Archive for the ‘ Poetry ’ Category

END OF THE YEAR ANTHOLOGY SALE!

Thank you for another great year! To celebrate, Written Backwards is offering a discount on eBooks December 10th through the 17th, simultaneously in the United States and United Kingdom. Most anthologies are on sale for only $1.99 / £1.99, and a few books are absolutely free! (*December 10th through the 14th only).

$1.99 Sale FB ad

$1.99: for a limited time, stock your digital readers with some of the best anthologies Written Backwards has to offer, including Chiral Mad 4: An Anthology of Collaborations, the illustrated Chiral Mad 3, as well as Chiral Mad 2, the original Chiral Mad, the Bram Stoker Award-winning The Library of the Dead, and the critically-acclaimed dark science fiction anthologies Adam’s Ladder and You, Human. All for under 2 bucks.

Free: as a personal thank you, editor Michael Bailey is offering his standalone novelette, Our Children, Our Teachers, absolutely free, as well as Pellucid Lunacy, the first anthology ever published by Written Backwards. Get ’em while you can. 4 days only.

Scroll for direct links to each title:

CM4 - COVER (9X6)

4 short stories, 4 novelettes, 4 novellas, and 4 graphic adaptations make up this mammoth book of wonders, but here’s the catch: every single story in this anthology is a collaboration. Michael Bailey and Lucy A. Snyder even collaborated on the co-editing to bring you an incredibly diverse and entirely collaborative dark fiction experience!

9780999575444 CM3 CS_Cover (2nd Edition)

The third act in the critically-acclaimed series contains 45 illustrations by Glenn Chadbourne, over 20 stories by the likes of Stephen King, Jack Ketchum, Ramsey Campbell, Gary A. Braunbeck, Mort Castle, Josh Malerman, Scott Edelman, Richard Thomas, Richard Chizmar and Gene O’Neill, and with 20 intertwined poems by the likes of Elizabeth Massie, Marge Simon, Bruce Boston, Erik T. Johnson, Stephanie M. Wytovich.

Pageflex Persona [document: PRS0000040_00009]

An anthology of psychological horror containing twenty-eight short stories by established authors and newcomers from around the world. Featuring the imaginations of David Morrell, Mort Castle, P. Gardner Goldsmith, Ramsey Campbell, Jack Ketchum, Ann K. Boyer, John Skipp, Gary McMahon, Lucy A. Snyder, Thomas F. Monteleone, and many others, with an intro and outro by Michael Bailey. Also features the Bram Stoker Award winning novelette by Gary A. Braunbeck.

Pageflex Persona [document: PRS0000040_00009]

An anthology of psychological horror containing twenty-eight short stories by established authors and newcomers from around the world. Featuring the imaginations of Gord Rollo, Monica J. O’Rourke, Jon Michael Kelly, Meghan Arcuri, Christian A. Larsen, Jeff Strand, Gary McMahon, John Palisano, Jack Ketchum, and many others, with an introduction by Thomas F. Monteleone.

Pageflex Persona [document: PRS0000040_00009]

An anthology of literary fiction inspired by Chapel of the Chimes, a crematory and columbarium founded in 1909 in Oakland, California, and one of the area’s most beautiful historic buildings. Thousands are entombed in golden books (urns) shelved from floor to ceiling in a glowing labyrinth of nearly countless rooms.

Adam's Ladder - Cover

The future of humankind as an ever-changing organism is a subject of much debate. Where is our evolutionary path leading? Will the next rung take the form of mental transcendence, will it set humankind on a course toward divinity, or will this uncertain path involve a dark and terrible reversion? Co-editors Michael Bailey and Darren Speegle present eighteen tales that explore the course of evolution, written by some of the best literary minds in the fields of science fiction and horror.

Pageflex Persona [document: PRS0000040_00018]

Bram Stoker Award winning editor Michael Bailey brings you a genre-bending anthology of dark science fiction and poetry, with fiction illustrated beautifully throughout by world-renowned artist L.A. Spooner, poetry and spot illustrations by the always-impressive Orion Zangara, and an incredible introduction on humanness by New York Times bestselling author F. Paul Wilson.

Absolutely free:

Pageflex Persona [document: PRS0000026_00094]

Children are often our greatest teachers, but what happens if the lesson is too heavy to hold? In Our Children, Our Teachers, a standalone novelette by Michael Bailey, a high school in rural Brenden, Washington is taken hostage by a gathering of unlikely students trying to teach the world a new lesson … a foreshadowing, perhaps, to darker times ahead for the American education system, if gun control is not addressed properly.

Pageflex Persona [document: PRS0000026_00094]

An anthology of psychological horror containing twenty short stories by unknown and established authors around the world, including Kristine Ong Muslim, Amanda Larson, Lee Clark Zumpe, Amanda Pillar, Aaron J. French, and more. The first anthology ever published by Written Backwards.

WHO’S WHO / THE LIST

Written Backwards has survived over the years publishing a wide array of creativity: short stories, novelettes, novellas, poetry, illustrations and, most recently, graphic adaptations. Most of the work appears in original anthologies, but a few select novels, debut fiction collections, and other strange projects have popped up over the years.

The goal: to seek diverse work, to push literary boundaries, to create the most beautiful books imaginable (and to provide professional-rate payments to contributors when at all possible). The result: a who’s who list of writers and artists. Millions of words. Hundreds of illustrations. Familiarize yourself with these wonderful people.

So, just who has Written Backwards published over the years, and where? Here’s a start, alphabetically by last name. All are short stories (unless specified, like this).

Addison, Linda D.

  • “Things That the Earth No Longer Bears” (poem) and “Life Poems” (a series of haiku) – Stokercon 2018 Anthology © 2017

Alfrey, Aeron

  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)

Anderson, Paul Michael

Arcuri, Meghan

  • “Inevitable” – Chiral Mad © 2012
  • “Watch Me” – Chiral Mad 3 © 2016
  • “Introduction” (nonfiction) – The Near Future © 2017
  • “What’s in a Mentor” – Stokercon 2018 Anthology © 2017

Arnzen, Michael

  • “Why the Bram Soker Award Matters” (nonfiction) – Stokercon 2018 Anthology © 2017

Bahr, Laura Lee

Bailey, Michael

Baldwin, Ben

  • Illustration – Stokercon 2018 Anthology © 2017 (reprint)

Balog, Jonathan

  • “Fail-Safe” and “Insomnia in Reverse” (poems) – Chiral Mad 3 © 2016

Barron, Laird

  • “Swift to Chase” (novelette) – Adam’s Ladder © 2017
  • “The Loveliest Form of the Dark Side” (nonfiction) – Stokercon 2018 Anthology © 2017

Batson, Michael Ian

Bear, Elizabeth

  • The Wreck of the Charles Dexter Ward” (novelette, with Sarah Monette) – Chiral Mad 4 © 2018 

Biggs, John

Blackthorn, Rose

  • “Prescience” and “Arbitration” (poems) – Chiral Mad 3 © 2016

Bodner, Hal

  • “A Rift in Reflection” – Chiral Mad 3 © 2016 (Bram Stoker Award nominee)
  • “Keepsakes” – You, Human © 2016

Booth III, Max

  • “Flowers Blooming in the Season of Atrophy” – Chiral Mad 2 © 2013
  • “The Neighborhood Has a Barbeque” – Qualia Nous © 2014
  • “Blood Dust” – Chiral Mad 3 © 2016
  • “The Big Question” (Guest of Honor Interview of Victor LaValle) and “The Importance of First Novels” (nonfiction) – Stokercon 2018 Anthology © 2017

Boston, Bruce

  • “Reflecting on Reflections” and “Beyond Symmetry” (poems) – Chiral Mad 3 © 2016
  • “Carnival of Ghosts” (poem, with Marge Simon) – Stokercon 2018 Anthology © 2017

Boyer, Ann K.

  • “In the Eyes of the Beholder” – Chiral Mad 2 © 2013

Braoddus, Maurice

  • “Wolf at the Door” (with Anthony R. Cardno) – Chiral Mad 4 © 2018

Braunbeck, Gary A.

