Archive for the ‘ Novelettes ’ Category

FREE READING MATERIAL (continued)

Thousands of free eBooks were downloaded during the last Written Backwards giveaway within the first few days, which means readers need books now more than ever. So, let’s do it again. Let’s keep the love of the written word going, helping however we can.

With the recent pandemic hitting the world, many are in self-quarantine, or being forced to work from home, or have lost their jobs (or will be looking for work soon) or are under mandatory shelter-in-place, thus turning homes into offices and classrooms. And it looks like we might be in this predicament for a while.

If you find yourself needing reading material during this difficult time as a distraction from life, I am making the entire Chiral Mad series of anthologies available for free on Amazon Kindle starting midnight on 03/20/2020 through 03/22/2020. This is about half-a-million words of fiction, poetry, and artwork, by some incredible creators.

Simply click the covers for direct links in the US, or see other options below if you’re in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, or Japan (that’s as far as my reach is capable at the moment).

If you find yourself not short on cash, consider helping out this small independent press by purchasing other titles available on the www.nettirw.com page. Check out the different tabs for Novels, Collections, Anthologies, and Misc, or simply donate to help keep this press alive.

Support Independent Writers / Editors / Publishers

If you feel like making a donation to Written Backwards (even just a dollar), know that your money will be going to a good cause: helping an independent writer, editor, and publisher survive in this cruel world.

$1.00

Written Backwards can be contacted via email at written@nettirw.com, or reached on social media at facebook.com/nettirw or twitter.com/nettirw, although the press is not open to submissions at this time.

Stay safe, everyone …

CM4 - COVER (9X6)

AmazoneBook (free 03/20 thru 03/22/2020) | trade paperback | hardcover. Also available in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, Japan, and a part of Kindle Unlimited where available.

Barnes & Nobletrade paperback | hardcover

Books-A-Million (BAM!)trade paperback | hardcover

9780999575444 CM3 CS_Cover (2nd Edition)

Amazon: eBook (free 03/20 thru 03/22/2020)| trade paperback. Also available in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, Japan, and a part of Kindle Unlimited where available.

Barnes & Nobletrade paperback

Books-A-Million (BAM!)trade paperback

Pageflex Persona [document: PRS0000040_00009]

AmazoneBook (free 03/20 thru 03/22/2020) | trade paperback. Also available in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, Japan, and a part of Kindle Unlimited where available.

Barnes & Nobletrade paperback

Books-A-Million (BAM!)trade paperback

Pageflex Persona [document: PRS0000040_00009]

AmazoneBook (free 03/20 thru 03/22/2020) | trade paperback. Also available in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, Japan, and a part of Kindle Unlimited where available.

Barnes & Nobletrade paperback

Books-A-Million (BAM!)trade paperback

FREE READING MATERIAL

With the recent pandemic hitting the world, many are in self-quarantine, or being forced to work from home (or will be soon) to cope with both schools and businesses temporarily closing. If you find yourself needing reading material during this difficult time as a distraction from life, I am making all my books (that I can) free on Amazon Kindle starting midnight on 03/14/2020 (the soonest I can), through 03/18/2020.

Simply click the covers for direct links in the US, or see other options below if you’re in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, or Japan (that’s as far as my reach is capable at the moment).

Stay safe, everyone …

Pageflex Persona [document: PRS0000026_00094]

Also available in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, Japan

Pageflex Persona [document: PRS0000038_00073]

Also available in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, Japan

SP - Cover

Also available in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, Japan

Pageflex Persona [document: PRS0000040_00009]

Also available in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, Japan,

PR - Cover

Also available in the UK, Canada, Australia, Germany, France, Italy, Spain, India, Brazil, Mexico, Netherlands, Japan

All titles are also available for free to Kindle Unlimited subscribers.

Paul Michael Anderson is also making his fiction collection available as well:

Pageflex Persona [document: PRS0000038_00074]

LEAP YEAR OVERSIGHT!

