Posts Tagged ‘ Scales and Petals ’

WHO’S WHO / THE LIST

Written Backwards has survived over the years publishing a wide array of creativity: short stories, novelettes, novellas, poetry, illustrations and, most recently, graphic adaptations. Most of the work appears in original anthologies, but a few select novels, debut fiction collections, and other strange projects have popped up over the years.

The goal: to seek diverse work, to push literary boundaries, to create the most beautiful books imaginable (and to provide professional-rate payments to contributors when at all possible). The result: a who’s who list of writers and artists. Millions of words. Hundreds of illustrations. Familiarize yourself with these wonderful people.

So, just who has Written Backwards published over the years, and where? Here’s a start, alphabetically by last name. All are short stories (unless specified, like this).

Addison, Linda D.

  • “Things That the Earth No Longer Bears” (poem) and “Life Poems” (a series of haiku) – Stokercon 2018 Anthology © 2017

Alfrey, Aeron

  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)

Anderson, Paul Michael

Arcuri, Meghan

  • “Inevitable” – Chiral Mad © 2012
  • “Watch Me” – Chiral Mad 3 © 2016
  • “Introduction” (nonfiction) – The Near Future © 2017
  • “What’s in a Mentor” – Stokercon 2018 Anthology © 2017

Arnzen, Michael

  • “Why the Bram Soker Award Matters” (nonfiction) – Stokercon 2018 Anthology © 2017

Bahr, Laura Lee

Bailey, Michael

Baldwin, Ben

  • Illustration – Stokercon 2018 Anthology © 2017 (reprint)

Balog, Jonathan

  • “Fail-Safe” and “Insomnia in Reverse” (poems) – Chiral Mad 3 © 2016

Barron, Laird

  • “Swift to Chase” (novelette) – Adam’s Ladder © 2017
  • “The Loveliest Form of the Dark Side” (nonfiction) – Stokercon 2018 Anthology © 2017

Batson, Michael Ian

Bear, Elizabeth

  • The Wreck of the Charles Dexter Ward” (novelette, with Sarah Monette) – Chiral Mad 4 © 2018 

Biggs, John

Blackthorn, Rose

  • “Prescience” and “Arbitration” (poems) – Chiral Mad 3 © 2016

Bodner, Hal

  • “A Rift in Reflection” – Chiral Mad 3 © 2016 (Bram Stoker Award nominee)
  • “Keepsakes” – You, Human © 2016

Booth III, Max

  • “Flowers Blooming in the Season of Atrophy” – Chiral Mad 2 © 2013
  • “The Neighborhood Has a Barbeque” – Qualia Nous © 2014
  • “Blood Dust” – Chiral Mad 3 © 2016
  • “The Big Question” (Guest of Honor Interview of Victor LaValle) and “The Importance of First Novels” (nonfiction) – Stokercon 2018 Anthology © 2017

Boston, Bruce

  • “Reflecting on Reflections” and “Beyond Symmetry” (poems) – Chiral Mad 3 © 2016
  • “Carnival of Ghosts” (poem, with Marge Simon) – Stokercon 2018 Anthology © 2017

Boyer, Ann K.

  • “In the Eyes of the Beholder” – Chiral Mad 2 © 2013

Braoddus, Maurice

  • “Wolf at the Door” (with Anthony R. Cardno) – Chiral Mad 4 © 2018

Braunbeck, Gary A.

  • “Need” – Chiral Mad © 2005, 2012 (reprint)
  • “The Great Pity” (novelette) – Chiral Mad 2 © 2013 (Bram Stoker Award winner)
  • “No Fixed Address” (novelette) – Qualia Nous © 2014
  • “Tales the Ashes Tell” – The Library of the Dead © 2015
  • “Silver Thread, Hammer Ring” (novelette) – Chiral Mad 3 © 2016
  • “Falling Faces by the Wayside” – You, Human © 2001, 2016 (reprint)
  • “Somewhere Between the Mundane and the Miraculous” (introduction, with Janet Harriett) – Chiral Mad 4 © 2018

Brenchley, Chad

  • “Ch-Ch-Changes” – Adam’s Ladder © 2017
  • “Here Today and Gone Tomorrow” – Prisms © 2019 (PS Publishing)

Brittany, Michele

  • “Furthers Horror Studies Scholarship for Second Year” (essay on the Ann Radcliffe Academic Conference, with Nicholas Diak) – Stokercon 2018 Anthology © 2017

Brock, Jason V

  • “Simulacrum” – Qualia Nous © 2013, 2014 (reprint)
  • “Windows, Mirrors, Doors” – Chiral Mad 3 © 2016
  • “Unity of Affect” – You, Human © 2016
  • “When Horror Gets Real” (nonfiction) – Stokercon 2018 Anthology © 2017

Brozek, Jennifer

  • “Home and Hope Both Sound a Little Bit Like ‘Hunger'” (with Seanan McGuire) – Chiral Mad 4 © 2018

Bulkin, Nadia

  • “A Luta Continua” – Prisms © 2019 (PS Publishing)

Bundschuh, Mason Ian

Burke, Chesya

  • “Peregrination” (novelette, with LH Moore) – Chiral Mad 4 © 2018

Burge, Weldon

Burke, Kealan Patrick

Cabeen, Bob

  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)

Cardno, Anthony R.

  • “Wolf at the Door” (with Maurice Broaddus) – Chiral Mad 4 © 2018

Caruso, Santiago

  • Illustration – Stokercon 2018 Anthology © 2017 (reprint)

Castle, Mort

  • “The Counselor” – Chiral Mad 2 © 2011, 2013 (reprint)
  • “Prayer” – Chiral Mad 3 © 2016
  • “Robot” – You, Human © 2016
  • “Hey, Kids! Comix! You Can Play, Too!” (nonfiction) – Mort Castle

Campbell, Ramsey

  • “The Word” (novelette) – Chiral Mad 2 © 1997, 2013 (reprint)
  • “Know Your Code” – Chiral Mad 3 © 2016
  • “How He Helped” – Adam’s Ladder © 2017
  • “The Way of the Worm” (novel excerpt) – Stokercon 2018 Anthology © 2017

Cantella, Julian

Cataneo, Emily B.