  • “Need” – Chiral Mad © 2005, 2012 (reprint)
  • “The Great Pity” (novelette) – Chiral Mad 2 © 2013 (Bram Stoker Award winner)
  • “No Fixed Address” (novelette) – Qualia Nous © 2014
  • “Tales the Ashes Tell” – The Library of the Dead © 2015
  • “Silver Thread, Hammer Ring” (novelette) – Chiral Mad 3 © 2016
  • “Falling Faces by the Wayside” – You, Human © 2001, 2016 (reprint)
  • “Somewhere Between the Mundane and the Miraculous” (introduction, with Janet Harriett) – Chiral Mad 4 © 2018

Brenchley, Chad

  • “Ch-Ch-Changes” – Adam’s Ladder © 2017
  • “Here Today and Gone Tomorrow” – Prisms © 2019 (PS Publishing)

Brittany, Michele

  • “Furthers Horror Studies Scholarship for Second Year” (essay on the Ann Radcliffe Academic Conference, with Nicholas Diak) – Stokercon 2018 Anthology © 2017

Brock, Jason V

  • “Simulacrum” – Qualia Nous © 2013, 2014 (reprint)
  • “Windows, Mirrors, Doors” – Chiral Mad 3 © 2016
  • “Unity of Affect” – You, Human © 2016
  • “When Horror Gets Real” (nonfiction) – Stokercon 2018 Anthology © 2017

Brozek, Jennifer

  • “Home and Hope Both Sound a Little Bit Like ‘Hunger'” (with Seanan McGuire) – Chiral Mad 4 © 2018

Bulkin, Nadia

  • “A Luta Continua” – Prisms © 2019 (PS Publishing)

Bundschuh, Mason Ian

Burke, Chesya

  • “Peregrination” (novelette, with LH Moore) – Chiral Mad 4 © 2018

Burge, Weldon

Burke, Kealan Patrick

Cabeen, Bob

  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)

Cardno, Anthony R.

  • “Wolf at the Door” (with Maurice Broaddus) – Chiral Mad 4 © 2018

Caruso, Santiago

  • Illustration – Stokercon 2018 Anthology © 2017 (reprint)

Castle, Mort

  • “The Counselor” – Chiral Mad 2 © 2011, 2013 (reprint)
  • “Prayer” – Chiral Mad 3 © 2016
  • “Robot” – You, Human © 2016
  • “Hey, Kids! Comix! You Can Play, Too!” (nonfiction) – Mort Castle

Campbell, Ramsey

  • “The Word” (novelette) – Chiral Mad 2 © 1997, 2013 (reprint)
  • “Know Your Code” – Chiral Mad 3 © 2016
  • “How He Helped” – Adam’s Ladder © 2017
  • “The Way of the Worm” (novel excerpt) – Stokercon 2018 Anthology © 2017

Cantella, Julian

Cataneo, Emily B.

  • “A Guide to Etiquette and Comportment for the Sisters of Henley House” – Chiral Mad 2 © 2013
  • “The Rondelium Girl of Rue Marseilles” – Qualia Nous © 2014
  • “The Black Crow of Boddinstraße” – Chiral Mad 3 © 2016
  • In Her Flightless Wings, a Fire (novella, with Gwendolyn Kiste) – Chiral Mad 4 © 2018

Catronis, George C.

Chadbourne, Glenn

  • Illustrations – Chiral Mad 3 © 2016
  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)
  • “Firedance” (graphic adaptation, with Jack Ketchum) – Chiral Mad 4 © 2018

Chambers, James

  • “Mnemonicide” – Chiral Mad 2 © 2013
  • “The Price of Faces” – Qualia Nous © 2014
  • “Why Graphic Novels Matter in Horror” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “The Ghost of the Bayou Piténn” (graphic adaptation, with Jason Whitley & Christopher Mills) – Chiral Mad 4 © 2018

Chapman, Greg

  • Cover artwork – Stokercon 2018 Anthology © 2017
  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)

Chizmar, Richard

Christian, Autumn

Clark, G.O.

  • “Her Apparition Walked Right Through Him” (poem) – Stokercon 2018 Anthology © 2017

Clasen, Dr. Mathias

  • “The Science of Horror: Why Dark Horror Seduces” (nonfiction) – Stokercon 2018 Anthology © 2017

Cockburn, D.J.

  • “Peppermint Tea in Electronic Limbo” – Qualia Nous © 2014

Conquest, Lawrence

DeMeester, Kristi

  • “Golden Sun” (novelette, with Richard Thomas, Damien Angelica Walters & Michael Wehunt) – Chiral Mad 4 © 2018

Derwin, Theresa

  • “Guest of Honor Interview” (of Sam Weller) – Stokercon 2018 Anthology © 2017

Diak, Nicholas

  • “Furthers Horror Studies Scholarship for Second Year” (essay on the Ann Radcliffe Academic Conference, with Michele Brittany) – Stokercon 2018 Anthology © 2017

Di Filippo, Paul

  • “Fifty Super-Sad Mad Dog Sui-Homicidal Self-Sibs, All in a Leaky Tin Can Head” – Prisms © 2019 (PS Publishing)

Dioses, Ashley

  • “The Ocean Queen” (poem, with K.A. Opperman) – Stokercon 2018 Anthology © 2017

Dixon, John

  • “The Fundamental Importance of YA Books” (nonfiction) – Stokercon 2018 Anthology © 2017

Edelman, Scott

  • “That Perilous Stuff” (novelette) – Chiral Mad 3 © 2016 (Bram Stoker Award nominee)
  • “100 Things to Do Before You’re Downloaded” (novelette) – You, Human © 2016
  • “Only Humans Can Lie” (novelette) – Liars, Fakers, and the Dead Who Eat Them © 2017
  • “Faking it Until Forever Comes (novelette) – Liars, Fakers, and the Dead Who Eat Them © 2017 (Bram Stoker Award nominee)
  • “Introduction” (nonfiction) – The Far Future © 2017
  • “Pity This Busy Monster Not” (novelette) – Adam’s Ladder © 2017
  • “Words + Pictures = Our First Nightmares” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “I Shall But Love Thee Better” (novelette) – Prisms © 2019 (PS Publishing)

Ehmann, Jim

Evenson, Brian

  • “Nameless Citizen” – Adam’s Ladder © 2017
  • “The Shimmering Wall” – Prisms © 2019 (PS Publishing)

Everson, John

Fallon, Amber

  • “Guest of Honor Interview” (of Ciatlín R. Kiernan) – Stokercon 2018 Anthology © 2017

Fenn, J. Lincoln

  • “The Secrets of My Prison House” – Prisms © 2019 (PS Publishing)

Freivald, Patrick

French, Aaron J.

Gak

Garrison, A.A.

Gilberts, Steve

  • Illustration – Stokercon 2018 Anthology © 2017 (reprint)

Golden, Christopher

Goldsmith, P. Gardner

Goodfellow, Cody

Gonzalez, J.F.

Guignard, Eric J.

  • “Experiments in an Isolation Tank” – Chiral Mad © 2012
  • “Those Who Watch from on High” – Chiral Mad 3 © 2016

Hagelslag, Peter

  • “Lead Me to Multiplicity” – Qualia Nous © 2014

Harriett, Janet

  • “What Goes Up Must Come Down” – You, Human © 2016
  • “Somewhere Between the Mundane and the Miraculous” (introduction, with Gary A. Braunbeck) – Chiral Mad 4 © 2018

Hayden, S.C.

Hearn, David

  • “Brighter Her Aura Grows” – Chiral Mad © 2012

Hertz, Chris

Hodson, Brad

  • “Opening Script” and “Closing Script” (screenplays) – Stokercon 2018 Anthology © 2017

Hook, Andrew

Jacobs, John Hornor

Jeffery, Dave

  • “Guest of Honor Interview” (of Craig Engler) – Stokercon 2018 Anthology © 2017

Johnson, Eugene

  • “Lifetime Achievement Award Interview” (of Linda D. Addison) – Stokercon 2018 Anthology © 2017

Johnson, Erik T.

