Posts Tagged ‘ Science Fiction ’

WIRED TO THE HEART

The latest Written Backwards interview is with Tlotolo Tsamaase, a Motswana writer of fiction, poetry, and articles on architecture. Her work has appeared in literary magazines all over the world, and her latest, a novelette called “District to Cervix: The Time Before We Were Born,” will appear in the forthcoming anthology Prisms, co-edited by Darren Speegle and Michael Bailey, to be published by PS Publishing.

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The interview [ by Michael Bailey ]:

Our paths crossed years ago (2015, believe it or not) when I was reading submissions as Managing Editor for a certain small press. Out of all the submissions received, yours kind of punched me in the face. Hard. I can still feel it. I was instantly drawn to your prose, and the world you created. The story is one of incredible value. In fact, I was this close (I’m holding my fingers together until they’re almost touching) to having you sign with that particular publisher. My only hesitation was that I was constantly thinking, “This is not small press. This is something more.” But of course, I also wanted your novel to help launch the new science fiction line that publisher was trying to get off the ground (it never took off, and we have since parted ways). I even had a few artists work on cover options. Long story short (and I won’t go into the details of that particular project), as with most small presses, there was a long wait from the powers-that-be to make decisions, and after some time you pulled the novel and let me know you were going try it with an agent. To which I enthusiastically yelled, “Yes!” (scaring my cats) and “This needs to happen!” (or something like that).

What I’ve learned about you since then as that not only do you write fiction, but you also write poetry, as well as nonfiction articles on architecture. Your story “Virtual Snapshots” appeared in Terraform and was shortlisted for a Nommo Award, and you have short fiction published in The Fog Horn (“The Palapye White Birch” and “Eco-Humans”), as well as Apex magazine (“Murders Fell from our Wombs”). Your poetry has been featured in Elsewhere Lit (“Home?” and “Fetal Sundays”) and Strange Horizons (“Constellations of You” and “I Will Be Your Grave,” which was nominated for the Rhysling Award).

I mention all these titles specifically (and with links) because they too tell a story. They provide hints as to what your writing is like, and perhaps what it’s about. Your titles are as intriguing as that of your novel, which I hope to someday see in bookstores.

Now, I probably butcher your name every time I say it aloud, although for some reason typing it is not a problem at all (I don’t think I’ve ever mistyped it). I usually pronounce it, “Lot-lo Sa-mace” with both t’s either silent, or slightly emphasized with the tongue.

So, the questions:

Michael Bailey: How do you pronounce your name (and I apologize if I’ve said it wrong these last 4+ years)?

Tlotlo Tsamaase: Oh, the t’s are definitely not silent. Here’s how you pronounce my name Tloo-Tlo and my surname Tsa-mah-ah-seh. Using phonetic sound symbols, a friend advised that the first name is /tlōtʊ:/ Hopefully that was close to helpful!

MB: Later this year, a short novelette of yours will appear in the anthology Prisms, which I co-edited with Darren Speegle for PS Publishing, and I’m proud to say (not only from my mouth but have heard it from Darren as well), that it’s one of the most intriguing stories either of us has ever commissioned. Like your other published works, it too has an interesting title: “District to Cervix: The Time Before We Were Born.” What can you tell us about that story?

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[ mock cover created in early development ]

TT: Thank you so much! The story is told from the male protagonist’s POV who, through guilt, reveals a secret to his close friend about how he betrayed his friend the time before they were born to explain. This line explains the gist of the story: “And who are we? Sexless souls warring to be born through the granddaughter—the way we want. My application to be born was approved several days ago … You choose who you’re born from, how, in what sex and all that shit.” The granddaughter of a household is pregnant with two children, and there’s a congregation of women in the kgotla deciding on the gender of these children and basically the roles they will serve in the eco-city they live in. Ultimately the decision lies with the sexless souls who, existing in a different realm, must fight and / or kill for the gender, ethnicity they want, as well as which family to be born in. The stakes: you could die and never be born.