  • “A Guide to Etiquette and Comportment for the Sisters of Henley House” – Chiral Mad 2 © 2013
  • “The Rondelium Girl of Rue Marseilles” – Qualia Nous © 2014
  • “The Black Crow of Boddinstraße” – Chiral Mad 3 © 2016
  • In Her Flightless Wings, a Fire (novella, with Gwendolyn Kiste) – Chiral Mad 4 © 2018

Catronis, George C.

Chadbourne, Glenn

  • Illustrations – Chiral Mad 3 © 2016
  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)
  • “Firedance” (graphic adaptation, with Jack Ketchum) – Chiral Mad 4 © 2018

Chambers, James

  • “Mnemonicide” – Chiral Mad 2 © 2013
  • “The Price of Faces” – Qualia Nous © 2014
  • “Why Graphic Novels Matter in Horror” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “The Ghost of the Bayou Piténn” (graphic adaptation, with Jason Whitley & Christopher Mills) – Chiral Mad 4 © 2018

Chapman, Greg

  • Cover artwork – Stokercon 2018 Anthology © 2017
  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)

Chizmar, Richard

Christian, Autumn

Clark, G.O.

  • “Her Apparition Walked Right Through Him” (poem) – Stokercon 2018 Anthology © 2017

Clasen, Dr. Mathias

  • “The Science of Horror: Why Dark Horror Seduces” (nonfiction) – Stokercon 2018 Anthology © 2017

Cockburn, D.J.

  • “Peppermint Tea in Electronic Limbo” – Qualia Nous © 2014

Conquest, Lawrence

DeMeester, Kristi

  • “Golden Sun” (novelette, with Richard Thomas, Damien Angelica Walters & Michael Wehunt) – Chiral Mad 4 © 2018

Derwin, Theresa

  • “Guest of Honor Interview” (of Sam Weller) – Stokercon 2018 Anthology © 2017

Diak, Nicholas

  • “Furthers Horror Studies Scholarship for Second Year” (essay on the Ann Radcliffe Academic Conference, with Michele Brittany) – Stokercon 2018 Anthology © 2017

Di Filippo, Paul

  • “Fifty Super-Sad Mad Dog Sui-Homicidal Self-Sibs, All in a Leaky Tin Can Head” – Prisms © 2019 (PS Publishing)

Dioses, Ashley

  • “The Ocean Queen” (poem, with K.A. Opperman) – Stokercon 2018 Anthology © 2017

Dixon, John

  • “The Fundamental Importance of YA Books” (nonfiction) – Stokercon 2018 Anthology © 2017

Edelman, Scott

  • “That Perilous Stuff” (novelette) – Chiral Mad 3 © 2016 (Bram Stoker Award nominee)
  • “100 Things to Do Before You’re Downloaded” (novelette) – You, Human © 2016
  • “Only Humans Can Lie” (novelette) – Liars, Fakers, and the Dead Who Eat Them © 2017
  • “Faking it Until Forever Comes (novelette) – Liars, Fakers, and the Dead Who Eat Them © 2017 (Bram Stoker Award nominee)
  • “Introduction” (nonfiction) – The Far Future © 2017
  • “Pity This Busy Monster Not” (novelette) – Adam’s Ladder © 2017
  • “Words + Pictures = Our First Nightmares” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “I Shall But Love Thee Better” (novelette) – Prisms © 2019 (PS Publishing)

Ehmann, Jim

Evenson, Brian

  • “Nameless Citizen” – Adam’s Ladder © 2017
  • “The Shimmering Wall” – Prisms © 2019 (PS Publishing)

Everson, John

Fallon, Amber

  • “Guest of Honor Interview” (of Ciatlín R. Kiernan) – Stokercon 2018 Anthology © 2017

Fenn, J. Lincoln

  • “The Secrets of My Prison House” – Prisms © 2019 (PS Publishing)

Freivald, Patrick

French, Aaron J.

Gak

Garrison, A.A.

Gilberts, Steve

  • Illustration – Stokercon 2018 Anthology © 2017 (reprint)

Golden, Christopher

Goldsmith, P. Gardner

Goodfellow, Cody

Gonzalez, J.F.

Guignard, Eric J.

  • “Experiments in an Isolation Tank” – Chiral Mad © 2012
  • “Those Who Watch from on High” – Chiral Mad 3 © 2016

Hagelslag, Peter

  • “Lead Me to Multiplicity” – Qualia Nous © 2014

Harriett, Janet

  • “What Goes Up Must Come Down” – You, Human © 2016
  • “Somewhere Between the Mundane and the Miraculous” (introduction, with Gary A. Braunbeck) – Chiral Mad 4 © 2018

Hayden, S.C.

Hearn, David

  • “Brighter Her Aura Grows” – Chiral Mad © 2012

Hertz, Chris

Hodson, Brad

  • “Opening Script” and “Closing Script” (screenplays) – Stokercon 2018 Anthology © 2017

Hook, Andrew

Jacobs, John Hornor

Jeffery, Dave

  • “Guest of Honor Interview” (of Craig Engler) – Stokercon 2018 Anthology © 2017

Johnson, Eugene

  • “Lifetime Achievement Award Interview” (of Linda D. Addison) – Stokercon 2018 Anthology © 2017

Johnson, Erik T.

  • “The Inconsolable Key Company” – Pellucid Lunacy © 2010
  • “The Apologies” – Chiral Mad © 2012
  • “Welcome Home, All You Uninvited” – Chiral Mad 2 © 2013
  • “The Angel Chaser” – Qualia Nous © 2014
  • “Whisper #1 (a Warning)” and “Whisper #2 (a Prophecy)” (poems) – Chiral Mad 3 © 2016
  • “The Immigrants” – You, Human © 2016
  • Yes Trespassing (fiction collection) © 2017
  • “I Was Not There,” “Circle,” “The Lay of Aldrian,” and “Vespertine” (poems) – Stokercon 2018 Anthology © 2017
  • “The Science of Modern Horror Cinema” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “Ghost Drawl” (with J. Daniel Stone) – Chiral Mad 4 © 2018

Jordan, David

  • “The Truth Box” – Pellucid Lunacy © 2010

Kaplan, Barry Jay

Keene, Brian

Kelley, Jon Michael

  • “The Persistence of Vision” – Chiral Mad © 2012
  • “The Tended Field of Eido Yamata” – Chiral Mad 2 © 2013
  • “The Effigies of Tamber Square” – Qualia Nous © 2014

Kemper, Erinn L.

