snag a copy… and perhaps a few other goodies from this plethora of wondrous books recently announced by the epicness that is Dark Regions Press and Written Backwards. Here’s a peek at the Table of Contents:

Fiction:
01. The Poetry of Life – Richard Chizmar
02. The Last Rung on the Ladder – Stephen King
03. A Rift in Reflection – Hal Bodner
04. Windows, Mirrors, Doors – Jason V Brock
05. Prayer – Mort Castle
06. The Agonizing Guilt of Relief (Last Days of a Ready-Made Victim) – Paul Michael Anderson
07. The Black Crow of Boddinstraße – Emily B. Cataneo
08. A Flash of Red – Erinn L. Kemper
09. Red Runner vs. The Surgeon, Issue 18 – Jessica May Lin
10. The Dead Collection – Mercedes M. Yardley
11. Watch Me – Meghan Arcuri
12. The Bigger Bedroom – Josh Malerman
13. That Perilous Stuff – Scott Edelman
14. Know Your Code – Ramsey Campbell
15. 3-Dot People – Gene O’Neill
16. Silver Thread, Hammer Ring – Gary A. Braunbeck
17. Those Who Watch From on High – Eric J. Guignard
18. Blood Dust – Max Booth III
19. The Offering on the Hill – Richard Thomas
20. The Whipping Girls – Damien Angelica Walters
21. Seconds – Jack Ketchum

Poetry:
01. Fair – P. Gardner Goldsmith
02. Fail-Safe – Jonathan Balog
03. Folie à Deux – Sydney Leigh
04. Reflecting on Reflections – Bruce Boston
05. Mirror Image – Marge Simon
06. Black River #1 – Elizabeth Massie
07. Prescience – Rose Blackthorn
08. The Speed of Sound – Ciarán Parkes
09. Welcome Home, Darling – Stephanie M. Wytovich
10. Whisper #1 (A Warning) – Erik T. Johnson
11. Whisper #2 (A Prophecy) – Erik T. Johnson
12. Put Me to Dream -Stephanie M. Wytovich
13. Recognizing Trees – Ciarán Parkes
14. Arbitration – Rose Blackthorn
15. Black River #2 – Elizabeth Massie
16. Reflections Through the Raven’s Eye – Marge Simon
17. Beyond Symmetry – Bruce Boston
18. Folie à Plusieurs – Sydney Leigh
19. Insomnia in Reverse – Jonathan Balog
20. Promise – P. Gardner Goldsmith

Yeah, it’s going to rock.

The Library of the Dead

Also available, as an addition to this campaign, is the signed / limited hardback of The Library of the Dead, illustrated in color by GAK. Scroll down toward the end of the campaign page for more information on how to reserve your copy. Similar to the other Written Backwards signed limited hardback editions, only 200 will be made. This anthology of entirely new fiction includes collaborative work by Mary SanGiovanni and Brian Keene, Christopher Golden and Tim Lebbon, and stories by Gary A. Braunbeck, Weston Ochse, Yvonne Navarro, Gene O’Neill, Erinn L. Kemper, Chris Marrs, Michael McBride, Lucy A. Snyder, Kealan Patrick Burke, Sydney Leigh, Rena Mason, and starts off with an introduction/novelette by Norman Partridge. The stories within are interconnected by a piece called “The Librarian” by editor Michael Bailey.

There are many other incredible books available in this campaign, including the first volume of Christmas Horror, edited by Chris Morey, which includes stories by John Skipp, Joe R. Landsdale, Jeff Strand, J.F. Gonzalez, Cody Goodfellow, and more.

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And what are these other two books?

Marc Levinthal’s debut novel, Other Music, is the first science fiction novel we will be releasing through Dark Regions Sci-Fi, a project I am proud to be working on as our first book in the newly revamped science fiction line at Dark Regions Press. This incredible novel features an introduction by John Skipp. The other is Stephanie M. Wytovich’s debut novel, The Eighth. Both of these incredible books are available in this campaign in both trade paperback and signed / limited hardback. The trade paperbacks are $20 each, and the hardbacks for a little more. Each will be beautiful, so you will definitely want to get your mittens on these.

Check out the campaign. Contribute. Take home some awesome books in the process. As of this evening, the campaign has reached initial funding, which means digital copies of Chiral Mad 3 will be going into the ever-expanding grab bag. The first stretch goal was also reached, which means a digital copy of Other Music will also be going in the bag. And the second stretch goal is nearly upon us, which means a digital copy of The Eighth will go in… and there are many more stretch goals in the works…

What are you waiting for?

