Archive for the ‘ Publishing ’ Category

PSYCHOTROPIC DRAGON, AND OTHER THINGS …

I will be incredibly busy over the next few months (already have been), so I thought I’d post about my current projects. In other words, you won’t hear from me in a long while (perhaps months, maybe not until summer). I have a lot of stuff on my plate, in various stages of development, so what follows is a summarized run-down.

Why am I so busy? I have been taking on editing and book design projects for clients, proofreading, editing and copyediting for Independent Legions Publishing, and have recently taken on a part-time role as Developmental Editor for New Degree Press to help new writers bring their books to life (and you can add “ghostwriting” to my resume ). Meanwhile, I am trying to finish a science fiction thriller called Seen in Distant Stars, and writing fiction and nonfiction to perhaps make a few sales and help pay the bills.

So here goes …



PSYCHOTROPIC DRAGON

This is a composite novel that’s been “in the works” since 2009 (yes, ten years!). Many have been waiting patiently for this book, and hopefully the wait won’t be much longer because I consider the manuscript done. Word-count is a little under 90,000.

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Why “composite” and why the long wait? Well, it’s part short novel, part novella, part novelette, includes a few children’s fables throughout, and four illustrators have been involved with its development over the last ten years (48 illustrations total!). I should also mention  John Skipp played an early part in this thing coming together, as well as my three amigos: Thomas F. Monteleone, F. Paul Wilson, and Douglas E. Winter.

So, where does it stand, then, this beautiful whatever-it-is?

My agent is busy shopping this monster. With a little luck and patience, perhaps it will sell (which could mean a while longer before it finds print). We have high hopes, though, so we’re aiming high. It’s worth the wait (I promise), and while the book works on its own, Psychotropic Dragon has many tie-ins to my other works, most notably the two previous composite novels, Palindrome Hannah and Phoenix RoseOther tie-ins include the novelette Our Children, Our Teachers, the children’s book Ensoand various work from Inkblots and Blood Spots.

The cover image above is from an “Advance Reader Copy” I created to make it easier for pre-readers to grasp the overall concept, and to perhaps gain a few more blurbs for promotion. This image has kept the project going, always on my mind.

One of my first pre-readers (and originally a collaborator, believe it or not) was Dallas Mayr, aka Jack Ketchum; while he couldn’t contribute to the fiction, when all was said and done, he offered a generous cover blurb instead. He loved this thing almost as much as I do: “Addictive, scary, and at times, mind-blowing.” Can’t ask for much better than that, right? Other collaborators have been in talks, but eventually I decided to finish this thing on my own, at least in terms of the text.

The illustrators? Ty Scheuerman worked on early concepts, Daniele Serra on illustrations for the novelette and spot-pieces throughout, Glenn Chadborne on the novella, and L.A. Spooner on the short novel and fables. Insane, right? Whether or not the illustrations (48!) will make it into the final product is yet to be determined, but here are a few teasers (section titles and visuals). Let’s just say this book is wild! No matter what, Psychotropic Dragon will someday have a “special edition,” which will include everything.

ORIGINAL CONCEPTS (Ty Scheuerman):

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SOMNAMBULISM / I SUMMON LAMBS (novelette / Daniele Serra):

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A ROSE / AROSE (novella / Glen Chadbourne):

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DRAKEIN (short novel / L.A. Spooner):

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As for the fables, they are titled ECLOSE, SCARLET HOURGLASS, ACHERONTIA ATROPOS, and APODEMUS. And a few of the other chapters connecting all this insanity: THE BEGINNING OF THE END, DEATH’S-HEAD, LIFE-MAGICENSŌand THE END OF THE BEGINNING. Like I mentioned before, this book is something wild!

Soon (haven’t I said that before?) …



SEVEN MINUTES

This book, which was recently trimmed from 100,000 words to 80,000 words, is the strongest thing I’ve ever written, and happens to be nonfiction. I’ll be reading a seven-minute chapter (called “Seven Minutes”) at StokerCon in May. Advance Reader / Burn After Reading copies are currently making the rounds while my agent shops this one around the nonfiction market (although nonfiction is something new for both of us).

