Archive for the ‘ Illustrations ’ Category

MISCREATIONS: OPEN CALL FOR SUBMISSIONS

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OPEN CALL FOR SUBMISSIONS:

Update (08/09/19): Current contributions include (in order of announcement):

“Imperfect Clay” by Lisa Morton
“Spectral Evidence” by Victor LaValle

“The Making of Asylum Ophelia” by Mercedes M. Yardley
“One Last Transformation” by Josh Malerman
“A Heart Arrhythmia Creeping Into a Dark Room” by Michael Wehunt
“Resurrection Points” by Usman T. Malik
“Brains” by Ramsey Campbell

What happens when we make monsters? What happens when we confront the monsters inside ourselves? These are the grotesque things that should never have been. These are the beasts that stalk our twisted pasts. These are the ghosts of our own making that haunt our regrets. They’re the blood on our hands. They’re the obsessions in our heads. They’re the vengeance in our hearts. These are Miscreations: Gods, Monstrosities & Other Horrors.

Bram Stoker Award-winning editors Doug Murano and Michael Bailey welcome you to submit your best work for consideration in this anthology, which will launch in early 2020. This page will be periodically updated with accepted contributions.

Pay: 5c / word U.S.
Length: 2,000 – 5,000 words. FIRM.
Reprints? No.
Simultaneous submissions: No.
Multiple submissions: No.

Where to send: miscreationsbook@gmail.com

Deadline: Aug. 31st, 2019

Anything you should avoid? Graphic, gratuitous depictions of child abuse, sexual abuse and animal abuse are generally unwelcome.

Good luck!

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KING OF ILLUSTRATIONS

The latest Written Backwards interview is with Glenn Chadbourne, an artist from Maine. He is perhaps best known for his work in both the horror and fantasy genres, and his knack for artwork inspired by the works of Stephen King and other greats. He creates covers, illustrates books and stories for magazines, among other things.

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The interview [ by Michael Bailey ]:

When someone sees a Glenn Chadbourne illustration, they are drawn to the fine lines, the incredible amount of captured detail, the depth, the light you create in the dark; they instantly know that what they are experiencing is a work by Glenn Chadbourne. You’ve made a name for yourself, and your work is highly recognizable. You have created seemingly countless illustrations, most inked in black-and-white, but others painted in full color, and for the likes of Stephen King, Rick Hautala, Joe Lansdale, Douglas Clegg, and many others. But you also create beautiful book covers, among other things.

I can’t remember how long ago I met you, but you were an artist Guest of Honor at an event, perhaps a World Horror Convention, and you had what seemed like a hundred pieces on display. Now, I’d met your work long before meeting the actual you (perhaps Cemetery Dance magazine a few decades prior), and I was drawn to your displayed art at that convention as easily as I was drawn to your illustrations I’d first admired so long ago. I bought a piece from you, a Stephen King thing with Pennywise and a couple dozen of his other minions, and shook your hand, said to myself, “Someday I’m going to work with that guy.”

Fast forward closer to the present, and I find myself commissioning your work for Chiral Mad 3 (45 illustrations total), and later working with you on the special edition of Josh Malerman’s Birdbox, and again with illustrations for my own Psychotropic Dragon (see first image above), and then yet again with Chiral Mad 4: An Anthology of Collaborations, in which you beautifully adapted Jack Ketchum’s story “Firedance” (26 pages). So, I guess you could say I was right all those years ago. I ended up worked with that guy (you), and hope to again sometime soon.

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Now that all the mushy stuff is out of the way, a few questions (some of which may lead to further mushy things):

Michael Bailey: How many illustrations have you created in your lifetime (rough estimate)? It must be an insane amount. And a follow-up: How often do you find yourself creating art, or how many hours in a day, on average, do you typically spend doing so?

Glenn Chadbourne: Good lordy, I wouldn’t / couldn’t begin to give a body count on how many illustrations I’ve spun up over the years … I’d have to stick with “countless” because I’ve had, and continue to have something on the drawing board daily. Multiply that over the course of thirty years and a good catch-all number might be a “shitload!”

MB: Do you have any favorite pieces (or projects) you’ve worked on?

GC: As for favorites, certainly the King projects, for the obvious reasons, but also, aside from his popularity, his work speaks to me on a personal level. He lives here in Maine and I live here in Maine, and there’s a familiar atmosphere of surroundings, of personalities in his characters that hits a local comfy zone. I know places and events he writes about firsthand, as opposed to someone’s story taking place in Transylvania. Of course, Steve has turned Maine into the Transylvania of America! And, of course, being lucky enough to have illustrated some of his work has helped showcase my work to a wide audience. Also, his work has a visual texture that screams DRAW ME.

MB: Your adaptation of Jack Ketchum’s “Firedance” was your first time working on something of his. What was it like working on that project after knowing him for so many years? I had originally hoped for ten pages for Chiral Mad 4, but you must have had fun, since you eventually turned in twenty-six …

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GC: I thought the absolute world of Dallas Mayr (Jack). I met him at a yearly convention I go to in Rhode Island (NECON) long before I made my bones in this racket, and he was so gracious and kind, offering advice, and just being an all-around sweet soul and buckets of fun to hang out with. I had been reading his stuff for years, so when the chance came to illustrate “Firedance,” I was thrilled. It’s a very different kind of Ketchum story; so fun and whimsical and, of course, it too takes place in Maine. He loved what I did with it art-wise, and I felt so happy he got to enjoy the final product before his death. I miss Dallas, and I raise a glass in memory while writing this. He was truly one of the good guys.

MB: With your artwork for King’s “The Last Rung on the Ladder” in Chiral Mad 3, you created more than one illustration (five, in fact). What’s your draw to King’s fiction? And a follow-up: Out of the estimated total illustrations you think you’ve created in your lifetime (from the first question), what percentage of those are King-related?

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GC: “The Last Rung on the Ladder” is such a cool nostalgic story, and once again so visual. You can smell the hay in the barn and see the afternoon dust motes fluttering between rays of sun through the cracks in the siding—and you can feel the tension like a coiled spring ready to snap. When rereading it (I’d read the story countless times over the years), I just saw so many things to draw fly through my head that I put them down on paper. As for how many King related drawings I’ve done … I have to figure in both volumes of the Secretary of Dreams, The Dark Man (90 odd pages for that) and numerous individual gigs, chiefly for Cemetery Dance special editions Full Dark No Stars, and the bells and whistles volumes of the Doubleday years books, where I did frontis art and separate portfolio paintings. All that would carry a page count in the hundreds. Also, I did the art for the beautiful Carrie limited edition for PS Publishing, and their edition of The Colorado Kid. So again, all told: works leaning well into the hundreds. I feel like the luckiest fatboy on the planet to have been given the chance to fly with it all.

