Posts Tagged ‘ Roberta Lannes ’

PRISMS

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Although this book will not be published through Written Backwards (scheduled to be released through PS Publishing in 2019), I am proud to announce the next dark science-fiction anthology co-edited by the always-incredible Darren Speegle, and by yours truly.

Prisms is perhaps the most diverse project I have ever had the pleasure of working on, and has a ratio of 50:50 male to female writers, which has been both a dream and goal of mine these last few years.

What is the prism, in this case? The dispersion of humankind into the spectrum of herself / himself; an object, a place, or something figurative; the human condition as it relates to the self, or to humankind in general; ascension; translation …

Prisms will include the following entirely original fiction:

“We Come in Threes” – B.E. Scully
“The Girl with Black Fingers” – Roberta Lannes
“The Shimmering Wall” – Brian Evenson
“The Birth of Venus” – Ian Watson
“Fifty Super-Sad Mad Dog Sui-Homicidal Self-Sibs, All in a Leaky Tin Can Head” – Paul Di Filippo
“Encore for an Empty Sky” –  Lynda Rucker
“Saudade” – Richard Thomas
“There is Nothing Lost” – Erinn L. Kemper
“The Motel Business” – Michael Marshall Smith
“The Gearbox” – Paul Meloy
“District to Cervix: The Time Before We Were Born” (novelette) – Tlotlo Tsamaase
“Here Today and Gone Tomorrow” – Chaz Brenchley
“Daylight Robbery” – Anna Taborska
“The Secrets of My Prison House” – J. Lincoln Fenn
“A Luta Continua” – Nadia Bulkin
“I Shall but Love Thee Better” (novelette) – Scott Edelman

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* Please note that these are not the official covers for Prisms; they are simply mock-ups I created during the conception stages of this project.

WiHM (WOMEN IN HORROR MONTH)

February is home to a few important things worth celebrating: Black History Month, my birthday (I turn 39 this year, in case you were wondering), and Women in Horror Month. WiHM for short. February is a strange month, no doubt. Sometimes it has 29 days, and sometimes 28. The word is even difficult to say: Feb-ru-ary (not like brewery, despite how some pronounce it) and it’s often misspelled with a third ‘r,’ making it sound more like library than the month it’s supposed to be. (And please note that library only has two r’s despite most mispronouncing it li-bary with only one). Where was I going with all this? Oh, yeah. Women in Horror Month!

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WiHM is no way implies that you should only read works by female writers in the month of February. That’s just stupid. You should be reading female writers as often as you can, horror or not. But this month, February, is an internationally-recognized time to celebrate women in horror, so that’s what we’re going to do, and I’m going to point out a few female writers that deserve more attention. These women are not arranged in any particular order; they are arranged chaotically, in fact, because that’s how my mind works. Some of these names you may recognize, some you may not; either way, you should be reading what these women are writing, and so I’m going to share a few places to perhaps start.

Emily B. Cataneo – She popped into my head first for three reasons: 1) Dallas Mayr (Jack Ketchum) originally ousted her as a writer to watch and he’s been on my mind lately; 2) She’s a brilliant new writer with indescribable prose; and 3) I published one of her first short stories (if not her very first) called “A Guide to Etiquette and Comportment for the Sisters of Henley House” for Chiral Mad 2Dallas asked if I’d be willing to give her a try, Emily sent me the story, and the rest is history. Since then, I’ve published “The Rondelium Girl of Rue Marseilles” for Qualia Nous, “The Black Crow of Boddinstraße” for Chiral Mad 3, and will be publishing her again in the forthcoming Chiral Mad 4, a short story called “In Her Flightless Wings, a Fire,” co-written with Gwendolyn Kiste. Where else can you find her work? Buy her debut fiction collection, Speaking to Skull Kings and Other Stories, which made the Bram Stoker Awards preliminary ballot. It’s incredible.

Gwendolyn Kiste – This is how my mind works. I think of one writer and it leads to another. I’d never heard of Gwendolyn prior to reading the collaborative “In her Flightless Wings, a Fire,” but quickly remedied that by reading And Her Smile Will Untether the Universe (which it does). This fiction collection shows her range with storytelling, and  rightfully made the Bram Stoker Awards preliminary ballot this year. I also look forward to picking up her recently released novel Pretty Marys All in a Row

Notice all these hyperlinks? I’ve made it easy for you to click these titles and add them to your Amazon carts. You can thank me later, and your wallet can hate me later.