  • “Versions” – Chiral Mad 2 © 2013
  • “Night Guard” – Qualia Nous © 2014
  • “Phantom on the Ice” – The Library of the Dead © 2015
  • “A Flash of Red” – Chiral Mad 3 © 2016
  • “Gumi-Bear” – You, Human © 2016
  • “A Laughing Matter” – Adam’s Ladder © 2017
  • “The HWA Needs You” – Stokercon 2018 Anthology © 2017
  • The Long and the Short of It (novella, with F. Paul Wilson) – Chiral Mad 4 © 2018
  • “There is Nothing Lost” – Prisms © 2019 (PS Publishing)

Ketchum, Jack

  • “Amid the Walking Wounded” – Chiral Mad © 1998, 2012 (reprint)
  • “The Right Thing” – Chiral Mad 2 © 2013
  • “Seconds” – Chiral Mad 3 © 2016
  • “On Readings” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “Firedance” (graphic adaptation, with Glenn Chadbourne) – Chiral Mad 4 © 1998, 2018 (reprint of text only)

Kiera, Mackenzie

  • “Conjuring the Uncanny” (Guest of Honor Interview of Ramsey Campbell) – Stokercon 2018 Anthology © 2017

Kiernan, Ciatlín R.

  • “Interstate Love Song (Murder Ballad No. 8)” (novelette) – Stokercon 2018 Anthology © 2014, 2017 (reprint)

King, Stephen

  • “The Jaunt” – Qualia Nous © 1981, 2014 (reprint)
  • “The Last Rung of the Ladder” – Chiral Mad 3 © 1978, 2016 (reprint)
  • “I Am the Doorway” – You, Human © 1976, 2016 (reprint)

Kiste, Gwendolyn

  • In Her Flightless Wings, a Fire (novella, with Emily B. Cataneo) – Chiral Mad 4 © 2018

Krisch, Glen

  • “Sudden Sanctuary” (graphic adaptation, with Orion Zangara & Matt Stockwell) – Chiral Mad 4 © 2018

Lacey, Patrick

Langan, John

Lannes, Roberta

  • “A Raven in the Dove’s Nest” – The Library of the Dead © 2015
  • “Painting the Burning Fence” – Adam’s Ladder © 2017
  • “The Girl with Black Fingers” – Prisms © 2019 (PS Publishing)

Larsen, Christian A.

Larson, Amanda

LaValle, Victor

  • “Spectral Evidence” – Stokercon 2018 Anthology © 2017

LaValley, Dustin

Lebbon, Tim

Leigh, Sydney

Levinthal, Marc

Lin, Jessica May

  • “Red Runner vs. the Surgeon, Issue 18” – Chiral Mad 3 © 2016

Little, John R.

Lucia, Kevin

Macae, Frisco

Macleod, Bracken

  • “A Sense of Dread” (nonfiction, with Douglas Wynne) – Stokercon 2018 Anthology © 2017
  • “Afterword” (nonfiction) – Bones Are Made to Be Broken © 2018
  • How We Broke (novella, with Bracken MacLeod) – Chiral Mad 4 © 2018

MacLeod, Jay

Malerman, Josh

  • “The Bigger Bedroom” – Chiral Mad 3 © 2016
  • “The Jupiter Drop” (novelette) – You, Human © 2016 (Bram Stoker Award nominee)
  • “The Challenge” (nonfiction) – Stokercon 2018 Anthology © 2017

Malik, Usman T.

  • “Blood Women” – Chiral Mad 2 © 2013
  • “The Vaporization Enthalpy of a Peculiar Pakistani Family” – Qualia Nous © 2014 (Bram Stoker Award winner, Nebula Award nominee)

Marcley, Valerie

  • “Detritus Girl” (novelette, with P. Gardner Goldsmith) – Chiral Mad 4 © 2018

Marrs, Chris

Mason, Rena

Massie, Elizabeth

  • “18P37-C, After Andrea Was Arrested” – Qualia Nous © 2014
  • “Black River #1” and “Black River #2” (poems) – Chiral Mad 3 © 2016
  • “Down and Out on Poplar Street” – Stokercon 2018 Anthology © 2017
  • “The House at Wydham Street” (novel excerpt) – Stokercon 2018 Anthology © 2017
  • “The Substance of Belief” (with Marge Simon) – Chiral Mad 4 © 2018

McBride, Michael

McGuire, Seanan

  • “Home and Hope Both Sound a Little Bit Like ‘Hunger'” (with Jennifer Brozek) – Chiral Mad 4 © 2018

McMahon, Gary

McQuiston, Rick

Meloy, Paul

  • “The Serile” – Adam’s Ladder © 2017
  • “The Gearbox” – Prisms © 2019 (PS Publishing)

Michelle, Lori

Miller, Eric

  • “Yes, Horror Films Are Important” (nonfiction) – Stokercon 2018 Anthology © 2017

Mills, Christopher

  • “The Ghost of the Bayou Piténn” (graphic adaptation, with James Chambers & Jason Whitley) – Chiral Mad 4 © 2018

Monette, Sarah

  • The Wreck of the Charles Dexter Ward” (novelette, with Elizabeth Bear) – Chiral Mad 4 © 2012, 2018 (previously audio only)

Monteleone, Thomas F.

  • “Fun with Your New Asymmetric Head” (introduction) – Chiral Mad © 2012
  • “When I Was” – Chiral Mad 2 © 2013
  • “Good and Faithful Servant” – Qualia Nous © 1976, 2014 (reprint)
  • “The Star-Filled Sea is Smooth Tonight” – You, Human © 1977, 2016 (reprint)
  • “Are You Sure You Really Want to Do This?” (nonfiction) – Stokercon 2018 Anthology © 2017

Moore, LH

  • “Peregrination” (novelette, with Chesya Burke) – Chiral Mad 4 © 2018

Morrell, David

  • “Orange is for Anguish, Blue for Insanity” (novelette) – Chiral Mad 2 © 1988, 2013 (reprint)

Morris, Mark

Morton, Lisa

  • “Introduction” (nonfiction)- The Burden of Indigo © 2016
  • “Eyes of the Beholders” – Adam’s Ladder © 2017
  • “Afterword” (nonfiction) – Stokercon 2018 Anthology © 2017

Muslim, Kristine Ong

Mynhardt, Joe

  • “Illustrations and the Horror Genre” – Stokercon 2018 Anthology © 2017

Navarro, Yvonne

Nolan, William F.