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MB: Who have you always wanted to adapt, and are there any emerging writers on your radar?

GC: I’ve always wanted to do a sprawling series of Lovecraft paintings, and I may do that on my own time and dime at some point. As for newbie writers … There are so many talented writers out there with strong scary voices that deserve a platform. I’d be up for illustrating whatever might be asked of me.

MB: Besides paintings and illustrations, do you dip into any other mediums?

GC: Every so often a short story idea of my own knocks me in the noggin, so from time to time I write a little fiction. The ideas just roll through my thoughts and I stop whatever I’m doing and roll with it. I’m not about to quit my day job, but I enjoy writing.

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MB: Did you always know you were gifted as an artist? Did you one day discover or unlock that talent? And a follow-up: When did you first start dabbling?

GC: I was an only-child with no other nearby kids to play with, and so from a very young age I began to draw. Forrest Gump ran, I drew. It came naturally and evolved over time. At first, I drew little boy stuff, G.I. Joe scenes, the usual. Then around nine or ten there was a mom and pop store that sold comics and the Warren magazines of the day, and after a steady diet of that stuff, I was hooked on the spooky. This was also near the tail end of the 60s and I got hold of all the great old underground comics of the day. That’s where I first ran into R Crumb comics, and he was a god to me. He’s where my love of uber detail came from. Long story short though, I’ve just always done what I do. I have no choice; it’s simply in me.

MB: Is there any advice you would like to share with those exploring creative outlets?

GC: My advice would be simple: follow your dreams. If it’s to be “your thing,” your voice, listen to it. It will yell and there’ll be no choice. And remember to enjoy it along the way. There may be rejection slips that mound to the ceiling. Fuck ’em. The greatest creative minds in history could paper their walls with them. Keep at it, never relent, and follow your dreams.

Peace ’n love,

Glenn Chadbourne.

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MAD for CHIRAL MAD

To celebrate all things Chiral Mad (including exciting news that cannot yet be shared), each of the four volumes in the series are on sale April 29th through May 4th. eBook titles range from $0.99 / £0.99 to $1.99 / £1.99 in both the US and UK. In other words, you can get all four volumes of Chiral Mad (digitally) for about the price of a fancy coffee. Click on any of the images for direct eBook links.

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CHIRAL MAD 4, an anthology of collaborations, is also available in hardback for $34.95 and trade paperback for $19.95. 4 short stories, 4 novelettes, 4 novellas, and 4 graphic adaptations make up this mammoth book of wonders, but here’s the catch: every single part of this anthology is a collaboration, including a co-introduction by Gary A. Braunbeck & Janet Harriett. Bram Stoker Award winners Michael Bailey and Lucy A. Snyder even collaborated on the co-editing to bring you an incredibly diverse and entirely collaborative dark fiction experience. eBook sale links: US / UK.

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CHIRAL MAD 3, an anthology of psychological horror, is also available in trade paperback for $17.95. Nominated for the Bram Stoker Award for Superior Achievement in an Anthology, the third act contains 45 illustrations throughout by Glenn Chadbourne, over 20 stories by the likes of Stephen King, Jack Ketchum, Ramsey Campbell, Mort Castle, Josh Malerman, and Richard Chizmar, 20 intertwined poems by the likes of Elizabeth Massie, Marge Simon, Bruce Boston, and Stephanie M. Wytovich, as well as an introduction on the state of horror by Chuck Palahaniuk. eBook sale links: US / UK.

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CHIRAL MAD 2, the sophomore set, is also available in trade paperback for $16.95. This anthology of psychological horror containing twenty-eight short stories by established authors and newcomers from around the world. Featuring the imaginations of David Morrell, James Chambers, Usman T. Malik, Emily B. Cataneo, John Skipp, Gary McMahon, and many others. The book also features the Bram Stoker Award-winning novelette “The Great Pity” by Gary A. Braunbeck. eBook sale links: US / UK.

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CHIRAL MAD, the book that started it all, is also available in trade paperback for $16.95, and contains twenty-eight short stories by established authors and newcomers from around the world. Featuring the imaginations of Gord Rollo, Monica J. O’Rourke, Patrick Lacey, Meghan Arcuri, Christian A. Larsen, Jeff Strand, John Palisano, Jack Ketchum (his first of four appearances in the series), and many others, along with an introduction on asymmetry by Thomas F. Monteleone. eBook sale links: US / UK.

Sale ends May 4th.

SHORT FICTION SALE

Now through April 21st, Written Backwards is hosting a short fiction sale. 6 books, 600,000 words, all for under 6 bucks. In other words, 6 books for under a buck (each) in both the US and UK. Time to fill up your Kindles!

All titles are also available for free through Kindle Unlimited, or are free if you’ve already purchased the paperback through Amazon. Simply click the book covers below for direct links in the US, or follow the links after each title if you’re in the UK.

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Winner of the Bram Stoker Award for Superior Achievement in an Anthology. Features illustrations throughout by gak, an introduction / novelette by Norman Partridge (nominated for Superior Achievement in Long Fiction), an afterword by Mary SanGiovanni, as well as photography and the interconnecting tale “The Librarian” by the editor. Also available in the UK for only £0.99.

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Bram Stoker Award-winning editor Michael Bailey brings you a genre-bending anthology of dark science fiction and poetry, with fiction illustrated throughout by world-renowned artist L.A. Spooner, poetry and spot illustrations by Orion Zangara, cover artwork by George C. Cotronis, and an introduction on humanness by New York Times bestselling author F. Paul Wilson. Also includes the Bram Stoker Award-nominated novelette “The Jupiter Drop” by Josh Malerman. Also available in the UK for only £0.99.

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A literary blend of science fiction and horror, and the winner of the Benjamin Franklin Award. Includes short stories, novelettes, and poetry from established authors and newcomers from around the world, such as the Bram Stoker Award-winning stories “The Vaporization Enthalphy of a Peculiar Pakistani Family” by Usman T. Malik, and “Ruminations” by Rena Mason. Also available in the UK for only £0.99.

Note that due to contractual obligations, the eBook edition does not include Stephen King’s short story “The Jaunt,” which is included in the trade paperback edition.