MB: You have fiction published in magazines and anthologies around the world, which means you have a passion for short fiction (along with a passion for poetry). What first drew you to reading and writing short fiction?

TT: From a young age, I read children’s books and whatever novels we had in the house, which were adult titles like Sidney Sheldon, Danielle Steele, etc. I loved creating with my hands, building tiny houses, or writing out stories for my friends and I to act out. In primary school, my Standard 6 teacher found creative ways to get us into reading more, so I’d go through a million books in a week. Eventually, I wrote long romantic stories that were darker than romantic but remained as unfinished stories. It was also during my university years when I chanced upon Haruki Murakami’s Norwegian Wood. From the first page, I felt so transported; his writing was intermixed with voice and longing. And Helen Oyeyemi’s prose was chilling but had some dark aesthetic to it. It entranced me so deeply I wanted to learn how to do that, so I began reading as a writer and reading short fiction. Then a writer friend advised that I start out with short stories, which is good practice for writing. That’s when I also began experimenting in poetry.

MB: What brought you to poetry?

TT: Rumi! There is so much magic and beauty from Rumi’s poetry. Reading poetry, I found, comes with so many interpretations and by drawing so many meanings from the metaphors you’re able to relate and play around with words. I love Stone Bird Press’ Spelling the Hours; you just melt with the words. I attend local slam poetry sessions, and these artists are so talented; listening to a poet recite in Shona or Setswana and mix that with English makes their voice and language achingly beautiful. Going through these works teaches you what you can do with your writing.

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MB: What can you tell us about your nonfiction?

TT: I studied architecture at the University of Botswana, which is very intense and literally exercised my creative muscle. With that background, I wrote architectural articles for a local newspaper, Boidus. This included reviewing local designs and writing about built environment news. I would also write articles about people who had a creative background and were making a living out of their passion. It was a very enjoyable experience!

MB: Most of your short fiction (which sometimes dips into long fiction range), from what I have read, have a science fiction bent, but with so many truths hidden within. Is science fiction your passion, or do you find yourself writing other genres, or perhaps crossing multiple genres?

TT: Science fiction is my passion, and sometimes it tends to dive into dystopia. I have found myself writing in other genres like magical realism, which is quite an exciting genre to discover. Once before I dipped into fantasy, but by far my favorite genres to write in are science fiction and magical realism.

MB: You refer to yourself as a Motswana writer (Motswana being the singular form of “Batswana,” or also a person from the Tswana ethnic group in southern Africa). What can you tell us about your heritage? What is it like to write (or to be a writer) in Batswana?

TT: Writing from Botswana can be quite difficult in terms of character portrayal and showing various cultures as it’s writing from a non-western perspective, so it does feel difficult to fit in, especially if you’re writing from different genres or stories that don’t bow down to stereotypical representation. In some instances, the writing can feel like a process of erasure instead of creating a place of belonging. As much as that is a disadvantage, our backgrounds and culture are holy to us, allowing us to pour our experiences, background or culture into our work. Before you had to find a community online in order to interact with writers because locally there weren’t any authors to talk to or connect with. But the local writing community is growing: we currently have a book festival that invites authors; and just recently I was judging a local writing competition whereby we also get to mentor some of the writers. So we’re getting more and more people keen on writing, that’s really another way of preserving culture and showing the world our different voices.

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[ Tlotlo’s story “Who Will Clean Our Spirits When We’re Gone?” appears in the July 2019 issue of The Dark magazine ]

MB: The interviews I conduct are intended for all types of creatives (those writing fiction / nonfiction / poetry, those making music, designing books, painting, crafting; in other words, anything wherein the person involved is creating somethings from once-nothings). What would you like to share with those just dipping their toes into the ocean of creativity?