  • “The Inconsolable Key Company” – Pellucid Lunacy © 2010
  • “The Apologies” – Chiral Mad © 2012
  • “Welcome Home, All You Uninvited” – Chiral Mad 2 © 2013
  • “The Angel Chaser” – Qualia Nous © 2014
  • “Whisper #1 (a Warning)” and “Whisper #2 (a Prophecy)” (poems) – Chiral Mad 3 © 2016
  • “The Immigrants” – You, Human © 2016
  • Yes Trespassing (fiction collection) © 2017
  • “I Was Not There,” “Circle,” “The Lay of Aldrian,” and “Vespertine” (poems) – Stokercon 2018 Anthology © 2017
  • “The Science of Modern Horror Cinema” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “Ghost Drawl” (with J. Daniel Stone) – Chiral Mad 4 © 2018

Jordan, David

  • “The Truth Box” – Pellucid Lunacy © 2010

Kaplan, Barry Jay

Keene, Brian

Kelley, Jon Michael

  • “The Persistence of Vision” – Chiral Mad © 2012
  • “The Tended Field of Eido Yamata” – Chiral Mad 2 © 2013
  • “The Effigies of Tamber Square” – Qualia Nous © 2014

Kemper, Erinn L.

  • “Versions” – Chiral Mad 2 © 2013
  • “Night Guard” – Qualia Nous © 2014
  • “Phantom on the Ice” – The Library of the Dead © 2015
  • “A Flash of Red” – Chiral Mad 3 © 2016
  • “Gumi-Bear” – You, Human © 2016
  • “A Laughing Matter” – Adam’s Ladder © 2017
  • “The HWA Needs You” – Stokercon 2018 Anthology © 2017
  • The Long and the Short of It (novella, with F. Paul Wilson) – Chiral Mad 4 © 2018
  • “There is Nothing Lost” – Prisms © 2019 (PS Publishing)

Ketchum, Jack

  • “Amid the Walking Wounded” – Chiral Mad © 1998, 2012 (reprint)
  • “The Right Thing” – Chiral Mad 2 © 2013
  • “Seconds” – Chiral Mad 3 © 2016
  • “On Readings” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “Firedance” (graphic adaptation, with Glenn Chadbourne) – Chiral Mad 4 © 1998, 2018 (reprint of text only)

Kiera, Mackenzie

  • “Conjuring the Uncanny” (Guest of Honor Interview of Ramsey Campbell) – Stokercon 2018 Anthology © 2017

Kiernan, Ciatlín R.

  • “Interstate Love Song (Murder Ballad No. 8)” (novelette) – Stokercon 2018 Anthology © 2014, 2017 (reprint)

King, Stephen

  • “The Jaunt” – Qualia Nous © 1981, 2014 (reprint)
  • “The Last Rung of the Ladder” – Chiral Mad 3 © 1978, 2016 (reprint)
  • “I Am the Doorway” – You, Human © 1976, 2016 (reprint)

Kiste, Gwendolyn

  • In Her Flightless Wings, a Fire (novella, with Emily B. Cataneo) – Chiral Mad 4 © 2018

Krisch, Glen

  • “Sudden Sanctuary” (graphic adaptation, with Orion Zangara & Matt Stockwell) – Chiral Mad 4 © 2018

Lacey, Patrick

Langan, John

Lannes, Roberta

  • “A Raven in the Dove’s Nest” – The Library of the Dead © 2015
  • “Painting the Burning Fence” – Adam’s Ladder © 2017
  • “The Girl with Black Fingers” – Prisms © 2019 (PS Publishing)

Larsen, Christian A.

Larson, Amanda

LaValle, Victor

  • “Spectral Evidence” – Stokercon 2018 Anthology © 2017

LaValley, Dustin

Lebbon, Tim

Leigh, Sydney

Levinthal, Marc

Lin, Jessica May

  • “Red Runner vs. the Surgeon, Issue 18” – Chiral Mad 3 © 2016

Little, John R.

Lucia, Kevin

Macae, Frisco

Macleod, Bracken

  • “A Sense of Dread” (nonfiction, with Douglas Wynne) – Stokercon 2018 Anthology © 2017
  • “Afterword” (nonfiction) – Bones Are Made to Be Broken © 2018
  • How We Broke (novella, with Bracken MacLeod) – Chiral Mad 4 © 2018

MacLeod, Jay

Malerman, Josh

  • “The Bigger Bedroom” – Chiral Mad 3 © 2016
  • “The Jupiter Drop” (novelette) – You, Human © 2016 (Bram Stoker Award nominee)
  • “The Challenge” (nonfiction) – Stokercon 2018 Anthology © 2017

Malik, Usman T.

  • “Blood Women” – Chiral Mad 2 © 2013
  • “The Vaporization Enthalpy of a Peculiar Pakistani Family” – Qualia Nous © 2014 (Bram Stoker Award winner, Nebula Award nominee)

Marcley, Valerie

  • “Detritus Girl” (novelette, with P. Gardner Goldsmith) – Chiral Mad 4 © 2018

Marrs, Chris

Mason, Rena

Massie, Elizabeth

  • “18P37-C, After Andrea Was Arrested” – Qualia Nous © 2014
  • “Black River #1” and “Black River #2” (poems) – Chiral Mad 3 © 2016
  • “Down and Out on Poplar Street” – Stokercon 2018 Anthology © 2017
  • “The House at Wydham Street” (novel excerpt) – Stokercon 2018 Anthology © 2017
  • “The Substance of Belief” (with Marge Simon) – Chiral Mad 4 © 2018

McBride, Michael

McGuire, Seanan

  • “Home and Hope Both Sound a Little Bit Like ‘Hunger'” (with Jennifer Brozek) – Chiral Mad 4 © 2018

McMahon, Gary

McQuiston, Rick

Meloy, Paul

  • “The Serile” – Adam’s Ladder © 2017
  • “The Gearbox” – Prisms © 2019 (PS Publishing)

Michelle, Lori

Miller, Eric

  • “Yes, Horror Films Are Important” (nonfiction) – Stokercon 2018 Anthology © 2017

Mills, Christopher

  • “The Ghost of the Bayou Piténn” (graphic adaptation, with James Chambers & Jason Whitley) – Chiral Mad 4 © 2018

Monette, Sarah

  • The Wreck of the Charles Dexter Ward” (novelette, with Elizabeth Bear) – Chiral Mad 4 © 2012, 2018 (previously audio only)

Monteleone, Thomas F.

  • “Fun with Your New Asymmetric Head” (introduction) – Chiral Mad © 2012
  • “When I Was” – Chiral Mad 2 © 2013
  • “Good and Faithful Servant” – Qualia Nous © 1976, 2014 (reprint)
  • “The Star-Filled Sea is Smooth Tonight” – You, Human © 1977, 2016 (reprint)
  • “Are You Sure You Really Want to Do This?” (nonfiction) – Stokercon 2018 Anthology © 2017

Moore, LH

  • “Peregrination” (novelette, with Chesya Burke) – Chiral Mad 4 © 2018

Morrell, David

  • “Orange is for Anguish, Blue for Insanity” (novelette) – Chiral Mad 2 © 1988, 2013 (reprint)

Morris, Mark

Morton, Lisa

  • “Introduction” (nonfiction)- The Burden of Indigo © 2016
  • “Eyes of the Beholders” – Adam’s Ladder © 2017
  • “Afterword” (nonfiction) – Stokercon 2018 Anthology © 2017

Muslim, Kristine Ong

Mynhardt, Joe

  • “Illustrations and the Horror Genre” – Stokercon 2018 Anthology © 2017

Navarro, Yvonne

Nolan, William F.

Ochse, Weston

O’Neill, Gene

  • “The White Quetzal” – Chiral Mad © 1985, 2012 (reprint)
  • “Tight Partners” – Chiral Mad 2 © 2013
  • “The Shaking Man” – Qualia Nous © 2014
  • “Broken Lady” – The Library of the Dead © 2015
  • At the Laxy K (novella, Allevon #1) © 2015
  • “3-Dot People” – Chiral Mad 3 © 2016
  • The Confessions of St. Zach (composite novel, The Cal Wild Chronicles #1) © 2016
  • The Burden of Indigo (composite novel, The Cal Wild Chronicles #2) © 2016
  • The Near Future (composite novel, The Cal Wild Chronicles #3) © 2017
  • The Far Future (composite novel, The Cal Wild Chronicles #4) © 2017
  • “Spirits” – Adam’s Ladder © 2017
  • “Some Thoughts on Short Story Collections” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “Existentialism, Progressive Jazz, and the Blues” (introduction) – Artifacts © 2018

O’Neill, Patrick

Opperman, K.A.

  • “The Ocean Queen” (poem, with Ashley Dioses) – Stokercon 2018 Anthology © 2017

O’Rourke, Monica J.