THE LIBRARY OF THE DEAD / QUALIA NOUS / EVERYTHING ELSE

The Library of the Dead

The Library of the Dead was recently launched at the World Horror Convention in Atlanta, Georgia, where members of the Horror Writers Association, and many guests, were able to get a first look at this anthology at an hour-long Written Backwards event called “Readings and Shenanigans from The Library of the Dead and Qualia Nous.” Both anthologies were celebrated for their various awards and recognition, with both artwork and books on display (speaking of artwork, I hope to post a blog soon called “Illustrations for the Dead” to cover the beautiful artwork GAK has created for this project).

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Readings and Shenanigans for the Library of the Dead and Qualia Nous

The first half of the panel included an introduction of panelists, a short discussion covering the real library of the dead and the original conception of the anthology, how the project was acquired by Written Backwards, as well as a discussion about the photography and the artwork (by GAK) used throughout the anthology. Yvonne Navarro read from her story “Those Who Shall Never Be Named,” followed by Weston Ochse reading from his story “Living Through Better Chemistry.” 10 copies of The Library of the Dead were given out to audience members for asking questions about the anthology. Erinn L. Kemper, Chris Marrs, Rena Mason, and Lucy A. Snyder discussed their stories as well. John Everson and Sydney Leigh (Shawna Bernard) from The Library of the Dead were also in attendance.

The second half of the panel covered Qualia Nous, a literary blend of science fiction and horror. Qualia Nous was nominated for a Bram Stoker Award for Superior Achievement in an Anthology, later to be given out by the Horror Writers Association at the Bram Stoker Award ceremony, although the prize eventually went to Ellen Datlow for her anthology Fearful Symmetries. Both Usman T. Malik and Rena Mason were recognized at this panel for their Bram Stoker Award nominations for Superior Achievement in Short Fiction from this anthology (Usman for his story “The Vaporization Enthalpy of a Peculiar Pakistani Family” and Rena for her story “Ruminations”) and both later took home the prize in a tie. Marge Simon was recognized for her Rhysling Award nomination for her poem “Shutdown,” and I’m happy to report that she also recently took home that prize, which was given out by the Science Fiction Poetry Association (SFPA). Qualis Nous also recently received The Benjamin Franklin Award for Science Fiction and Fantasy (I stopped in to the award ceremony in Austin, Texas a month prior to accept the award), along with being a finalist for the Indie Book Awards for anthologies, a silver medal finalist for the Independent Publisher Book Awards, and winning the International Book Award for science fiction (also a finalist for their anthologies category), and bronze medal winner of the Foreword Reviews’ Book of the Year Awards / INDIEFAB (also a finalist for both their science fiction and horror categories).

Qualia Nous

Readings and Shenanigans for the Library of the Dead and Qualia Nous

Readings and Shenanigans for the Library of the Dead and Qualia Nous

Anyway, at the Readings and Shenanigans event, Marge Simon read her two poems from the anthology: “Shutdown” and “Tomorrow’s Femme, followed by James Chambers reading part of his story “The Price of Faces,” which sparked curiosity in Josh Malerman (author of the stellar Bird Box), which later resulted in his involvement in the upcoming Chiral Mad 3, but much of that will be covered later. Usman T. Malik, Rena Mason, Erinn L. Kemper, Patrick Freivald, Lucy A. Snyder, Jason V Brock, and William F. Nolan also discussed their stories. 10 copies of Qualia Nous were also give away to audience members asking questions about the anthology, so in total 20 books were given away to happy panel attendees at this event.

Tom Monteleone captivating the Anthocon audience

Tom Monteleone captivating the Anthocon audience

Then came Anthocon, one of my favorite conventions, organized by the Four Horsemen in Portsmouth, New Hampshire. At Anthocon, Written Backwards held another one-hour release (and re-release) event, which proved to be just as successful. At the Lazy K, the first of the new Allevon series of illustrated novellas by Written Backwards (and the latest novella by Gene O’Neill), was first up, and Gene was on hand to discuss thoroughly, along with Rena Mason, who wrote the introduction. Instead of Q&A giveaways of books, we handled things differently. Leading up to the event, those who stopped by the Written Backwards vendor table received 5 raffle tickets for each book purchased (and received a copy of At the Lazy K for only $5 (including 5 more raffle tickets)) if purchasing any book offered at the table, which also included Gene O’Neill’s most recent collection, The Hitchhiking Effect. Throughout the hour, we raffled off a few books by Gene, a few books by GAK, along with some of his artwork, freebies from the Written Backwards table, and a few books offered by Chris Marrs. And we discussed more books this time around, including At the Lazy KThe Library of the DeadQualia Nous, and the three Chiral Mad volumes.