Ochse, Weston

O’Neill, Gene

  • “The White Quetzal” – Chiral Mad © 1985, 2012 (reprint)
  • “Tight Partners” – Chiral Mad 2 © 2013
  • “The Shaking Man” – Qualia Nous © 2014
  • “Broken Lady” – The Library of the Dead © 2015
  • At the Laxy K (novella, Allevon #1) © 2015
  • “3-Dot People” – Chiral Mad 3 © 2016
  • The Confessions of St. Zach (composite novel, The Cal Wild Chronicles #1) © 2016
  • The Burden of Indigo (composite novel, The Cal Wild Chronicles #2) © 2016
  • The Near Future (composite novel, The Cal Wild Chronicles #3) © 2017
  • The Far Future (composite novel, The Cal Wild Chronicles #4) © 2017
  • “Spirits” – Adam’s Ladder © 2017
  • “Some Thoughts on Short Story Collections” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “Existentialism, Progressive Jazz, and the Blues” (introduction) – Artifacts © 2018

O’Neill, Patrick

Opperman, K.A.

  • “The Ocean Queen” (poem, with Ashley Dioses) – Stokercon 2018 Anthology © 2017

O’Rourke, Monica J.

Ottino, Amanda

  • “Enchanted Combustion” – Chiral Mad © 2012

Palahniuk, Chuck

  • “Observations on Horror Burnout” (introduction) – Chiral Mad 3 © 2016

Palisano, John

  • “Gaia Ungaia” – Chiral Mad © 2012
  • “The Geminis” – Chiral Mad 2 © 2013 (Bram Stoker Award nominee)
  • “Welcome to Our Show” (foreword) – Stokercon 2018 Anthology © 2017

Parkes, Ciarán

  • “The Speed of Sound” and “Recognizing Trees” (poems) – Chiral Mad 3 © 2016

Partridge, Norman

  • “Special Collections” (introduction / novelette) – The Library of the Dead © 2015 (Bram Stoker Award nominee)

Payne, R.B.

  • “Cubicle Farm” – Chiral Mad © 2012

Perron, Philip C.

Pillar, Amanda

Piorkowski, Dan

Quigley, Lisa

  • “Emcee Interview” (of Jeff Strand) – Stokercon 2018 Anthology © 2017

Rollo, Gord

  • “Lost in a Field of Paper Flowers” – Chiral Mad © 2005, 2012 (reprint)

Rucker, Lynda

  • “Encore for an Empty Sky” – Prisms © 2019 (PS Publishing)

Samuels, Mark

SanGiovanni, Mary

Scheuerman, Ashlee

Scully, B.E.

  • “Dog at the Look” – You, Human © 2016
  • “The Mythic Hero Most Likely to Squeeze a Stone” – Adam’s Ladder © 2017
  • “We Come in Threes” – Prisms © 2019 (PS Publishing)

Serra, Daniele

Shoebridge, Ian

Simon, Marge

  • “Shutdown” (Rhysling Award winner) and “Tomorrow’s Femme” (poems) – Qualia Nous © 2014
  • “Mirror Image” and “Reflections Through the Raven’s Eye” (poems) – Chiral Mad 3 © 2016
  • “The Fourth Law” – You, Human © 2016
  • “In Accordance with the Laws,” “Less than Human” and “Future Imperfect: Broken Laws” (poems) – You, Human © 2016
  • “Carnival of Ghosts” (poem, with Bruce Boston) – Stokercon 2018 Anthology © 2017
  • “The Importance of Poetry in the Genre” (nonfiction) – Stokercon 2018 Anthology © 2017
  • “The Substance of Belief” (with Elizabeth Massie) – Chiral Mad 4 © 2018

Skipp, John

  • “Empathy” – Chiral Mad 2 © 2011, 2013 (reprint)
  • “Other Music, Indeed!” (introduction) – Other Music © 2016, 2018
  • “Hopium Den” – You, Human © 2016

Smith, Michael Marshall

  • “The Motel Business” – Prisms © 2019 (PS Publishing)

Snyder, Lucy A.

Speegle, Darren

  • “The Cosmic Fair” – You, Human © 2016
  • Co-editor – Adam’s Ladder © 2017
  • Artifacts (novel, Allevon #3) © 2018
  • Co-editor – Prisms © 2019 (PS Publishing)

Spooner, L.A.

  • Illustrations – At the Lazy K © 2015
  • Illustrations – Ensō © 2017
  • Illustrations – You, Human © 2016
  • Illustrations – Stokercon 2018 Anthology © 2017 (reprints)
  • Illustrations – Artifacts © 2018

Spratford, Becky

  • “Librarians’ Day” (nonfiction) – Stokercon 2018 Anthology © 2017

Steiner, Pat R.

  • “The Shoe Tree” – Chiral Mad © 2011, 2012 (reprint)
  • “Kilroy Wasn’t There” – Qualia Nous © 2014
  • Illustrations – Qualia Nous Illustrated © 2014  (personal project)
  • Illustrations – Stokercon 2018 Anthology © 2017
  • Illustrations – Bones Are Made to Be Broken © 2018

Stipes, Julie

Stockwell, Matt

  • “Sudden Sanctuary” (graphic adaptation, with Glen Krisch & Orion Zangara) – Chiral Mad 4 © 2018

Stone, J. Daniel

  • “Ghost Drawl” (with Erik T. Johnson) – Chiral Mad 4 © 2018

Storm, Kia

Strand, Jeff

  • “A Flawed Fantasy” – Chiral Mad © 2012
  • “Kind of an Introduction” (nonfiction) – Stokercon 2018 Anthology © 2017

Stroup, Chad

  • “Asperitas” (novelette, with Kristopher Triana) – Chiral Mad 4 © 2018

Taborska, Anna

  • “Daylight Robbery” – Prisms © 2019 (PS Publishing)

Taff, John F.D.