Damien Angelica Walters – If you haven’t read Damien, you should fix that. I’ve had the pleasure of publishing some of her short fiction, namely “The Whipping Girls” in Chiral Mad 3, “Filigree, Minotaur, Cyanide, Bloom” in Adam’s Ladder, and will be proudly publishing her again in Chiral Mad 4 with a novelette called “Golden Sun,” which she co-wrote with Richard Thomas, Kristi DeMeester & Michael Wehunt (can you imagine collaborating with 3 other writers?). She also provided the introduction to Paul Michael Anderson’s debut fiction collection, Bones Are Made to Be BrokenBut Damien didn’t seek me out, I sought her. This was after reading her novel Paper Tigers. Check out her new fiction collection, Cry Your Way Home.

Roberta Lannes – The female writers I’ve listed so far have incredibly powerful voices, which of course makes me think of Roberta Lannes. Gene O’Neill is responsible for pointing me in her direction. “She doesn’t flinch,” he said, which, if you know Gene, is perhaps one of the greatest compliments he could possibly give to a writer. And she later provided a short story called “The Raven in a Dove’s Nest” for The Library of the Dead, and later “Painting the Burning Fence” for Adam’s LadderI’m still discovering Roberta Lannes, but you should know that what I’ve read so far of her stuff is some of the strongest writing I’ve ever had the pleasure of reading. She doesn’t flinch. Ever.

Lisa Morton – Most horror aficionados know her as the President of the Horror Writers Association. She’s also probably one of the most recognizable names on this list (both her fiction and nonfiction), so I’m not going to go into too much detail. Writing about Gene and about Adam’s Ladder lead my brain here, since her story “Eyes of the Beholders” appears in that anthology (the first time I’ve published her work, believe it or not), and she provided the introduction for Gene O’Neill’s re-release of The Burden of Indigo. I’ve read her fiction for years, but I’m just now getting around to her nonfiction. So where should you start? I’d recommend Ghosts: A Haunted History, or The Samhanach and Other Halloween Treats. Especially if you love Halloween. Lisa’s a big fan of that holiday. Or simply Google- or Amazon-search her by name. She’s in just about every horror anthology out there, and rightfully so.

Rena Mason – The Horror Writers Association led me here, to Rena’s name. She’s been volunteering at the HWA for years, and over the years we’ve become good friends. But her writing is kind of spectacular as well. I highly recommend her debut novel The Evolutionist, which won the Bram Stoker Award for Superior Achievement in a First Novel. And her short fiction can be found in a few anthologies I’ve edited: “Ruminations” in Qualia Nous (which I rejected for Chiral Mad 2 for consistency, but later specifically requested for Qualia Nous;  a good decision, ultimately, since she ended up winning the Stoker that year for short fiction), as well as “Jaded Winds” for The Library of the Dead, and most recently “I Will Be the Making of You” for Adam’s LadderCan you tell I’m a fan of her work? You should be too.

Hopefully, by this point, you’re not too taken aback by me mentioning a bunch of short fiction published in anthologies I’ve edited. That’s not the point. I’d like to think that I have good taste in female writers, and so I keep publishing them as I find them. Once you find something good, you tend to stick with it, right? There’s a reason these names keep popping up in my anthologies. They are all incredible writers, which leads me to …

Mercedes M. Yardley – I first met Mercedes at KillerCon in Las Vegas, around the time I first met Dallas Mayr and Gene O’Neill. I tried on a pair of her high heels, because we happen to share shoe sizes, and we accompanied Mason Ian Bundschuh’s ukulele renditions of Nine Inch Nails and, well, I should be mentioning her writing. Anyway, she took home the Bram Stoker Award for Superior Achievement in Long Fiction a few years ago for her story Little Dead Red. She also has a wonderful novel out called Pretty Little Dead Girls that you should add to your cart if you haven’t already. Unfortunately, I’ve only published one of her short stories, “The Dead Collection” in Chiral Mad 3. Yes, Mercedes likes the word “Dead,” and loves writing dark little things about death. Her most recent short story, “Loving You Darkly” is currently on the Bram Stoker Awards preliminary ballot.

Okay, time to talk about some women I haven’t published. Agreed?

Sarah Pinborough – You probably know this name by now. If you don’t, there’s something missing from your library. Sarah’s been doing this for a while, and she’s damn good at it. One of my favorite novels last year was one of hers, called Behind Her Eyes, which is phenomenal. If you’re a fan of Gillian Flynn or J. Lincoln Fenn (don’t worry, I’ll get to them very soon), Sarah Pinborough is right up your alley. She’s written many books, such as The Language of Dying and a few fiction collections. Look her up, and start reading everything she’s given us so far.