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Twenty-five, or maybe twenty-six or -seven or perhaps twenty-eight (let’s say it’s twenty-eight) individual works by Erik T. Johnson, some previously-published, some appearing  for the first time, stories like “The Leaf” and “Krug’s Pen,” “The Depopulation Syndrome,” “The Invention of the Mask” (which you can find on the front cover), “The Depopulation Syndrome” and the novella Scissors Seldom Come. Trespass. Read the horror, the wonder, the mindscrewing. Also available in the UK for only £0.99.

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Fourteen stories from the intersection of pain and anxiety, rage and fear by Paul Michael Anderson, illustrated throughout by Pat R. Steiner. Triumph and tragedy, terror and transformation. Includes an introduction by Damien Angelica Walters and and afterword by Bracken MacLeod. Also available in the UK for only £0.99.

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From the mind of award-winning author and editor Michael Bailey comes Inkblots and Blood Spots, a painfully beautiful collection of short stories and poetry that reaches deep into the imagination, breaking hearts and boundaries along the way. Includes the novelette “Dandelion Clocks,” illustrations and cover artwork by Daniele Serra, and an introduction by Douglas E. Winter. Also available in the UK for only £0.99.

PSYCHOTROPIC DRAGON, AND OTHER THINGS …

I will be incredibly busy over the next few months (already have been), so I thought I’d post about my current projects. In other words, you won’t hear from me in a long while (perhaps months, maybe not until summer). I have a lot of stuff on my plate, in various stages of development, so what follows is a summarized run-down.

Why am I so busy? I have been taking on editing and book design projects for clients, proofreading, editing and copyediting for Independent Legions Publishing, and have recently taken on a part-time role as Developmental Editor for New Degree Press to help new writers bring their books to life (and you can add “ghostwriting” to my resume ). Meanwhile, I am trying to finish a science fiction thriller called Seen in Distant Stars, and writing fiction and nonfiction to perhaps make a few sales and help pay the bills.

So here goes …



PSYCHOTROPIC DRAGON

This is a composite novel that’s been “in the works” since 2009 (yes, ten years!). Many have been waiting patiently for this book, and hopefully the wait won’t be much longer because I consider the manuscript done. Word-count is a little under 90,000.

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Why “composite” and why the long wait? Well, it’s part short novel, part novella, part novelette, includes a few children’s fables throughout, and four illustrators have been involved with its development over the last ten years (48 illustrations total!). I should also mention  John Skipp played an early part in this thing coming together, as well as my three amigos: Thomas F. Monteleone, F. Paul Wilson, and Douglas E. Winter.

So, where does it stand, then, this beautiful whatever-it-is?

My agent is busy shopping this monster. With a little luck and patience, perhaps it will sell (which could mean a while longer before it finds print). We have high hopes, though, so we’re aiming high. It’s worth the wait (I promise), and while the book works on its own, Psychotropic Dragon has many tie-ins to my other works, most notably the two previous composite novels, Palindrome Hannah and Phoenix RoseOther tie-ins include the novelette Our Children, Our Teachers, the children’s book Ensoand various work from Inkblots and Blood Spots.

The cover image above is from an “Advance Reader Copy” I created to make it easier for pre-readers to grasp the overall concept, and to perhaps gain a few more blurbs for promotion. This image has kept the project going, always on my mind.

One of my first pre-readers (and originally a collaborator, believe it or not) was Dallas Mayr, aka Jack Ketchum; while he couldn’t contribute to the fiction, when all was said and done, he offered a generous cover blurb instead. He loved this thing almost as much as I do: “Addictive, scary, and at times, mind-blowing.” Can’t ask for much better than that, right? Other collaborators have been in talks, but eventually I decided to finish this thing on my own, at least in terms of the text.

The illustrators? Ty Scheuerman worked on early concepts, Daniele Serra on illustrations for the novelette and spot-pieces throughout, Glenn Chadborne on the novella, and L.A. Spooner on the short novel and fables. Insane, right? Whether or not the illustrations (48!) will make it into the final product is yet to be determined, but here are a few teasers (section titles and visuals). Let’s just say this book is wild! No matter what, Psychotropic Dragon will someday have a “special edition,” which will include everything.

ORIGINAL CONCEPTS (Ty Scheuerman):

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SOMNAMBULISM / I SUMMON LAMBS (novelette / Daniele Serra):

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A ROSE / AROSE (novella / Glen Chadbourne):

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DRAKEIN (short novel / L.A. Spooner):

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As for the fables, they are titled ECLOSE, SCARLET HOURGLASS, ACHERONTIA ATROPOS, and APODEMUS. And a few of the other chapters connecting all this insanity: THE BEGINNING OF THE END, DEATH’S-HEAD, LIFE-MAGICENSŌand THE END OF THE BEGINNING. Like I mentioned before, this book is something wild!

Soon (haven’t I said that before?) …



SEVEN MINUTES

This book, which was recently trimmed from 100,000 words to 80,000 words, is the strongest thing I’ve ever written, and happens to be nonfiction. I’ll be reading a seven-minute chapter (called “Seven Minutes”) at StokerCon in May. Advance Reader / Burn After Reading copies are currently making the rounds while my agent shops this one around the nonfiction market (although nonfiction is something new for both of us).

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I wrote the manuscript in 23 days (most pages on an old Royal typewriter, about 75,000 words). 23 days happens to be how long the Tubbs fire burned (the setting for this book), and how long my cat Bram went missing (the end of the fire and the day he was found, one in the same), and so I made that my goal: to finish an entire book in under a month! The third draft was completed on day 23, the first anniversary of the day the Tubbs fire was finally extinguished, the day Bram was found.

The book is about the fire that took our home and many others (somewhere around 5,600 from the Tubbs fire alone), changing our lives (and many others’) forever. The book is structured like a therapy session. It contains poetry and lots of hard truths, with the narrative bouncing from first-person to first-person collective to second-person.

This one is close to the heart.


THE IMPOSSIBLE WEIGHT OF LIFE

This would be fiction collection number three (roughly 90,000 words, so lengthier than my previous collections), and will feature short fiction, long fiction, and a few poems (one quite long). Three of the stories have been nominated for the Bram Stoker Awards*, and most of the others have found their way into anthologies over the last few years. Most are autobiographical, in one way or another, and most were written during my recovery from Loss of Bilateral Labyrinthine Function.