Ottino, Amanda

  • “Enchanted Combustion” – Chiral Mad © 2012

Palahniuk, Chuck

  • “Observations on Horror Burnout” (introduction) – Chiral Mad 3 © 2016

Palisano, John

  • “Gaia Ungaia” – Chiral Mad © 2012
  • “The Geminis” – Chiral Mad 2 © 2013 (Bram Stoker Award nominee)
  • “Welcome to Our Show” (foreword) – Stokercon 2018 Anthology © 2017

Parkes, Ciarán

  • “The Speed of Sound” and “Recognizing Trees” (poems) – Chiral Mad 3 © 2016

Partridge, Norman

  • “Special Collections” (introduction / novelette) – The Library of the Dead © 2015 (Bram Stoker Award nominee)

Payne, R.B.

  • “Cubicle Farm” – Chiral Mad © 2012

Perron, Philip C.

Pillar, Amanda

Piorkowski, Dan

Quigley, Lisa

  • “Emcee Interview” (of Jeff Strand) – Stokercon 2018 Anthology © 2017

Rollo, Gord

  • “Lost in a Field of Paper Flowers” – Chiral Mad © 2005, 2012 (reprint)

Rucker, Lynda

  • “Encore for an Empty Sky” – Prisms © 2019 (PS Publishing)

Samuels, Mark

SanGiovanni, Mary

Scheuerman, Ashlee

Scully, B.E.

  • “Dog at the Look” – You, Human © 2016
  • “The Mythic Hero Most Likely to Squeeze a Stone” – Adam’s Ladder © 2017
  • “We Come in Threes” – Prisms © 2019 (PS Publishing)

Serra, Daniele

Shoebridge, Ian

Simon, Marge

  • “Shutdown” (Rhysling Award winner) and “Tomorrow’s Femme” (poems) – Qualia Nous © 2014
  • “Mirror Image” and “Reflections Through the Raven’s Eye” (poems) – Chiral Mad 3 © 2016
  • “The Fourth Law” – You, Human © 2016
  • “In Accordance with the Laws,” “Less than Human” and “Future Imperfect: Broken Laws” (poems) – You, Human © 2016
  • “Carnival of Ghosts” (poem, with Bruce Boston) – Stokercon 2018 Anthology © 2017
  • “The Importance of Poetry in the Genre” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “The Substance of Belief” (with Elizabeth Massie) – Chiral Mad 4 © 2018

Skipp, John

  • “Empathy” – Chiral Mad 2 © 2011, 2013 (reprint)
  • “Other Music, Indeed!” (introduction) – Other Music © 2016, 2018
  • “Hopium Den” – You, Human © 2016

Smith, Michael Marshall

  • “The Motel Business” – Prisms © 2019 (PS Publishing)

Snyder, Lucy A.

Speegle, Darren

  • “The Cosmic Fair” – You, Human © 2016
  • Co-editor – Adam’s Ladder © 2017
  • Artifacts (novel, Allevon #3) © 2018
  • Co-editor – Prisms © 2019 (PS Publishing)

Spooner, L.A.

  • Illustrations – At the Lazy K © 2015
  • Illustrations – Ensō © 2017
  • Illustrations – You, Human © 2016
  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)
  • Illustrations – Artifacts © 2018

Spratford, Becky

  • “Librarians’ Day” (nonfiction) – Stokercon 2018 Anthology © 2017

Steiner, Pat R.

  • “The Shoe Tree” – Chiral Mad © 2011, 2012 (reprint)
  • “Kilroy Wasn’t There” – Qualia Nous © 2014
  • Illustrations – Qualia Nous Illustrated © 2014  (personal project)
  • Illustrations – Stokercon 2018 Anthology © 2017
  • Illustrations – Bones Are Made to Be Broken © 2018

Stipes, Julie

Stockwell, Matt

  • “Sudden Sanctuary” (graphic adaptation, with Glen Krisch & Orion Zangara) – Chiral Mad 4 © 2018

Stone, J. Daniel

  • “Ghost Drawl” (with Erik T. Johnson) – Chiral Mad 4 © 2018

Storm, Kia

Strand, Jeff

  • “A Flawed Fantasy” – Chiral Mad © 2012
  • “Kind of an Introduction” (nonfiction) – Stokercon 2018 Anthology © 2017

Stroup, Chad

  • “Asperitas” (novelette, with Kristopher Triana) – Chiral Mad 4 © 2018

Taborska, Anna

  • “Daylight Robbery” – Prisms © 2019 (PS Publishing)

Taff, John F.D.

Thomas, Jeffrey

Thomas, Richard

  • “Playing with Fire” – Chiral Mad 2 © 2013
  • “The Jenny Store” – Qualia Nous © 2011, 2014 (reprint)
  • “The Offering on the Hill” – Chiral Mad 3 © 2016
  • “Golden Sun” (novelette, with Kristi DeMeester, Damien Angelica Walters & Michael Wehunt) – Chiral Mad 4 © 2018
  • “Saudade” – Prisms © 2019 (PS Publishing)

Tlotlo Tsamaase

  • “District to Cervix: The Time Before We Were Born” (novelette) – Prisms © 2019 (PS Publishing)

Triana, Kristopher

  • “Asperitas” (novelette, with Chad Stroup) – Chiral Mad 4 © 2018

Waggoner, Tim

  • “Where No Horror Writer Has Gone Before” (nonfiction) – Stokercon 2018 Anthology © 2017

Walters, Damien Angelica

Watson, Ian

  • “The Birth of Venus” – Prisms © 2019 (PS Publishing)

Wehunt, Michael

  • “Golden Sun” (novelette, with Kristi DeMeester, Richard Thomas & Damien Angelica Walters) – Chiral Mad 4 © 2018

Weller, Sam

  • “Böse” – Stokercon 2018 Anthology © 2017

Wetmore, Jr., Kevin

  • “The Human Emotion within the Frightening Stories” (Guest of Honor Interview of Elizabeth Massie) and “Writing Nonfiction & Fiction for Beginners” (nonfiction) – Stokercon 2018 Anthology © 2017

Whitley, Jason

  • “The Ghost of the Bayou Piténn” (graphic adaptation, with James Chambers & Christopher Mills) – Chiral Mad 4 © 2018

Wilk, Dyer

  • “It Can Walk and Talk, and You’ll Never Have to Worry About Housework Again” – You, Human © 2016

Wilson, F. Paul

  • “Introduction” (nonfiction) – You, Human © 2016
  • The Long and the Short of It (novella, with Erinn L. Kemper) – Chiral Mad 4 © 2018

Winter, Douglas E.

Witherspoon, Cynthia

Wynne, Douglas

  • “A Sense of Dread” (nonfiction, with Bracken MacLeod) – Stokercon 2018 Anthology © 2017

Wytovich, Stephanie M.

  • “Welcome Home, Darling” and “Put Me to Dream” (poems) – Chiral Mad 3 © 2016
  • “Final Frame Film Competition” (nonfiction), “The Color White,” “The Girl Who Slept with Monsters” and “Dare I Keep the Body” (poems) – Stokercon 2018 Anthology © 2014, 2017 (reprints)

Yardley, Mercedes M.

  • “The Dead Collection” – Chiral Mad 3 © 2016
  • “Magic in Minutes” (nonfiction) – Stokercon 2018 Anthology © 2017

Zangara, Orion

Zumpe, Lee Clark

Fun fact: Gary A. Braunbeck, P. Gardner Goldsmith, Erik T. Johnson, and Jack Ketchum have appeared in all four volumes of Chiral Mad.

INKBLOTS AND BLOOD SPOTS

Pageflex Persona [document: PRS0000038_00073]

Previously published through Villipede Publications, Inkblots and Blood Spots, a collection of stories and poems by Michael Bailey, is now available from Written Backwards in trade paperback for only $12.95 (new 8×5″ format), and in eBook for only $4.95 The book is illustrated throughout by Daniele Serra, and features an introduction by Douglas E. Winter.

dani_samples

Stories include the Bram Stoker Award-nominated “Fireman / Primal Tongue,” which also received an Honorable Mention for Year’s Best Horror; “Dandelion Clocks,” a haunting, melodic tribute novelette to the tragedy of 9/11; “I Wanted Black,” where a young boy’s birthday is anything but cause to celebrate; “Mum,” a tale of two sisters unfolding like the bandages on their mother’s badly burned body.

Take a surreal stroll through a carnival in “Underwater Ferris Wheel,” where the biggest attraction may be your last ride; witness a pregnant woman’s harrowing encounter with soul-stealing faerie in “Not the Child”; and find out why it gets cold in a little girl’s room at night when she sees “A Light in the Closet.”