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I wrote the manuscript in 23 days (most pages on an old Royal typewriter, about 75,000 words). 23 days happens to be how long the Tubbs fire burned (the setting for this book), and how long my cat Bram went missing (the end of the fire and the day he was found, one in the same), and so I made that my goal: to finish an entire book in under a month! The third draft was completed on day 23, the first anniversary of the day the Tubbs fire was finally extinguished, the day Bram was found.

The book is about the fire that took our home and many others (somewhere around 5,600 from the Tubbs fire alone), changing our lives (and many others’) forever. The book is structured like a therapy session. It contains poetry and lots of hard truths, with the narrative bouncing from first-person to first-person collective to second-person.

This one is close to the heart.


THE IMPOSSIBLE WEIGHT OF LIFE

This would be fiction collection number three (roughly 90,000 words, so lengthier than my previous collections), and will feature short fiction, long fiction, and a few poems (one quite long). Three of the stories have been nominated for the Bram Stoker Awards*, and most of the others have found their way into anthologies over the last few years. Most are autobiographical, in one way or another, and most were written during my recovery from Loss of Bilateral Labyrinthine Function.

My agent is shopping this one around as well (yes, I have her very busy), but here’s a teaser of its tentative contents:

“Time is a Face on the Water”*
“Speaking Cursive”
“The Long White Line”
“Möbius”
“Cartwheels” (poem)
“Hourglass”
“Ghosts of Calistoga”
“Darkroom” (novelette)
“Fade to Black”
“The Fire” (poem)
“The Other Side of Semicolons”
“SAD Face” (novelette)
“Essential Oils”
“Gave”
“A Murmuration of Souls”
“Fragments of Br_an”
“I Will Be the Reflection Until the End”*
“Shades of Red” (poem)
“Our Children, Our Teachers”* (novelette)


PRISMS:

This is an anthology I co-edited with Darren Speegle, to be release soon through PS Publishing. Expect more information on release dates and pre-ordering and whatnot as soon as its available. We’re hoping for a 2019 release date, if all the stars align. This is not the cover, but a mock-up I created during early development:

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And here is the official Table of Contents (and word counts). Yes, this book will be something incredible:

“We Come in Threes” – B.E. Scully (4,200)
“The Girl with Black Fingers” – Roberta Lannes (4,400)
“The Shimmering Wall” – Brian Evenson (4,300)
“The Birth of Venus” – Ian Watson (7,400)
“Fifty Super-Sad Mad Dog Sui-Homicidal Self-Sibs, All in a Leaky Tin Can Head” – Paul Di Filippo (3,500)
“Encore for an Empty Sky” – Lynda Rucker (6,700)
“Saudade” – Richard Thomas (3,900)
“There Is Nothing Lost” – Erinn L Kemper (5,200)
“The Motel Business” – Michael Marshall Smith (4,900)
“The Gearbox” – Paul Meloy (6,100)
“District to Cervix: The Time Before We Were Born” – Tlotlo Tsamaase (8,500)
“Here Today and Gone Tomorrow” – Chaz Brenchley (5,400)
“Daylight Robbery” – Anna Taborska (5,400)
“The Secrets of My Prison House” – J. Lincoln Fenn (4,600)
“A Luta Continua” – Nadia Bulkin (7,200)
“I Shall but Love Thee Better” – Scott Edelman (10,500)


MISCREATIONS: GODS, MONSTROSITIES & OTHER HORRORS:

This is an anthology I am currently co-editing with the always wonderful Doug Murano, to be released through Written Backwards. Expect this one in early 2020. Here is a glimpse of what we’re thinking for the cover. Follow along here!

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As always, expect an incredible anthology! The first two story acceptances:

“Brains” – Ramsey Campbell
“Resurrection Points” – Usman T. Malik


Things I’ve written lately:

“A Bouquet of Flowers” (2,000 words, nonfiction)
“Oll Korrect” (3,500 words, fiction)
“Emergence of the Colorless – Exordium to Conclusio” (6,200 words, fiction)
“L’appel du Vide” (in progress, fiction)

Things I’ve read lately (and enjoyed), and things I am currently reading (and enjoying):

There There by Tommy Orange
Baby Teeth
 by Zoje Stage
Inspection by Josh Malerman
The Hunger by Alma Katsu

That’s about it for now …

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PALINDROME HANNAH – NOW AVAILABLE AS AN AUDIO BOOK

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Palindrome Hannah, the debut composite novel by Michael Bailey, is now available as an audio book. You can find it on Audible, Amazon, and iTunes. Narrated by the wonderful Lawrence Alexander. Give it a listen!