Want to familiarize yourself with the strange fiction of Michael Bailey? Have a Kindle? Like stories that blend science fiction with horror? Celebrate the leap year with a free copy of Oversight

Starting midnight on 02/28/2020 through the end of 03/03/2020, have a complimentary copy of Oversight. The collection features two novelettes (“Darkroom” and “SAD Face”) and a short story (“Fade to Black”). All that’s asked for in return is a review on either Amazon.com or Goodreads (or both).

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Also available in trade paperback for less than a fancy coffee.

AmazoneBook | trade paperback. Also available in the UK, Canada, Australia, GermanyFranceItalySpainIndiaBrazilMexicoNetherlandsJapan, and Kindle Unlimited where available.

Barnes & Nobletrade paperback

Books-A-Million (BAM!)trade paperback

OVERSIGHT

Pageflex Persona [document: PRS0000026_00094]

OVERSIGHT, a themed collection by Michael Bailey, is now available in affordable trade paperback and eBook. This collection was previously released as a signed / limited hardback by Unnerving, limited to 60 copies. Includes “Darkroom” and “SAD Face” (novelettes), and “Fade to Black” (short story). About 25,000 words.

AmazoneBook | trade paperback. Also available in the UKCanada,Australia,
Germany, France, ItalySpainIndiaBrazilMexicoNetherlandsJapan, and Kindle Unlimited where available.

Barnes & Noble: trade paperback

Books-A-Million (BAM!)trade paperback

OVERSIGHT / ADAM’S LADDER

4 signed and numbered hardbacks of Oversight by Michael Bailey remain in the world, and they are up for grabs here: https://amzn.to/2n1ZPtG for $30.00. Only 60 copies were ever made of this limited edition, so these are the last of them. The collection contains the novelettes “Darkroom” and “SAD Face” with different covers featured on each side of the book.

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Darkroom: After living most of her life blindfolded-for fear of what she might see-Grace shifts though time in a series of strange experiments involving old-fashioned black-and-white photography in order to create a flipbook of her father aging in reverse. Near completion of her project, and no longer able to go through with it on her own, she brings along her likewise blindfolded and temporarily deafened sister-for fear of what they might also hear in their travels-and together they take snapshots, wandering their childhood home, hand-in-hand, albeit with added disabilities to protect them from that which doesn’t hide so well in the past. The undeveloped, they soon discover, what they’d forgotten of their troubled youth, is perhaps more frightening than what they later develop in the darkroom.

SAD Face: Yuliya dons a prosthetic face designed to help her cope with Social Anxiety Disorder, the essential oil infused mask not only disguising her expression, but the wet city stench as it soothes. Time, it can only stop when someone takes a photo, and that’s what they did, whoever made it-took her picture and made her a mask to hide behind whenever social phobia bullied her. A dead-face: expressionless, eyes only visible through open sockets, mouth slightly parted; the way she imagined she’d look the day she died. And now, whenever someone sees her-stares at her-wearing her Yuliya mask, they are looking at her past. Yet behind her SAD face, she sometimes finds confidence, until she takes it off and attempts to uncover the woman hiding beneath.

Adam's Ladder - Cover

And if you’re a fan of dark science fiction, 10 signed (by the editor) trade paperback copies of Adam’s Ladder are also available for only $10.00 plus shipping. Simply click the cover above, or the link, and choose the $10.00 version under other buying options. The seller is listed as nettirw.

WIRED TO THE HEART

The latest Written Backwards interview is with Tlotolo Tsamaase, a Motswana writer of fiction, poetry, and articles on architecture. Her work has appeared in literary magazines all over the world, and her latest, a novelette called “District to Cervix: The Time Before We Were Born,” will appear in the forthcoming anthology Prisms, co-edited by Darren Speegle and Michael Bailey, to be published by PS Publishing.