Praise for Inkblots and Blood Spots

“A writer willing to bypass all the familiar territories and stake out a new narrative landscape all his own. With this collection of dynamic stories and poems, he will show you as well.” – Thomas F. Monteleone

“A smart collection of stories that evoke real fear, because they’re grounded in emotional truth. Michael Bailey has that rare ability to terrify readers and break their hearts—often in the same paragraph.” – Norman Prentiss, author of Invisible Fences

“A dazzling assortment of stories and poems. They bleed into our souls like knives and leave us breathless.” – John R. Little, author of DarkNet and Miranda

“Artfully executed. A unique and powerful contribution to speculative literature.” – Tim Deal, Shroud Quarterly

“A cornucopia of dark, diverse treasures. Michael Bailey delivers the kind of startlingly original, beautifully imagined, and deeply affecting stories that linger long in the mind, and even longer in the psyche.” – B.E. Scully, author of Verland: The Transformation

“Both haunting and poignant. Filled with love and loss, the weight of these resolutions echoes out into the darkness with a heartbreaking permanence.” – Richard Thomas, author of Disintegration

“Michael Bailey continues to amaze. He is on track to becoming his generation’s Ray Bradbury.” – F. Paul Wilson

THE FIRE

Some anniversaries suck …

It’s been a year since the night of the fire, so I thought I’d finally share a few of the details from that night / morning, at least in the form of an incredibly long series of haiku (about 1,500 words total, which I wrote a few months ago just to get it out of me). A few of the hours of the stuff that happened, anyway. National poetry day, or month, or something.

I may use this poem as part of the memoir I’m writing about the California wildfires,  Seven Minutes, but I’m not entirely sure. I’ve written close to 75,000 words about the fire in a matter of two weeks. “Seven minutes” is all the time we had to escape (no evacuation given, other than flames). Those seven minutes are summarized in the poem below, and marked in bold.

HOUSE 8

[ the night of / 10:00 p.m. ]

Power flickers out

Candlelight, dancing shadows

The night is silent

“Is that smoke?” you say

But I can’t smell it just yet

Muted sirens wail

[ 10:30 p.m. ]

Outside the air’s thick

The animals unsettled

Eerily quiet

“Seems closer,” I say

We decide to stay awake

The children, sleeping

[ 11:00 p.m. ]

Distant mountains glow

Soft orange, miles away

Should we be worried?

“Let me check,” you say

The internet or the news

Fire, far away

[ 11:30 p.m. ]

The light is intense

A disturbance of neighbors

Everyone’s awake

“Pack a bag,” I say

Haven’t we done this before?

The firetrucks scream

[ 12:00 a.m. ]

Just a precaution

And then we hear the crackle

Black leaves flutter down

“Should be fine,” he says

When you call someone for help

No, nothing urgent

[ 12:30 a.m. ]

The wind is brutal

An ash-swirling tornado

Throats scratchy and sore

“Stay inside,” I say

Frightened, the kids want to see

Flashlights cut the night

[ 1:00 a.m. ]

This is serious

Red embers like cigarettes

Tumbling firebugs

“It’s so close,” I say

Shouldn’t we expect a call?

Sheriff or police?

HOUSE - 1

[ 1:30 a.m. ]

Evacuation

We aren’t given a warning

The yard is on fire

“In the car!” you say

We make a pass through the house

Grabbing what we can

[ 1:31 a.m. ]

All we need is us

The kids first, and then ourselves

We will be okay …

“What about—” we say

Instantly understanding

The children have pets

[ 1:32 a.m. ]

Other lives to save

I grab the cat by her scruff

Throw her in the car

“Hold her tight,” I say

The boy pulls her close, eyes wide

“Stay inside the car!”

[ 1:33 a.m. ]

The garage opens

Cat number two runs out, scared

Toward the fire

“I’ve got her,” you say

Meaning the girl, hugging her

She follows your lead

[ 1:34 a.m. ]

We stand there, confused

Contemplating the horses

The chickens, bunny

“What should we—” I say

There is nothing left to do

Flip open the coop

[ 1:35 a.m. ]

Surrounded by dirt

The pasture just might save them

In chaos, they’ll die

“I can’t breathe,” you say

Visibility, ten feet

It’s now or never

[ 1:36 a.m. ]

Just once more inside

One final pass through the house

To blow out candles

“They need us,” you say

And I know you mean the kids

So we go to them

[ 1:37 a.m. ]

A last kiss goodbye

You take the truck, me the car

We each have a child

“I love you,” we say

Will we make it out of this?

The fire rages

HOUSE 7.jpg

[ 1:38 a.m. ]

Looking at my watch

A seven clicks to an eight

Time waits for no one

“You all right?” I ask

Behind us, a firestorm

The boy nods, unsure

[ 1:39 a.m. ]

Firetrucks pass us

Sixty miles per hour

Down the windy road

“That was close,” I say

You follow us no longer

Drive over debris

[ 1:40 a.m. ]

Swerve around branches

Fallen limbs, things afire

Horns blare, tanks explode

“Where are they?” I say

Ahead of us are new flames

Crashed trucks block the way

[ 1:41 a.m. ]

The shoulder, the road

We wait, but you’re not coming

Sixty seconds tick

“See you there,” I say

My call, it doesn’t go through

So I try again …

[ 1:42 a.m. ]

Again, and again

Until we get to the store

Where we planned to meet

“I am here,” I say

You’re a few miles away

They turned you around

[ 1:43 a.m. ]

Back through the fire

I can’t even imagine

Returning that way

“Be there soon,” you say

Time decides to take itself

The longest minute

[ 1:44 a.m. ]

Patiently, we wait

And we wait and wait and wait

Biting fingernails

“My lungs burn,” I say

I wonder about the boy

And long-term effects

[ 1:45 a.m. ]

The line rings busy

We want to hear your voices

To know you’re okay

“Where are they?” he says

The boy, finally awake

Taking it all in

[ 1:46 a.m. ]

It’s coming closer

The raging fire pursues

Fast down the mountain

“Almost there,” you say

This time, I won’t let you go

Until you are here

[ 1:47 a.m. ]

Forever, it seems

Will this madness ever end?

Where did it begin?

“We’re alive,” you say

Through choked breath, your voice so hoarse

At last, you are here!

[ 1:48 a.m. ]

We sound like strangers

Chain-smokers for years, coughing

Holding each other

A family hug

Rapid, adrenaline rush

Death swirling round us

[ 1:49 a.m. ]

We both look around

Hot wind whipping wet faces

A blizzard of ash

“Come here,” a friend says

She heard about the fire

And thought of us first

[ 1:50 a.m. ]

Orange-red-orange

Flames stretch across the highway

Nowhere else to go

“Thanks,” you say in tears

A place to stay for the night

But will it be safe?

[ 1:51 a.m. ]

We can’t stay here long

Emergency vehicles

Cry into the night

“I love you,” we say

Once again separating

Hands trembling, quaking

[ 1:52 a.m. ]

The glow is endless

We cross the bridge, see it all

Flames licking the stars

“Look at that,” I say

Pointing to the mountainside

Everything, gone

[ 1:53 a.m. ]

It rolls like magma

Lava, flowing volcanic

A beautiful sight

“Thirsty?” I ask him

The boy stares out the window

I’ve nothing to drink

[ 1:54 a.m. ]

Roads close behind us

Probably the last ones through

Dodging power lines

“This is nuts,” I say

People driving erratic

Bumper to bumper

[ 1:55 a.m. ]

I follow this time

Run through stop signs and dead lights

Nearly crash; once, twice

“Almost there?” he asks

The roads lost in embers, ash

I am forced to lie

[ 1:56 a.m. ]

Roads become foreign

Disguised by insanity

Anxiety, shock

“It’s all gone,” I say

Under a breath, to myself

Hope, now a mirage

[ 1:57 a.m. ]

We follow red eyes

Taillights guiding through a gray

Much thicker than smog

“Is that home?” he says

‘It was,’ I want to explain

The verb turned past tense

[ 1:58 a.m. ]

We run over limbs

Fiery fingers, curled hands

Crushed under tire

“What was that?” he says

A branch, a head-sized ember

Things fallen aground

[ 1:59 a.m. ]

My heart palpitates

White knuckles grasping the wheel

A harrowing drive

“We made it,” I say

Even surprising myself

A held breath lets out

[ 2:00 a.m. ]

Again we embrace

The four of us, still in shock

Wondering what’s lost

“It’s just stuff,” we say

Replaceable memories

What matters is us

HOUSE 2

[ 2:30 a.m. ]

Radio scanners

Texts, social media tweets

Friends plague-spreading news

“We are safe,” we say

A broadcast message to all

Phones endlessly buzz

[ 3:00 a.m. ]

Middle of the night

Early morning, whatever

It doesn’t matter

Sleep, will it bring death?

