Archive for the ‘ Novelettes ’ Category

OVERSIGHT / ADAM’S LADDER

4 signed and numbered hardbacks of Oversight by Michael Bailey remain in the world, and they are up for grabs here: https://amzn.to/2n1ZPtG for $30.00. Only 60 copies were ever made of this limited edition, so these are the last of them. The collection contains the novelettes “Darkroom” and “SAD Face” with different covers featured on each side of the book.

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Darkroom: After living most of her life blindfolded-for fear of what she might see-Grace shifts though time in a series of strange experiments involving old-fashioned black-and-white photography in order to create a flipbook of her father aging in reverse. Near completion of her project, and no longer able to go through with it on her own, she brings along her likewise blindfolded and temporarily deafened sister-for fear of what they might also hear in their travels-and together they take snapshots, wandering their childhood home, hand-in-hand, albeit with added disabilities to protect them from that which doesn’t hide so well in the past. The undeveloped, they soon discover, what they’d forgotten of their troubled youth, is perhaps more frightening than what they later develop in the darkroom.

SAD Face: Yuliya dons a prosthetic face designed to help her cope with Social Anxiety Disorder, the essential oil infused mask not only disguising her expression, but the wet city stench as it soothes. Time, it can only stop when someone takes a photo, and that’s what they did, whoever made it-took her picture and made her a mask to hide behind whenever social phobia bullied her. A dead-face: expressionless, eyes only visible through open sockets, mouth slightly parted; the way she imagined she’d look the day she died. And now, whenever someone sees her-stares at her-wearing her Yuliya mask, they are looking at her past. Yet behind her SAD face, she sometimes finds confidence, until she takes it off and attempts to uncover the woman hiding beneath.

Adam's Ladder - Cover

And if you’re a fan of dark science fiction, 10 signed (by the editor) trade paperback copies of Adam’s Ladder are also available for only $10.00 plus shipping. Simply click the cover above, or the link, and choose the $10.00 version under other buying options. The seller is listed as nettirw.

WIRED TO THE HEART

The latest Written Backwards interview is with Tlotolo Tsamaase, a Motswana writer of fiction, poetry, and articles on architecture. Her work has appeared in literary magazines all over the world, and her latest, a novelette called “District to Cervix: The Time Before We Were Born,” will appear in the forthcoming anthology Prisms, co-edited by Darren Speegle and Michael Bailey, to be published by PS Publishing.

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The interview [ by Michael Bailey ]:

Our paths crossed years ago (2015, believe it or not) when I was reading submissions as Managing Editor for a certain small press. Out of all the submissions received, yours kind of punched me in the face. Hard. I can still feel it. I was instantly drawn to your prose, and the world you created. The story is one of incredible value. In fact, I was this close (I’m holding my fingers together until they’re almost touching) to having you sign with that particular publisher. My only hesitation was that I was constantly thinking, “This is not small press. This is something more.” But of course, I also wanted your novel to help launch the new science fiction line that publisher was trying to get off the ground (it never took off, and we have since parted ways). I even had a few artists work on cover options. Long story short (and I won’t go into the details of that particular project), as with most small presses, there was a long wait from the powers-that-be to make decisions, and after some time you pulled the novel and let me know you were going try it with an agent. To which I enthusiastically yelled, “Yes!” (scaring my cats) and “This needs to happen!” (or something like that).

What I’ve learned about you since then as that not only do you write fiction, but you also write poetry, as well as nonfiction articles on architecture. Your story “Virtual Snapshots” appeared in Terraform and was shortlisted for a Nommo Award, and you have short fiction published in The Fog Horn (“The Palapye White Birch” and “Eco-Humans”), as well as Apex magazine (“Murders Fell from our Wombs”). Your poetry has been featured in Elsewhere Lit (“Home?” and “Fetal Sundays”) and Strange Horizons (“Constellations of You” and “I Will Be Your Grave,” which was nominated for the Rhysling Award).