Thomas, Jeffrey

Thomas, Richard

  • “Playing with Fire” – Chiral Mad 2 © 2013
  • “The Jenny Store” – Qualia Nous © 2011, 2014 (reprint)
  • “The Offering on the Hill” – Chiral Mad 3 © 2016
  • “Golden Sun” (novelette, with Kristi DeMeester, Damien Angelica Walters & Michael Wehunt) – Chiral Mad 4 © 2018
  • “Saudade” – Prisms © 2019 (PS Publishing)

Tlotlo Tsamaase

  • “District to Cervix: The Time Before We Were Born” (novelette) – Prisms © 2019 (PS Publishing)

Triana, Kristopher

  • “Asperitas” (novelette, with Chad Stroup) – Chiral Mad 4 © 2018

Waggoner, Tim

  • “Where No Horror Writer Has Gone Before” (nonfiction) – Stokercon 2018 Anthology © 2017

Walters, Damien Angelica

Watson, Ian

  • “The Birth of Venus” – Prisms © 2019 (PS Publishing)

Wehunt, Michael

  • “Golden Sun” (novelette, with Kristi DeMeester, Richard Thomas & Damien Angelica Walters) – Chiral Mad 4 © 2018

Weller, Sam

  • “Böse” – Stokercon 2018 Anthology © 2017

Wetmore, Jr., Kevin

  • “The Human Emotion within the Frightening Stories” (Guest of Honor Interview of Elizabeth Massie) and “Writing Nonfiction & Fiction for Beginners” (nonfiction) – Stokercon 2018 Anthology © 2017

Whitley, Jason

  • “The Ghost of the Bayou Piténn” (graphic adaptation, with James Chambers & Christopher Mills) – Chiral Mad 4 © 2018

Wilk, Dyer

  • “It Can Walk and Talk, and You’ll Never Have to Worry About Housework Again” – You, Human © 2016

Wilson, F. Paul

  • “Introduction” (nonfiction) – You, Human © 2016
  • The Long and the Short of It (novella, with Erinn L. Kemper) – Chiral Mad 4 © 2018

Winter, Douglas E.

Witherspoon, Cynthia

Wynne, Douglas

  • “A Sense of Dread” (nonfiction, with Bracken MacLeod) – Stokercon 2018 Anthology © 2017

Wytovich, Stephanie M.

  • “Welcome Home, Darling” and “Put Me to Dream” (poems) – Chiral Mad 3 © 2016
  • “Final Frame Film Competition” (nonfiction), “The Color White,” “The Girl Who Slept with Monsters” and “Dare I Keep the Body” (poems) – Stokercon 2018 Anthology © 2014, 2017 (reprints)

Yardley, Mercedes M.

  • “The Dead Collection” – Chiral Mad 3 © 2016
  • “Magic in Minutes” (nonfiction) – Stokercon 2018 Anthology © 2017

Zangara, Orion

Zumpe, Lee Clark

Fun fact: Gary A. Braunbeck, P. Gardner Goldsmith, Erik T. Johnson, and Jack Ketchum have appeared in all four volumes of Chiral Mad.

FREE EBOOK WEEKEND (9/15-9/16)

Free e-Book Weekend 1

As a thank you for helping with the Written Backwards eBook Sale, three e-Books will be available for free this weekend only, Saturday through Sunday: three firsts by Michael Bailey: Palindrome Hannah (1st novel), Scales and Petals (1st collection), and Our Children, Our Teachers (1st standalone novelette).

Amazon will list these for $0.00 / £0.00 starting at 12:00am on the 15th until 11:59pm on the 16th. All other e-Book titles part of the Written Backwards eBook Sale are still available for $0.99 / £0.99 through midnight on the 18th.

Pageflex Persona [document: PRS0000040_00009]

Enter a cruel palindrome world: a symmetric place where disturbing situations displace the common; where good acts transmute to evil ones; where windows and mirrors are interchangeable. Within, characters influence each other through macabre arrangements of involuntary happenstance, and learn the inevitabilities of coincidence. A segmented story of a mother and daughter intertwines the others. This hidden sixth story, assembled from the five separate narratives, uncovers the sad life of a child who carries a palindrome name, and her struggling teenage mother. With five stories heading one direction, and Hannah traveling the opposite, the story unfolds like a palindrome. A puzzle within a puzzle.

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Between writing the novels Palindrome Hannah and Phoenix Rose, Michael Bailey penned and published a number of these dark short fiction and poetry pieces, some of which can be found in literary magazines and  anthologies  around the world.  A few of these fallen dragon scales and flower petals, as he likes to call them, are reprinted here, while others are seeing print for the first time, hand selected and arranged by the author. Once you crack the spine, there’s no going back.

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Children are often our greatest teachers, but what happens if the lesson is too heavy to hold? In Our Children, Our Teachers, a high school in rural Brenden, Washington is taken hostage by a gathering of unlikely students trying to teach the world a new lesson … a foreshadowing, perhaps, to darker times ahead for the American education system, if gun control is not addressed properly.

All other Written Backwards titles listed below will continue to run for only $0.99 / £0.99 until midnight, September 18th.

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WILL THERE BE A CHIRAL MAD 4?

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I have been thinking about CHIRAL MAD 4 for quite some time, and have decided that if CHIRAL MAD 4 were to happen, the entire book would spawn from the number 4 … because it’s the 4th volume in a series that may either end at 4, or continue onward indefinitely. But, in order to understand where this fourth volume would be coming from, you have to wade through some history on the series, and some other Written Backwards projects, because it’s all connected in one way or another …

cm_accoladesThe first Chiral Mad (yes, you can click that link to directly buy a copy from Amazon, or the book cover to the left) was a charity anthology. Not a single author was offered payment, other than a contributor copy. Everyone involved donated their work to help create a rather awesome anthology that ended up raising over $6,000 for various Down syndrome charities, the biggest chunk of that being a $3,000 donation to the Down Syndrome Information Alliance. Thomas F. Monteleone wrote an awesome introduction, various stories made various best-of lists, such as Gary McMahon’s “Some Pictures in an Album,” and so on. Lots of famous names, lots of new names now becoming more famous. The book was well-received critically, won some awards, and, well, sparked a series of anthologies.