Gillian Flynn – You probably know her; if not by name, by book title, or perhaps by movie title. She’s perhaps most well-known for her novel Gone Girl (which was made into a decent movie with Ben Affleck, Rosamund Pike, Neil Patrick Harris, and Tyler Perry, and the score composed by none other than Trent Reznor and Atticus Ross of Nine Inch Nails (See how my mind works? I’m already back to NIN)). Anyway, before that, Gillian was responsible for two books I love dearly: Sharp Objects, and Dark Places. Give those two books your time, and then read Gone Girl if you haven’t, or if you’ve only seen the movie. If you like those, you’ll probably like Damien Angelica Walter’s previously mentioned Paper Tigers.

J. Lincoln Fenn – What can I say about J. Lincoln Fenn? Well, if there’s a female version of Chuck Palahniuk out there (in terms of clean, quick prose), she’s it. I first learned of her work from the Bram Stoker Award novel jury. This was one of the books / authors I’d never heard of who submitted work for consideration. The book was Dead Souls, an incredibly well-written sophomore novel from a newish writer. Each word in that book packs a punch, not a single word wasted. Both Jack Ketchum and Chuck Palahniuk come to mind when I think of her self-editing pen. So, of course, I sought out more of her work and found Poe, which I also enjoyed. So much, in fact, that I reached out to J. Lincoln Fenn (I quickly learned this was a pen name), and I now have a short story of hers for a future anthology I’m putting together.

Tlotlo Tsamaase – You’ve probably never heard of her … yet, but Tlotlo is a writer from Botswana. I first discovered her while reading submissions for Dark Regions Press. I fell in love with a manuscript she’d submitted for consideration and desperately wanted to publish it. But she was seeking agents around that time, and so of course I wanted her represented instead of her book going to small press (I’m crazy, right?). I even created a book cover that will never be used. Anyway, I saw her incredible potential, in other words. I’m not sure what the current status is on that novel (I’m avoiding mentioning the title only for this very reason, or in case it changes), but I’m hoping we’ll see Tlotlo Tsamaase in print soon, anywhere and everywhere books are sold. So, where can you find her? Try her website for now. I reached out to her for a short story for the same anthology mentioned above (with new work by Fenn and perhaps others on this list).

Linda D. Addison – Okay, I have a confession. Until only a few years ago, I was under the impression that Linda was a poet. Well, she is a poet, but I thought she was only a poet. I know, kinda dumb on my part, but I have to say this: Linda’s poetry is so incredibly important to the horror genre (or any genre, for that matter), that perhaps this overshadowed her fiction writing talents, at least from my perspective. She’s also a brilliant editor and public reader. And I know she’s probably reading this, so I have another confession to make. Until only a few years ago, I was also under the impression that we were around the same age (her looking younger than me, of course). Not until I was in a hotel room with Brian Keene (who also thought she was much younger), Dallas Mayr (who is infinite), Linda Addison (the poet and writer), and a few others, did I learn that she’s in fact old enough to be my mother (my young mother and, of course, another part of me wishes she was my mother). Linda’s incredible. She’s also receiving the Horror Writers Association’s coveted Lifetime Achievement Award this year, which is well-deserved. Her anthology, Sycorax’s Daughters is a good place to start to see her mad editing skills, and it’s currently on the preliminary ballot for the Stoker. I’d point you to some of her fiction, but I’m not there yet. I’m still learning what she’s done outside of poetry (forgive me).

Stephanie M. Wytovich – While we’re on this poetry kick, I can’t help but mention a few poetry collections by Stephanie M. Wytovich (who is also a fiction writer, which I already knew because I did some preliminary work on her first novel, The Eighth (although she is probably just learning this because I sometimes work behind-the-scenes)). The book was nominated for a Bram Stoker Award for Superior Achievement in a First Novel, although that year she instead won a Stoker for her poetry collection, BrothelI was fortunate enough to get some of her poetry for  Chiral Mad 3She’s on the Bram Stoker Award preliminary ballot again this year with her new poetry collection, Sheet Music to my Acoustic Nightmare, and a Guest of Honor at next year’s StokerCon event in Michigan. She’s good people.

