THE IMPOSSIBLE WEIGHT OF LIFE, autobiographical collection of speculative fiction and poetry by Michael Bailey. contains Bram Stoker Award-nominated short stories such as “I Will Be the Reflection Until the End” and “Time Is a Face on the Water,” but also never-before-published mind-benders created during his “highly-medicated” state of recovery, including a story about memory loss called “Fragments of Br_an,” (composed on a typewriter that no longer exists, now ash), “Emergence of the Colorless,” a statement about the beginning of the end of prejudice, and the far future “Oll Korrect,” in which artificial intelligence is used to explore humankind. As for poetry, there are favorites such as “Loosed Earth” and “Shades of Red,” but many new poems to help with balance, including “Hurt People Hurt People,” “Night Rainbows,” and “Paper Earth.”

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OVERSIGHT, a themed collection of two novelettes and a short story by Michael Bailey. Includes “Darkroom” and “SAD Face” (novelettes), and “Fade to Black” (short story).

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INKBLOTS AND BLOOD SPOTS, a painfully beautiful collection of short stories and poetry by Michael Bailey that reaches deep into the imagination, breaking hearts and boundaries along the way. Features an introduction by Douglas E. Winter, and illustrations and cover artwork by Daniele Serra;. This book was originally published by Villipede Publications. This second edition is now published by Written Backwards.

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Stories include the Bram Stoker nominated “Fireman / Primal Tongue,” which also received an Honorable Mention for Year’s Best Horror; “Dandelion Clocks,” a haunting, melodic tribute to the tragedy of 9/11; “I Wanted Black,” where a young boy’s birthday is anything but cause to celebrate; “Mum,” a tale of two sisters unfolding like the bandages on their mother’s badly burned body. Take a surreal stroll through a carnival in “Underwater Ferris Wheel,” where the biggest attraction may be your last ride; witness a pregnant woman’s harrowing encounter with soul-stealing faerie in “Not the Child”; and find out why it gets cold in a little girl’s room at night when she sees “A Light in the Closet.”

SCALES AND PETALS, the debut fiction and poetry collection by Michael Bailey. Between writing the novels Palindrome Hannah and Phoenix Rose, Michael penned and published a number of these dark short fiction and poetry pieces, some of which can be found in literary magazines and anthologies around the world (Australia, Sweden, and South Africa). A few of these fallen dragon scales and flower petals are reprinted here, while others are original to the collection, hand selected and arranged by the author. Once you crack the spine, there’s no going back. Cover artwork by John Hornor Jacobs. Also includes a bonus graphic adaptation of the story “Plasty,” in collaboration with artist L.A. Spooner, as well as three previously unpublished flash fiction pieces.

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BONES ARE MADE TO BE BROKEN, the debut fiction collection by Paul Michael Anderson. Fourteen stories from the intersection of pain and anxiety, rage and fear. On a Nevada highway, a vampire familiar loses faith. At the edge of known space, a man drives himself insane. A would-be mother hears the sounds of a child from another dimension. A piece of stained glass might be all that stands between us and the end of the world. Triumph and tragedy, terror and transformation, are realized in the stories of Bones Are Made to Be Broken. Features an introduction by Damien Angelica Walters, an afterword by Bracken MacLeod, and illustrations and cover artwork by Pat R. Steiner.

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YES TRESPASSING, the debut fiction collection by Erik T. Johnson. Twenty-five, or maybe twenty-six or -seven or perhaps twenty-eight (let’s say it’s twenty-eight) individual works by Erik T. Johnson, some previously-published, some appearing in this book for the first time, stories like “The Leaf” and “Krug’s Pen,” “The Depopulation Syndrome,” “The Invention of the Mask” (which you can find on the front cover), “The Depopulation Syndrome” and the novella Scissors Seldom Come. Trespass. Read the horror, the wonder, the mindscrewing. Features an introduction by John F.D. Taff.

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