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The interview [ by Michael Bailey ]:

Our paths crossed years ago (2015, believe it or not) when I was reading submissions as Managing Editor for a certain small press. Out of all the submissions received, yours kind of punched me in the face. Hard. I can still feel it. I was instantly drawn to your prose, and the world you created. The story is one of incredible value. In fact, I was this close (I’m holding my fingers together until they’re almost touching) to having you sign with that particular publisher. My only hesitation was that I was constantly thinking, “This is not small press. This is something more.” But of course, I also wanted your novel to help launch the new science fiction line that publisher was trying to get off the ground (it never took off, and we have since parted ways). I even had a few artists work on cover options. Long story short (and I won’t go into the details of that particular project), as with most small presses, there was a long wait from the powers-that-be to make decisions, and after some time you pulled the novel and let me know you were going try it with an agent. To which I enthusiastically yelled, “Yes!” (scaring my cats) and “This needs to happen!” (or something like that).

What I’ve learned about you since then as that not only do you write fiction, but you also write poetry, as well as nonfiction articles on architecture. Your story “Virtual Snapshots” appeared in Terraform and was shortlisted for a Nommo Award, and you have short fiction published in The Fog Horn (“The Palapye White Birch” and “Eco-Humans”), as well as Apex magazine (“Murders Fell from our Wombs”). Your poetry has been featured in Elsewhere Lit (“Home?” and “Fetal Sundays”) and Strange Horizons (“Constellations of You” and “I Will Be Your Grave,” which was nominated for the Rhysling Award).

I mention all these titles specifically (and with links) because they too tell a story. They provide hints as to what your writing is like, and perhaps what it’s about. Your titles are as intriguing as that of your novel, which I hope to someday see in bookstores.

Now, I probably butcher your name every time I say it aloud, although for some reason typing it is not a problem at all (I don’t think I’ve ever mistyped it). I usually pronounce it, “Lot-lo Sa-mace” with both t’s either silent, or slightly emphasized with the tongue.

So, the questions:

Michael Bailey: How do you pronounce your name (and I apologize if I’ve said it wrong these last 4+ years)?

Tlotlo Tsamaase: Oh, the t’s are definitely not silent. Here’s how you pronounce my name Tloo-Tlo and my surname Tsa-mah-ah-seh. Using phonetic sound symbols, a friend advised that the first name is /tlōtʊ:/ Hopefully that was close to helpful!

MB: Later this year, a short novelette of yours will appear in the anthology Prisms, which I co-edited with Darren Speegle for PS Publishing, and I’m proud to say (not only from my mouth but have heard it from Darren as well), that it’s one of the most intriguing stories either of us has ever commissioned. Like your other published works, it too has an interesting title: “District to Cervix: The Time Before We Were Born.” What can you tell us about that story?

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[ mock cover created in early development ]

TT: Thank you so much! The story is told from the male protagonist’s POV who, through guilt, reveals a secret to his close friend about how he betrayed his friend the time before they were born to explain. This line explains the gist of the story: “And who are we? Sexless souls warring to be born through the granddaughter—the way we want. My application to be born was approved several days ago … You choose who you’re born from, how, in what sex and all that shit.” The granddaughter of a household is pregnant with two children, and there’s a congregation of women in the kgotla deciding on the gender of these children and basically the roles they will serve in the eco-city they live in. Ultimately the decision lies with the sexless souls who, existing in a different realm, must fight and / or kill for the gender, ethnicity they want, as well as which family to be born in. The stakes: you could die and never be born.

MB: You have fiction published in magazines and anthologies around the world, which means you have a passion for short fiction (along with a passion for poetry). What first drew you to reading and writing short fiction?