CHIRAL MAD 2 - COVERChiral Mad 2 quickly followed (yes, feel free to click that link or the book image to purchase), but something new happened with this anthology. Knowing how well the first volume did monetarily, this second volume allowed Written Backwards (a newish small publisher at the time) to pay writers for their work at professional rates ($0.05 per word at the time). That doesn’t seem like a lot of money, but multiply $0.05 by 120,000 words, and you get $6,000, which was paid to the contributors, upfront, out of pocket. Long story short, the anthology did about as well as the first volume (broke about even, and also helped spark further sales of the first Chiral Mad), won some awards, and even won Gary A. Braunbeck one of his twenty-thousand Bram Stoker Awards for his long fiction piece, “The Great Pity.” John Palisano was also nominated for his short story “The Geminis.” The book did well, in terms of an anthology, which means it basically broke even and eventually the $6,000 was recuperated, and everything over that amount also went (and still goes) to charity. Anthologies are expensive, so remember that the next time you hound small publishers for “what’s next, what’s next, when can I submit to the next one” and so on.

Qualia NousChiral Mad 2 had an open call for submissions, and over 550 submissions were received, along with the 20 stories from invited writers. Now, 570 submissions may not sound like a lot, but multiply 570 by the average 5850 words (I did the math), and you get 3,217,500 words, which is approximately 50 or more novel-length works to sort through to find the perfect table of contents. Many rejections were sent, which is never fun. But, having so many submissions resulted in a great number of fiction stories that were a little too sci-fi for CHIRAL MAD, which sparked an entirely new idea: a science fiction anthology, Qualia Nous. How did this anthology do? Well, it was much longer, contributors were paid professional rates, and was much more expensive ($7,500 or so) to put together. It did well, critically, won the Benjamin Franklin Award, was nominated for the Bram Stoker Award, resulted in two stories winning the Bram Stoker Award for short fiction (Usman T. Malik and Rena Mason), as well as a Nebula nomination for Malik, and an award for the single poem in the anthology by Marge Simon. And some other awards. The CHIRAL MAD anthologies went on hiatus for a while to promote Qualia Nous. The book has made back about 1/2 of what it cost to put together, despite how well it’s done critically. That’s anthologies for you: everyone wants to be in one; no one wants to buy one.

Pageflex Persona [document: PRS0000026_00094]And then an idea for a new ALLEVON series of illustrated books popped into mind (the word “novella” backward), and thus a new series of physically smaller, illustrated trade paperback books began, starting with a novella called At the Lazy K by Gene O’Neill (feel free to purchase that one, too), which was illustrated throughout by L.A. Spooner. Later this year (next month perhaps), the second book in the ALLEVON series will be published, a collection by Scott Edelman called Liars, Fakers, and the Dead Who Eat Them, which is set of zombie novelettes: “Only Humans Lie” and “Faking It Until Forever Comes,” which features a cover and interior illustrations by Daniele Serra. This series will continue through the Written Backwards imprint, as there are already 4 or 5 future volumes already set in motion.

ENSŌSo, here I am, getting distracted by new projects, talking with Dark Regions Press about a possible merger, taking on project after project after project, and then I decide to write a children’s book called Enso to take my mind out of horror and sci-fi for a while (it’s a dark, dark place; a place I nearly left completely). I wanted to write something my kids (okay, not my kids, but my wife’s kids) could read, something other parent’s kids could read, something dark, but less dark. The book was illustrated beautifully by L.A. Spooner, who also illustrated At the Lazy K . I decided to do a signed/limited print run for these, so only 100 were ever made. I still have a dozen or so if you want a copy, but they are mostly gone. I tend to give these out to families with small children. It’s basically four children’s fables about the circle of life, but with my nonlinear spin.

Inkblots and Blood SpotsI keep telling myself that someday I’ll return to my own writing. I have two published novels under my name: Palindrome Hannahand Phoenix Rose, as well as two short story and poetry collections, Scales and Petals, (you can find all of these on the tabs at the top of the main www.nettirw.com page), and most recently Inkblots and Blood Spots (pictured), which hold some of my best work (and yes, you can purchase a copy if you want to make me happy). I don’t write a lot (maybe two or three stories per year on a good year), but people seem to like my writing when I decide to use my brain to craft something of my own, books that are mine. Inkblots was illustrated throughout by Daniele Serra, featured an introduction by Douglas E. Winter, and had some nice blurbs by some pretty awesome individuals. Villipede Publications did a great job putting this together. When I get around to it, I’ll finish novel #3, Psychotropic Dragon (which I’ve been working on for over 10 years), as well as a new mainstream novel I’ve started called Seen in Distant Stars. Other than that, I’m only writing short fiction when invited into certain anthologies, and only by certain people. I just don’t have the time otherwise …

Pageflex Persona [document: PRS0000040_00009]And then The Library of the Dead fell into my lap. This project was originally conceived by Gene O’Neill and Gord Rollo. I was brought on as a co-editor, and then the publisher asked if I’d be the sole editor, and then later asked if I’d take on the project entirely, which of course I did. So, I put everything I had into this thing. I visited the real library of the dead, a place called Chapel of the Chimes in Oakland, California, took a photo-shoot of the place (see that awesome cover?), forked out just about all the money I had left in my bank account, worked with some amazing contributors, worked with GAK, who illustrated the entire book based on my photography, included some of that photography throughout the book, wrote a tie-in piece called “The Librarian” to guide the reader through the labyrinth … and then something terrible happened. J.F. Gonzalez died, one of the book’s contributors, and so we dedicated the book to him, added additional artwork, and an afterword by Mary SanGiovanni. The anthology won the Bram Stoker Award, and a few others. I’m damn proud of this book, and damn proud of everyone who helped bring this book together. It’s recouped about half of what it cost to build, but I think it’s worth it. Dark Regions Press has recently re-released the book in trade paperback, with a limited deluxe hardbound (illustrations in color) in the works, which sold out basically over night.