Anthocon panel

Anthocon panel and book release

In attendance at the Anthocon panel: Thomas F. Monteleone (who did an unforgettable reading of “When I Was” from Chiral Mad 2, and has a story in Qualia Nous), Gene O’Neill (who discussed At the Lazy K and has stories in just about every Written Backwards release), Christopher Golden (who co-wrote a story with Tim Lebbon for The Library of the Dead called “Faultlines”), James Chambers (who read from his story in Qualia Nous), Kevin Lucia (who also read from his story in Chiral Mad 2), Gardner Goldsmith and Sydney Leigh (who both read some of their poetry from the upcoming Chiral Mad 3 and have stories in the various Written Backwards anthologies), Chris Marrs (who read from her story “A Chimera’s Tale” in The Library of the Dead), Rena Mason (who recently won a Stoker for her work), Meghan Arcuri (from the original Chiral Mad, and one of my fellow Borderlands boot camp grunts from long ago… which made up half the panel, actually), and of course the wonderful GAK (who illustrated The Library of the Dead and will have his hands full in future Written Backwards projects). Gord Rollo was also in attendance. He and Gene O’Neill first conceived the project after visiting the real library of the dead, a place called Chapel of the Chimes in Oakland, California.

Both conventions were incredible, and both book releases/panels were highly successful. Although I took few books with me to the World Horror Convention, nearly every book sold out at AnthoCon, which was roughly 120 pounds or so of books.

What’s next? Promoting At the Lazy K and The Library of the Dead throughout the book award season. Speaking of which, if you are a member of the Horror Writers Association and would like a copy of either of these titles for Stoker recommendation/consideration, please let me know. Send an email to written@nettirw.com to request either a trade paperback of PDF of either or both titles.

Have you seen the official book trailer for The Library of the Dead? If not, take a gander:

What’s next after all that?

Chiral Mad 3.

2014 BRAM STOKER AWARDS® PRELIMINARY BALLOT

The Horror Writers Association recently announced the Preliminary Ballot for the 2014 Bram Stoker Awards®, and I am proud to announce I have a few things that made the list this year. My story  “Fireman / Primal Tongue” made the final ballot last year for Superior Achievement in Short Fiction, so I’m hoping this year to have all three of my works published last year make the final cut in their respective categories. If you are a voting member of the Horror Writers Association, you can email written@nettirw.com to request either a digital copy or a trade paperback of the following:

1. Qualia Nous – Superior Achievement in an Anthology.

Along with the latest Written Backwards release making the ballot this year, two stories from the anthology are on the list for Superior Achievement in Short Fiction, including “The Vaporization Enthalpy of a Peculiar Pakistani Family” by Usman T. Malik (which is making some noise in the science fiction world as well), and “Ruminations” by Rena Mason. All 30 involved with this anthology are responsible, so thank you for your words. Qualia Nous is a literary blend of science fiction and horror, and people seem to dig it.

  1. Stephen King – The Jaunt (novelette)
  2. Usman T. Malik – The Vaporization Enthalpy of a Peculiar Pakistani Family *
  3. Gene O’Neill – The Shaking Man
  4. Ashlee Scheuerman – Dyscrasia
  5. Emily B. Cataneo – The Rondelium Girl of Rue Marseilles
  6. Erik T. Johnson – The Angel Chaser
  7. Ian Shoebridge – Psychic Shock
  8. D.J. Cockburn – Peppermint Tea in Electronic Limbo
  9. John R. Little – Second Chance
  10. Jon Michael Kelley – The Effigies of Tamber Square
  11. Lori Michelle – Shades of Naught
  12. James Chambers – The Price of Faces
  13. Jason V Brock – Simulacrum (novelette)
  14. Marge Simon – Shutdown / Tomorrow’s Femme (poems)
  15. Peter Hagelslag – Lead me to Multiplicity
  16. Christian A. Larsen – Cataldo’s Copy
  17. Max Booth III – The Neighborhood has a Barbeque
  18. Richard Thomas – The Jenny Store
  19. Erinn L. Kemper – Night Guard
  20. William F. Nolan – A New Man
  21. John Everson – Voyeur
  22. Pat R. Steiner – Kilroy Wasn’t There
  23. Paul Anderson – In the Nothing-Space, I Am What You Made Me
  24. Lucy A. Snyder – Dura Mater
  25. Rena Mason – Ruminations *
  26. Thomas F. Monteleone – Good and Faithful Servant
  27. Patrick Freivald – Twelve Kilos
  28. Mason Ian Bundschuh – Breathe You in Me
  29. Elizabeth Massie – 18P37-C, After Andrea Was Arrested
  30. Gary A. Braunbeck – No Fixed Address (novelette)