TT: It requires passion and discipline. I say this because I’ve had some writers who come to me with an interest to write or to learn how to write, but they don’t want to put in the work. They want shortcuts and mostly want their writing to be an instant money-making machine. Sometimes you have to do a lot of research, or you have to go through a draft a million times until you become sick of it.  When I started out, my writing was terrible. I spent years in novels’ pages, sleeping in their prose, pulling it apart until it bled into me, and I was saturated with a slight understanding of how to have a voice, which I returned with to my writing, and I failed and failed and keep failing by collecting rejection letters; instead of giving up, I used these rejection letters that came with constructive criticism as teachers. Working on your art can feel like war sometimes. But if you’re passionate about it, you will do anything to birth it into something. Having mentors is also good. I was in Justina Ireland’s Writing in the Margins mentorship program as well as Kate Brauning’s Breakthrough Writer’s Boot Camp, and both mentorships were very invaluable in learning about the industry and refining your work.

MB: What are you trying to tell the world with your own creations?

TT: My concepts tend to be sci-fi what-if questions that explore a limitless world and its impact on its characters. It looks at societal issues, deals with love and belonging. Lately my writing looks toward racism, internalized racism, as well as oppression of women and abuse of children, all with a sci-fi bent as is seen in “Murders Fell from Our Wombs.” But most importantly my writing tries to show multi-faceted characters with an African background appearing in genres they hardly feature in as main characters, like science fiction, fantasy and magical realism. There is freedom and sometimes happy endings that I hope readers will enjoy.

MB: If we were to look into the future, what would we expect from Tlotlo Tsamaase?

TT: Well, I would hope for my writing to be so successful that I can make a living from it. It would be wonderful if my writing could reach masses and inspire people as other works have inspired me.


Learn more about Tlotlo Tsmaase on her website, www.tlotlotsamaase.com, or follow along on Facebook or Twitter,


If you enjoyed this interview, you may enjoy some of the others. Previous interviews in this series include:

“The Hunger” with Alma Katsu
“Beginning to End” with Chuck Palahniuk
“A Little of Everything” with John Langan
“King of Illustrations” with Glenn Chadbourne
“Creator of Heroes” with David Morrell
“A Visit from the Tooth Fairy” with Zoje Stage

And coming soon:

“Not-So-Silent” with Tim Lebbon
“The Time It Takes” with Lisa Morton
“Poetry in Motion” with Marge Simon
“Spinning Yarn” with Josh Malerman
“What the Eyes Tell Us” with Daniele Serra
“Word Therapy” with Ramsey Campbell

SCIENCE FICTION EBOOK SALE!

$1.99 sci-fi sale
The following eBooks are on sale in the US and UK from February 1st through the 8th: Qualia Nous (anthology), Adam’s Ladder (anthology), and Other Music (novel by Marc Levinthal). For cheap, snag the following:
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$1.99 in the US, and £1.99 in the UK.

A literary blend of science fiction and horror, Qualia Nous contains short stories, novelettes, and poetry from established authors and newcomers from around the world.

  • “0-1” (Introduction) by Michael Bailey
  • “The Vaporization Enthalpy of a Peculiar Pakistani Family” by Usman T. Malik (winner of the Bram Stoker Award for short fiction)
  • “The Shaking Man” by Gene O’Neill
  • “Dyscrasia” by Ashlee Scheuerman
  • “The Rondelium Girl of Rue Marseilles” by Emily B. Cataneo
  • “The Angel Chaser” by Erik T. Johnson
  • “Psychic Shock” by Ian Shoebridge
  • “Peppermint Tea in Electronic Limbo” by D.J. Cockburn
  • “Second Chance” by John R. Little
  • “The Effigies of Tamber Square” by Jon Michael Kelley
  • “Shades of Naught” by Lori Michelle
  • “The Price of Faces” by James Chambers
  • “Simulacrum” by Jason V Brock
  • “Shutdown” (poem) by Marge Simon
  • “Lead Me to Multiplicity” by Peter Hagelslag
  • “Cataldo’s Copy” by Christian A. Larsen
  • “The Neighborhood Has a Barbecue” by Max Booth III
  • “Tomorrow’s Femme” (poem) by Marge Simon
  • “The Jenny Store” by Richard Thomas
  • “Night Guard” by Erinn L. Kemper
  • “A New Man” by William F. Nolan
  • “Voyeur” by John Everson
  • “Kilroy Wasn’t There” by Pat R. Steiner
  • “In the Nothing-Space, I Am What You Made Me” by Paul Michael Anderson
  • “Dura Mater” by Lucy A. Snyder
  • “Ruminations” by Rena Mason (winner of the Bram Stoker Award for short fiction)
  • “Good and Faithful Servant” by Thomas F. Monteleone
  • “Twelve Kilos” by Patrick Freivald
  • “Breathe You In Me” by Mason Bundschuh
  • “18P37-C, After Andrea Was Arrested” by Elizabeth Massie
  • “No Fixed Address” by Gary A. Braunbeck