Lisa Mannetti – You’ll always see Lisa’s name pop up around award season, whether it’s the Bram Stoker Awards or the Shirley Jackson Awards. There’s a reason for that. She can write. My only regret is that I have never published one of her stories. I hope to someday fix that. And if she’s reading this … well, Lisa, let’s make that happen sooner rather than latter. So what of hers do I recommend? How about the Bram Stoker and Shirley Jackson Award-nominated novella The Box Jumper? That’s where I’d start, anyway. Or perhaps The Gentling Box, which took home one of those awesome statues a few years ago. Or simply search her name at Amazon and you’ll get a boatload of anthologies containing her work.

How about some up-and-comers:

B.E. Scully – Along with Roberta Lannes, Bobbi Scully (aka B.E. Scully) has that same “no flinch” vibe with her writing that Gene O’Neill is so often talking about. In fact, Gene first introduced me to this wonderful writer, and now we’re close friends. “She doesn’t mess around,” he’d said, and he was right. Along with her involvement with Firbolg Publishing, Bobbi has been cranking out some incredible fiction. I know this, because I’ve placed some of her work in my anthologies. Look for her story “The Mythic Hero Most Likely to Squeeze a Stone” in Adam’s Ladder, “Dog at the Look” in You, Human, and a new short story in that same forthcoming anthology I’m editing that includes work by J. Lincoln Fenn and Tlotlo Tsamaase.

Erinn L. Kemper – Ah, one of my only beta readers. I don’t typically let anyone other than my wife read work before it’s published, but there are/were a few. Dallas Mayr was one of them. Gene O’Neill and Darren Speegle sometimes get the opportunity. And then there’s Erinn. For some reason she (and Meghan Arcuri, below) sometimes offers to read my ugly stuff before I can make it less ugly, and for some reason I let her. Why? Because she’s good. Very good. So good, in fact, that she and F. Paul Wilson have a collaborative novella appearing in the forthcoming Chiral Mad 4. Yes, F. Paul Wilson. And I know of some other incredible veterans with their eyes on her as well. If Paul thinks she’s good, and I think she’s good, she must be something brilliant, no? I’m desperately waiting on her first novel, but in the meantime, you can find her short fiction all over the place. I place her work whenever and wherever I can. She’s in just about every anthology I’ve ever worked on, and I’m constantly recommending her work to other editors.

Meghan Arcuri – We’ve gone through a few Borderlands Press boot camps together, and over the years we’ve become close friends. I was also her mentor in the Horror Writers Association (for as long as they’d let me; apparently there are time-limits), and even placed her first professional sale, a story called “Inevitable” in the first volume of Chiral MadI guess you could say that it was inevitable all this happened, because Meghan is going places. Her story “Watch Me” then appeared in Chiral Mad 3, and it was then I realized Meghan was trying to tell me something with her titles. Watch me, she was saying, as if she knew she was making a name for herself one story at a time. She doesn’t have a story appearing in the forthcoming Chiral Mad 4 (nor did she have one in Chiral Mad 2), but she’s odd, I guess, and will most likely appear in Chiral Mad 5 (because the number is odd, get it?) if such a thing happens, and her story will probably be titled something like, “See, I Told You!”

There are many women writing in the horror genre that deserve attention during Women in Horror Month (and every other month, for that matter), and I wish I had time to include every single one, and with recommendations and links. And there are many others involved in various book-related things composing their own lists of women in horror you should be reading. My advice? Start taking names. Start reading. Let’s celebrate!

Here are a few bonus names (some you may already know, some you may not) in no particular order): Jessica May Lin, Laura Lee Bahr, Yvonne Navarro, Mary SanGiovanni, Autumn Christian, Sarah Langan, Seanan McGuire, Caitlín R. Kiernan, Lucy A. Snyder, Rachel Autumn Deering, Kaaron Warren, Elizabeth Hand, Tananarive Due, Helen Marshall, Chesya Burke, Lucy Taylor, Kelli Owen, Elizabeth Massie, Chris Marrs, Amber Fallon …

I could go on and on, and wish I could write about every single one, but, you know, reality.

ADAM’S LADDER – 82% FUNDED!

Update, as of 11:00am, 09/20/17: We are nearly there!

Adam’s Ladder is now 82% funded, thanks to your generosity, and to an incredibly lucky campaign backer who snagged the signed Stephen King book. Along with pre-ordering in eBook, trade paperback, and deluxe hardback, there are a few editing and book design packages available, but they are going fast. There is even a $4 option for coffee lovers, and rare/signed books available now and again throughout the campaign. Help us get to 100% so we can bring this book to life! Once completely funded, unlocks will be made available to offer campaign-backers free books as our way of saying thanks!