My agent is shopping this one around as well (yes, I have her very busy), but here’s a teaser of its tentative contents:

“Time is a Face on the Water”*
“Speaking Cursive”
“The Long White Line”
“Möbius”
“Cartwheels” (poem)
“Hourglass”
“Ghosts of Calistoga”
“Darkroom” (novelette)
“Fade to Black”
“The Fire” (poem)
“The Other Side of Semicolons”
“SAD Face” (novelette)
“Essential Oils”
“Gave”
“A Murmuration of Souls”
“Fragments of Br_an”
“I Will Be the Reflection Until the End”*
“Shades of Red” (poem)
“Our Children, Our Teachers”* (novelette)


PRISMS:

This is an anthology I co-edited with Darren Speegle, to be release soon through PS Publishing. Expect more information on release dates and pre-ordering and whatnot as soon as its available. We’re hoping for a 2019 release date, if all the stars align. This is not the cover, but a mock-up I created during early development:

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And here is the official Table of Contents (and word counts). Yes, this book will be something incredible:

“We Come in Threes” – B.E. Scully (4,200)
“The Girl with Black Fingers” – Roberta Lannes (4,400)
“The Shimmering Wall” – Brian Evenson (4,300)
“The Birth of Venus” – Ian Watson (7,400)
“Fifty Super-Sad Mad Dog Sui-Homicidal Self-Sibs, All in a Leaky Tin Can Head” – Paul Di Filippo (3,500)
“Encore for an Empty Sky” – Lynda Rucker (6,700)
“Saudade” – Richard Thomas (3,900)
“There Is Nothing Lost” – Erinn L Kemper (5,200)
“The Motel Business” – Michael Marshall Smith (4,900)
“The Gearbox” – Paul Meloy (6,100)
“District to Cervix: The Time Before We Were Born” – Tlotlo Tsamaase (8,500)
“Here Today and Gone Tomorrow” – Chaz Brenchley (5,400)
“Daylight Robbery” – Anna Taborska (5,400)
“The Secrets of My Prison House” – J. Lincoln Fenn (4,600)
“A Luta Continua” – Nadia Bulkin (7,200)
“I Shall but Love Thee Better” – Scott Edelman (10,500)


MISCREATIONS: GODS, MONSTROSITIES & OTHER HORRORS:

This is an anthology I am currently co-editing with the always wonderful Doug Murano, to be released through Written Backwards. Expect this one in early 2020. Here is a glimpse of what we’re thinking for the cover. Follow along here!

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As always, expect an incredible anthology! The first two story acceptances:

“Brains” – Ramsey Campbell
“Resurrection Points” – Usman T. Malik


Things I’ve written lately:

“A Bouquet of Flowers” (2,000 words, nonfiction)
“Oll Korrect” (3,500 words, fiction)
“Emergence of the Colorless – Exordium to Conclusio” (6,200 words, fiction)
“L’appel du Vide” (in progress, fiction)

Things I’ve read lately (and enjoyed), and things I am currently reading (and enjoying):

There There by Tommy Orange
Baby Teeth
 by Zoje Stage
Inspection by Josh Malerman
The Hunger by Alma Katsu

That’s about it for now …

GAK

We recently lost an artist, a friend, an exemplary role model of human kindness. Gak will forever be with us, his work hanging on walls, filling the pages of books, some of his art even tattooed onto skin. His life will always be remembered because he always made ours a little better.

Below are the illustrations he created for The Library of the Dead, one of his final projects. We had future plans, so perhaps we’ll collaborate on those in the next go-round. Miss you, Gak. Your work speaks for itself …

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Illustration for “Those Who Shall Never be Named” by Yvonne Navarro.

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Illustration for “The Last Things to Go” by Mary SanGiovanni & Brian Keene.

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Illustration for “A Raven in the Dove’s Nest” by Roberta Lannes.

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Illustration for “I’m Not There” by Kealan Patrick Burke.

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Illustration for “A Chimera’s Tale” by Chris Marrs.

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Illustration for “I’m Getting Closer” by J.F. Gonzalez.

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Illustration for “Living Through Better Chemistry” by Weston Ochse.

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Illustration for “Cthylla” by Lucy A. Snyder.

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Illustration for “Fault Lines” by Christopher Golden & Tim Lebbon.

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Illustration for “Jaded Winds” by Rena Mason.

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Illustration for “Tears of the Dragon” by Michael McBride.

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Illustration for “Phantom on the Ice” by Erinn L. Kemper.

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Illustration for “Night Soliloquy” by Sydney Leigh.

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Illustration for “Broken Lady” by Gene O’Neill.

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Illustration for “Tales the Ashes Tell” by Gary A. Braunbeck.

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Illustration for “The Librarian” tie-in piece by Michael Bailey and the introduction, “Special Collections,” by Norman Partridge.

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J.F. Gonzalez tribute illustration.

Brian Keene also has a nice article on gak, which can be found here: http://www.briankeene.com/2019/01/15/gak-in-remembrance/

WHO’S WHO / THE LIST

Written Backwards has survived over the years publishing a wide array of creativity: short stories, novelettes, novellas, poetry, illustrations and, most recently, graphic adaptations. Most of the work appears in original anthologies, but a few select novels, debut fiction collections, and other strange projects have popped up over the years.

The goal: to seek diverse work, to push literary boundaries, to create the most beautiful books imaginable (and to provide professional-rate payments to contributors when at all possible). The result: a who’s who list of writers and artists. Millions of words. Hundreds of illustrations. Familiarize yourself with these wonderful people.

So, just who has Written Backwards published over the years, and where? Here’s a start, alphabetically by last name. All are short stories (unless specified, like this).

Addison, Linda D.

  • “Things That the Earth No Longer Bears” (poem) and “Life Poems” (a series of haiku) – Stokercon 2018 Anthology © 2017

Alfrey, Aeron

  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)

Anderson, Paul Michael

Arcuri, Meghan

  • “Inevitable” – Chiral Mad © 2012
  • “Watch Me” – Chiral Mad 3 © 2016
  • “Introduction” (nonfiction) – The Near Future © 2017
  • “What’s in a Mentor” – Stokercon 2018 Anthology © 2017

Arnzen, Michael

  • “Why the Bram Soker Award Matters” (nonfiction) – Stokercon 2018 Anthology © 2017

Bahr, Laura Lee

Bailey, Michael

Baldwin, Ben

  • Illustration – Stokercon 2018 Anthology © 2017 (reprint)

Balog, Jonathan

  • “Fail-Safe” and “Insomnia in Reverse” (poems) – Chiral Mad 3 © 2016

Barron, Laird

  • “Swift to Chase” (novelette) – Adam’s Ladder © 2017
  • “The Loveliest Form of the Dark Side” (nonfiction) – Stokercon 2018 Anthology © 2017