TT: From a young age, I read children’s books and whatever novels we had in the house, which were adult titles like Sidney Sheldon, Danielle Steele, etc. I loved creating with my hands, building tiny houses, or writing out stories for my friends and I to act out. In primary school, my Standard 6 teacher found creative ways to get us into reading more, so I’d go through a million books in a week. Eventually, I wrote long romantic stories that were darker than romantic but remained as unfinished stories. It was also during my university years when I chanced upon Haruki Murakami’s Norwegian Wood. From the first page, I felt so transported; his writing was intermixed with voice and longing. And Helen Oyeyemi’s prose was chilling but had some dark aesthetic to it. It entranced me so deeply I wanted to learn how to do that, so I began reading as a writer and reading short fiction. Then a writer friend advised that I start out with short stories, which is good practice for writing. That’s when I also began experimenting in poetry.

MB: What brought you to poetry?

TT: Rumi! There is so much magic and beauty from Rumi’s poetry. Reading poetry, I found, comes with so many interpretations and by drawing so many meanings from the metaphors you’re able to relate and play around with words. I love Stone Bird Press’ Spelling the Hours; you just melt with the words. I attend local slam poetry sessions, and these artists are so talented; listening to a poet recite in Shona or Setswana and mix that with English makes their voice and language achingly beautiful. Going through these works teaches you what you can do with your writing.

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MB: What can you tell us about your nonfiction?

TT: I studied architecture at the University of Botswana, which is very intense and literally exercised my creative muscle. With that background, I wrote architectural articles for a local newspaper, Boidus. This included reviewing local designs and writing about built environment news. I would also write articles about people who had a creative background and were making a living out of their passion. It was a very enjoyable experience!

MB: Most of your short fiction (which sometimes dips into long fiction range), from what I have read, have a science fiction bent, but with so many truths hidden within. Is science fiction your passion, or do you find yourself writing other genres, or perhaps crossing multiple genres?

TT: Science fiction is my passion, and sometimes it tends to dive into dystopia. I have found myself writing in other genres like magical realism, which is quite an exciting genre to discover. Once before I dipped into fantasy, but by far my favorite genres to write in are science fiction and magical realism.

MB: You refer to yourself as a Motswana writer (Motswana being the singular form of “Batswana,” or also a person from the Tswana ethnic group in southern Africa). What can you tell us about your heritage? What is it like to write (or to be a writer) in Batswana?

TT: Writing from Botswana can be quite difficult in terms of character portrayal and showing various cultures as it’s writing from a non-western perspective, so it does feel difficult to fit in, especially if you’re writing from different genres or stories that don’t bow down to stereotypical representation. In some instances, the writing can feel like a process of erasure instead of creating a place of belonging. As much as that is a disadvantage, our backgrounds and culture are holy to us, allowing us to pour our experiences, background or culture into our work. Before you had to find a community online in order to interact with writers because locally there weren’t any authors to talk to or connect with. But the local writing community is growing: we currently have a book festival that invites authors; and just recently I was judging a local writing competition whereby we also get to mentor some of the writers. So we’re getting more and more people keen on writing, that’s really another way of preserving culture and showing the world our different voices.

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[ Tlotlo’s story “Who Will Clean Our Spirits When We’re Gone?” appears in the July 2019 issue of The Dark magazine ]

MB: The interviews I conduct are intended for all types of creatives (those writing fiction / nonfiction / poetry, those making music, designing books, painting, crafting; in other words, anything wherein the person involved is creating somethings from once-nothings). What would you like to share with those just dipping their toes into the ocean of creativity?

TT: It requires passion and discipline. I say this because I’ve had some writers who come to me with an interest to write or to learn how to write, but they don’t want to put in the work. They want shortcuts and mostly want their writing to be an instant money-making machine. Sometimes you have to do a lot of research, or you have to go through a draft a million times until you become sick of it.  When I started out, my writing was terrible. I spent years in novels’ pages, sleeping in their prose, pulling it apart until it bled into me, and I was saturated with a slight understanding of how to have a voice, which I returned with to my writing, and I failed and failed and keep failing by collecting rejection letters; instead of giving up, I used these rejection letters that came with constructive criticism as teachers. Working on your art can feel like war sometimes. But if you’re passionate about it, you will do anything to birth it into something. Having mentors is also good. I was in Justina Ireland’s Writing in the Margins mentorship program as well as Kate Brauning’s Breakthrough Writer’s Boot Camp, and both mentorships were very invaluable in learning about the industry and refining your work.