I mention all these titles specifically (and with links) because they too tell a story. They provide hints as to what your writing is like, and perhaps what it’s about. Your titles are as intriguing as that of your novel, which I hope to someday see in bookstores.

Now, I probably butcher your name every time I say it aloud, although for some reason typing it is not a problem at all (I don’t think I’ve ever mistyped it). I usually pronounce it, “Lot-lo Sa-mace” with both t’s either silent, or slightly emphasized with the tongue.

So, the questions:

Michael Bailey: How do you pronounce your name (and I apologize if I’ve said it wrong these last 4+ years)?

Tlotlo Tsamaase: Oh, the t’s are definitely not silent. Here’s how you pronounce my name Tloo-Tlo and my surname Tsa-mah-ah-seh. Using phonetic sound symbols, a friend advised that the first name is /tlōtʊ:/ Hopefully that was close to helpful!

MB: Later this year, a short novelette of yours will appear in the anthology Prisms, which I co-edited with Darren Speegle for PS Publishing, and I’m proud to say (not only from my mouth but have heard it from Darren as well), that it’s one of the most intriguing stories either of us has ever commissioned. Like your other published works, it too has an interesting title: “District to Cervix: The Time Before We Were Born.” What can you tell us about that story?

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[ mock cover created in early development ]

TT: Thank you so much! The story is told from the male protagonist’s POV who, through guilt, reveals a secret to his close friend about how he betrayed his friend the time before they were born to explain. This line explains the gist of the story: “And who are we? Sexless souls warring to be born through the granddaughter—the way we want. My application to be born was approved several days ago … You choose who you’re born from, how, in what sex and all that shit.” The granddaughter of a household is pregnant with two children, and there’s a congregation of women in the kgotla deciding on the gender of these children and basically the roles they will serve in the eco-city they live in. Ultimately the decision lies with the sexless souls who, existing in a different realm, must fight and / or kill for the gender, ethnicity they want, as well as which family to be born in. The stakes: you could die and never be born.

MB: You have fiction published in magazines and anthologies around the world, which means you have a passion for short fiction (along with a passion for poetry). What first drew you to reading and writing short fiction?

TT: From a young age, I read children’s books and whatever novels we had in the house, which were adult titles like Sidney Sheldon, Danielle Steele, etc. I loved creating with my hands, building tiny houses, or writing out stories for my friends and I to act out. In primary school, my Standard 6 teacher found creative ways to get us into reading more, so I’d go through a million books in a week. Eventually, I wrote long romantic stories that were darker than romantic but remained as unfinished stories. It was also during my university years when I chanced upon Haruki Murakami’s Norwegian Wood. From the first page, I felt so transported; his writing was intermixed with voice and longing. And Helen Oyeyemi’s prose was chilling but had some dark aesthetic to it. It entranced me so deeply I wanted to learn how to do that, so I began reading as a writer and reading short fiction. Then a writer friend advised that I start out with short stories, which is good practice for writing. That’s when I also began experimenting in poetry.

MB: What brought you to poetry?

TT: Rumi! There is so much magic and beauty from Rumi’s poetry. Reading poetry, I found, comes with so many interpretations and by drawing so many meanings from the metaphors you’re able to relate and play around with words. I love Stone Bird Press’ Spelling the Hours; you just melt with the words. I attend local slam poetry sessions, and these artists are so talented; listening to a poet recite in Shona or Setswana and mix that with English makes their voice and language achingly beautiful. Going through these works teaches you what you can do with your writing.

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MB: What can you tell us about your nonfiction?

TT: I studied architecture at the University of Botswana, which is very intense and literally exercised my creative muscle. With that background, I wrote architectural articles for a local newspaper, Boidus. This included reviewing local designs and writing about built environment news. I would also write articles about people who had a creative background and were making a living out of their passion. It was a very enjoyable experience!

MB: Most of your short fiction (which sometimes dips into long fiction range), from what I have read, have a science fiction bent, but with so many truths hidden within. Is science fiction your passion, or do you find yourself writing other genres, or perhaps crossing multiple genres?