I hope to see Qualia Nous on the final ballot alongside those I admire in the world of anthologies: Ellen Datlow (Fearful Symmetries), Chuck Palahniuk / Richard Thomas (Burnt Tongues), and Jason V Brock (A Dark Phantastique). Not to single anyone out in the anthology category, but those three anthologies are incredible! I hope to see each of you on the final ballot this year so we can take a “final ballot selfie” holding each of these anthologies together at the Bram Stoker Awards ceremony in Florida.

Qualia Nous

2. Inkblots and Blood Spots – Superior Achievement in a Fiction Collection

Villipede Publications took on this project, which was released November 2014, and have produced something stellar. My editor, Shawna Bernard, aka. Sydney Leigh (to be published in the upcoming Written Backwards anthology The Library of the Dead), and who is also on the preliminary ballot this year for her excellent short story “Baby’s Breath,” worked her tail off to make this second collection of short fiction and poetry a work of art. Bringing on Daniele Serra to create the cover and fully-illustrate the book was ingenious (he is also on the preliminary ballot for his graphic novel with Joe R. Lansdale called I Tell You It’s Love). I cannot begin to explain how well his art meshes and brings life to my work (see images below).

A special note of thanks to Syd the Kid and Villipede Publications for making me look good. They did a great job weaving short fiction with poetry around stunning illustrations. Plus, they convinced me to include a new novelette I was working on called “Dandelion Clocks,” a tribute story to 9/11, which has somehow made it on the preliminary ballot for long fiction.

This category has some incredible competition, so I hope to make the cut. Of the fiction collections I’ve read this year, I can say that John Little’s Little by Little, Stephen Graham Jones’ After the People Lights Have Gone Off, Lucy Snyder’s Soft Apocalypses, and John F.D. Taff’s The End in all the Beginnings… well, damn, those are all great collections, and I hope Inkblots and Blood Spots is there alongside you on the final ballot.

Inkblots and Blood Spots

3. “Dandelion Clocks” – Superior Achievement in Long Fiction

What more can I say about “Dandelion Clocks” other than I feel it’s the best thing I’ve written to date. It’s my take on 9/11, about 8,400 words long, bounces around in nonlinear fashion through time from the point-of-view of a traumatized young woman, and I hope it makes the final ballot… and wins. I’m not sure I can write much better than this.

The long fiction category, like each year, is probably my favorite. I’ve watched Gary A. Braunbeck win this thing (what… 4 or 5 times now? I think he has either 8 or 9 Stokers to his name), and was at the Bram Stoker Award ceremony last May in Portland, Oregon to celebrate Gary taking home the Stoker for “The Great Pity” in Written Backward’s Chiral Mad 2 (even got to hold Gary’s envelope, thanks to F. Paul Wilson sitting next to me… who made the announcement), so to have a chance at taking home the same award for “Dandelion Clocks” would be a dream. Like I said, this is probably my favorite category. I love long fiction, and plan to publish 2 or 3 illustrated novellas next year, all from names mentioned previously on this page.

But, there’s some awesome competition. Along with rooting for “Dandelion Clocks,” I’m also rooting for “Ridin the Dawg” by Gene O’Neill, “Fishing for Dinosaurs” by Joe R. Lansdale, “Lost and Found” by Joe McKinney, “The Long Long Breakdown” by John F.D. Taff, “Ceremony of Flies” by Kate Jonez, and “Dreams of a Little Suicide” by Eric J. Guignard. All good stuff!