Winner of the Benjamin Franklin Award, and nominated for the Bram Stoker Award for Superior Achievement in an Anthology. Due to contractual obligations / limitations, the eBook edition does not contain “The Jaunt” by Stephen King. Also available in trade paperback for $14.95. Fiction / poetry; 448 pages; 9×6 format.

Adam's Ladder - Cover

$1.99 in the US, and £1.99 in the UK.

The future of humankind as an ever-changing organism is a subject of much debate. Where is our evolutionary path leading? Will the next rung take the form of mental transcendence, will it set humankind on a course toward divinity, or will this uncertain path involve a dark and terrible reversion? Co-editors Michael Bailey and Darren Speegle present eighteen tales that explore the course of evolution, written by some of the best literary minds in the fields of science fiction and horror.

  • “Ch-Ch-Changes” by Chaz Brenchley
  • “Filigree, Minotaur, Cyanide, Bloom” by Damien Angelica Walters
  • “How He Helped” by Ramsey Campbell
  • “Spirits” by Gene O’Neill
  • “The Mythic Hero Most Likely to Squeeze a Stone” by B.E. Scully
  • “My Father, Dr. Frankenstein” by John Langan
  • “Undersound” by Mark Morris
  • “A Laughing Matter” by Erinn L. Kemper
  • “The Serile” by Paul Meloy
  • “Eyes of the Beholders” by Lisa Morton
  • “Strings” by Tim Lebbon
  • “Sliced Bread” by Jeffrey Thomas
  • “I Will Be the Making of You” by Rena Mason
  • “Nameless Citizen” by Brian Evenson
  • “Painting the Burning Fence” by Roberta Lannes
  • “Pity This Busy Monster Not” by Scott Edelman
  • “An End to Perpetual Motion” by Mark Samuels
  • “Swift to Chase” by Laird Barron

Finalist for the Foreword Reviews Book of the Year / IndieFAB. Also available in trade paperback for $14.95. Fiction; 304 pages; 9×6 format.

Other Music - Cover (2nd Edition)

eBook on sale for only $1.99 in the US, and £1.99 in the UK.

With the discovery of the Thompson Corridors, the universe has been opened up, connecting humankind with a vast network of sentient species. Xenosociologist Jesse Suzuki, a nanotech-rejuvenated “oldster,” has joined the forced exodus of the newly young, mandated by law to ship out through the Corridors after his 80th birthday. Jesse finds his way to Eastlink, a sprawling human habitat orbiting Shjodathz, home to a race of regenerating beings who maintain direct memory of all their past incarnations. While studying the Shjodathí and their planetary biomachine guardian Kedel, he discovers a strange anomaly within the AI’s mind that leads him on a perilous, mind-blowing adventure.

The debut solo novel by Marc Levinthal is also available in trade paperback for $12.95. Fiction; 182 pages; 9×6 format; cover artwork by George C. Cotronis; introduction by John Skipp; interior artwork by Michael Bailey.

ADAM’S LADDER PRE-ORDER CAMPAIGN!

Written Backwards is taking over the production of Adam’s Ladder, an anthology of dark science fiction co-edited by Michael Bailey and Darren Speegle, but we need your help to bring this book to life!