CHIRAL MAD 3 - DRP EditionThen came Chiral Mad 3, which was the first book released by Written Backwards as an imprint of Dark Regions Press. Yes, we joined forces, and it was a wonderful collaboration (I’ll get back to collaborations later …) And yes, please click the link and purchase a copy to support us. You will not be disappointed. I pulled every string I could find for this book, and it stands as the most expensive book I have ever made to date, by far. Like, lots of money. I used all my super powers to make this one happen. The entire anthology is illustrated by the legendary Glenn Chadbourne, features an introduction by the one and only Chuck Palahniuk (Fight Club), with stories by some of the best in the business, including Jack Ketchum, Stephen King, and, as with all my anthologies, it’s filled with a diverse group of both established, semi-established, and never-before-established writers. But I had to do something different with this book. Yes, there are 45 illustrations. Yes, these books keep getting bigger and bigger. But this time around, I needed more poetry. Lots of poetry. The book is structured chirally, story-poem-story-poem-story, all the way through. It’s a beautiful book. And I keep telling myself, as I do with all of these books, that there’s nothing I can improve upon. Nothing I can do differ–wait …

full coverYou, Human. That’s right, as part of Dark Regions Press’ return to science fiction, I’ve taken on two additional projects. One of these is Other Music, the debut novel by Marc Levinthal, which features an introduction by John Skipp and will be released sometime in August. The other is You, Human, the first science fiction anthology by Dark Regions Press in who knows how long. I pulled out all the tricks for this one as well, playing off Asimov’s I, Robot, but with a human twist, and three new Laws of Humanity. In fact, the anthology features an introduction on humanism by F. Paul Wilson, as well as dark science fiction and poetry by some of the best in the business. This will be released either late this summer or early this fall by Dark Regions Press.

Pageflex Persona [document: PRS0000038_00074]And I can’t forget Paul Michael Anderson’s first fiction collection, a beautiful book called Bones Are Made to be Broken, which will be released in trade paperback, ebook, and signed limited/deluxe hardback this fall by Dark Regions Press. I’ve published Paul in nearly every one of my anthologies, because he’s that damn good. And now all of his best short fiction (as well as a new novella written specifically for this book) come together in Bones Are Made to Be Broken. You do not want to miss this collection. As always, I am putting everything I have behind this book, because the spine of this book is made to be broken, by you, reading every story over and over again.

The Cal Wild ChroniclesAnd of course there’s the 4-book magnum opus by the legendary, genre-bending master of fantasy, horror, and science fiction. The Cal Wild Chronicles is a 4-book series of trade paperbacks I’m putting together for the one and only Gene O’Neill, which includes The Confessions of St. Zach (with an introduction by John R. Little), The Burden of Indigo (with an introduction by Lisa Morton), The Near Future (with an introduction by Meghan Arcuri), and The Far Future (with an introduction by Scott Edelman). Each book is beautifully illustrated by Orion Zangara, and each book, when put together completes the wonderful puzzle that is Cal Wild. In fact, when you put the spines together, they create the Rainbow Man from the series, and when you place either the fronts or backs of these books side-by-side-by-side-by-side, you complete yet another puzzle. Later this year, Dark Regions Press will publish the entire series within a single volume, which you can pre-order at darkregions.com.

Pageflex Persona [document: PRS0000026_00094]And before we get to Chiral Mad 4, I should mention the anthology that started it all, Pellucid Lunacy. This was the first anthology ever published by Written Backwards, and the cover featured a painting of the arachnid/human skeleton from my dreams that originally spawned the idea for the novel Psychotropic Dragon. Well, enough time has gone by, that the series deserves a reboot. So, as soon as thing slow down a bit (if they ever do), we will re-release this title through the Written Backwards imprint of Dark Regions Press to give this thing more legs. The cover will be getting a reboot as well, as you can tell from this new cover.

But what about Chiral Mad 4. Everyone wants there to be a Chiral Mad 4!

So here’s the deal. The entire writing community has been at war with one another for far too long. Finger-pointing, harassment, racism, bigotry, accusations (both false and allegedly true), people talking about people killing people, politicking, all that social justice bulls**t that seems to be tearing this writing community apart one writer at a time, senseless/endless arguing, blocking, unfriending, blah blah blah … It’s a mess. So here’s what we do … This is how we can (strike that), this is how you can make Chiral Mad 4 happen:

If, and this is a big if, you want CHIRAL MAD to continue, this is how it’s going to happen for a fourth volume. This is not a call for submissions at this time. This is simply an idea. This has the potential of either ending something that was once great (in a big fiery ball of flame), or continuing the evolution of something much greater.

You have to collaborate. You have to work together.

These would be the rules for Chiral Mad 4 (if the anthology were to happen):

  1. Each work has to be a collaboration by more than one individual.
  2. More than two collaborators may be part of the same collaboration (3 or 4 authors writing a story, for example, or more than 2 collaborators working on the same graphic/comic piece)
  3. The more unique the collaboration, the better. (Have someone in mind you’ve always wanted to work with but were too afraid to ask, then that’s most likely the person with whom you should collaborate)
  4. Unique collaborations will go to the top of the reading pile.
  5. Diverse collaborations will go to the top of the top of the reading pile.
  6. No pseudonyms (unless you publish under that pseudonym regularly), and no collaborating with your own pseudonym.
  7. Absolutely no gratuitous sex, violence, abuse, rape …
  8. Play nice.

This is what will be ultimately accepted for Chiral Mad 4 (if the anthology were to happen):

  1. 4 collaborative novellas (15,000 – 20,000 words)
  2. 4 collaborative novelettes (8,000 – 10,000 words)
  3. 4 collaborative short stories (3,000 – 5,000 words)
  4. 4 collaborative short stories adapted to graphic/comic format (1,000-1,500 words, 10-12 pages max)

That’s 16 projects total, and yes, that’s a hefty word count when you add the numbers. This could turn into a part 1 / part 2, depending on word count. There will most likely be a Kickstarter or Indigogo campaign to help fund this project if there is enough demand, and payment would be made close to publication date, most likely late 2017, because:

Payment would be as follows (if the anthology were to happen):

  1. novellas – $0.05 per word, $1,000 max (split between collaborators)
  2. novelettes – $0.05 per word, $500 max (split between collaborators)
  3. short stories – $0.05 per word, $250 max (split between collaborators)
  4. graphic/comic stories – $50 per page, $500 max (split between collaborators)

Play nice.