Did you hear did you hear did

“You okay?” they say

[ 3:30 a.m. ]

How many homes lost?

How many buildings have burned?

How can we ever—?

“You should sleep,” we say

Impossibly-flat smiles

There’s no way in hell

[ 4:00 a.m. ]

Curled under blankets

We sit outside, breathing smoke

Inhaling the dead

“Think it’s there?” you ask

Meaning the house, rhetoric

‘Gone,’ I cannot say

[ 4:30 a.m. ]

The boy, he gets sick

Curled around the toilet, pale

One cat is with him

“It’s okay,” you say

Rubbing the back of his head

The girl rubs her eyes

[ 5:00 a.m. ]

She stays up with us

Unable to sleep, to cry

Her eyes dry, bloodshot

“Are we safe?” she asks

How can we lie to children?

We somehow manage

HOUSE 3 - TABLE

[ the day after ]

Fallen power poles

Our past, our town, a war zone

A nuclear blast

Chimneys pierce the haze

The only things left, unfazed

Home tombstones, relics

Flat charred skeletons

Metal melted to the ground

Cars still smoldering

We break through roadblocks

Some wave us through, most routes closed

Past devastation

Everything black

Everything smoking. burnt

Everything trashed

A lunar landscape

Ruin, annihilation

Utter destruction

Then we find our street

Drive over downed power lines

Hop out of the car

Shoes melt underfoot

Where did it—? Where has it gone?

A campfire stench

Our two-story home

Reduced to a foundation

Walls nothing but dust

We knew what we’d lost

Nothing could have prepared us

For what we’d then find

We couldn’t save them

Reduced to outlines, morbid

Farm animals, gone

Mummified corpses

Some lay peaceful, some mid-stride

Others simply bone

The pastures, empty

The coop, reduced to ghost frames

The horses, where did—?

“The horses!” you say

How did they ever survive?

Burnt, singed, but alive

We find them on grass

An untouched patch of once-green

Their eyes give us hope

We call for our cat

Lost, the one we couldn’t save

Could he be alive?

INKY - SINGED

Thanks for reading. It’s rough, I know, and incredibly condensed, but some words need to be written. And yes, we eventually found our second cat. After twenty-three days on his own, running from the fire, and through sheer determination and a lot of luck, we found him (pictured left). He is now reunited with his sister (pictured right).

CATS - TOGETHER.jpg

WOR(L)DS DISSOLVE

With a length of aluminum

Melted tire rim

Resolidified

You prod a block

Flash-fired

Thousands of degrees

Books alongside books

Once trapped in a box

Unsold novels, collections

Wherein seemingly nothing’s written

The metal pushes through

Softly separates the mass

One side falls away, crumbles

Type still there

Sentences

Paragraphs

Characters

Imaginary people

Autobiographical plot

You are a god

And you read the words

Recognize passages

“I wrote that,” you say

“I gave that story life

“I created—”

The words dissolve

As you touch them, gloved

Pages turn to powder

Worlds ruined

Stardust

The aluminum snaps

Brittle, like hard candy

You toss it away

Put your boot through the past

$0.99 / £0.99 EBOOK SALE (9/11-9/18)

Update (9/11, 7:30am): Chiral Mad 3 (in the US only) is having issues with the promotion, and is still being listed at full price. There is currently a trouble ticket in with Amazon to hopefully clear this up, unless you don’t mind paying the full amount. All other books listed below (in both the US and UK) are available for under a buck/pound until midnight, September 18th. Thank you for the support!

$0.99 Sale

To celebrate the soon-to-be released Chiral Mad 4: Collaborations & Adaptations (aka, Chir4l Mad), Written Backwards is running a sale on eBooks simultaneously in the US and the UK, from midnight September 11th through midnight September 18th.

During this time, choose from the original Chiral Mad, Chiral Mad 2, Chiral Mad 3, Pellucid Lunacy (the first anthology by Written Backwards), You Human, Adam’s Ladder, Bones Are Made to Be Broken (the debut fiction collection by Paul Michael Anderson), and / or The Library of the Dead (winner of the Bram Stoker Award for Superior Achievement in an Anthology).

All titles are either $0.99 or £0.99, available on Amazon.com or Amazon.co.uk. If you are a member of Kindle Unlimited, these titles are free. If you have previously purchased the trade paperback, you can get the eBook edition for free. All we ask is that you consider leaving an honest review after giving these books a read.

If you need to catch up on past Written Backwards titles, this is a great opportunity to snag 8 books for under 8 bucks, or pounds, or whatever. To make things easier, here are links to each. From September 11th through September 18th, the price will drop to $0.99 or £0.99. Simply click the book you want and add it to your cart, or just scroll and check out their awesome covers.

9780999575444 CM3 CS_Cover (2nd Edition)

Pageflex Persona [document: PRS0000040_00009]

Pageflex Persona [document: PRS0000040_00009]

Pageflex Persona [document: PRS0000026_00094]

Pageflex Persona [document: PRS0000040_00018]

Adam's Ladder - Cover

Pageflex Persona [document: PRS0000038_00074]

Pageflex Persona [document: PRS0000040_00009]

 

WiHM (WOMEN IN HORROR MONTH)

February is home to a few important things worth celebrating: Black History Month, my birthday (I turn 39 this year, in case you were wondering), and Women in Horror Month. WiHM for short. February is a strange month, no doubt. Sometimes it has 29 days, and sometimes 28. The word is even difficult to say: Feb-ru-ary (not like brewery, despite how some pronounce it) and it’s often misspelled with a third ‘r,’ making it sound more like library than the month it’s supposed to be. (And please note that library only has two r’s despite most mispronouncing it li-bary with only one). Where was I going with all this? Oh, yeah. Women in Horror Month!

WiHM9-GrrrlLogoTall-BR-M

WiHM is no way implies that you should only read works by female writers in the month of February. That’s just stupid. You should be reading female writers as often as you can, horror or not. But this month, February, is an internationally-recognized time to celebrate women in horror, so that’s what we’re going to do, and I’m going to point out a few female writers that deserve more attention. These women are not arranged in any particular order; they are arranged chaotically, in fact, because that’s how my mind works. Some of these names you may recognize, some you may not; either way, you should be reading what these women are writing, and so I’m going to share a few places to perhaps start.

Emily B. Cataneo – She popped into my head first for three reasons: 1) Dallas Mayr (Jack Ketchum) originally ousted her as a writer to watch and he’s been on my mind lately; 2) She’s a brilliant new writer with indescribable prose; and 3) I published one of her first short stories (if not her very first) called “A Guide to Etiquette and Comportment for the Sisters of Henley House” for Chiral Mad 2Dallas asked if I’d be willing to give her a try, Emily sent me the story, and the rest is history. Since then, I’ve published “The Rondelium Girl of Rue Marseilles” for Qualia Nous, “The Black Crow of Boddinstraße” for Chiral Mad 3, and will be publishing her again in the forthcoming Chiral Mad 4, a short story called “In Her Flightless Wings, a Fire,” co-written with Gwendolyn Kiste. Where else can you find her work? Buy her debut fiction collection, Speaking to Skull Kings and Other Stories, which made the Bram Stoker Awards preliminary ballot. It’s incredible.

Gwendolyn Kiste – This is how my mind works. I think of one writer and it leads to another. I’d never heard of Gwendolyn prior to reading the collaborative “In her Flightless Wings, a Fire,” but quickly remedied that by reading And Her Smile Will Untether the Universe (which it does). This fiction collection shows her range with storytelling, and  rightfully made the Bram Stoker Awards preliminary ballot this year. I also look forward to picking up her recently released novel Pretty Marys All in a Row

Notice all these hyperlinks? I’ve made it easy for you to click these titles and add them to your Amazon carts. You can thank me later, and your wallet can hate me later.