TT: Science fiction is my passion, and sometimes it tends to dive into dystopia. I have found myself writing in other genres like magical realism, which is quite an exciting genre to discover. Once before I dipped into fantasy, but by far my favorite genres to write in are science fiction and magical realism.

MB: You refer to yourself as a Motswana writer (Motswana being the singular form of “Batswana,” or also a person from the Tswana ethnic group in southern Africa). What can you tell us about your heritage? What is it like to write (or to be a writer) in Batswana?

TT: Writing from Botswana can be quite difficult in terms of character portrayal and showing various cultures as it’s writing from a non-western perspective, so it does feel difficult to fit in, especially if you’re writing from different genres or stories that don’t bow down to stereotypical representation. In some instances, the writing can feel like a process of erasure instead of creating a place of belonging. As much as that is a disadvantage, our backgrounds and culture are holy to us, allowing us to pour our experiences, background or culture into our work. Before you had to find a community online in order to interact with writers because locally there weren’t any authors to talk to or connect with. But the local writing community is growing: we currently have a book festival that invites authors; and just recently I was judging a local writing competition whereby we also get to mentor some of the writers. So we’re getting more and more people keen on writing, that’s really another way of preserving culture and showing the world our different voices.

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[ Tlotlo’s story “Who Will Clean Our Spirits When We’re Gone?” appears in the July 2019 issue of The Dark magazine ]

MB: The interviews I conduct are intended for all types of creatives (those writing fiction / nonfiction / poetry, those making music, designing books, painting, crafting; in other words, anything wherein the person involved is creating somethings from once-nothings). What would you like to share with those just dipping their toes into the ocean of creativity?

TT: It requires passion and discipline. I say this because I’ve had some writers who come to me with an interest to write or to learn how to write, but they don’t want to put in the work. They want shortcuts and mostly want their writing to be an instant money-making machine. Sometimes you have to do a lot of research, or you have to go through a draft a million times until you become sick of it.  When I started out, my writing was terrible. I spent years in novels’ pages, sleeping in their prose, pulling it apart until it bled into me, and I was saturated with a slight understanding of how to have a voice, which I returned with to my writing, and I failed and failed and keep failing by collecting rejection letters; instead of giving up, I used these rejection letters that came with constructive criticism as teachers. Working on your art can feel like war sometimes. But if you’re passionate about it, you will do anything to birth it into something. Having mentors is also good. I was in Justina Ireland’s Writing in the Margins mentorship program as well as Kate Brauning’s Breakthrough Writer’s Boot Camp, and both mentorships were very invaluable in learning about the industry and refining your work.

MB: What are you trying to tell the world with your own creations?

TT: My concepts tend to be sci-fi what-if questions that explore a limitless world and its impact on its characters. It looks at societal issues, deals with love and belonging. Lately my writing looks toward racism, internalized racism, as well as oppression of women and abuse of children, all with a sci-fi bent as is seen in “Murders Fell from Our Wombs.” But most importantly my writing tries to show multi-faceted characters with an African background appearing in genres they hardly feature in as main characters, like science fiction, fantasy and magical realism. There is freedom and sometimes happy endings that I hope readers will enjoy.

MB: If we were to look into the future, what would we expect from Tlotlo Tsamaase?

TT: Well, I would hope for my writing to be so successful that I can make a living from it. It would be wonderful if my writing could reach masses and inspire people as other works have inspired me.