To help fund this project, an Indiegogo campaign has been established and will now through October 15th. This is an all-or-nothing campaign, so help out if you can. Full funding will assure that all contributors receive professional payment for their work. And upon funding, campaign backers won’t have to wait long to receive their book orders. The trade paperback and eBook  are scheduled for release in mid- to -late-October, with the deluxe hardback available in November.

Click the Adam’s Ladder cover below to visit the Indiegogo campaign.

Adam's Ladder - Cover

What is to Become of Humankind?

The future of humankind as an ever-changing organism is a subject of much debate. Where is our evolutionary path leading? Will the next rung take the form of mental transcendence, will it set humankind on a course toward divinity, or will this uncertain path involve a dark and terrible reversion?  Co-editors Michael Bailey and Darren Speegle present eighteen tales of dark science fiction that explore the course of evolution, written by some of the best literary minds in the fields of science fiction and horror:

  • Laird Barron – “Swift to Chase”
  • Chaz Brenchley – “Ch-ch-changes”
  • Ramsey Campbell – “How He Helped”
  • Scott Edelman – “Pity this Busy Monster Not”
  • Brian Evenson – “Nameless Citizen”
  • Erinn L. Kemper – “A Laughing Matter”
  • John Langan – “My Father, Dr. Frankenstein”
  • Roberta Lannes – “Painting the Burning Fence”
  • Tim Lebbon – “Strings”
  • Rena Mason – “I Will Be the Making of You”
  • Paul Meloy – “The Serile”
  • Mark Morris – “Undersound”
  • Lisa Morton – “Eyes of the Beholders”
  • Gene O’Neill – “Spirits”
  • Mark Samuels – “An End to Perpetual Motion”
  • B.E. Scully – “The Mythic Hero Most Likely to Squeeze a Stone”
  • Jeffrey Thomas – “Sliced Bread”
  • Damien Angelica Walters – “Filigree, Minotaur, Cyanide, Bloom”

Adam’s Ladder will be published in eBook, trade paperback, and in a 100-numbered / limited edition (signed by its editors, Michael Bailey and Darren Speegle).

Does it have a book trailer?

Click this image below:

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What will the trade paperback look like?

Something like this:

What is to Become of Written Backwards?

Over the last ten years, Written Backwards has published multiple award-winning anthologies, fiction collections, and standalone novels and novellas, ranging from dark science fiction to horror. Previous anthologies include the Bram Stoker Award-winning The Library of the Dead, the Benjamin Franklin Award winning (and Stoker nominated) Qualia Nous, and three volumes of Chiral Mad (the latest also up for a Stoker). Books published by Written Backwards have seen eight individual works nominated for the prestigious Bram Stoker Award, with three of those stories taking home the statue. Other stories/poems have been nominated for the Nebula, the Rhysling, and others. Foreword Reviews Book of the Year, the Indie Book Awards, the Independent Publisher Book Awards, the Eric Hoffer Book Award, the International Book Award … Written Backwards titles have seen over two dozen literary accolades over the years through its handful of titles! But we need your help bringing the next project to life: Adam’s Ladder.

With your help, Written Backwards can continue in its legacy to:

  1. Seek out diverse voices, both new and well-established.
  2. Pay writers, poets, and artists professional rates.
  3. Provide fair publishing contracts.
  4. Design and publish some of the most beautiful books imaginable.

What is to Become of this Campaign?

You’re probably wondering where your money will go for this particular campaign. Here’s the breakdown:

  • 63.64% – goes directly to the writers, which includes professional payment at a per-word rate, plus the cost of contributor copies for the various editions of the book.
  • 31.22% – goes directly to publication costs for the eBook, trade paperback, and hardback editions of the book.
  • 5.14% – covers shipping.
  • And that’s it. Zero profit will be made from this campaign. Any additional funds raised will go directly to future Written Backwards projects, some of which are already lined up as expansions/unlocks within this campaign.

This is an all-or-nothing campaign, so if it doesn’t reach it’s goal, the project gets canned. Anthologies (let’s face it), are expensive to make (but we all want them), mostly because there are so many incredible contributors involved. We need to raise $6,500 to make this book happen, so we’ve come up with some enticing perks.