MB: What are you trying to tell the world with your own creations?

TT: My concepts tend to be sci-fi what-if questions that explore a limitless world and its impact on its characters. It looks at societal issues, deals with love and belonging. Lately my writing looks toward racism, internalized racism, as well as oppression of women and abuse of children, all with a sci-fi bent as is seen in “Murders Fell from Our Wombs.” But most importantly my writing tries to show multi-faceted characters with an African background appearing in genres they hardly feature in as main characters, like science fiction, fantasy and magical realism. There is freedom and sometimes happy endings that I hope readers will enjoy.

MB: If we were to look into the future, what would we expect from Tlotlo Tsamaase?

TT: Well, I would hope for my writing to be so successful that I can make a living from it. It would be wonderful if my writing could reach masses and inspire people as other works have inspired me.


Learn more about Tlotlo Tsmaase on her website, www.tlotlotsamaase.com, or follow along on Facebook or Twitter,


If you enjoyed this interview, you may enjoy some of the others. Previous interviews in this series include:

“The Hunger” with Alma Katsu
“Beginning to End” with Chuck Palahniuk
“A Little of Everything” with John Langan
“King of Illustrations” with Glenn Chadbourne
“Creator of Heroes” with David Morrell
“A Visit from the Tooth Fairy” with Zoje Stage

And coming soon:

“Not-So-Silent” with Tim Lebbon
“The Time It Takes” with Lisa Morton
“Poetry in Motion” with Marge Simon
“Spinning Yarn” with Josh Malerman
“What the Eyes Tell Us” with Daniele Serra
“Word Therapy” with Ramsey Campbell

OVERSIGHT: SIGNED / LIMITED

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1̶0̶  8 copies remain of Unnerving’s signed / limited hardback release of Oversight by Michael Bailey, featuring the novelettes “Darkroom” and “SAD Face.” Only 60 of these books were ever printed, and Written Backwards happens to have the last of them. Pretty little collectibles. If you want a one, click any of the images …

Once these are gone, they are gone. There will not be another printing.

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Each of the two stories are still available as individual eBooks, if you’re the eReader type. You can get them on Kindle from Unnerving here: Darkroom, and here: SAD Face.

“Darkroom” – After living most of her life blindfolded-for fear of what she might see-Grace shifts though time in a series of strange experiments involving old-fashioned black-and-white photography in order to create a flipbook of her father aging in reverse. Near completion of her project, and no longer able to go through with it on her own, she brings along her likewise blindfolded and temporarily deafened sister-for fear of what they might also hear in their travels-and together they take snapshots, wandering their childhood home, hand-in-hand, albeit with added disabilities to protect them from that which doesn’t hide so well in the past. The undeveloped, they soon discover, what they’d forgotten of their troubled youth, is perhaps more frightening than what they later develop in the darkroom. 

“SAD Face” – Yuliya dons a prosthetic face designed to help her cope with Social Anxiety Disorder, the essential oil infused mask not only disguising her expression, but the wet city stench as it soothes. Time, it can only stop when someone takes a photo, and that’s what they did, whoever made it-took her picture and made her a mask to hide behind whenever social phobia bullied her. A dead-face: expressionless, eyes only visible through open sockets, mouth slightly parted; the way she imagined she’d look the day she died. And now, whenever someone sees her-stares at her-wearing her Yuliya mask, they are looking at her past. Yet behind her SAD face, she sometimes finds confidence, until she takes it off and attempts to uncover the woman hiding beneath.

Individual eBook links:

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