* If your name is not mentioned on any of the 3 lists above, it simply means I haven’t yet read your work)

Illustrations by Daniele Serra

Horror Writers Association voting members may request a PDF or print copy of Qualia Nous (anthology), and/or Inkblots and Blood Spots (fiction collection), and/or “Dandelion Clocks” (long fiction) for consideration by emailing written@nettirw.com. It is also available on the HWA message board.

A few more things to note:

Many Qualia Nous contributors (listed in bold above) are on the preliminary ballot this year in one way or another, so a special congratulations is in order for their work outside of Written Backwards. Marge Simon (with Mary Turzillo) is up for her latest poetry collection Sweet Poison, Patrick Freivald for both his novel Jade Sky and short story “Trigger Warning,” Gene O’Neill for his long fiction piece called “Ridin the Dawg,” John R. Little for his fiction collection Little by Little, Lucy A. Snyder for both her fiction collection Soft Apocalypses and nonfiction book Shooting Yourself in the Head For Fun and Profit: A Writer’s Survival Guide, Richard Thomas (with Chuck Palahniuk) for their anthology Burnt Tongues, and Jason V Brock for both his anthology A Dark Phantastique and nonfiction book Disorders of Magnitude. And, of course, Usman T. Malik and Rena Mason, previously mentioned, for their short stories in Qualia Nous.

Other past/future Written Backwards contributors are on the preliminary ballot as well, including Eric J. Guignard for his long fiction piece “Dreams of a Little Suicide” and John Palisano for his short story “Splinterette.”

Last year, Chiral Mad 2 did not make the final ballot, but “The Geminis” by John Palisano made the final ballot for Superior Achievement in Short Fiction, as well as “The Great Pity” by Gary A. Braunbeck, which took home the Bram Stoker Award for Superior Achievement in Long Fiction. Perhaps 2014 will be a good year as well!

Congratulations to everyone who made the preliminaries this year! And congratulations to those who did not make the list, but probably should have. 2014 was a great year for horror fiction. Whether or not you believe in the HWA’s means of compiling Bram Stoker Award recommendations, the preliminary ballot, or the final ballot, you cannot deny that 2014 was a great year for horror fiction. I see familiar names on the list this year, and names I don’t recognize, which is either a good thing, or a bad thing. Some I have published, some have published me, and some have shared the table of contents with yours truly in various anthologies or magazines over the years. And some, well, perhaps someday I can say I recognize those names as well.

Here’s the complete list, as plagiarized from the Horror Writers Association page:

Superior Achievement in a Novel
Tim Burke – The Flesh Sutra (NobleFusion Press)
Adam Christopher – The Burning Dark (Tor Books)
Michaelbrent Collings – This Darkness Light (self-published)
Lawrence C. Connolly – Vortex (Fantasist Enterprises)
Craig DiLouie – Suffer the Children (Gallery Books of Simon & Schuster)
Patrick Freivald – Jade Sky (JournalStone)
Chuck Palahniuk – Beautiful You (Jonathan Cape, Vintage/Penguin Random House UK)
Christopher Rice – The Vines (47North)
Brett J. Talley – The Reborn (JournalStone)
Steve Rasnic Tem – Blood Kin (Solaris Books)

Superior Achievement in a First Novel
Maria Alexander – Mr. Wicker (Raw Dog Screaming Press)
J.D. Barker – Forsaken (Hampton Creek Press)
Janice Gable Bashman – Predator (Month9Books)
David Cronenberg – Consumed (Scribner)
Michael Knost – Return of the Mothman (Woodland Press)
Daniel Levine – Hyde (Houghton Mifflin Harcourt)
Josh Malerman – Bird Box (Harper Collins)
Whitney Miller – The Violet Hour (Flux)
Chantal Noordeloos – Angel Manor (Horrific Tales Publishing)
C.J. Waller – Predator X (Severed Press)

Superior Achievement in a Young Adult Novel
Ari Berk – Lych Way (Simon & Schuster Books for Young Readers)
Jake Bible – Intentional Haunting (Permuted Press)
Ilsa J. Bick – White Space (Egmont)
John Dixon – Phoenix Island (Simon & Schuster/Gallery Books)
Kami Garcia – Unmarked (The Legion Series Book 2) (Little Brown Books for Young Readers)
S.E. Green – Killer Instinct (Simon & Schuster/Simon Pulse)
Tonya Hurley – Passionaries (Simon & Schuster Books for Young Readers
Micol Ostow – Amity (Egmont)
Peter Adam Salomon – All Those Broken Angels (Flux)
Sam Swanson and Araminta Star Matthews – Horror High School: Return of the Loving Dead (Curiosity Quills Press)
Johnny Worthen – Eleanor: Book 1 (The Unseen) (Jolly Fish Press)