And that’s how you can help …

Written Backwards has some tricks to bring you even more great (and FREE) books in the form of campaign unlocks and future anthologies.

 

Pellucid Lunacy was the first anthology published by Written Backwards, and after ten years, the book is getting a face-lift. When the campaign reaches $7,000, all backers (contributing $95 or higher) will receive a complimentary copy of the trade paperback!

The title and author of the third illustrated book in the Allevon series by Written Backwards will be revealed when the campaign reaches $8,000, and all backers (contributing $95 or higher) will receive a complimentary copy of the trade paperback.

The title and tentative cover of the next dark science fiction anthology by Written Backwards will be revealed when the campaign reaches $12,000, and all backers (contributing $95 or higher) will receive a complimentary digital copy in either PDF or EPUB.

[ to-be-announced ] will include fiction by:

Michael Marshall Smith
Ian Watson
Roberta Lannes
Scott Edelman
B.E. Scully
Lynda Rucker
Brian Evenson
Erinn L. Kemper
Chaz Brenchley
Tlotlo Tsamaase
Gene O’Neill
​Richard Thomas
Paul Meloy
… and others TBA

 

ADAM’S LADDER

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Adam’s Ladder is officially the next book I’ll be working on for Dark Regions Press, an evolutionary / sci-fi anthology I’m co-editing with Darren Speegle.

Contributor announcements will be leaked soon, as contracts are finalized, so stay tuned. Not too much can be revealed about this project as of yet, other than the fact that it’s full and we are not accepting submissions, but I can tell you that much like You Human, Qualia Nous, The Library of the Dead, and the Chiral Mad anthologies, this one will be epic, and will feature some incredible writers I’ve never had the opportunity of worked with before.

 

 

QUALIA NOW!

Qualia Nous Cover

Available now on Amazon.com

It may have been “leaked” a few days ago that Qualia Nous was made available at Amazon.com in the U.S. a bit earlier than originally anticipated (by two weeks). After Stephen King became involved, and after tracking down one of the authors working on offshore oil rigs in Russia (or something to that effect), as well as finalizing proofs for each of the 30 contributions (short stories, novelettes, a few poems; 120,000 words and 448 pages) the publishing date for this book was pushed from mid-Summer to late-Summer, then to late-August/early-September (technically late-Summer). Also during this time, Written Backwards took over an anthology project called The Library of the Dead, so time management has evolved into “tricky.” Qualia Nous is here, now, with an “official” release date of August 31st, 2014, in all its badassery. This thing is beautiful. 1.7 pounds of science fiction / horror awesome.

Yes, I leaked that information (as I am wont to do) and thus started what has made Written Backwards so much fun (and perhaps prosperous) over the years: the viral marketing component. Minutes after I ordered a large quantity of contributor, review, and “for consideration” copies from the printer, emails and instant messages lit up my phone.  The initial seed to this virality was a simple Facebook/Twitter post that read: “Take advantage! Share! Re-post! Blog! Viralize! (contributor copies will be going out soon) A more official announcement will be made soon, but for now… early bird gets the book worm.” That  was it…

Quickly thereafter, Qualia Nous contributors took over, announcing early availability on blogs and social media outlets. And then my phone exponentially lit up as that news was shared, re-shared, tweeted, re-tweeted, blogged, and re-shared some more. So, thank you, contributors, for following the Written Backwards marketing strategy of (perhaps stolen from Nine Inch Nails when they first transitioned from “traditional” to “indie”) going viral. Over a hundred copies sold overnight before this “official” press release, with 100 more already spoken for, and I haven’t even checked my email in the last few days.