Batson, Michael Ian

Bear, Elizabeth

  • The Wreck of the Charles Dexter Ward” (novelette, with Sarah Monette) – Chiral Mad 4 © 2018 

Biggs, John

Blackthorn, Rose

  • “Prescience” and “Arbitration” (poems) – Chiral Mad 3 © 2016

Bodner, Hal

  • “A Rift in Reflection” – Chiral Mad 3 © 2016 (Bram Stoker Award nominee)
  • “Keepsakes” – You, Human © 2016

Booth III, Max

  • “Flowers Blooming in the Season of Atrophy” – Chiral Mad 2 © 2013
  • “The Neighborhood Has a Barbeque” – Qualia Nous © 2014
  • “Blood Dust” – Chiral Mad 3 © 2016
  • “The Big Question” (Guest of Honor Interview of Victor LaValle) and “The Importance of First Novels” (nonfiction) – Stokercon 2018 Anthology © 2017

Boston, Bruce

  • “Reflecting on Reflections” and “Beyond Symmetry” (poems) – Chiral Mad 3 © 2016
  • “Carnival of Ghosts” (poem, with Marge Simon) – Stokercon 2018 Anthology © 2017

Boyer, Ann K.

  • “In the Eyes of the Beholder” – Chiral Mad 2 © 2013

Braoddus, Maurice

  • “Wolf at the Door” (with Anthony R. Cardno) – Chiral Mad 4 © 2018

Braunbeck, Gary A.

  • “Need” – Chiral Mad © 2005, 2012 (reprint)
  • “The Great Pity” (novelette) – Chiral Mad 2 © 2013 (Bram Stoker Award winner)
  • “No Fixed Address” (novelette) – Qualia Nous © 2014
  • “Tales the Ashes Tell” – The Library of the Dead © 2015
  • “Silver Thread, Hammer Ring” (novelette) – Chiral Mad 3 © 2016
  • “Falling Faces by the Wayside” – You, Human © 2001, 2016 (reprint)
  • “Somewhere Between the Mundane and the Miraculous” (introduction, with Janet Harriett) – Chiral Mad 4 © 2018

Brenchley, Chad

  • “Ch-Ch-Changes” – Adam’s Ladder © 2017
  • “Here Today and Gone Tomorrow” – Prisms © 2019 (PS Publishing)

Brittany, Michele

  • “Furthers Horror Studies Scholarship for Second Year” (essay on the Ann Radcliffe Academic Conference, with Nicholas Diak) – Stokercon 2018 Anthology © 2017

Brock, Jason V

  • “Simulacrum” – Qualia Nous © 2013, 2014 (reprint)
  • “Windows, Mirrors, Doors” – Chiral Mad 3 © 2016
  • “Unity of Affect” – You, Human © 2016
  • “When Horror Gets Real” (nonfiction) – Stokercon 2018 Anthology © 2017

Brozek, Jennifer

  • “Home and Hope Both Sound a Little Bit Like ‘Hunger'” (with Seanan McGuire) – Chiral Mad 4 © 2018

Bulkin, Nadia

  • “A Luta Continua” – Prisms © 2019 (PS Publishing)

Bundschuh, Mason Ian

Burke, Chesya

  • “Peregrination” (novelette, with LH Moore) – Chiral Mad 4 © 2018

Burge, Weldon

Burke, Kealan Patrick

Cabeen, Bob

  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)

Cardno, Anthony R.

  • “Wolf at the Door” (with Maurice Broaddus) – Chiral Mad 4 © 2018

Caruso, Santiago

  • Illustration – Stokercon 2018 Anthology © 2017 (reprint)

Castle, Mort

  • “The Counselor” – Chiral Mad 2 © 2011, 2013 (reprint)
  • “Prayer” – Chiral Mad 3 © 2016
  • “Robot” – You, Human © 2016
  • “Hey, Kids! Comix! You Can Play, Too!” (nonfiction) – Mort Castle

Campbell, Ramsey

  • “The Word” (novelette) – Chiral Mad 2 © 1997, 2013 (reprint)
  • “Know Your Code” – Chiral Mad 3 © 2016
  • “How He Helped” – Adam’s Ladder © 2017
  • “The Way of the Worm” (novel excerpt) – Stokercon 2018 Anthology © 2017

Cantella, Julian

Cataneo, Emily B.

  • “A Guide to Etiquette and Comportment for the Sisters of Henley House” – Chiral Mad 2 © 2013
  • “The Rondelium Girl of Rue Marseilles” – Qualia Nous © 2014
  • “The Black Crow of Boddinstraße” – Chiral Mad 3 © 2016
  • In Her Flightless Wings, a Fire (novella, with Gwendolyn Kiste) – Chiral Mad 4 © 2018

Catronis, George C.

Chadbourne, Glenn

  • Illustrations – Chiral Mad 3 © 2016
  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)
  • “Firedance” (graphic adaptation, with Jack Ketchum) – Chiral Mad 4 © 2018

Chambers, James

  • “Mnemonicide” – Chiral Mad 2 © 2013
  • “The Price of Faces” – Qualia Nous © 2014
  • “Why Graphic Novels Matter in Horror” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “The Ghost of the Bayou Piténn” (graphic adaptation, with Jason Whitley & Christopher Mills) – Chiral Mad 4 © 2018

Chapman, Greg

  • Cover artwork – Stokercon 2018 Anthology © 2017
  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)

Chizmar, Richard

Christian, Autumn

Clark, G.O.

  • “Her Apparition Walked Right Through Him” (poem) – Stokercon 2018 Anthology © 2017

Clasen, Dr. Mathias

  • “The Science of Horror: Why Dark Horror Seduces” (nonfiction) – Stokercon 2018 Anthology © 2017

Cockburn, D.J.