Superior Achievement in a Graphic Novel
Charles Burns – Sugar Skull
Emily Carroll – Through the Woods
Victor Gischler – Kiss Me Satan
Joe Hill – Locke and Key, Vol. 6
Joe R. Lansdale and Daniele Serra – I Tell You It’s Love (Short, Scary Tales Publications)
Jonathan Maberry – Bad Blood (Dark Horse Books)
Paul Tobin – The Witcher

Superior Achievement in Long Fiction
Michael Bailey – Dandelion Clocks (Inkblots and Blood Spots) (Villipede Publications)
Taylor Grant – The Infected (Cemetery Dance #71) (Cemetery Dance)
Eric J. Guignard – Dreams of a Little Suicide (Hell Comes To Hollywood II: Twenty-Two More Tales Of Tinseltown Terror (Volume 2)) (Big Time Books)
Kate Jonez – Ceremony of Flies (DarkFuse)
Joe R. Lansdale – Fishing for Dinosaurs (Limbus, Inc., Book II) (JournalStone)
Jonathan Maberry – Three Guys Walk Into a Bar (Limbus, Inc., Book II) (JournalStone)
Joe McKinney – Lost and Found (Limbus, Inc., Book II) (JournalStone)
Gene O’Neill – Ridin the Dawg (Mia Moja) (Thunderstorm Books)
John F.D. Taff – The Long Long Breakdown (The End in all Beginnings) (Grey Matter Press)
Gregor Xane – The Riggle Twins (Bad Apples) (Corpus Press)

Superior Achievement in Short Fiction
Dale Bailey – Sleep Paralysis (Nightmare Magazine, April 2014) (Nightmare)
Hal Bodner – Hot Tub (Hell Comes to Hollywood II) (Big Time Books)
Patrick Freivald – Trigger Warning (Demonic Visions Book 4) (Chris Robertson)
* Sydney Leigh – Baby’s Breath (Bugs: Tales That Slither, Creep, and Crawl) (Great Old Ones Publishing)
Usman T. Malik – The Vaporization Enthalpy of a Peculiar Pakistani Family (Qualia Nous) (Written Backwards)
Alessandro Manzetti – Nature’s Oddities (The Shaman: And Other Shadows) (self-published)
Rena Mason – Ruminations (Qualia Nous) (Written Backwards)
John Palisano – Splinterette (Widowmakers: A Benefit Anthology of Dark Fiction)
Sayuri Ueda – The Street of Fruiting Bodies (Phantasm Japan) (Haikasoru, an imprint of VIZ Media, LLC)
Genevieve Valentine – A Dweller in Amenty (Nightmare Magazine, March 2014) (Nightmare)
Damien Angelica Walters – The Floating Girls: A Documentary (Jamais Vu, Issue Three) (Post Mortem Press)

Superior Achievement in a Fiction Collection
Michael Bailey – Inkblots and Blood Spots (Villipede Publications)
Stephen Graham Jones – After the People Lights Have Gone Off (Dark House Press)
John R. Little – Little by Little (Bad Moon Books)
Helen Marshall – Gifts for the One Who Comes After (ChiZine Publications)
David Sakmyster – Escape Plans (Wordfire Press)
Terrence Scott – The Madeleine Wheel: Playing with Spiders (Amazon)
Lucy Snyder – Soft Apocalypses (Raw Dog Screaming Press)
Robin Spriggs – The Untold Tales of Ozman Droom (Anomalous Books)
John F.D. Taff – The End In All Beginnings (Grey Matter Press)
Alexander Zelenyj – Songs for the Lost (Eibonvale Press)

Superior Achievement in an Anthology
John Joseph Adams and Hugh Howey – The End Is Nigh (Broad Reach Publishing)
Michael Bailey – Qualia Nous (Written Backwards)
Jason Brock – A Darke Phantastique (Cycatrix Press)
Ellen Datlow – Fearful Symmetries (ChiZine Publications)
Kate Jonez – Halloween Tales (Omnium Gatherum)
Eric Miller – Hell Comes to Hollywood II (Big Time Books)
Chuck Palahniuk, Richard Thomas, and Dennis Widmyer – Burnt Tongues (Medallion Press)
Brian M. Sammons – The Dark Rites of Cthulhu (April Moon Books)
Brett J. Talley – Limbus, Inc., Book II (JournalStone)
Terry M. West – Journals of Horror: Found Fiction (Pleasant Storm Entertainment)