Learn more about Tlotlo Tsmaase on her website, www.tlotlotsamaase.com, or follow along on Facebook or Twitter,


If you enjoyed this interview, you may enjoy some of the others. Previous interviews in this series include:

“The Hunger” with Alma Katsu
“Beginning to End” with Chuck Palahniuk
“A Little of Everything” with John Langan
“King of Illustrations” with Glenn Chadbourne
“Creator of Heroes” with David Morrell
“A Visit from the Tooth Fairy” with Zoje Stage

And coming soon:

“Not-So-Silent” with Tim Lebbon
“The Time It Takes” with Lisa Morton
“Poetry in Motion” with Marge Simon
“Spinning Yarn” with Josh Malerman
“What the Eyes Tell Us” with Daniele Serra
“Word Therapy” with Ramsey Campbell

OVERSIGHT: SIGNED / LIMITED

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1̶0̶  8 copies remain of Unnerving’s signed / limited hardback release of Oversight by Michael Bailey, featuring the novelettes “Darkroom” and “SAD Face.” Only 60 of these books were ever printed, and Written Backwards happens to have the last of them. Pretty little collectibles. If you want a one, click any of the images …

Once these are gone, they are gone. There will not be another printing.

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Each of the two stories are still available as individual eBooks, if you’re the eReader type. You can get them on Kindle from Unnerving here: Darkroom, and here: SAD Face.

“Darkroom” – After living most of her life blindfolded-for fear of what she might see-Grace shifts though time in a series of strange experiments involving old-fashioned black-and-white photography in order to create a flipbook of her father aging in reverse. Near completion of her project, and no longer able to go through with it on her own, she brings along her likewise blindfolded and temporarily deafened sister-for fear of what they might also hear in their travels-and together they take snapshots, wandering their childhood home, hand-in-hand, albeit with added disabilities to protect them from that which doesn’t hide so well in the past. The undeveloped, they soon discover, what they’d forgotten of their troubled youth, is perhaps more frightening than what they later develop in the darkroom. 

“SAD Face” – Yuliya dons a prosthetic face designed to help her cope with Social Anxiety Disorder, the essential oil infused mask not only disguising her expression, but the wet city stench as it soothes. Time, it can only stop when someone takes a photo, and that’s what they did, whoever made it-took her picture and made her a mask to hide behind whenever social phobia bullied her. A dead-face: expressionless, eyes only visible through open sockets, mouth slightly parted; the way she imagined she’d look the day she died. And now, whenever someone sees her-stares at her-wearing her Yuliya mask, they are looking at her past. Yet behind her SAD face, she sometimes finds confidence, until she takes it off and attempts to uncover the woman hiding beneath.

Individual eBook links:

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SHORT FICTION SALE

Now through April 21st, Written Backwards is hosting a short fiction sale. 6 books, 600,000 words, all for under 6 bucks. In other words, 6 books for under a buck (each) in both the US and UK. Time to fill up your Kindles!

All titles are also available for free through Kindle Unlimited, or are free if you’ve already purchased the paperback through Amazon. Simply click the book covers below for direct links in the US, or follow the links after each title if you’re in the UK.

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Winner of the Bram Stoker Award for Superior Achievement in an Anthology. Features illustrations throughout by gak, an introduction / novelette by Norman Partridge (nominated for Superior Achievement in Long Fiction), an afterword by Mary SanGiovanni, as well as photography and the interconnecting tale “The Librarian” by the editor. Also available in the UK for only £0.99.

Pageflex Persona [document: PRS0000040_00018]

Bram Stoker Award-winning editor Michael Bailey brings you a genre-bending anthology of dark science fiction and poetry, with fiction illustrated throughout by world-renowned artist L.A. Spooner, poetry and spot illustrations by Orion Zangara, cover artwork by George C. Cotronis, and an introduction on humanness by New York Times bestselling author F. Paul Wilson. Also includes the Bram Stoker Award-nominated novelette “The Jupiter Drop” by Josh Malerman. Also available in the UK for only £0.99.

Pageflex Persona [document: PRS0000040_00009]

A literary blend of science fiction and horror, and the winner of the Benjamin Franklin Award. Includes short stories, novelettes, and poetry from established authors and newcomers from around the world, such as the Bram Stoker Award-winning stories “The Vaporization Enthalphy of a Peculiar Pakistani Family” by Usman T. Malik, and “Ruminations” by Rena Mason. Also available in the UK for only £0.99.