  • “Peppermint Tea in Electronic Limbo” – Qualia Nous © 2014

Conquest, Lawrence

DeMeester, Kristi

  • “Golden Sun” (novelette, with Richard Thomas, Damien Angelica Walters & Michael Wehunt) – Chiral Mad 4 © 2018

Derwin, Theresa

  • “Guest of Honor Interview” (of Sam Weller) – Stokercon 2018 Anthology © 2017

Diak, Nicholas

  • “Furthers Horror Studies Scholarship for Second Year” (essay on the Ann Radcliffe Academic Conference, with Michele Brittany) – Stokercon 2018 Anthology © 2017

Di Filippo, Paul

  • “Fifty Super-Sad Mad Dog Sui-Homicidal Self-Sibs, All in a Leaky Tin Can Head” – Prisms © 2019 (PS Publishing)

Dioses, Ashley

  • “The Ocean Queen” (poem, with K.A. Opperman) – Stokercon 2018 Anthology © 2017

Dixon, John

  • “The Fundamental Importance of YA Books” (nonfiction) – Stokercon 2018 Anthology © 2017

Edelman, Scott

  • “That Perilous Stuff” (novelette) – Chiral Mad 3 © 2016 (Bram Stoker Award nominee)
  • “100 Things to Do Before You’re Downloaded” (novelette) – You, Human © 2016
  • “Only Humans Can Lie” (novelette) – Liars, Fakers, and the Dead Who Eat Them © 2017
  • “Faking it Until Forever Comes (novelette) – Liars, Fakers, and the Dead Who Eat Them © 2017 (Bram Stoker Award nominee)
  • “Introduction” (nonfiction) – The Far Future © 2017
  • “Pity This Busy Monster Not” (novelette) – Adam’s Ladder © 2017
  • “Words + Pictures = Our First Nightmares” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “I Shall But Love Thee Better” (novelette) – Prisms © 2019 (PS Publishing)

Ehmann, Jim

Evenson, Brian

  • “Nameless Citizen” – Adam’s Ladder © 2017
  • “The Shimmering Wall” – Prisms © 2019 (PS Publishing)

Everson, John

Fallon, Amber

  • “Guest of Honor Interview” (of Ciatlín R. Kiernan) – Stokercon 2018 Anthology © 2017

Fenn, J. Lincoln

  • “The Secrets of My Prison House” – Prisms © 2019 (PS Publishing)

Freivald, Patrick

French, Aaron J.

Gak

Garrison, A.A.

Gilberts, Steve

  • Illustration – Stokercon 2018 Anthology © 2017 (reprint)

Golden, Christopher

Goldsmith, P. Gardner

Goodfellow, Cody

Gonzalez, J.F.

Guignard, Eric J.

  • “Experiments in an Isolation Tank” – Chiral Mad © 2012
  • “Those Who Watch from on High” – Chiral Mad 3 © 2016

Hagelslag, Peter

  • “Lead Me to Multiplicity” – Qualia Nous © 2014

Harriett, Janet

  • “What Goes Up Must Come Down” – You, Human © 2016
  • “Somewhere Between the Mundane and the Miraculous” (introduction, with Gary A. Braunbeck) – Chiral Mad 4 © 2018

Hayden, S.C.

Hearn, David

  • “Brighter Her Aura Grows” – Chiral Mad © 2012

Hertz, Chris

Hodson, Brad

  • “Opening Script” and “Closing Script” (screenplays) – Stokercon 2018 Anthology © 2017

Hook, Andrew

Jacobs, John Hornor

Jeffery, Dave

  • “Guest of Honor Interview” (of Craig Engler) – Stokercon 2018 Anthology © 2017

Johnson, Eugene

  • “Lifetime Achievement Award Interview” (of Linda D. Addison) – Stokercon 2018 Anthology © 2017

Johnson, Erik T.

  • “The Inconsolable Key Company” – Pellucid Lunacy © 2010
  • “The Apologies” – Chiral Mad © 2012
  • “Welcome Home, All You Uninvited” – Chiral Mad 2 © 2013
  • “The Angel Chaser” – Qualia Nous © 2014
  • “Whisper #1 (a Warning)” and “Whisper #2 (a Prophecy)” (poems) – Chiral Mad 3 © 2016
  • “The Immigrants” – You, Human © 2016
  • Yes Trespassing (fiction collection) © 2017
  • “I Was Not There,” “Circle,” “The Lay of Aldrian,” and “Vespertine” (poems) – Stokercon 2018 Anthology © 2017
  • “The Science of Modern Horror Cinema” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “Ghost Drawl” (with J. Daniel Stone) – Chiral Mad 4 © 2018

Jordan, David

  • “The Truth Box” – Pellucid Lunacy © 2010

Kaplan, Barry Jay

Keene, Brian

Kelley, Jon Michael

  • “The Persistence of Vision” – Chiral Mad © 2012
  • “The Tended Field of Eido Yamata” – Chiral Mad 2 © 2013
  • “The Effigies of Tamber Square” – Qualia Nous © 2014

Kemper, Erinn L.

  • “Versions” – Chiral Mad 2 © 2013
  • “Night Guard” – Qualia Nous © 2014
  • “Phantom on the Ice” – The Library of the Dead © 2015
  • “A Flash of Red” – Chiral Mad 3 © 2016
  • “Gumi-Bear” – You, Human © 2016
  • “A Laughing Matter” – Adam’s Ladder © 2017
  • “The HWA Needs You” – Stokercon 2018 Anthology © 2017
  • The Long and the Short of It (novella, with F. Paul Wilson) – Chiral Mad 4 © 2018
  • “There is Nothing Lost” – Prisms © 2019 (PS Publishing)

Ketchum, Jack

  • “Amid the Walking Wounded” – Chiral Mad © 1998, 2012 (reprint)
  • “The Right Thing” – Chiral Mad 2 © 2013
  • “Seconds” – Chiral Mad 3 © 2016
  • “On Readings” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “Firedance” (graphic adaptation, with Glenn Chadbourne) – Chiral Mad 4 © 1998, 2018 (reprint of text only)

Kiera, Mackenzie

  • “Conjuring the Uncanny” (Guest of Honor Interview of Ramsey Campbell) – Stokercon 2018 Anthology © 2017

Kiernan, Ciatlín R.

  • “Interstate Love Song (Murder Ballad No. 8)” (novelette) – Stokercon 2018 Anthology © 2014, 2017 (reprint)

King, Stephen

  • “The Jaunt” – Qualia Nous © 1981, 2014 (reprint)
  • “The Last Rung of the Ladder” – Chiral Mad 3 © 1978, 2016 (reprint)
  • “I Am the Doorway” – You, Human © 1976, 2016 (reprint)

Kiste, Gwendolyn

  • In Her Flightless Wings, a Fire (novella, with Emily B. Cataneo) – Chiral Mad 4 © 2018

Krisch, Glen

  • “Sudden Sanctuary” (graphic adaptation, with Orion Zangara & Matt Stockwell) – Chiral Mad 4 © 2018

Lacey, Patrick

Langan, John

Lannes, Roberta

  • “A Raven in the Dove’s Nest” – The Library of the Dead © 2015
  • “Painting the Burning Fence” – Adam’s Ladder © 2017
  • “The Girl with Black Fingers” – Prisms © 2019 (PS Publishing)

Larsen, Christian A.