Superior Achievement in a Screenplay
Scott M. Gimple – The Walking Dead: The Grove, episode 4:14 (AMC)
James Hawes – Penny Dreadful: Possession (Desert Wolf Productions/Neal Street Productions)
Jennifer Kent – The Babadook (Causeway Films)
Alex Kurtzman and Mark Goffman – Sleepy Hollow: “Bad Blood” (Sketch Films/K/O Paper Products/20th Century Fox Television)
John Logan – Penny Dreadful: Séance (Desert Wolf Productions/Neal Street Productions)
Greg Mclean and Aaron Sterns – Wolf Creek 2 (Emu Creek Pictures)
Stephen Moffat – Doctor Who: Listen (British Broadcasting Corporation)
Cameron Porsendah – Helix: Pilot (Tall Ship Productions/Kaji Productions/Muse Entertainment/Lynda Obst Productions/in association with Sony Pictures Television)
Jack Thomas Smith –Infliction (Fox Trail Productions)
James Wong – American Horror Story: Coven: “The Magical Delights of Stevie Nicks” (FX Network)

Superior Achievement in Non-Fiction
Massimo Berruti, S.T. Joshi, and Sam Gafford – William Hope Hodgson: Voices from the Borderland (Hippocampus Press)
Jason V. Brock – Disorders of Magnitude (Rowman & Littlefield)
Hayley Campbell – The Art of Neil Gaiman (HarperCollins Publishers)
S.T. Joshi – Lovecraft and A World in Transition (Hippocampus Press)
Leslie S. Klinger – The New Annotated H.P. Lovecraft (Liveright Publishing Corp., a division of W.W. Norton & Co.)
Joe Mynhardt and Emma Audsley – Horror 101: The Way Forward (Crystal Lake Publishing)
Robert Damon Schneck – Mrs. Wakeman vs. the Antichrist (Tarcher/Penguin)
Lucy Snyder – Shooting Yourself in the Head For Fun and Profit: A Writer’s Survival Guide (Post Mortem Press)
Tom Weaver, David Schecter, and Steve Kronenberg – The Creature Chronicles: Exploring the Black Lagoon Trilogy (McFarland & Company, Inc., Publishers)

Superior Achievement in a Poetry Collection
Robert Payne Cabeen – Fearworms: Selected Poems (Fanboy Comics)
G.O. Clark – Gravedigger’s Dance (Dark Renaissance Books)
David E. Cowen – The Madness of Empty Spaces (Weasel Press)
Corrinne De Winter and Alessandro Manzetti – Venus Intervention (Kipple Officina Libraria)
Wade German – Dreams from the Black Nebula (Hippocampus Press)
Tom Piccirilli – Forgiving Judas (Crossroad Press)
Michelle Scalise – The Manufacturer of Sorrow (Eldritch Press)
Marge Simon and Mary Turzillo – Sweet Poison (Dark Renaissance Books)
Tiffany Tang – Creepy Little Death Poems (Dreality Press)
Stephanie Wytovich – Mourning Jewelry (Raw Dog Screaming Press)

Good luck everyone!

POSITIVE +

The world is negative. Admit it. I’ve slowly learned this through life, which is why I radiate positivity. I don’t try to be positive, it just happens. I am a positively charged being. If you’re close, you can feel it flowing off me like some kind of magnetic field, and if you are feeling negative, my superpower will draw you in and wrap around you like a blanket and keep you warm. I will make the hairs on arms stand on end. I will make you smile. And if you don’t, there’s something seriously wrong with you.

I guess that’s why I originally chose to write psychological horror. My work typically highlights beautiful things hidden in the darkest of places. If you’ve read Palindrome Hannah or Phoenix Rose, or any of my short fiction or poetry in Scales and Petals, you know what I’m talking about. Since I first started writing horror (sometime in 1999), and then publishing (2001), my work progressively darkened.

Palindrome Hannah, the debut novel, questioned coincidence and dealt with subjects such as suicide, multiple personalities / possession, domestic violence, child abuse, poverty, mental instability, bullying, and other horrible things. Dark, horrid puzzle pieces that hopefully formed something more beautiful.