Enter a cruel palindrome world: a symmetric place where disturbing situations displace the common; where good acts transmute to evil ones; where windows and mirrors are interchangeable. Within, characters influence each other through macabre arrangements of involuntary happenstance, and learn the inevitability of coincidence. A segmented story of a mother and daughter intertwines the others. This hidden sixth story, assembled from the five separate narratives, uncovers the sad life of a child who carries a palindrome name, and her struggling teenage mother. With five stories heading one direction, and Hannah traveling the opposite, the story unfolds like a palindrome. A puzzle within a puzzle.

See the book trailer!

Also available in trade paperback for $14.95, or eBook for $6.95. Fiction; 334 pages; 8×5 format; illustrations by Michael Ian Bateson.

CHIRAL MAD 4: An Anthology of Collaborations is now available!

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Today is the official release date of Chiral Mad 4: An Anthology of Collaborations, now available around the world in hardcover, trade paperback, and eBook. This is perhaps the most ambitious project ever imagined by Written Backwards. The entire book is one giant collaboration: co-editing by Michael Bailey & Lucy A. Snyder, a co-introduction by Gary A. Braunbeck & Janet Harriet, and 16 original works by 36 different contributors, all collaborations. 424 pages!

20,000-word novellas by Bracken MacLeod & Paul Michael Anderson, F. Paul Wilson & Erinn L. Kemper, Emily B. Cataneo & Gwendolyn Kiste, Sarah Monette & Elizabeth Bear.

10,000-word novelettes by Chesya Burke & LH Moore, P. Gardner Goldsmith & Valerie Marcley, Kristopher Triana & Chad Stroup, and a four-way collaboration by Kristi DeMeester, Richard Thomas, Damien Angelica Walters & Michael Wehunt.

5,000-word short stories by Elizabeth Massie & Marge Simon, Maurice Broaddus & Anthony R. Cardno, Erik T. Johnson & J Daniel Stone, Seanan McGuire & Jennifer Brozek.

And 52 pages of graphic adaptions, including drool-enticing work by Daniele Serra & Brian Keene, Orion Zangara, Glen Krisch & Matt Stockwell, James Chambers, Jason Whitley & Christopher Mills, and a bitter-sweet first and final collaboration of “Firedance” between longtime friends Glenn Chadbourne & Jack Ketchum that spans over 26 pages.

Now available around the world:

US: https://goo.gl/KAw84x
UK: https://goo.gl/dT2tgH
CAN: https://goo.gl/4uznY9
IT: https://goo.gl/hGFfmA
AUS: https://goo.gl/DcwgWm
JP: https://goo.gl/wtzK25
DE: https://goo.gl/gnauxY

Need to catch up on past volumes? Chiral MadChiral Mad 2, and Chiral Mad 3 are also available. Simply click the images below to get started.

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Chiral Mad 3, an anthology of psychological horror nominated for the Bram Stoker Award in Superior Achievement in an Anthology, is available in trade paperback for $14.95, or eBook for $6.95. Fiction/poetry; 361 pages; 9×6 format; illustrations by Glenn Chadbourne; introduction by Chuck Palahniuk.

The third act in the critically-acclaimed series contains 45 illustrations by Glenn Chadbourne, over 20 stories by the likes of Stephen King, Jack Ketchum, Ramsey Campbell, Gary A. Braunbeck, Mort Castle, Josh Malerman, Scott Edelman, Richard Thomas, Richard Chizmar and Gene O’Neill, and with 20 intertwined poems by the likes of Elizabeth Massie, Marge Simon, Bruce Boston, Erik T. Johnson, Stephanie M. Wytovich.

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Chiral Mad 2 is available in trade paperback for $14.95, or eBook for $6.95. Fiction; 424 pages; 9×6 format.

An anthology of psychological horror containing twenty-eight short stories by established authors and newcomers from around the world. Featuring the imaginations of David Morrell, Mort Castle, P. Gardner Goldsmith, Ramsey Campbell, Jack Ketchum, Ann K. Boyer, John Skipp, Gary McMahon, Lucy A. Snyder, Thomas F. Monteleone, and many others, with an intro and outro by Michael Bailey. Also features the Bram Stoker Award winning novelette by Gary A. Braunbeck.