Larson, Amanda

LaValle, Victor

  • “Spectral Evidence” – Stokercon 2018 Anthology © 2017

LaValley, Dustin

Lebbon, Tim

Leigh, Sydney

Levinthal, Marc

Lin, Jessica May

  • “Red Runner vs. the Surgeon, Issue 18” – Chiral Mad 3 © 2016

Little, John R.

Lucia, Kevin

Macae, Frisco

Macleod, Bracken

  • “A Sense of Dread” (nonfiction, with Douglas Wynne) – Stokercon 2018 Anthology © 2017
  • “Afterword” (nonfiction) – Bones Are Made to Be Broken © 2018
  • How We Broke (novella, with Bracken MacLeod) – Chiral Mad 4 © 2018

MacLeod, Jay

Malerman, Josh

  • “The Bigger Bedroom” – Chiral Mad 3 © 2016
  • “The Jupiter Drop” (novelette) – You, Human © 2016 (Bram Stoker Award nominee)
  • “The Challenge” (nonfiction) – Stokercon 2018 Anthology © 2017

Malik, Usman T.

  • “Blood Women” – Chiral Mad 2 © 2013
  • “The Vaporization Enthalpy of a Peculiar Pakistani Family” – Qualia Nous © 2014 (Bram Stoker Award winner, Nebula Award nominee)

Marcley, Valerie

  • “Detritus Girl” (novelette, with P. Gardner Goldsmith) – Chiral Mad 4 © 2018

Marrs, Chris

Mason, Rena

Massie, Elizabeth

  • “18P37-C, After Andrea Was Arrested” – Qualia Nous © 2014
  • “Black River #1” and “Black River #2” (poems) – Chiral Mad 3 © 2016
  • “Down and Out on Poplar Street” – Stokercon 2018 Anthology © 2017
  • “The House at Wydham Street” (novel excerpt) – Stokercon 2018 Anthology © 2017
  • “The Substance of Belief” (with Marge Simon) – Chiral Mad 4 © 2018

McBride, Michael

McGuire, Seanan

  • “Home and Hope Both Sound a Little Bit Like ‘Hunger'” (with Jennifer Brozek) – Chiral Mad 4 © 2018

McMahon, Gary

McQuiston, Rick

Meloy, Paul

  • “The Serile” – Adam’s Ladder © 2017
  • “The Gearbox” – Prisms © 2019 (PS Publishing)

Michelle, Lori

Miller, Eric

  • “Yes, Horror Films Are Important” (nonfiction) – Stokercon 2018 Anthology © 2017

Mills, Christopher

  • “The Ghost of the Bayou Piténn” (graphic adaptation, with James Chambers & Jason Whitley) – Chiral Mad 4 © 2018

Monette, Sarah

  • The Wreck of the Charles Dexter Ward” (novelette, with Elizabeth Bear) – Chiral Mad 4 © 2012, 2018 (previously audio only)

Monteleone, Thomas F.

  • “Fun with Your New Asymmetric Head” (introduction) – Chiral Mad © 2012
  • “When I Was” – Chiral Mad 2 © 2013
  • “Good and Faithful Servant” – Qualia Nous © 1976, 2014 (reprint)
  • “The Star-Filled Sea is Smooth Tonight” – You, Human © 1977, 2016 (reprint)
  • “Are You Sure You Really Want to Do This?” (nonfiction) – Stokercon 2018 Anthology © 2017

Moore, LH

  • “Peregrination” (novelette, with Chesya Burke) – Chiral Mad 4 © 2018

Morrell, David

  • “Orange is for Anguish, Blue for Insanity” (novelette) – Chiral Mad 2 © 1988, 2013 (reprint)

Morris, Mark

Morton, Lisa

  • “Introduction” (nonfiction)- The Burden of Indigo © 2016
  • “Eyes of the Beholders” – Adam’s Ladder © 2017
  • “Afterword” (nonfiction) – Stokercon 2018 Anthology © 2017

Muslim, Kristine Ong

Mynhardt, Joe

  • “Illustrations and the Horror Genre” – Stokercon 2018 Anthology © 2017

Navarro, Yvonne

Nolan, William F.

Ochse, Weston

O’Neill, Gene

  • “The White Quetzal” – Chiral Mad © 1985, 2012 (reprint)
  • “Tight Partners” – Chiral Mad 2 © 2013
  • “The Shaking Man” – Qualia Nous © 2014
  • “Broken Lady” – The Library of the Dead © 2015
  • At the Laxy K (novella, Allevon #1) © 2015
  • “3-Dot People” – Chiral Mad 3 © 2016
  • The Confessions of St. Zach (composite novel, The Cal Wild Chronicles #1) © 2016
  • The Burden of Indigo (composite novel, The Cal Wild Chronicles #2) © 2016
  • The Near Future (composite novel, The Cal Wild Chronicles #3) © 2017
  • The Far Future (composite novel, The Cal Wild Chronicles #4) © 2017
  • “Spirits” – Adam’s Ladder © 2017
  • “Some Thoughts on Short Story Collections” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “Existentialism, Progressive Jazz, and the Blues” (introduction) – Artifacts © 2018

O’Neill, Patrick

Opperman, K.A.

  • “The Ocean Queen” (poem, with Ashley Dioses) – Stokercon 2018 Anthology © 2017

O’Rourke, Monica J.

Ottino, Amanda

  • “Enchanted Combustion” – Chiral Mad © 2012

Palahniuk, Chuck

  • “Observations on Horror Burnout” (introduction) – Chiral Mad 3 © 2016

Palisano, John

  • “Gaia Ungaia” – Chiral Mad © 2012
  • “The Geminis” – Chiral Mad 2 © 2013 (Bram Stoker Award nominee)
  • “Welcome to Our Show” (foreword) – Stokercon 2018 Anthology © 2017

Parkes, Ciarán

  • “The Speed of Sound” and “Recognizing Trees” (poems) – Chiral Mad 3 © 2016

Partridge, Norman

  • “Special Collections” (introduction / novelette) – The Library of the Dead © 2015 (Bram Stoker Award nominee)

Payne, R.B.

  • “Cubicle Farm” – Chiral Mad © 2012

Perron, Philip C.