To see how you can help, click the image below, or anywhere you see Adam’s Ladder. This is an all-or-nothing campaign. Written Backwards has taken over production of this book from another publisher, so pre-orders are vital in bringing this book to life, and to assure that writers and artists are paid professionally for their work. Upon reaching 100% funding, Adam’s Ladder will immediately go into print production, with trade paperbacks and ebooks available in October, and the  hardbacks in November. So, you won’t have to wait long to receive your books.

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If you are thinking about pre-ordering the deluxe hardback, please note that only 100 of these will ever be produced, so they will be quite the collector’s item. The 100-numbered limited hardcover edition of Adam’s Ladder, signed by editors Michael Bailey and Darren Speegle, will be bound in black leatherette, with silver foil stamping on the cover and spine, a full-color wraparound dust jacket, and printed on 60# natural offset paper. Those pre-ordering the hardback will also receive a trade paperback of Adam’s Ladder, as well as the eBook. And if we reach our unlock goals, you can expect up to two additional free trade paperback books and an eBook of the next anthology by Written Backwards, for as little as $95.

Support small press, and we will keep cranking out quality fiction!

The full Table of Contents includes:

“Ch-ch-changes” – Chaz Brenchley
“Filigree, Minotaur, Cyanide, Bloom” – Damien Angelica Walters
“How He Helped” – Ramsey Campbell
“Spirits” – Gene O’Neill
“The Mythic Hero Most Likely to Squeeze a Stone” – B.E. Scully
“My Father, Dr. Frankenstein” – John Langan
“Undersound” – Mark Morris
“A Laughing Matter” – Erinn L. Kemper
“The Serile” – Paul Meloy
“Eyes of the Beholders” – Lisa Morton
“Strings” – Tim Lebbon
“Sliced Bread” – Jeffrey Thomas
“I Will Be the Making of You” – Rena Mason
“Nameless Citizen” – Brian Evenson
“Painting the Burning Fence” – Roberta Lannes
“Pitty This Busy Monster Not” – Scott Edelman
“An End to Perpetual Motion” – Mark Samuels
“Swift to Chase” – Laird Barron

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ADAM’S LADDER PRE-ORDER CAMPAIGN!

Written Backwards is taking over the production of Adam’s Ladder, an anthology of dark science fiction co-edited by Michael Bailey and Darren Speegle, but we need your help to bring this book to life!

To help fund this project, an Indiegogo campaign has been established and will now through October 15th. This is an all-or-nothing campaign, so help out if you can. Full funding will assure that all contributors receive professional payment for their work. And upon funding, campaign backers won’t have to wait long to receive their book orders. The trade paperback and eBook  are scheduled for release in mid- to -late-October, with the deluxe hardback available in November.

Click the Adam’s Ladder cover below to visit the Indiegogo campaign.

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What is to Become of Humankind?

The future of humankind as an ever-changing organism is a subject of much debate. Where is our evolutionary path leading? Will the next rung take the form of mental transcendence, will it set humankind on a course toward divinity, or will this uncertain path involve a dark and terrible reversion?  Co-editors Michael Bailey and Darren Speegle present eighteen tales of dark science fiction that explore the course of evolution, written by some of the best literary minds in the fields of science fiction and horror:

  • Laird Barron – “Swift to Chase”
  • Chaz Brenchley – “Ch-ch-changes”
  • Ramsey Campbell – “How He Helped”
  • Scott Edelman – “Pity this Busy Monster Not”
  • Brian Evenson – “Nameless Citizen”
  • Erinn L. Kemper – “A Laughing Matter”
  • John Langan – “My Father, Dr. Frankenstein”
  • Roberta Lannes – “Painting the Burning Fence”
  • Tim Lebbon – “Strings”
  • Rena Mason – “I Will Be the Making of You”
  • Paul Meloy – “The Serile”
  • Mark Morris – “Undersound”
  • Lisa Morton – “Eyes of the Beholders”
  • Gene O’Neill – “Spirits”
  • Mark Samuels – “An End to Perpetual Motion”
  • B.E. Scully – “The Mythic Hero Most Likely to Squeeze a Stone”
  • Jeffrey Thomas – “Sliced Bread”
  • Damien Angelica Walters – “Filigree, Minotaur, Cyanide, Bloom”

Adam’s Ladder will be published in eBook, trade paperback, and in a 100-numbered / limited edition (signed by its editors, Michael Bailey and Darren Speegle).

Does it have a book trailer?

Click this image below:

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What will the trade paperback look like?