Damien Angelica Walters – If you haven’t read Damien, you should fix that. I’ve had the pleasure of publishing some of her short fiction, namely “The Whipping Girls” in Chiral Mad 3, “Filigree, Minotaur, Cyanide, Bloom” in Adam’s Ladder, and will be proudly publishing her again in Chiral Mad 4 with a novelette called “Golden Sun,” which she co-wrote with Richard Thomas, Kristi DeMeester & Michael Wehunt (can you imagine collaborating with 3 other writers?). She also provided the introduction to Paul Michael Anderson’s debut fiction collection, Bones Are Made to Be BrokenBut Damien didn’t seek me out, I sought her. This was after reading her novel Paper Tigers. Check out her new fiction collection, Cry Your Way Home.

Roberta Lannes – The female writers I’ve listed so far have incredibly powerful voices, which of course makes me think of Roberta Lannes. Gene O’Neill is responsible for pointing me in her direction. “She doesn’t flinch,” he said, which, if you know Gene, is perhaps one of the greatest compliments he could possibly give to a writer. And she later provided a short story called “The Raven in a Dove’s Nest” for The Library of the Dead, and later “Painting the Burning Fence” for Adam’s LadderI’m still discovering Roberta Lannes, but you should know that what I’ve read so far of her stuff is some of the strongest writing I’ve ever had the pleasure of reading. She doesn’t flinch. Ever.

Lisa Morton – Most horror aficionados know her as the President of the Horror Writers Association. She’s also probably one of the most recognizable names on this list (both her fiction and nonfiction), so I’m not going to go into too much detail. Writing about Gene and about Adam’s Ladder lead my brain here, since her story “Eyes of the Beholders” appears in that anthology (the first time I’ve published her work, believe it or not), and she provided the introduction for Gene O’Neill’s re-release of The Burden of Indigo. I’ve read her fiction for years, but I’m just now getting around to her nonfiction. So where should you start? I’d recommend Ghosts: A Haunted History, or The Samhanach and Other Halloween Treats. Especially if you love Halloween. Lisa’s a big fan of that holiday. Or simply Google- or Amazon-search her by name. She’s in just about every horror anthology out there, and rightfully so.

Rena Mason – The Horror Writers Association led me here, to Rena’s name. She’s been volunteering at the HWA for years, and over the years we’ve become good friends. But her writing is kind of spectacular as well. I highly recommend her debut novel The Evolutionist, which won the Bram Stoker Award for Superior Achievement in a First Novel. And her short fiction can be found in a few anthologies I’ve edited: “Ruminations” in Qualia Nous (which I rejected for Chiral Mad 2 for consistency, but later specifically requested for Qualia Nous;  a good decision, ultimately, since she ended up winning the Stoker that year for short fiction), as well as “Jaded Winds” for The Library of the Dead, and most recently “I Will Be the Making of You” for Adam’s LadderCan you tell I’m a fan of her work? You should be too.

Hopefully, by this point, you’re not too taken aback by me mentioning a bunch of short fiction published in anthologies I’ve edited. That’s not the point. I’d like to think that I have good taste in female writers, and so I keep publishing them as I find them. Once you find something good, you tend to stick with it, right? There’s a reason these names keep popping up in my anthologies. They are all incredible writers, which leads me to …

Mercedes M. Yardley – I first met Mercedes at KillerCon in Las Vegas, around the time I first met Dallas Mayr and Gene O’Neill. I tried on a pair of her high heels, because we happen to share shoe sizes, and we accompanied Mason Ian Bundschuh’s ukulele renditions of Nine Inch Nails and, well, I should be mentioning her writing. Anyway, she took home the Bram Stoker Award for Superior Achievement in Long Fiction a few years ago for her story Little Dead Red. She also has a wonderful novel out called Pretty Little Dead Girls that you should add to your cart if you haven’t already. Unfortunately, I’ve only published one of her short stories, “The Dead Collection” in Chiral Mad 3. Yes, Mercedes likes the word “Dead,” and loves writing dark little things about death. Her most recent short story, “Loving You Darkly” is currently on the Bram Stoker Awards preliminary ballot.

Okay, time to talk about some women I haven’t published. Agreed?

Sarah Pinborough – You probably know this name by now. If you don’t, there’s something missing from your library. Sarah’s been doing this for a while, and she’s damn good at it. One of my favorite novels last year was one of hers, called Behind Her Eyes, which is phenomenal. If you’re a fan of Gillian Flynn or J. Lincoln Fenn (don’t worry, I’ll get to them very soon), Sarah Pinborough is right up your alley. She’s written many books, such as The Language of Dying and a few fiction collections. Look her up, and start reading everything she’s given us so far.

Gillian Flynn – You probably know her; if not by name, by book title, or perhaps by movie title. She’s perhaps most well-known for her novel Gone Girl (which was made into a decent movie with Ben Affleck, Rosamund Pike, Neil Patrick Harris, and Tyler Perry, and the score composed by none other than Trent Reznor and Atticus Ross of Nine Inch Nails (See how my mind works? I’m already back to NIN)). Anyway, before that, Gillian was responsible for two books I love dearly: Sharp Objects, and Dark Places. Give those two books your time, and then read Gone Girl if you haven’t, or if you’ve only seen the movie. If you like those, you’ll probably like Damien Angelica Walter’s previously mentioned Paper Tigers.

J. Lincoln Fenn – What can I say about J. Lincoln Fenn? Well, if there’s a female version of Chuck Palahniuk out there (in terms of clean, quick prose), she’s it. I first learned of her work from the Bram Stoker Award novel jury. This was one of the books / authors I’d never heard of who submitted work for consideration. The book was Dead Souls, an incredibly well-written sophomore novel from a newish writer. Each word in that book packs a punch, not a single word wasted. Both Jack Ketchum and Chuck Palahniuk come to mind when I think of her self-editing pen. So, of course, I sought out more of her work and found Poe, which I also enjoyed. So much, in fact, that I reached out to J. Lincoln Fenn (I quickly learned this was a pen name), and I now have a short story of hers for a future anthology I’m putting together.

Tlotlo Tsamaase – You’ve probably never heard of her … yet, but Tlotlo is a writer from Botswana. I first discovered her while reading submissions for Dark Regions Press. I fell in love with a manuscript she’d submitted for consideration and desperately wanted to publish it. But she was seeking agents around that time, and so of course I wanted her represented instead of her book going to small press (I’m crazy, right?). I even created a book cover that will never be used. Anyway, I saw her incredible potential, in other words. I’m not sure what the current status is on that novel (I’m avoiding mentioning the title only for this very reason, or in case it changes), but I’m hoping we’ll see Tlotlo Tsamaase in print soon, anywhere and everywhere books are sold. So, where can you find her? Try her website for now. I reached out to her for a short story for the same anthology mentioned above (with new work by Fenn and perhaps others on this list).

Linda D. Addison – Okay, I have a confession. Until only a few years ago, I was under the impression that Linda was a poet. Well, she is a poet, but I thought she was only a poet. I know, kinda dumb on my part, but I have to say this: Linda’s poetry is so incredibly important to the horror genre (or any genre, for that matter), that perhaps this overshadowed her fiction writing talents, at least from my perspective. She’s also a brilliant editor and public reader. And I know she’s probably reading this, so I have another confession to make. Until only a few years ago, I was also under the impression that we were around the same age (her looking younger than me, of course). Not until I was in a hotel room with Brian Keene (who also thought she was much younger), Dallas Mayr (who is infinite), Linda Addison (the poet and writer), and a few others, did I learn that she’s in fact old enough to be my mother (my young mother and, of course, another part of me wishes she was my mother). Linda’s incredible. She’s also receiving the Horror Writers Association’s coveted Lifetime Achievement Award this year, which is well-deserved. Her anthology, Sycorax’s Daughters is a good place to start to see her mad editing skills, and it’s currently on the preliminary ballot for the Stoker. I’d point you to some of her fiction, but I’m not there yet. I’m still learning what she’s done outside of poetry (forgive me).

Stephanie M. Wytovich – While we’re on this poetry kick, I can’t help but mention a few poetry collections by Stephanie M. Wytovich (who is also a fiction writer, which I already knew because I did some preliminary work on her first novel, The Eighth (although she is probably just learning this because I sometimes work behind-the-scenes)). The book was nominated for a Bram Stoker Award for Superior Achievement in a First Novel, although that year she instead won a Stoker for her poetry collection, BrothelI was fortunate enough to get some of her poetry for  Chiral Mad 3She’s on the Bram Stoker Award preliminary ballot again this year with her new poetry collection, Sheet Music to my Acoustic Nightmare, and a Guest of Honor at next year’s StokerCon event in Michigan. She’s good people.