Pillar, Amanda

Piorkowski, Dan

Quigley, Lisa

  • “Emcee Interview” (of Jeff Strand) – Stokercon 2018 Anthology © 2017

Rollo, Gord

  • “Lost in a Field of Paper Flowers” – Chiral Mad © 2005, 2012 (reprint)

Rucker, Lynda

  • “Encore for an Empty Sky” – Prisms © 2019 (PS Publishing)

Samuels, Mark

SanGiovanni, Mary

Scheuerman, Ashlee

Scully, B.E.

  • “Dog at the Look” – You, Human © 2016
  • “The Mythic Hero Most Likely to Squeeze a Stone” – Adam’s Ladder © 2017
  • “We Come in Threes” – Prisms © 2019 (PS Publishing)

Serra, Daniele

Shoebridge, Ian

Simon, Marge

  • “Shutdown” (Rhysling Award winner) and “Tomorrow’s Femme” (poems) – Qualia Nous © 2014
  • “Mirror Image” and “Reflections Through the Raven’s Eye” (poems) – Chiral Mad 3 © 2016
  • “The Fourth Law” – You, Human © 2016
  • “In Accordance with the Laws,” “Less than Human” and “Future Imperfect: Broken Laws” (poems) – You, Human © 2016
  • “Carnival of Ghosts” (poem, with Bruce Boston) – Stokercon 2018 Anthology © 2017
  • “The Importance of Poetry in the Genre” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “The Substance of Belief” (with Elizabeth Massie) – Chiral Mad 4 © 2018

Skipp, John

  • “Empathy” – Chiral Mad 2 © 2011, 2013 (reprint)
  • “Other Music, Indeed!” (introduction) – Other Music © 2016, 2018
  • “Hopium Den” – You, Human © 2016

Smith, Michael Marshall

  • “The Motel Business” – Prisms © 2019 (PS Publishing)

Snyder, Lucy A.

Speegle, Darren

  • “The Cosmic Fair” – You, Human © 2016
  • Co-editor – Adam’s Ladder © 2017
  • Artifacts (novel, Allevon #3) © 2018
  • Co-editor – Prisms © 2019 (PS Publishing)

Spooner, L.A.

  • Illustrations – At the Lazy K © 2015
  • Illustrations – Ensō © 2017
  • Illustrations – You, Human © 2016
  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)
  • Illustrations – Artifacts © 2018

Spratford, Becky

  • “Librarians’ Day” (nonfiction) – Stokercon 2018 Anthology © 2017

Steiner, Pat R.

  • “The Shoe Tree” – Chiral Mad © 2011, 2012 (reprint)
  • “Kilroy Wasn’t There” – Qualia Nous © 2014
  • Illustrations – Qualia Nous Illustrated © 2014  (personal project)
  • Illustrations – Stokercon 2018 Anthology © 2017
  • Illustrations – Bones Are Made to Be Broken © 2018

Stipes, Julie

Stockwell, Matt

  • “Sudden Sanctuary” (graphic adaptation, with Glen Krisch & Orion Zangara) – Chiral Mad 4 © 2018

Stone, J. Daniel

  • “Ghost Drawl” (with Erik T. Johnson) – Chiral Mad 4 © 2018

Storm, Kia

Strand, Jeff

  • “A Flawed Fantasy” – Chiral Mad © 2012
  • “Kind of an Introduction” (nonfiction) – Stokercon 2018 Anthology © 2017

Stroup, Chad

  • “Asperitas” (novelette, with Kristopher Triana) – Chiral Mad 4 © 2018

Taborska, Anna

  • “Daylight Robbery” – Prisms © 2019 (PS Publishing)

Taff, John F.D.

Thomas, Jeffrey

Thomas, Richard

  • “Playing with Fire” – Chiral Mad 2 © 2013
  • “The Jenny Store” – Qualia Nous © 2011, 2014 (reprint)
  • “The Offering on the Hill” – Chiral Mad 3 © 2016
  • “Golden Sun” (novelette, with Kristi DeMeester, Damien Angelica Walters & Michael Wehunt) – Chiral Mad 4 © 2018
  • “Saudade” – Prisms © 2019 (PS Publishing)

Tlotlo Tsamaase

  • “District to Cervix: The Time Before We Were Born” (novelette) – Prisms © 2019 (PS Publishing)

Triana, Kristopher

  • “Asperitas” (novelette, with Chad Stroup) – Chiral Mad 4 © 2018

Waggoner, Tim

  • “Where No Horror Writer Has Gone Before” (nonfiction) – Stokercon 2018 Anthology © 2017

Walters, Damien Angelica

Watson, Ian

  • “The Birth of Venus” – Prisms © 2019 (PS Publishing)

Wehunt, Michael

  • “Golden Sun” (novelette, with Kristi DeMeester, Richard Thomas & Damien Angelica Walters) – Chiral Mad 4 © 2018

Weller, Sam

  • “Böse” – Stokercon 2018 Anthology © 2017

Wetmore, Jr., Kevin

  • “The Human Emotion within the Frightening Stories” (Guest of Honor Interview of Elizabeth Massie) and “Writing Nonfiction & Fiction for Beginners” (nonfiction) – Stokercon 2018 Anthology © 2017

Whitley, Jason

  • “The Ghost of the Bayou Piténn” (graphic adaptation, with James Chambers & Christopher Mills) – Chiral Mad 4 © 2018

Wilk, Dyer

  • “It Can Walk and Talk, and You’ll Never Have to Worry About Housework Again” – You, Human © 2016

Wilson, F. Paul

  • “Introduction” (nonfiction) – You, Human © 2016
  • The Long and the Short of It (novella, with Erinn L. Kemper) – Chiral Mad 4 © 2018

Winter, Douglas E.

Witherspoon, Cynthia

Wynne, Douglas

  • “A Sense of Dread” (nonfiction, with Bracken MacLeod) – Stokercon 2018 Anthology © 2017

Wytovich, Stephanie M.

  • “Welcome Home, Darling” and “Put Me to Dream” (poems) – Chiral Mad 3 © 2016
  • “Final Frame Film Competition” (nonfiction), “The Color White,” “The Girl Who Slept with Monsters” and “Dare I Keep the Body” (poems) – Stokercon 2018 Anthology © 2014, 2017 (reprints)

Yardley, Mercedes M.

  • “The Dead Collection” – Chiral Mad 3 © 2016
  • “Magic in Minutes” (nonfiction) – Stokercon 2018 Anthology © 2017

Zangara, Orion

Zumpe, Lee Clark

Fun fact: Gary A. Braunbeck, P. Gardner Goldsmith, Erik T. Johnson, and Jack Ketchum have appeared in all four volumes of Chiral Mad.