Collaborate.

Make something beautiful.

Email cm4@nettirw.com for more information, questions about collaborations, etc.

And if you want to keep seeing volumes of CHIRAL MAD year after year, please purchase a copy of volumes 1, 2, and 3. Tell our friends. Tell your family. Help spread the word about these anthologies (as well as other Written Backwards / Dark Regions Press anthologies), because that’s how we stay in business and keep producing such fine books.

Coming soon, a collaboration with L.A. Spooner to adapt my short story “Plasty” from Scales and Petals.

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POSITIVE +

The world is negative. Admit it. I’ve slowly learned this through life, which is why I radiate positivity. I don’t try to be positive, it just happens. I am a positively charged being. If you’re close, you can feel it flowing off me like some kind of magnetic field, and if you are feeling negative, my superpower will draw you in and wrap around you like a blanket and keep you warm. I will make the hairs on arms stand on end. I will make you smile. And if you don’t, there’s something seriously wrong with you.

I guess that’s why I originally chose to write psychological horror. My work typically highlights beautiful things hidden in the darkest of places. If you’ve read Palindrome Hannah or Phoenix Rose, or any of my short fiction or poetry in Scales and Petals, you know what I’m talking about. Since I first started writing horror (sometime in 1999), and then publishing (2001), my work progressively darkened.

Palindrome Hannah, the debut novel, questioned coincidence and dealt with subjects such as suicide, multiple personalities / possession, domestic violence, child abuse, poverty, mental instability, bullying, and other horrible things. Dark, horrid puzzle pieces that hopefully formed something more beautiful.

Phoenix Rose, the follow-up novel, questioned reality and dealt with sad subjects like family loss, childhood trauma, mental disorders, and the unforgiving balance of life and death, while also focusing on spirituality, hope, sacrifice, and rising from one’s ashes.

While writing those two novels, I published Scales and Petals, a collection of short stories and poems. While a few of the works are on the lighter side of the dark, the rest dive into some rather horrid places. And it only gets darker from there.

Psychotropic Dragon, what I’m currently calling my last horror novel, is ultimately a love story. It is also the darkest, most difficult thing I have ever written. It has taken me over ten years (12?) to get this thing on paper. I kept putting the project on hold because I just didn’t want to finish the damn thing. I’d revisit the novel over the years, writing in bursts of 5,000 to 10,000 word chunks, and then the manuscript would sit for a while. Over a year, at one point. Finally, I gave myself a goal and cranked out the last 15,000 words over the course of a few weeks. Such an exhaustive process. And now it sits again, unfinished, waiting to be edited and rewritten, and edited some more. A few pre-readers are taking a shot at it, but there’s still work to be done. What’s it about? Psychotropic drugs, hallucinations, sex (the good and the absolute worst), child abuse, sexual abuse, dissociative identity disorders, the great eclose of the human condition, and other “real” things. Sick stuff. Some sick, beautiful stuff. It’s a love story, right? Right…

Anyway, there’s even more dark stuff in the works with Inkblots and Blood Spots, what I’m calling my last horror collection. This book contains the short stories and poems written between Phoenix Rose and Psychotropic Dragon. Dark, dark stuff. Dark, but transitional. After closing both of these future books, however, you will realize why these may be my last two “horror” projects. I hope you understand. Truth be told, only a tenth of what I read would be considered horror, and my writing style appears to be going down that path as well.

What about the anthologies?

DSIAPellucid Lunacy was my first editing project, a collection of psychological horror that raised a little over $2,000 for Breast Cancer and Down Syndrome research (donations split down the center), and was a recipient of the International Book Awards and winner of the USA Book News “Best Book” Awards.

The second anthology, Chiral Mad, also psychological horror, fared much better in terms of funds raised for charity. The Chiral Mad tally currently stands at $4,260, with all proceeds going to the Down Syndrome Information Alliance. That is positively amazing. Recently, the DSIA sent a thank you letter for their first check of $3,000. To date, Chiral Mad has received rave reviews and is the recipient of the following:

– Shortlisted for the Grand Prize of an unmentionable award, to be announced May 6th, 2013!
– London Book Festival winner for Anthologies/Collections
– This is Horror Awards, Anthology of the Year runner-up
– USA Book News “Best Book” Awards (Fiction: Anthologies), Finalist
– USA Book News “Best Book” Awards (Best Cover Design: Fiction), Finalist
– Halloween Book Fest Awards, Honorable Mention
– A few more surprises are in store soon…

While I may be cutting back on my own horror fiction (perhaps cutting it out completely), I will continue to edit and publish charity anthologies. That is a certainty. Will they all be psychological horror? Perhaps not, but perhaps yes. Perhaps most certainly yes. If I’m invited to write for a specific horror-themed anthology, I will consider it, but I don’t see myself writing horror anytime soon. What I write will probably have dark elements, but will not be straight up horror. My latest 5 or 6 published stories are borderline horror anyway, so I’ve already started down a more positive path with my writing. “Primal Tongue,” “Bootstrap” and “Hiatus” are examples of this.

Before I forget, I need to mention that Surviving the End (in which my story “Hiatus” appears), edited by Craig Bezant, recently won the Australian Shadow Award for edited publication. This is sort of the equivalent of the Bram Stoker Awards for Australia. Awesome news. “Birthday Suit,” a short story by Martin Livings, also in Surviving the End, won for short fiction.

Anyway, what shall I write? Am I retiring from writing horror altogether? I’m not sure. I’m leaning toward young adult fiction, or even a younger audience. Maybe both. Maybe more than both. Kids are reading, but I look on the shelves under “Young Adult” and I see crap. Vampires, Sex, Werewolves, Sex, Zombies, Sex… it’s too much. Kids need to read something more realistic, something positive. If I go down this route, there will be dark elements in my fiction, but my work will be overall positive, because that’s what the world needs.

Positivity rocks.