Note that due to contractual obligations, the eBook edition does not include Stephen King’s short story “The Jaunt,” which is included in the trade paperback edition.

Pageflex Persona [document: PRS0000040_00009]

Twenty-five, or maybe twenty-six or -seven or perhaps twenty-eight (let’s say it’s twenty-eight) individual works by Erik T. Johnson, some previously-published, some appearing  for the first time, stories like “The Leaf” and “Krug’s Pen,” “The Depopulation Syndrome,” “The Invention of the Mask” (which you can find on the front cover), “The Depopulation Syndrome” and the novella Scissors Seldom Come. Trespass. Read the horror, the wonder, the mindscrewing. Also available in the UK for only £0.99.

Pageflex Persona [document: PRS0000038_00074]

Fourteen stories from the intersection of pain and anxiety, rage and fear by Paul Michael Anderson, illustrated throughout by Pat R. Steiner. Triumph and tragedy, terror and transformation. Includes an introduction by Damien Angelica Walters and and afterword by Bracken MacLeod. Also available in the UK for only £0.99.

Pageflex Persona [document: PRS0000038_00073]

From the mind of award-winning author and editor Michael Bailey comes Inkblots and Blood Spots, a painfully beautiful collection of short stories and poetry that reaches deep into the imagination, breaking hearts and boundaries along the way. Includes the novelette “Dandelion Clocks,” illustrations and cover artwork by Daniele Serra, and an introduction by Douglas E. Winter. Also available in the UK for only £0.99.

PSYCHOTROPIC DRAGON, AND OTHER THINGS …

I will be incredibly busy over the next few months (already have been), so I thought I’d post about my current projects. In other words, you won’t hear from me in a long while (perhaps months, maybe not until summer). I have a lot of stuff on my plate, in various stages of development, so what follows is a summarized run-down.

Why am I so busy? I have been taking on editing and book design projects for clients, proofreading, editing and copyediting for Independent Legions Publishing, and have recently taken on a part-time role as Developmental Editor for New Degree Press to help new writers bring their books to life (and you can add “ghostwriting” to my resume ). Meanwhile, I am trying to finish a science fiction thriller called Seen in Distant Stars, and writing fiction and nonfiction to perhaps make a few sales and help pay the bills.

So here goes …



PSYCHOTROPIC DRAGON

This is a composite novel that’s been “in the works” since 2009 (yes, ten years!). Many have been waiting patiently for this book, and hopefully the wait won’t be much longer because I consider the manuscript done. Word-count is a little under 90,000.

Psychotropic Dragon (ARC) - Cover

Why “composite” and why the long wait? Well, it’s part short novel, part novella, part novelette, includes a few children’s fables throughout, and four illustrators have been involved with its development over the last ten years (48 illustrations total!). I should also mention  John Skipp played an early part in this thing coming together, as well as my three amigos: Thomas F. Monteleone, F. Paul Wilson, and Douglas E. Winter.

So, where does it stand, then, this beautiful whatever-it-is?

My agent is busy shopping this monster. With a little luck and patience, perhaps it will sell (which could mean a while longer before it finds print). We have high hopes, though, so we’re aiming high. It’s worth the wait (I promise), and while the book works on its own, Psychotropic Dragon has many tie-ins to my other works, most notably the two previous composite novels, Palindrome Hannah and Phoenix RoseOther tie-ins include the novelette Our Children, Our Teachers, the children’s book Ensoand various work from Inkblots and Blood Spots.

The cover image above is from an “Advance Reader Copy” I created to make it easier for pre-readers to grasp the overall concept, and to perhaps gain a few more blurbs for promotion. This image has kept the project going, always on my mind.

One of my first pre-readers (and originally a collaborator, believe it or not) was Dallas Mayr, aka Jack Ketchum; while he couldn’t contribute to the fiction, when all was said and done, he offered a generous cover blurb instead. He loved this thing almost as much as I do: “Addictive, scary, and at times, mind-blowing.” Can’t ask for much better than that, right? Other collaborators have been in talks, but eventually I decided to finish this thing on my own, at least in terms of the text.