Phoenix Rose, the follow-up novel, questioned reality and dealt with sad subjects like family loss, childhood trauma, mental disorders, and the unforgiving balance of life and death, while also focusing on spirituality, hope, sacrifice, and rising from one’s ashes.

While writing those two novels, I published Scales and Petals, a collection of short stories and poems. While a few of the works are on the lighter side of the dark, the rest dive into some rather horrid places. And it only gets darker from there.

Psychotropic Dragon, what I’m currently calling my last horror novel, is ultimately a love story. It is also the darkest, most difficult thing I have ever written. It has taken me over ten years (12?) to get this thing on paper. I kept putting the project on hold because I just didn’t want to finish the damn thing. I’d revisit the novel over the years, writing in bursts of 5,000 to 10,000 word chunks, and then the manuscript would sit for a while. Over a year, at one point. Finally, I gave myself a goal and cranked out the last 15,000 words over the course of a few weeks. Such an exhaustive process. And now it sits again, unfinished, waiting to be edited and rewritten, and edited some more. A few pre-readers are taking a shot at it, but there’s still work to be done. What’s it about? Psychotropic drugs, hallucinations, sex (the good and the absolute worst), child abuse, sexual abuse, dissociative identity disorders, the great eclose of the human condition, and other “real” things. Sick stuff. Some sick, beautiful stuff. It’s a love story, right? Right…

Anyway, there’s even more dark stuff in the works with Inkblots and Blood Spots, what I’m calling my last horror collection. This book contains the short stories and poems written between Phoenix Rose and Psychotropic Dragon. Dark, dark stuff. Dark, but transitional. After closing both of these future books, however, you will realize why these may be my last two “horror” projects. I hope you understand. Truth be told, only a tenth of what I read would be considered horror, and my writing style appears to be going down that path as well.

What about the anthologies?

DSIAPellucid Lunacy was my first editing project, a collection of psychological horror that raised a little over $2,000 for Breast Cancer and Down Syndrome research (donations split down the center), and was a recipient of the International Book Awards and winner of the USA Book News “Best Book” Awards.

The second anthology, Chiral Mad, also psychological horror, fared much better in terms of funds raised for charity. The Chiral Mad tally currently stands at $4,260, with all proceeds going to the Down Syndrome Information Alliance. That is positively amazing. Recently, the DSIA sent a thank you letter for their first check of $3,000. To date, Chiral Mad has received rave reviews and is the recipient of the following:

– Shortlisted for the Grand Prize of an unmentionable award, to be announced May 6th, 2013!
– London Book Festival winner for Anthologies/Collections
– This is Horror Awards, Anthology of the Year runner-up
– USA Book News “Best Book” Awards (Fiction: Anthologies), Finalist
– USA Book News “Best Book” Awards (Best Cover Design: Fiction), Finalist
– Halloween Book Fest Awards, Honorable Mention
– A few more surprises are in store soon…

While I may be cutting back on my own horror fiction (perhaps cutting it out completely), I will continue to edit and publish charity anthologies. That is a certainty. Will they all be psychological horror? Perhaps not, but perhaps yes. Perhaps most certainly yes. If I’m invited to write for a specific horror-themed anthology, I will consider it, but I don’t see myself writing horror anytime soon. What I write will probably have dark elements, but will not be straight up horror. My latest 5 or 6 published stories are borderline horror anyway, so I’ve already started down a more positive path with my writing. “Primal Tongue,” “Bootstrap” and “Hiatus” are examples of this.

Before I forget, I need to mention that Surviving the End (in which my story “Hiatus” appears), edited by Craig Bezant, recently won the Australian Shadow Award for edited publication. This is sort of the equivalent of the Bram Stoker Awards for Australia. Awesome news. “Birthday Suit,” a short story by Martin Livings, also in Surviving the End, won for short fiction.

Anyway, what shall I write? Am I retiring from writing horror altogether? I’m not sure. I’m leaning toward young adult fiction, or even a younger audience. Maybe both. Maybe more than both. Kids are reading, but I look on the shelves under “Young Adult” and I see crap. Vampires, Sex, Werewolves, Sex, Zombies, Sex… it’s too much. Kids need to read something more realistic, something positive. If I go down this route, there will be dark elements in my fiction, but my work will be overall positive, because that’s what the world needs.

Positivity rocks.

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