Something like this:

What is to Become of Written Backwards?

Over the last ten years, Written Backwards has published multiple award-winning anthologies, fiction collections, and standalone novels and novellas, ranging from dark science fiction to horror. Previous anthologies include the Bram Stoker Award-winning The Library of the Dead, the Benjamin Franklin Award winning (and Stoker nominated) Qualia Nous, and three volumes of Chiral Mad (the latest also up for a Stoker). Books published by Written Backwards have seen eight individual works nominated for the prestigious Bram Stoker Award, with three of those stories taking home the statue. Other stories/poems have been nominated for the Nebula, the Rhysling, and others. Foreword Reviews Book of the Year, the Indie Book Awards, the Independent Publisher Book Awards, the Eric Hoffer Book Award, the International Book Award … Written Backwards titles have seen over two dozen literary accolades over the years through its handful of titles! But we need your help bringing the next project to life: Adam’s Ladder.

With your help, Written Backwards can continue in its legacy to:

  1. Seek out diverse voices, both new and well-established.
  2. Pay writers, poets, and artists professional rates.
  3. Provide fair publishing contracts.
  4. Design and publish some of the most beautiful books imaginable.

What is to Become of this Campaign?

You’re probably wondering where your money will go for this particular campaign. Here’s the breakdown:

  • 63.64% – goes directly to the writers, which includes professional payment at a per-word rate, plus the cost of contributor copies for the various editions of the book.
  • 31.22% – goes directly to publication costs for the eBook, trade paperback, and hardback editions of the book.
  • 5.14% – covers shipping.
  • And that’s it. Zero profit will be made from this campaign. Any additional funds raised will go directly to future Written Backwards projects, some of which are already lined up as expansions/unlocks within this campaign.

This is an all-or-nothing campaign, so if it doesn’t reach it’s goal, the project gets canned. Anthologies (let’s face it), are expensive to make (but we all want them), mostly because there are so many incredible contributors involved. We need to raise $6,500 to make this book happen, so we’ve come up with some enticing perks.

And that’s how you can help …

Written Backwards has some tricks to bring you even more great (and FREE) books in the form of campaign unlocks and future anthologies.

 

Pellucid Lunacy was the first anthology published by Written Backwards, and after ten years, the book is getting a face-lift. When the campaign reaches $7,000, all backers (contributing $95 or higher) will receive a complimentary copy of the trade paperback!

The title and author of the third illustrated book in the Allevon series by Written Backwards will be revealed when the campaign reaches $8,000, and all backers (contributing $95 or higher) will receive a complimentary copy of the trade paperback.

The title and tentative cover of the next dark science fiction anthology by Written Backwards will be revealed when the campaign reaches $12,000, and all backers (contributing $95 or higher) will receive a complimentary digital copy in either PDF or EPUB.

[ to-be-announced ] will include fiction by:

Michael Marshall Smith
Ian Watson
Roberta Lannes
Scott Edelman
B.E. Scully
Lynda Rucker
Brian Evenson
Erinn L. Kemper
Chaz Brenchley
Tlotlo Tsamaase
Gene O’Neill
​Richard Thomas
Paul Meloy
… and others TBA

 

ADAM’S LADDER

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ADAM’S LADDER, a dark science fiction anthology I co-edited with Darren Speegle, is coming soon from Dark Regions Press. This is the follow-up to DRP’s highly successful return to science fiction with last year’s anthology, You, Human, and Marc Levinthal’s debut novel, Other Music. We’re hoping for an August release for the trade paperback edition.

Table of Contents includes:

“Ch-ch-changes” – Chaz Brenchley
“Filigree, Minotaur, Cyanide, Bloom” – Damien Angelica Walters
“How He Helped” – Ramsey Campbell
“Spirits” – Gene O’Neill
“The Mythic Hero Most Likely to Squeeze a Stone” – B.E. Scully
“My Father, Dr. Frankenstein” – John Langan
“Undersound” – Mark Morris
“A Laughing Matter” – Erinn L. Kemper
“The Serile” – Paul Meloy
“Eyes of the Beholders” – Lisa Morton
“Strings” – Tim Lebbon
“Sliced Bread” – Jeffrey Thomas
“I Will Be the Making of You” – Rena Mason
“Nameless Citizen” – Brian Evenson
“Painting the Burning Fence” – Roberta Lannes
“Pity this Busy Monster Not” – Scott Edelman
“An End to Perpetual Motion” – Mark Samuels
“Swift to Chase” – Laird Barron

What is to become of man?