The illustrators? Ty Scheuerman worked on early concepts, Daniele Serra on illustrations for the novelette and spot-pieces throughout, Glenn Chadborne on the novella, and L.A. Spooner on the short novel and fables. Insane, right? Whether or not the illustrations (48!) will make it into the final product is yet to be determined, but here are a few teasers (section titles and visuals). Let’s just say this book is wild! No matter what, Psychotropic Dragon will someday have a “special edition,” which will include everything.

ORIGINAL CONCEPTS (Ty Scheuerman):

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SOMNAMBULISM / I SUMMON LAMBS (novelette / Daniele Serra):

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A ROSE / AROSE (novella / Glen Chadbourne):

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DRAKEIN (short novel / L.A. Spooner):

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As for the fables, they are titled ECLOSE, SCARLET HOURGLASS, ACHERONTIA ATROPOS, and APODEMUS. And a few of the other chapters connecting all this insanity: THE BEGINNING OF THE END, DEATH’S-HEAD, LIFE-MAGICENSŌand THE END OF THE BEGINNING. Like I mentioned before, this book is something wild!

Soon (haven’t I said that before?) …



SEVEN MINUTES

This book, which was recently trimmed from 100,000 words to 80,000 words, is the strongest thing I’ve ever written, and happens to be nonfiction. I’ll be reading a seven-minute chapter (called “Seven Minutes”) at StokerCon in May. Advance Reader / Burn After Reading copies are currently making the rounds while my agent shops this one around the nonfiction market (although nonfiction is something new for both of us).

Seven Minutes (ARC) - Cover.jpg

I wrote the manuscript in 23 days (most pages on an old Royal typewriter, about 75,000 words). 23 days happens to be how long the Tubbs fire burned (the setting for this book), and how long my cat Bram went missing (the end of the fire and the day he was found, one in the same), and so I made that my goal: to finish an entire book in under a month! The third draft was completed on day 23, the first anniversary of the day the Tubbs fire was finally extinguished, the day Bram was found.

The book is about the fire that took our home and many others (somewhere around 5,600 from the Tubbs fire alone), changing our lives (and many others’) forever. The book is structured like a therapy session. It contains poetry and lots of hard truths, with the narrative bouncing from first-person to first-person collective to second-person.

This one is close to the heart.


THE IMPOSSIBLE WEIGHT OF LIFE

This would be fiction collection number three (roughly 90,000 words, so lengthier than my previous collections), and will feature short fiction, long fiction, and a few poems (one quite long). Three of the stories have been nominated for the Bram Stoker Awards*, and most of the others have found their way into anthologies over the last few years. Most are autobiographical, in one way or another, and most were written during my recovery from Loss of Bilateral Labyrinthine Function.

My agent is shopping this one around as well (yes, I have her very busy), but here’s a teaser of its tentative contents:

“Time is a Face on the Water”*
“Speaking Cursive”
“The Long White Line”
“Möbius”
“Cartwheels” (poem)
“Hourglass”
“Ghosts of Calistoga”
“Darkroom” (novelette)
“Fade to Black”
“The Fire” (poem)
“The Other Side of Semicolons”
“SAD Face” (novelette)
“Essential Oils”
“Gave”
“A Murmuration of Souls”
“Fragments of Br_an”
“I Will Be the Reflection Until the End”*
“Shades of Red” (poem)
“Our Children, Our Teachers”* (novelette)


PRISMS:

This is an anthology I co-edited with Darren Speegle, to be release soon through PS Publishing. Expect more information on release dates and pre-ordering and whatnot as soon as its available. We’re hoping for a 2019 release date, if all the stars align. This is not the cover, but a mock-up I created during early development:

PRISMS_COVER_tease.jpg

And here is the official Table of Contents (and word counts). Yes, this book will be something incredible:

“We Come in Threes” – B.E. Scully (4,200)
“The Girl with Black Fingers” – Roberta Lannes (4,400)
“The Shimmering Wall” – Brian Evenson (4,300)
“The Birth of Venus” – Ian Watson (7,400)
“Fifty Super-Sad Mad Dog Sui-Homicidal Self-Sibs, All in a Leaky Tin Can Head” – Paul Di Filippo (3,500)
“Encore for an Empty Sky” – Lynda Rucker (6,700)
“Saudade” – Richard Thomas (3,900)
“There Is Nothing Lost” – Erinn L Kemper (5,200)
“The Motel Business” – Michael Marshall Smith (4,900)
“The Gearbox” – Paul Meloy (6,100)
“District to Cervix: The Time Before We Were Born” – Tlotlo Tsamaase (8,500)
“Here Today and Gone Tomorrow” – Chaz Brenchley (5,400)
“Daylight Robbery” – Anna Taborska (5,400)
“The Secrets of My Prison House” – J. Lincoln Fenn (4,600)
“A Luta Continua” – Nadia Bulkin (7,200)
“I Shall but Love Thee Better” – Scott Edelman (10,500)


MISCREATIONS: GODS, MONSTROSITIES & OTHER HORRORS:

This is an anthology I am currently co-editing with the always wonderful Doug Murano, to be released through Written Backwards. Expect this one in early 2020. Here is a glimpse of what we’re thinking for the cover. Follow along here!

MISCREATIONS - Mock CoveR

As always, expect an incredible anthology! The first two story acceptances:

“Brains” – Ramsey Campbell
“Resurrection Points” – Usman T. Malik


Things I’ve written lately:

“A Bouquet of Flowers” (2,000 words, nonfiction)
“Oll Korrect” (3,500 words, fiction)
“Emergence of the Colorless – Exordium to Conclusio” (6,200 words, fiction)
“L’appel du Vide” (in progress, fiction)

Things I’ve read lately (and enjoyed), and things I am currently reading (and enjoying):

There There by Tommy Orange
Baby Teeth
 by Zoje Stage
Inspection by Josh Malerman
The Hunger by Alma Katsu

That’s about it for now …

2018 BRAM STOKER AWARDS® FINAL BALLOT

The Horror Writers Association recently announced the final ballot for the 2018 Bram Stoker Awards®. I am happy to report that my novelette Our Children, Our Teachers is nominated for Superior Achievement in Long Fiction. You can read it for free here!

My work has appeared on the preliminary ballot twelve times over recent years, and on the final ballot seven, and it’s always a shock. I took home the statue for The Library of the Dead as editor back in 2015, so my fingers are crossed this year to bring home a statue for my own fiction.

Kudos to everyone who made the cut. 2018 was a spectacular year, book-wise / story-wise. I’ve had a few already ask what stuff of mine has been nominated in the past, so here you go. The complete list of the Horror Writers Association’s final ballot follows.

  • Superior Achievement in Short Fiction, “Fireman / Primal Tongue” (2013)
  • Superior Achievement in an Anthology, Qualia Nous (2014)
  • Superior Achievement in an Anthology, The Library of the Dead (2015)
  • Superior Achievement in an Anthology, Chiral Mad 3 (2016)
  • Superior Achievement in Short Fiction, “Time is a Face on the Water” (2016)
  • Superior Achievement in Short Fiction, “I Will Be the Reflection Until the End” (2017)
  • Superior Achievement in Long Fiction, Our Children, Our Teachers (2018)

 

Superior Achievement in a Novel

The Hunger – Alma Katsu

Glimpse – Jonathan Maberry

Unbury Carol – Josh Malerman

Dracul  – Dacre Stoker and J.D. Barker

The Cabin at the End of the World  – Paul Tremblay

 

Superior Achievement in a First Novel

What Should Be Wild – Julia Fine

I Am the River – T.E. Grau

The Rust Maidens – Gwendolyn Kiste

Baby Teeth – Zoje Stage

The Moore House – Tony Tremblay

 