Lisa Mannetti – You’ll always see Lisa’s name pop up around award season, whether it’s the Bram Stoker Awards or the Shirley Jackson Awards. There’s a reason for that. She can write. My only regret is that I have never published one of her stories. I hope to someday fix that. And if she’s reading this … well, Lisa, let’s make that happen sooner rather than latter. So what of hers do I recommend? How about the Bram Stoker and Shirley Jackson Award-nominated novella The Box Jumper? That’s where I’d start, anyway. Or perhaps The Gentling Box, which took home one of those awesome statues a few years ago. Or simply search her name at Amazon and you’ll get a boatload of anthologies containing her work.

How about some up-and-comers:

B.E. Scully – Along with Roberta Lannes, Bobbi Scully (aka B.E. Scully) has that same “no flinch” vibe with her writing that Gene O’Neill is so often talking about. In fact, Gene first introduced me to this wonderful writer, and now we’re close friends. “She doesn’t mess around,” he’d said, and he was right. Along with her involvement with Firbolg Publishing, Bobbi has been cranking out some incredible fiction. I know this, because I’ve placed some of her work in my anthologies. Look for her story “The Mythic Hero Most Likely to Squeeze a Stone” in Adam’s Ladder, “Dog at the Look” in You, Human, and a new short story in that same forthcoming anthology I’m editing that includes work by J. Lincoln Fenn and Tlotlo Tsamaase.

Erinn L. Kemper – Ah, one of my only beta readers. I don’t typically let anyone other than my wife read work before it’s published, but there are/were a few. Dallas Mayr was one of them. Gene O’Neill and Darren Speegle sometimes get the opportunity. And then there’s Erinn. For some reason she (and Meghan Arcuri, below) sometimes offers to read my ugly stuff before I can make it less ugly, and for some reason I let her. Why? Because she’s good. Very good. So good, in fact, that she and F. Paul Wilson have a collaborative novella appearing in the forthcoming Chiral Mad 4. Yes, F. Paul Wilson. And I know of some other incredible veterans with their eyes on her as well. If Paul thinks she’s good, and I think she’s good, she must be something brilliant, no? I’m desperately waiting on her first novel, but in the meantime, you can find her short fiction all over the place. I place her work whenever and wherever I can. She’s in just about every anthology I’ve ever worked on, and I’m constantly recommending her work to other editors.

Meghan Arcuri – We’ve gone through a few Borderlands Press boot camps together, and over the years we’ve become close friends. I was also her mentor in the Horror Writers Association (for as long as they’d let me; apparently there are time-limits), and even placed her first professional sale, a story called “Inevitable” in the first volume of Chiral MadI guess you could say that it was inevitable all this happened, because Meghan is going places. Her story “Watch Me” then appeared in Chiral Mad 3, and it was then I realized Meghan was trying to tell me something with her titles. Watch me, she was saying, as if she knew she was making a name for herself one story at a time. She doesn’t have a story appearing in the forthcoming Chiral Mad 4 (nor did she have one in Chiral Mad 2), but she’s odd, I guess, and will most likely appear in Chiral Mad 5 (because the number is odd, get it?) if such a thing happens, and her story will probably be titled something like, “See, I Told You!”

There are many women writing in the horror genre that deserve attention during Women in Horror Month (and every other month, for that matter), and I wish I had time to include every single one, and with recommendations and links. And there are many others involved in various book-related things composing their own lists of women in horror you should be reading. My advice? Start taking names. Start reading. Let’s celebrate!

Here are a few bonus names (some you may already know, some you may not) in no particular order): Jessica May Lin, Laura Lee Bahr, Yvonne Navarro, Mary SanGiovanni, Autumn Christian, Sarah Langan, Seanan McGuire, Caitlín R. Kiernan, Lucy A. Snyder, Rachel Autumn Deering, Kaaron Warren, Elizabeth Hand, Tananarive Due, Helen Marshall, Chesya Burke, Lucy Taylor, Kelli Owen, Elizabeth Massie, Chris Marrs, Amber Fallon …

I could go on and on, and wish I could write about every single one, but, you know, reality.

YOU, HUMAN – NOW AVAILABLE!

YOU, HUMAN

You, Human is finally here!

What does it mean to be alive? What does it mean to be real? What does it mean to exist? And most importantly, what does it mean to be human? Twenty-four mind-bending works by some of the best in the business explore humanism through science fiction’s various sub-genres, split into three sections by poetic law. Now available in trade paperback and eBook at darkregions.com, with a deluxe hardback available for pre-order (although as of writing this, there was only one remaining).

Click the cover to order online at Dark Regions Press, or you can order a copy at Amazon.com.

I Am the Doorway - Stephen King

Bram Stoker Award winning editor Michael Bailey brings sci-fi back to Dark Regions Press with heart in this genre-bending anthology of dark science fiction and poetry. With fiction illustrated beautifully throughout by world-renowned artist L.A. Spooner, with poetry and spot illustrations supplied by the always-impressive Orion Zangara, and with an incredible introduction on humanism by New York Times bestselling author F. Paul Wilson (Panacea, the Repairman Jack series), Asimov’s three laws of robotics are re-evaluated and revised to help define humanity.

5-001

“I think we can all agree that consciousness, self-awareness, and sentience – the capacity for subjective feelings and perceptions – are indispensable to humanness. The comingling and interaction of all three lead to sapience – the capacity to act with reason and judgment. Apes and dolphins are considered sentient, but not sapient.  Sapience builds civilizations.” – from Wilson’s introduction to You, Human.

21-001

Dark Regions Press makes a return to dark science fiction in this latest of illustrated anthologies by Michael Bailey, the person behind Pellucid Lunacy, the first three volumes of Chiral Mad (1, 2the Benjamin Franklin Award winning Qualia Nous, the Bram Stoker Award winning The Library of the Dead, and most recently, Chiral Mad 3, which was illustrated throughout by legendary artist Glenn Chadbourne and which featured an introduction by Chuck Palahniuk (Fight Club, Lullaby, Choke).

9-001

You, Human contains the following works of fiction, split into three sections (one for each of the three laws) by poetry. Here’s what the book has to offer:

  1. “In Accordance With the Laws” (poem) – Marge Simon
  2. “Robot” – Mort Castle
  3. “It Can Walk and Talk, and You’ll Never Have to Worry About Housework Again” – Dyer Wilk
  4. “Keepsakes” – Hal Bodner
  5. “Cosmic Fair” – Darren Speegle
  6. “Unity of Affect” – Jason V Brock
  7. “101 Things to Do Before You’re Downloaded” – Scott Edelman
  8. “The Star-Filled Sea is Smooth Tonight” – Thomas F. Monteleone
  9. “Hopium Den” – John Skipp
  10. “Less Than Human” (poem) – Marge Simon
  11. “Dog at the Look” – B.E. Scully
  12. “Executive Functions” – Lucy A. Snyder
  13. “Pink Crane Girls” – Autumn Christian
  14. “The Cause” – Laura Lee Bahr
  15. “Ditch Treasures” – Richard Chizmar
  16. “I Am the Doorway” – Stephen King
  17. “The Immigrants” – Erik T. Johnson
  18. “Key to the City” – Cody Goodfellow
  19. “Future Imperfect: Broken Laws” (poem) – Marge Simon
  20. “The Pretty Puppets” – Marc Levinthal
  21. “The Goldilocks Zone” – John R. Little
  22. “The Jupiter Drop” – Josh Malerman
  23. “The Universe is Dying” – Paul Michael Anderson
  24. “Fallen Faces by the Wayside” – Gary A. Braunbeck
  25. “What Goes Up Must Come Down” – Janet Harriett
  26. “Gumi-Bear” – Erinn L. Kemper
  27. “The Fourth Law” – Marge Simon

The images above are some of the 24 illustrations created by L.A. Spooner for the fiction in You, Human.  And below are a few of the 10 illustrations created by Orion Zangara for the poetry.

Fans of dark science fiction, fans of genre-bending horror, fans of all things weird… this is your anthology.

1-full-page2-full-page