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Chiral Mad is available in trade paperback for $14.95, or eBook for $6.95. Fiction; 374 pages; 9×6 format.

An anthology of psychological horror containing twenty-eight short stories by established authors and newcomers from around the world. Featuring the imaginations of Gord Rollo, Monica J. O’Rourke, Jon Michael Kelly, Meghan Arcuri, Christian A. Larsen, Jeff Strand, Gary McMahon, John Palisano, Jack Ketchum, and many others, with an introduction by Thomas F. Monteleone.

CHIRAL M4D!

The fourth volume in the critically-acclaimed and ever-evolving Chiral Mad Series is finally here, and quite different than its predecessors. Available now!

$34.95 / hardback
$19.95 / trade paperback
$9.95 / eBook

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Chiral Mad 4: An Anthology of Collaborations includes 4 novella, 4 novelettes, 4 short stories, and 4 graphic adaptations. 424 pages! But here’s the catch: Every single story in this anthology is a collaboration. Bram Stoker Award winners Michael Bailey and Lucy A. Snyder even co-edited the anthology to bring you an incredibly diverse and entirely collaborative dark fiction experience, including a co-introduction by Gary A. Braunbeck and Janet Harriett, and a few other surprises.

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The original Chiral Mad was meant to be an only child, and featured mostly short fiction, a few novelettes, and an introduction by Thomas F. Monteleone. The book was a charity project, and raised over $5,000 for Down syndrome awareness ($3,000 of that going to the Down Syndrome Information Alliance). But soon after publication, there was already high demand for a Chiral Mad 2. The second volume contained a few novellas, and an introduction by the book itself. And then Gary A. Braunbeck went and won himself a Bram Stoker Award for his long fiction piece “The Great Pity,” sparking even higher demand for a Chiral Mad 3. Always evolving, the third volume included poetry, illustrations throughout by Glenn Chadbourne, and an introduction by Chuck Palahniuk. And for the first time, the series was nominated for a Bram Stoker Award for Superior Achievement in an Anthology, with Scott Edelman’s “That Perilous Stuff” nominated for Long Fiction, and Hal Bodner’s “A Rift in Reflection” nominated for Short Fiction, thus sparking an insane amount of demand for a Chiral Mad 4.

And so again, the series evolved.

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The idea for collaborations originated during a bad time for both the horror and science fiction writing communities. Everyone pointing fingers, not really getting along. Everyone seemingly mad at each other and unfriending each other and taking jabs whenever possible. Chiral Mad, perhaps it could help bring people together …

Chiral Mad 4, you want it to happen? Then fucking start holding hands and start singing “Kumbaya” and get along already. Something like that. And since the series is one to ever-evolve, more insane ideas took shape. Why not make the entire anthology a collaborative effort? Why not havea co-editor? And since it’s #4 in the series, why not have 4 different forms of storytelling, with 4 collaborations of each? Why not include graphic adaptations this time, along with novellas, novelettes, and short stories? Why not have a co-introduction? Every single part of the book collaborative … why not?

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The book, it’s huge in both scope and in physical form. 52 pages of graphic adaptations. Something like 120,000 words of new fiction. It’s a tome. So, what can you expect with the fourth (and perhaps final) volume of Chiral Mad? A little bigger price tag, unfortunately: $19.95 for the trade paperback, $9.95 for the eBook, and at some point there will be a hardback edition available for $29.95. It’s worth it. That much is promised. The full insanity? Here’s the final Table of Contents:

“Somewhere Between the Mundane and the Miraculous” (introduction) – Gary A. Braunbeck & Janet Harriett

[ part one ]

“How We Broke” – Bracken MacLeod & Paul Michael Anderson
“Fade to Null” – Brian Keene & Daniele Serra
“Asperitas” – Kristopher Triana & Chad Stroup
“Home and Hope Both Sound a Little Bit Like ‘Hunger'” – Seanan McGuire & Jennifer Brozek
“Golden Sun” – Richard Thomas, Kristi DeMeester, Damien Angelica Walters & Michael Wehunt
“The Substance of Belief” – Elizabeth Massie & Marge Simon
“The Ghost of the Bayou Piténn” – James Chambers, Jason Whitley & Christopher Mills
“The Long and the Short of It” – Erinn L. Kemper & F. Paul Wilson