Superior Achievement in a Young Adult Novel

Dread Nation – Justina Ireland

Sawkill Girls – Claire Legrand 

Broken Lands – Jonathan Maberry

The Night Weaver – Monique Snyman

The Dark Descent of Elizabeth Frankenstein – Kiersten White

 

Superior Achievement in a Graphic Novel

Abbott – Saladin Ahmed 

Moonshine Vol. 2: Misery Train – Brian Azzarello

Bone Parish – Cullen Bunn

Destroyer – Victor LaValle 

Monstress Volume 3: Haven – Marjorie Liu

 

Superior Achievement in Long Fiction

Our Children, Our Teachers – Michael Bailey

You Are Released – Joe Hill

Dead Lovers on Each Blade, Hung – Usman T. Malik

The Devil’s Throat  – Rena Mason

Bitter Suites – Angela Yuriko Smith

 

Superior Achievement in Short Fiction

“Mutter” – Jess Landry

“Dead End Town” – Lee Murray

“Glove Box” – Annie Neugebauer

“A Winter’s Tale” – John F.D. Taff

“And in Her Eyes the City Drowned” – Kyla Lee Ward

 

Superior Achievement in a Fiction Collection

Spectral Evidence – Gemma Files

That Which Grows Wild  – Eric J. Guignard

Coyote Songs  – Gabino Iglesias

Garden of Eldritch Delights  – Lucy A. Snyder

Dark and Distant Voices: A Story Collection – Tim Waggoner

 

Superior Achievement in a Screenplay

Hereditary – Ari Aster

The Haunting of Hill House: The Bent-Neck Lady, Episode 01:05 – Meredith Averill

Annihilation – Alex Garland

Bird Box – Eric Heisserer 

A Quiet Place – Bryan Woods, Scott Beck and John Krasinski

 

Superior Achievement in an Anthology

A New York State of Fright: Horror Stories from the Empire State – James Chambers, April Grey and Robert Masterson 

The Devil and the Deep: Horror Stories of the Sea – Ellen Datlow

A World of Horror – Eric J. Guignard

Hellhole: An Anthology of Subterranean Terror – Lee Murray

Lost Highways: Dark Fictions from the Road – Alexander D. Ward

 

Superior Achievement in Non-Fiction

Horror Express – John Connolly

The Howling: Studies in the Horror Film  – Lee Gambin

We Don’t Go Back: A Watcher’s Guide to Folk Horror – Howard David Ingham

It’s Alive: Bringing Your Nightmares to Life – Joe Mynhardt and Eugene Johnson

Uncovering Stranger Things: Essays on Eighties Nostalgia, Cynicism and Innocence in the Series – Kevin J. Wetmore Jr.

 

Superior Achievement in a Poetry Collection

Artifacts – Bruce Boston

Bleeding Saffron – David E. Cowen 

Witches – Donna Lynch

War – Marge Simon and Alessandro Manzetti  

The Devil’s Dreamland – Sara Tantlinger  

 

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If you feel like making a donation to Written Backwards (even just a dollar), know that your money will be going to a good cause: helping an independent writer, editor, and publisher survive in this cruel world.

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CHIRAL MAD 4 – $0.99 / £0.99

CM4 - COVER (9X6)

Now through February 22nd, the Kindle edition of Chiral Mad 4: An Anthology of Collaborations, co-edited by Michael Bailey and Lucy A. Snyder, is on sale at Amazon for only $0.99 in the US and £0.99 in the UK. Spread the news. 4 short stories, 4 novelettes, 4 novellas, and 4 graphic adaptations for under a buck. Roughly 120,000 words.

Also available in hardback for $34.95 and trade paperback for $19.95. Fiction; 424 pages; 9×6 format; introduction by Gary A. Braunbeck & Janet Harriett.

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Support Independent Writers / Editors / Publishers

If you feel like making a donation to Written Backwards (even just a dollar), know that your money will be going to a good cause: helping an independent writer, editor, and publisher survive in this cruel world.

$1.00