I guess you could call this the “official” press release. So buy it! Read it! Explore and follow on blogs (blog.nettirw.com), on Facebook (facebook.com/nettirw), on Twitter (twitter.com/nettirw), or wherever else you find information about Qualia Nous and other Written Backwards projects. Share your experience with others, write reviews, take pictures of you holding the book in strange places, or do whatever you want with the book… Whatever you do, keep spreading the word! Let’s crank this thing above the current #130,296 rank in Amazon Books. Most importantly, if you buy from Amazon, and enjoy the Qualia Nous experience, please leave a review. Blog about it, post about it. Share your favorite stories with others. Pass this thing around… Did I mention reviews?

Feel free to share this blog, or post it wherever.

But most of all, enjoy this anthology! The amount of talent involved with this project is stellar. There is something for everyone in this tome. As the back cover states, this is “A literary blend of science fiction and horror.” It is truly something special.

One last thing: the first person to correctly translate the binary hidden within the book will receive something special. I’m not sure what that something special is just yet, but perhaps an entire Written Backwards collection, or an early peak (ARC) of the next Written Backwards project (a novella by someone incredible).

(the following is plagiarized from other related blogs):

Checked Amazon one last time before posting this… seems we’ve jumped to #82,104. #82,103, here we come!

QUALIA NOUS

Written Backwards presents Qualia Nous, a blend of science fiction and horror. With luck, this anthology will see print late August 2014 / early September 2014. Originally slated at 20 stories, this book has become somewhat of a monster: 454 pages (a palindrome), 120,021 or so words, 25 short stories, 2 poems, and 4 novelettes. The trade paperback will have a matte finish and a cover price of $20.

Qualia Nous

After an introduction by Michael Bailey (simply titled “0-1”) about the binary world of 0’s and 1’s, the infinite space between 0 and 1, the complexity of these two numbers, and perhaps a bit about life and death and the digital yet volatile past we will leave behind (what could turn out to be the ultimate science fiction nightmare), the book breaks into two parts: Qualia, and Nous, with a split table of contents. What does it all mean? Let’s break it down…

 

Qualia Definition

Qualia, or part one of this anthology, will introduce (and in a few cases re-introduce):

00. The Jaunt – Stephen King [ novelette ]
01. The Vaporization Enthalpy of a Peculiar Pakistani Family – Usman T. Malik
02. The Shaking Man – Gene O’Neill
03. Dyscrasia – Ashlee Scheuerman
04. The Rondelium Girl of Rue Marseilles – Emily B. Cataneo
05. The Angel Chaser – Erik T. Johnson
06. Psychic Shock – Ian Shoebridge
07. Peppermint Tea in Electronic Limbo – D.J. Cockburn
08. Second Chance – John R. Little
09. The Effigies of Tamber Square – Jon Michael Kelley
10. Shades of Naught – Lori Michelle
11. The Price of Faces – James Chambers
12. Simulacrum – Jason V Brock [ novelette ]
13. Shutdown – Marge Simon  [ poem ]
14. Lead Me To Multiplicity – Peter Hagelslag [ novelette ]

 

Nous Definition

Nous, or part two of the anthology, then follows:

15. Cataldo’s Copy – Christian A. Larsen
16. The Neighborhood Has a Barbecue – Max Booth III
17. Tomorrow’s Femme – Marge Simon [ poem ]
18. The Jenny Store – Richard Thomas
19. Night Guard – Erinn L. Kemper
20. A New Man – William F. Nolan
21. Voyeur – John Everson
22. Kilroy Wasn’t There – Pat R. Steiner
23. In the Nothing-Space, I Am What You Made Me – Paul Anderson
24. Dura Mater – Lucy A. Snyder
25. Ruminations – Rena Mason
26. Good and Faithful Servant – Thomas F. Monteleone
27. Twelve Kilos – Patrick Freivald
28. Breathe You In Me – Mason Ian Bundschuh
29. 18P37-C, After Andrea Was Arrested – Elizabeth Massie
30. No fixed Address – Gary A. Braunbeck  [ novelette ]

Qualia Nous  is packed with talent from writers across the world: the United States, Canada, United Kingdom, Australia, and the Russian Federation. Contributors include multi- Bram Stoker Award winning authors you recognize, and a few whose names you will soon recognize. More information soon!