[ part two ]

“The Wreck of the Charles Dexter Ward” – Sarah Monette & Elizabeth Bear
“Sudden Sanctuary” – Glen Krisch, Orion Zangara & Matt Stockwell
“Peregrination” – Chesya Burke & LH Moore
“Ghost Drawl” – Erik T. Johnson & J. Daniel Stone
“Detritus Girl” – P. Gardner Goldsmith & Valerie Marcley
“Wolf at the Door” – Anthony R. Cardno & Maurice Broaddus
“Firedance” – Jack Ketchum & Glenn Chadbourne
“In Her Flightless Wings, a Fire” – Emily B. Cataneo & Gwendolyn Kiste

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Quite the line-up, no? And, as you can see from the above image, Chiral Mad 4 includes a final collaboration with long-time friend Dallas Mayr / Jack Ketchum. The adaptation of “Firedance” is worth the price of admission alone, and runs 26 pages. Dallas, Glenn and yours truly worked our fingers to the bones to bring you something special, something to remember him by.

So, once again, crack the spine, dig your claws deep into these pages, sit back, and enjoy a new kind of chirality.

PHOENIX ROSE

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Recipient of the Kirkus Star and described as “Poe-like phantasmagoria amid Stephen King–style naturalism that results in a fictive world that’s familiar yet eerily strange—and plenty scary,” Phoenix Rose, the second novel by Michael Bailey, is back in print in a new second edition format.

This composite novel is available in trade paperback for $12.95, or eBook for $6.95. Fiction; 372 pages; 8×5 format; cover artwork by Michael Ian Bateson.

 

A family is torn apart after a horse foaling goes terribly wrong; a sickly man recounts getting mauled by his neighbor’s dog; an undead priest is reborn into the world a hundred-fifty years after his untimely death; two brothers run for their lives through a dead field of wheat. Holding all of this together is a young boy named Todd, whose survival pivots on the balance of life and death, and a deranged mental patient with a burnt rose tattoo, whose reality is paradoxical.

“An engrossing blend of creepy atmospherics, gory jolts and mind-bending conundrums.”

While Phoenix Rose works as a standalone, it weaves in and out of the events of its predecessor, Palindrome Hannah, which is also now available in a similarly packaged trade paperback for $12.95, or eBook for $6.95. Fiction; 334 pages; 8×5 format; illustrations by Michael Ian Bateson.

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PALINDROME HANNAH

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Palindrome Hannah is back in print! If you are new to the fiction of Michael Bailey, this is where to start. The debut composite novel, first published April 1, 2005 by Unlimited Publishing, is now available through Written Backwards in a second trade paperback and eBook edition, featuring interior artwork by Michael Ian Bateson, and completely redesigned.

Available now in trade paperback for $12.95 (newer 8×5 format, matte finish, 334 pages)  and in eBook for $6.95, or free if you have Kindle Unlimited.

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And coming very soon, a re-release of the follow-up novel, Phoenix Rose, which will be made available in the same formats and for the same new prices.

ARTIFACTS

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Come meet Eru, the two-trunked telepathic elephant!

Yes, Darren Speegle’s second novel, Artifacts, is now available. This is science-fantasy at its greatest, and the third book in the Allevon series of original illustrated trade paperbacks by Written Backwards. The book features black and white illustrations throughout by L.A. Spooner (see below for color variants) and an introduction by Gene O’Neill. Currently available on Amazon at the following links for easy finding, or simply search “Artifacts” and/or “Darren Speegle.”

In a far future Europe, following a four-thousand-year Dark Age, of which man retains little record or memory, a scroll is found in a train car deep within the snow and ice of Scandinavia, buried since the cataclysmic end of the First Age. The document, which contains a cryptic message meant for the world before it died, finds its way into the hands of Rein, an outpost bar hand who journeys across the continent seeking the relic’s translation.

US: https://goo.gl/1PKeVM

UK: https://goo.gl/pKZhjo

IT: https://goo.gl/TGBxMQ

Canada: https://goo.gl/qHRpki

 

Artifacts is only available in trade paperback; 290 pages; 8×5 format; priced reasonably at $10.95, or similar, depending on your currency.